1000 klassiekers: De eindejaarstop van Radio 2, Vol. 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1What a Wonderful WorldLouis Armstrong2:18
2Take On Me
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a‐ha (Norwegian synth-pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy
lead vocals:
Morten Harket
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
music videos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) by a‐ha (Norwegian synth-pop band) and Take On Me (official music video, 1985 version) by a‐ha (Norwegian synth-pop band)
part of:
The Downloader’s Music Source Book (number: 284)
recording of:
Take On Me
writer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy
publisher:
ATV Music Ltd.
a‐ha4.43:49
3Last Christmas
producer:
George Michael
music videos:
Last Christmas by Wham! (British pop-duo)
recording of:
Last Christmas
lyricist and composer:
George Michael
publisher:
Chappell & Co., Warner/Chappell Music Ltd. (1996–2019), Wham! Music Ltd., ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31), Morrison Leahy Music Ltd. (from 1984 to present) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
Wham!4.44:29
4Sex Machine
recording of:
Sex Machine (James Brown)
writer:
James Brown (“The Godfather of Soul”), Pee Wee Ellis and Bud Hobgood
James Brown5:19
5Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World and New York Post: 100 Greatest Covers (2007) (number: 52)
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. and Warner/Chappell North America
Aretha Franklin3.92:25
6Dag vreemde man
recording of:
Dag vreemde man
writer:
Mary Boduin (Belgian songwriter) and Willy Crombé (Belgian 1970s songwriter)
Ann Christy3:19
7Seven Horses in the Sky
The Pebbles3:39
8Hold Me Now
part of:
Ireland in the Eurovision Song Contest (number: 1987) and Winners of the Eurovision Song Contest (number: 1987)
recording of:
Hold Me Now (in 1987)
composer:
Johnny Logan
Johnny Logan53:05
9La Ballade des gens heureuxGérard Lenorman3:19
10Tie a Yellow Ribbon Round the Ole Oak TreeTony Orlando & Dawn53:24
11Verdronken vlinderBoudewijn de Groot42:28
12Love Really Hurts Without You
recording of:
Love Really Hurts Without You
lyricist and composer:
Ben Findon (songwriter and producer) and Leslie Sebastian Charles
publisher:
Black Sheep Music Ltd. (publisher) and EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean3:03
13Kom van dat dak af
recording of:
Kom van dat dak af
lyricist and composer:
Peter Koelewijn
Peter en zijn Rockets2:43
14Samba pa ti
engineer:
David Brown (US producer, engineer - Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-19)
congas and percussion:
Michael Carabello (on 1970-07-19)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-19)
drums (drum set):
Michael Shrieve (on 1970-07-19)
guitar:
Carlos Santana (on 1970-07-19)
keyboard:
Gregg Rolie (on 1970-07-19)
percussion:
Rico Reyes (on 1970-07-19)
tabla:
Steven Saphore (on 1970-07-19)
arranger:
Gregg Rolie and Carlos Santana
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-19)
recording of:
Samba pa ti (on 1970-07-19)
composer:
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers‐BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) and Universal Music Careers
Santana44:44
15Don’t Know Much
recording engineer and mixer:
George Massenburg
co-producer:
Steve Tyrell (American producer and vocalist)
producer:
Peter Asher
bass guitar [bass]:
Leland Sklar (bassist, session musician)
guest vocals:
Aaron Neville
vocals:
Linda Ronstadt
performer:
Aaron Neville and Linda Ronstadt
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
cover recording of:
Don’t Know Much
writer:
Barry Mann, Tom Snow (US keyboardist/songwriter) and Cynthia Weil
publisher:
ATV Music, Brain Tree Music, MCA Music Ltd. and Snow Music
Linda Ronstadt & Aaron Neville33:35
16Rain and Tears
recording of:
Rain and Tears
lyricist:
Boris Bergman (lyricist)
composer:
Johann Pachelbel (composer)
arranger:
E. Papathanassiou (Greek composer of electronic, new age and classical)
publisher:
Intersong (publisher)
is based on:
Canon and Gigue in D major, T. 377: I. Canon
Aphrodite’s Child3:14
17Black Betty
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977) and CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
strings arranger:
Mick Harvey
publisher:
Kensington Music Ltd., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam3.84:00
18RosannaToto3.84:04
19I Don’t Like Mondays
recording of:
I Don’t Like Mondays
lyricist and composer:
Johnnie Fingers and Bob Geldof
publisher:
Zomba Enterprises, Inc.
The Boomtown Rats3:45
CD 2
#TitleArtistRatingLength
1Play That Funky Music
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1976)
edit of:
Play That Funky Music (album version) by Wild Cherry (70s US Funk Rock, best known for "Play That Funky Music")
recording of:
Play That Funky Music (in 1976)
lyricist and composer:
Robert W. Parissi
publisher:
Bema Music (publisher), RWP Music, Sweet City Records Inc. and Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry4.353:05
2Because the Night
producer:
Jimmy Iovine
mixer:
Jimmy Iovine and Shelly Yakus
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978)
recording of:
Because the Night
publisher:
Bruce Springsteen
lyricist:
Patti Smith (in 1977) and Bruce Springsteen (in 1977)
composer:
Bruce Springsteen (in 1977)
publisher:
Bruce Springsteen Music
Patti Smith Group4.653:24
3Child in Time
engineer:
Andy Knight (UK engineer)
producer:
Deep Purple
drums (drum set):
Ian Paice (from 1969-10 until 1970-04)
electric bass guitar:
Roger Glover (from 1969-10 until 1970-04)
electric guitar:
Ritchie Blackmore (from 1969-10 until 1970-04)
Hammond organ:
Jon Lord (from 1969-10 until 1970-04)
lead vocals:
Ian Gillan (from 1969-10 until 1970-04)
phonographic copyright (℗) by:
HEC Enterprises Ltd.
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (from 1969-10 until 1970-04)
partial recording of:
Child in Time (from 1969-10 until 1970-04)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
B. Feldman & Co. (publisher active since the 1910s), EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (until 2021-06-30), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
is based on:
Bombay Calling
Deep Purple6:10
4I’m Gonna Be (500 Miles)
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
acoustic guitar:
Jerry Donahue and Charlie Reid
bass guitar:
Phil Cranham
drums (drum set):
Paul Robinson (UK drummer, also Turning Point member)
electric guitar:
Jerry Donahue
fiddle:
Steve Shaw (Steve Brennan)
keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
mandolin and tin whistle:
Stuart Nisbet
steel guitar:
Gerry Hogan
vocals:
Charlie Reid and Craig Reid
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) and Chrysalis Records, Inc. (not for release label use!) (in 1988)
recorded at and mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 21)
recording of:
I’m Gonna Be (500 Miles)
writer:
Charlie Reid and Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Proclaimers43:38
5I Walk the Line
recording of:
I Walk the Line
lyricist and composer:
John R. Cash (country music legend) (in 1956)
publisher:
Aberbach (London) (Publisher), Carlin Music Corporation, Hill and Range Songs, Inc., Hill and Range Southwind Mus S A (BMI-affiliated) and House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash2:36
6Porselein
producer:
Eric Melaerts (Belgian guitarist & producer)
vocals:
Yasmine (Belgian singer Hilde Rens)
recording of:
Porselein
lyricist and composer:
Stefaan Fernande (Belgian songwriter)
Yasmine3:25
7Are You Lonesome Tonight?
cover recording of:
Are You Lonesome Tonight?
lyricist:
Roy Turk
composer:
Lou Handman
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music and Redwood Music Ltd. (Carlin)
Elvis Presley3:09
8You’re So Vain
recording engineer and engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
bass:
Klaus Voorman (from 1972-09 until 1972-10)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (from 1972-09 until 1972-10)
guitar:
Jimmy Ryan (American guitarist and singer/songwriter) (from 1972-09 until 1972-10)
percussion:
Richard Perry (producer) (from 1972-09 until 1972-10)
piano and lead vocals:
Carly Simon (from 1972-09 until 1972-10)
background vocals:
Mick Jagger (from 1972-09 until 1972-10)
background vocals [additional background vocals]:
Carly Simon and Doris Troy
strings arranger:
Carly Simon
orchestrator:
Paul Buckmaster
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1972), Elektra Entertainment (renamed from Elektra 1989–2004; revived as Elektra 2009-06-01) (in 1978) and Rhino Entertainment Company (not for release label use!) (in 2015)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 495)
recording of:
You’re So Vain (from 1972-09 until 1972-10)
lyricist and composer:
Carly Simon
publisher:
C’est Music and Universal Music Corporation (USA, affiliated with ASCAP)
Carly Simon4.754:19
9It Never Rains in Southern CaliforniaAlbert Hammond23:54
10Het water is veel te diep
Willy Sommers43:21
11When a Man Loves a Woman
recorded in:
Muscle Shoals, Alabama, United States (on 1966-02-17)
producer:
Marlin Greene ('60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene ('60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54)
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Pronto Music, Inc. (publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:56
12Lonely This Christmas
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
performer:
Mud (UK glam rock band)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1974) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1974)
recording of:
Lonely This Christmas
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing Ltd.
Mud2.53:34
13Don’t Answer Me
assistant engineer:
Tony Richards (recording engineer)
engineer and producer:
Alan Parsons (of The Alan Parsons Project)
executive producer:
Eric Woolfson
acoustic guitar:
Ian Bairnson and David Paton
bass guitar:
David Paton
drums (drum set) and percussion:
Stuart Elliott (Session drummer, member of Cockney Rebel)
guitar:
Ian Bairnson
keyboard and background vocals:
Chris Rainbow and Eric Woolfson
saxophone:
Mel Collins
synthesizer [Fairlight]:
Alan Parsons (of The Alan Parsons Project)
lead vocals:
Eric Woolfson
recording of:
Don’t Answer Me
writer:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
The Alan Parsons Project3.654:13
14Green, Green Grass of HomeTom Jones3:05
15Un canto a Galicia
recording of:
Un canto a Galicia
lyricist:
Julio Iglesias
composer:
Benito Lauret
Julio Iglesias54:16
16Brandend zand
recording of:
Brandend zand
lyricist:
Kurt Feltz
writer:
Werner Scharfenberger
translator:
Johnny Hoes
translated version of:
Heißer Sand
Anneke Grönloh2:55
17Make Me Smile
producer:
Steve Harley and Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
part of:
TV Cream: Real 100 Best Singles Ever (number: 18)
recording of:
Make Me Smile (Come Up and See Me)
lyricist and composer:
Steve Harley
publisher:
RAK Publishing Ltd. and Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:56
18You Ain’t Seen Nothing Yet
engineer:
Mark Smith (Canadian engineer)
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
solo guitar and lead vocals:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographic copyright (℗) by:
Phonogram, Inc. (in 1974) and PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974)
recording of:
You Ain’t Seen Nothing Yet
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
Ranbach Music (publisher), Ranbach Music Ltd. and Sony Songs Inc.
Bachman–Turner Overdrive4.353:39
19I Will Always Love You
engineer:
David Reitzas, Bill Schnee and Peter Yianilos
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive) and Whitney Houston
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
David Reitzas
creative direction:
Rickey Minor
solo saxophone:
Kirk Whalum
arranger:
David Foster (Canadian music producer, arranger and composer)
vocals arranger:
Whitney Houston
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
part of:
The Co-Op: Top 10 British Funeral Songs (number: 3), New York Post: 100 Greatest Covers (2007) (number: 59) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 94)
cover recording of:
I Will Always Love You
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Owepar Publishing Inc. and Velvet Apple Music
Whitney Houston4.54:30
CD 3
#TitleArtistRatingLength
1Let the Music Play
recording of:
Let the Music Play
lyricist and composer:
Barry White
Barry White6:17
2Sexual Healing
producer:
Marvin Gaye
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1982)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 231)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3.83:59
3Think
producer:
Bob Tischler
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Willie "Too Big" Hall
guitar:
Steve Cropper and Matt Murphy (US blues guitarist)
keyboard:
Murphy Dunne
saxophone:
Tom “Bones” Malone (US trombonist) and Lou Marini
trumpet:
Al Rubin
background vocals:
Margaret Branch, Caroline Franklin and Brenda Corbett
guest lead vocals:
Aretha Franklin
vocals:
Aretha Franklin
performer:
Blues Brothers (blues/soul revivalist band) and Aretha Franklin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
cover recording of:
Think
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
Aretha Franklin3.83:15
4Oh La La La
T.C. Matic3:19
5Vienna
producer:
Conny Plank (German producer and sound engineer) and Ultravox
bass:
Chris Cross (UK bassist for Ultravox)
drums (drum set):
Warren Cann
guitar:
Midge Ure
keyboard and violin:
Billy Currie
vocals:
Midge Ure
recording of:
Vienna
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) and Sing Sing Songs Ltd.
Ultravox34:38
6This Strange Effect
recording of:
This Strange Effect
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
Dave Berry2:30
7Zeil je voor het eerst
Bart Kaëll4:08
8Me and Mrs. Jones
producer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Billy Paul (American soul singer)
performer:
MFSB (in 1972)
brass [horns] arranger and strings arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Me and Mrs. Jones (in 1972)
writer:
Kenneth Gamble, Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billy Paul4.54:46
9A Steel Guitar and a Glass of Wine
recording of:
A Steel Guitar and a Glass of Wine
lyricist and composer:
Paul Anka
Paul Anka2:14
10Lucky Man
engineer:
Eddy Offord
producer:
Greg Lake
acoustic guitar and bass guitar:
Greg Lake
drums (drum set) and percussion:
Carl Palmer
Moog and piano:
Keith Emerson
vocals:
Greg Lake
arranger:
Emerson, Lake & Palmer
phonographic copyright (℗) by:
Leadclass Ltd (copyrights holder) (in 2012)
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London (Greater London), England, United Kingdom
recording of:
Lucky Man
lyricist and composer:
Greg Lake
publisher:
Bosworth & Co. Ltd. and Leadchoice, Ltd.
Emerson, Lake & Palmer4.654:39
11Je suis venue te dire que je m’en vais
phonographic copyright (℗) by:
Melody Nelson (in 1981)
cover recording of:
Je suis venu te dire que je m’en vais
lyricist and composer:
Serge Gainsbourg
publisher:
Melody Nelson Publishing
Jo Lemaire + Flouze53:41
12Need Your Love So Bad
cover recording of:
Need Your Love So Bad
lyricist and composer:
Little Willie John and Mertis John Jr. (older brother of Little Willie John)
publisher:
Fort Knox Music Co and Peter Maurice Music Co.
Fleetwood Mac3:56
13The Free Electric BandAlbert Hammond3:28
14Conquest of Paradise
recording engineer and mixer:
Philippe Colonna
assistant producer:
Frederick Rousseau
producer:
Vangelis (Greek composer of electronic, new age and classical)
classical guitar [Spanish guitar]:
Bruno Manjarrés and Pepe Martinez (flamenco guitar player)
flute:
Didier Malherbe
mandolin and violin:
Francis Darizcuren
choir vocals:
English Chamber Choir
vocals:
Bruno Manjarrés, Pepe Martinez (flamenco guitar player) and Guy Protheroe
conductor:
Guy Protheroe
performer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographic copyright (℗) by:
Warner Music U.K. Ltd. (not for release label use!) (in 1992)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (choir vocals) and Epsilon Laboratory in Paris, Île-de-France, France
mixed at:
Epsilon Laboratory in Paris, Île-de-France, France
recording of:
Conquest of Paradise (1492: Conquest of Paradise)
composer:
Vangelis (Greek composer of electronic, new age and classical)
publisher:
Spheric BV
Vangelis44:48
15Sans toi ma mie
vocals:
Adamo (Belgian singer Salvatore Adamo)
arranger:
Aimable Donfut
recording of:
Sans toi ma mie (in 1964)
lyricist and composer:
Adamo (Belgian singer Salvatore Adamo)
publisher:
EMI Music Publishing Belgium and Rudo Editions
Adamo2:48
16Nobelprijs
recording of:
Nobelprijs
writer:
Stefaan Fernande (Belgian songwriter)
Clouseau3:52
17Mr. Blue Sky
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass:
Kelly Groucutt (in 1977)
drums (drum set), other instruments [fire extinguisher] and percussion:
Bev Bevan (English rock drummer) (in 1977)
guitar, synthesizer and lead vocals:
Jeff Lynne (in 1977)
keyboard:
Richard Tandy (in 1977)
background vocals:
Bev Bevan (English rock drummer) (in 1977) and Kelly Groucutt (in 1977)
conductor:
Louis Clark (in 1977)
arranger:
Louis Clark, Jeff Lynne and Richard Tandy
phonographic copyright (℗) by:
Jet Records (in 1977), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977, in 2005), Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1977)
recorded at:
Musicland Studios (Munich) in München, Bayern, Germany (in 1977)
mixed at:
Musicland Studios (Munich) in München, Bayern, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 17) and Q50 - December 2005 (number: 33)
recording of:
Mr. Blue Sky (in 1977)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), EMI Songs Ltd. and Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
Concerto for a Rainy Day
Electric Light Orchestra4.55:07
18Breakfast in America
sound engineer:
Russel Pope
assistant engineer:
Lenise Bent and Jeff Harris (recording engineer)
engineer:
Peter Henderson (English sound engineer)
producer:
Peter Henderson (English sound engineer) and Supertramp
bass guitar:
Dougie Thomson
drums (drum set):
Bob Siebenberg
guitar and keyboard:
Roger Hodgson
keyboard:
Rick Davies (UK keyboardist, member of Supertramp)
woodwind:
John Helliwell
vocals:
Rick Davies (UK keyboardist, member of Supertramp) and Roger Hodgson
phonographic copyright (℗) by:
A&M Records (in 2010)
recorded at:
The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
mixed at:
Crystal Sound in Hollywood, Los Angeles, California, United States
recording of:
Breakfast in America
writer:
Rick Davies (UK keyboardist, member of Supertramp) and Roger Hodgson
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Delicate Music
Supertramp3.952:39
19Take Me Home, Country RoadsJohn Denver4.43:13
CD 4
#TitleArtistRatingLength
1Gimme All Your Lovin’
engineer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
drums (drum set) and percussion:
Frank Beard (ZZ Top drummer)
electric bass guitar:
Dusty Hill
electric guitar and lead vocals:
Billy Gibbons
vocals:
Dusty Hill
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Gimme All Your Lovin’
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Hamstein Music Company (publisher), Music of Stage Three and Songs of Mosaic
ZZ Top4.153:59
2When the Lady Smiles
recording of:
When the Lady Smiles
lyricist:
Barry Hay
composer:
George Kooymans
Golden Earring35:11
3Love Shack
assistant engineer:
Martin Kunitz
engineer:
Dave Cook (US engineer and producer)
producer:
Don Was
mixer:
Tom Durack
guest bass guitar:
Sara Lee (UK bassist, singer & songwriter)
guest drums (drum set):
Charley Drayton
guest horn:
Uptown Horns
guitar:
Keith Strickland
keyboard:
Kate Pierson
vocals:
Kate Pierson, Fred Schneider (US singer-songwriter, frontman of The B-52s) and Cindy Wilson
phonographic copyright (℗) by:
Reprise Records (in 1989)
recorded at:
Dreamland Studios in Hurley, New York, United States
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
additionally produced at:
Bearsville Studios in Bearsville, New York, United States
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 243)
recording of:
Love Shack
writer:
Kate Pierson, Fred Schneider (US singer-songwriter, frontman of The B-52s), Keith Strickland and Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52s4.455:24
4Daydream
phonographic copyright (℗) by:
BMG Ariola (company mostly named as distributor) (in 1969)
recording of:
Daydream
composer:
David Mackay (Australian producer, arranger, musical director), Sylvain Vanholme (Belgian musician & producer) and Raymond Vincent (Belgian violinist)
Wallace Collection4:16
5More Than a Feeling
assistant engineer:
Bruce Hensal, Deni King (engineer) and Doug Rider
engineer:
Warren Dewey and Tom Scholz
producer:
John Boylan and Tom Scholz
assistant mixer:
Steve Hodge
acoustic guitar, bass, guitar [lead guitar] and guitar [rhythm guitar]:
Tom Scholz (from 1975 until 1976)
drums (drum set) and percussion:
Sib Hashian (from 1975 until 1976)
lead vocals and lead vocals [Harmony]:
Brad Delp (from 1975 until 1976)
arranger:
Brad Delp and Tom Scholz
co-arranger:
Jim Masdea
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1976)
recorded at:
Foxglove Studios in Watertown, Massachusetts, United States (in 1975), Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (in 1976) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
earliest release:
More Than a Feeling by Boston (US rock band)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 212) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 500)
recording of:
More Than a Feeling (from 1975 until 1976)
lyricist and composer:
Tom Scholz
publisher:
Screen Gems–EMI Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Pure Songs (in 1976)
Boston3.954:47
6Release Me
recording of:
Release Me
additional writer:
W.S. Stevenson
writer:
Eddie Miller (US country music songwriter), Dub Williams (pseudonym used by James Pebworth) and Robert Yount (songwriter)
publisher:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing and Sony/ATV Music Publishing Ltd.
Engelbert Humperdinck3:20
7Paid My Dues
recording engineer:
“Young” Dave Scheuer and Thomas R. Yezzi (lead vocals)
miscellaneous support:
Marc Russell (task: production coordinator)
drums (drum set) [drum] programming and additional producer:
Richie Jones
producer:
Ric Wake
assistant mixer:
Jim Annunziato
mixer:
Dan Hetzel and Richie Jones
bass guitar:
Marc Russell
guitar [guitars] and keyboard [keyboards]:
Eric Kupper
background vocals:
Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), LaMenga Kafi, Danny Madden and Nicki Richards
arranger:
Richie Jones and Ric Wake
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 2001)
produced for:
W&R Group
recorded at:
Cove City Sound Studios in Glen Cove, New York, United States and Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
mixed at:
Cove City Sound Studios in Glen Cove, New York, United States
music videos:
Paid My Dues by Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
recording of:
Paid My Dues (in 2001)
writer:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Greg Lawson (US songwriter), LaMenga Kafi and Damon Sharpe
publisher:
Annotation Music, BMG Platinum Songs US, Connotation Music, Damon Sharpe Music, GQ Romeo Music, Locoriya’s Songs, Poho Productions, Universal Music Corp. (USA, affiliated with ASCAP), VMG Notation Copyrights, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp (1929–2019)
Anastacia3.73:23
8Les Lacs du ConnemaraMichel Sardou6:00
9Hou me vast
recording of:
Hou me vast
lyricist and composer:
Xander de Buisonjé
Volumia!3:44
10A Boy Named Sue
recording of:
A Boy Named Sue
lyricist and composer:
Shel Silverstein
Johnny Cash3:46
11White Flag
additional recording engineer:
Grippa
recording engineer and mixer:
Ash Howes (British mixer, writer and musician)
programming:
Mark Bates (member of the band Dusted) and P*Nut
producer:
Dido (English singer‐songwriter) and Rollo (Rollo Armstrong of Faithless)
additional acoustic guitar:
Paul Herman
bass guitar and drums (drum set):
P*Nut
electric guitar:
Rusty Anderson
guitar and keyboard:
Rick Nowels
piano:
Mark Bates (member of the band Dusted)
lead vocals:
Dido (English singer‐songwriter)
conductor:
Gavyn Wright (UK violinist)
strings arranger:
Nick Ingman
phonographic copyright (℗) by:
BMG UK & Ireland Ltd. (holding company, do not add releases here) (in 2003)
recording of:
White Flag
lyricist:
Dido (English singer‐songwriter)
composer:
Dido (English singer‐songwriter), Rick Nowels and Rollo Armstrong
part of:
The Ballad of the Costa Concordia
Dido4.34:02
12I’m AliveCéline Dion3:07
13Eye in the Sky
additional recording engineer and additional producer:
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK)
assistant engineer:
Tony Richards (recording engineer)
engineer and producer:
Alan Parsons (of The Alan Parsons Project)
executive producer:
Eric Woolfson
acoustic guitar and electric guitar:
Ian Bairnson
bass guitar:
David Paton
drums (drum set) and percussion:
Stuart Elliott (Session drummer, member of Cockney Rebel)
electric piano and lead vocals:
Eric Woolfson
keyboard:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
saxophone:
Mel Collins
synthesizer:
Alan Parsons (of The Alan Parsons Project)
background vocals:
Chris Rainbow
conductor:
Andrew Powell (known for contributions to Alan Parsons Project)
chorus master:
Bob Howes (percussionist)
orchestrator:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982, in 2007)
recording of:
Eye in the Sky
writer and composer:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
publisher:
Careers Music, Inc. and Woolfsongs Ltd.
The Alan Parsons Project4.44:37
14Dust in the Wind
additional engineer:
Terry Diane Becker (engineer)
engineer:
Jeff Glixman (from 1977-06 until 1977-07)
producer:
Jeff Glixman (in 1977-06)
acoustic guitar and electric guitar:
Kerry Livgren (from 1977-06 until 1977-07) and Rich Williams (guitarist of Kansas) (from 1977-06 until 1977-07)
bass guitar:
Dave Hope (from 1977-06 until 1977-07)
celesta, organ, synthesizer, vibraphone and lead vocals:
Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
cello, viola and violin [violins]:
Robby Steinhardt (from 1977-06 until 1977-07)
chimes, drums (drum set), gong and timpani:
Phil Ehart (from 1977-06 until 1977-07)
clavinet and synthesizer [synthesizers]:
Kerry Livgren (from 1977-06 until 1977-07)
percussion [additional percussion]:
Phil Ehart (from 1977-06 until 1977-07), Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
piano:
Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
background vocals:
Robby Steinhardt (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
arranger:
Kansas (US prog rock band)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
recorded at:
Studio in the Country in Bogalusa, Louisiana, United States (from 1977-06 until 1977-07) and Woodland Studios in Nashville, Tennessee, United States (from 1977-06 until 1977-07)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States (in 1977-08)
recording of:
Dust in the Wind (from 1977-06 until 1977-07)
lyricist and composer:
Kerry Livgren
publisher:
Don Kirshner Music Inc. and Kirshner CBS Music Publishing
sub-publisher:
フジパシフィックミュージック SBK事業部
Kansas3.853:28
15Ik weet wel mijn lief
Zjef Vanuytsel4:24
16Stand by Your Man
producer:
Billy Sherrill (US songwriter/producer/arranger)
lead vocals:
Tammy Wynette
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 473)
recording of:
Stand by Your Man (in 1968)
writer:
Billy Sherrill (US songwriter/producer/arranger) and Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. (1989-07-24–present) and EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette42:42
17Mandy
co-producer:
Clive Davis (record producer, A&R executive and music industry chief executive)
producer:
Ron Dante and Barry Manilow
lead vocals:
Barry Manilow
strings arranger:
Joe Renzetti
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1974) and Bell Records (50s-70s US/UK pop, later became Arista) (in 1974)
cover recording of:
Brandy (more popularly known as Mandy) (in 1978)
lyricist:
Scott English
composer:
Richard Kerr
publisher:
Chappell/Morris Ltd., Morris Music Inc, Screen Gems–EMI Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Barry Manilow43:22
18Chirpy Chirpy Cheep Cheep
cover recording of:
Chirpy Chirpy Cheep Cheep (Lally Stott / Middle of the Road)
lyricist:
Lally Stott (in 1971)
composer:
Lally Stott
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Middle of the Road42:59
19Love Is All Around
co-producer:
Graeme Duffin
conductor:
Fiachra Trench
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
music videos:
Love Is All Around by Wet Wet Wet
cover recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.63:58
CD 5
#TitleArtistRatingLength
1Papa Was a Rollin’ StoneThe Temptations6:53
2I Was Made for Lovin’ You
recording engineer and mixer:
Jay Messina
assistant engineer:
Jim Galante and Jon Mathias (engineer)
producer:
Vini Poncia
drums (drum set):
Anton Fig
keyboard and background vocals:
Vini Poncia
lead vocals:
Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979) and PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979)
produced for:
Mad Vincent Productions
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
I Was Made for Lovin’ You
writer:
Desmond Child, Vini Poncia and Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) and Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music and Universal Music Publishing France (not for release label use!)
KISS4.84:31
3Nights in White Satin
executive producer:
Hugh Mendl
producer:
Tony Clark (engineer, Abbey Road)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (for copyrights use only!) (in 1967)
recording of:
Nights in White Satin (in 1967)
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Tyler Music Ltd.
The Moody Blues4.454:25
4I Will Survive
associate producer:
Freddie Perren
producer:
Dino Fekaris
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 251) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 489)
recording of:
I Will Survive
writer:
Dino Fekaris and Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (AU subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.83:16
5I Want You Back
Natalia4:06
6You Are
recording of:
You Are
lyricist and composer:
Dolly Parton
Dolly Parton35:17
7Ballroom Blitz
producer:
Phil Wainman
recording of:
The Ballroom Blitz
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing Ltd.
The Sweet4.654:03
8I Got You Babe
vocals:
Sonny Bono (in 1965) and Cher (in 1965)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 444)
recording of:
I Got You Babe (in 1965)
lyricist and composer:
Sonny Bono
publisher:
Carlin Music, Chris Marc Music and Cotillion Music (BMI)
Sonny & Cher4.153:12
9Non je ne regrette rien
vocals:
Édith Piaf (on 1960-11-10)
conductor:
Robert Chauvigny (French composer, orchestra leader and conductor) (on 1960-11-10)
recording of:
Non, je ne regrette rien (on 1960-11-10)
lyricist:
Michel Vaucaire
composer:
Charles Dumont
publisher:
Éditions Semi (SEMI Société)
Édith Piaf52:23
10Laat ons een bloem
recording of:
Laat ons een bloem
lyricist and composer:
Wally Whyton
translator:
Phil Van Cauwenbergh (Belgian 1960/70s lyricist)
translated version of:
Leave Them a Flower
Louis Neefs2:39
11The RoseBette Midler3:25
12Keep On Loving You
assistant engineer:
Tom Cummings (engineer) and Jeff Eccles
engineer:
Kevin Beamish
co-producer:
Alan Gratzer
producer:
Kevin Beamish, Kevin Cronin and Gary Richrath
acoustic guitar:
Kevin Cronin
bass:
Bruce Hall (US bassist for REO Speedwagon)
drums (drum set):
Alan Gratzer
guitar:
Gary Richrath
Hammond organ:
Neal Doughty
background vocals:
Kevin Cronin, Tom Kelly (songwriter) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arranger:
Kevin Cronin
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1980)
recording of:
Keep On Loving You
lyricist and composer:
Kevin Cronin
publisher:
Fate Music and Taiyō Music
REO Speedwagon3.753:23
13Banger hart
recording of:
Banger hart
lyricist:
Belinda Meuldijk (Dutch Songwriter, Actress and Photographer)
composer:
Ellert Driessen
Rob de Nijs3:45
14Wind of Change
assistant engineer:
Shay Baby, Attie Bauw, Albert Boekholt and Tom Fletcher (Engineer)
engineer:
Erwin Musper and Keith Olsen (US producer and engineer)
producer:
Keith Olsen (US producer and engineer) and Scorpions (German rock band)
mixer:
Shay Baby, Erwin Musper and Keith Olsen (US producer and engineer)
acoustic guitar:
Rudolf Schenker (in 1990)
bass guitar:
Francis Buchholz (in 1990)
drums (drum set) and percussion:
Herman Rarebell (drummer, Germany) (in 1990)
electric guitar [lead guitar] and electric guitar [rhythm guitar]:
Matthias Jabs (in 1990) and Rudolf Schenker (in 1990)
guest keyboard:
Koen van Baal (in 1990)
slide guitar:
Matthias Jabs (in 1990)
background vocals:
Francis Buchholz (in 1990), Matthias Jabs (in 1990), Klaus Meine (in 1990), Herman Rarebell (drummer, Germany) (in 1990) and Rudolf Schenker (in 1990)
lead vocals:
Klaus Meine (in 1990)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990)
recorded at:
Goodnight LA Studios in Van Nuys, California, United States (in 1990) and Wisseloord Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1990)
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands
recording of:
Wind of Change (in 1990)
lyricist and composer:
Klaus Meine
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Scorpions3.855:13
15Senza una DonnaZucchero & Paul Young34:29
16Lena
2 Belgen33:58
17In the Year 2525 (Exordium & Terminus)Zager & Evans3.753:17
18Alexandrie, AlexandraClaude François4:25
19Volare
Al Martino5:16

Credits

Release group

part of:1000 klassiekers: De absolute top (Series of compilation albums by Belgian radio station Radio 2) (order: 2)