Classic Dreams, Folge 1

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1"Jupiter-Symphonie" Symphonie no. 41 in C-Dur KV 551: Andante cantabile
orchestra:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Salzburg Mozarteum Orchestra
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Carl-August Bünte (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), János Sándor, Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: II. Andante cantabile
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart9:33
2Doppelkonzert für 2 Violinen und Orchester in D-Moll BWV 1043: Largo ma non tanto
violin:
Joseph Brezina (violinist), Feliz Elias (violinist), Alberto Tozzi and Tomasco Vecchi
orchestra:
Camerata Romana (an Alfred Scholz pseudonym) and Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach7:19
3Slawischer Tanz no. 2 in E-Moll, op. 72
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Slavonica (Alfred Scholz pseudonym) and Royal Philharmonic Orchestra
conductor:
Alfred Scholz
recording of:
Slavonic Dances, op. 72: No. 2 in E minor: Allegretto grazioso (for orchestra)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
part of:
Slawische Tänze, op. 72, B. 147 (for orchestra)
Antonín Dvořák5:39
4Klavierkonzert no. 1 in E-Moll, op. 11 - Romance: I. Larghetto
piano:
Hélène Gàl (pianist, an Alfred Scholz pseudonym)
orchestra:
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto
composer:
Fryderyk Chopin (composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Fryderyk Chopin10:29
5Polka aus "Die verkaufte Braut"
orchestra:
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) and Slovenská filharmónia (Slovak Philharmonic, Bratislava)
conductor:
Libor Pešek (conductor) and Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
phonographic copyright (℗) by:
GMS (in 1986)
recording of:
Die verkaufte Braut: I. Polka
composer:
Bedřich Smetana (composer) (from 1863 until 1870)
part of:
Three Dances from "The Bartered Bride"
Bedřich Smetana4:35
6Carmen-Suite no. 2 (Marche des contrebandiers, Habanera, Nocturne, Chansons du toreador)
orchestra:
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz)
recording of:
Carmen Suite no. 2: I. Marche des contrebandiers
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers)
part of:
Carmen Suite no. 2
recording of:
Carmen Suite no. 2: II. Habanera
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera)
part of:
Carmen Suite no. 2
recording of:
Carmen Suite no. 2: III. Nocturne
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
part of:
Carmen Suite no. 2
recording of:
Carmen Suite no. 2: IV. Chanson du toréador
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
part of:
Carmen Suite no. 2
Georges Bizet13:04
7Klavierkonzert no. 5 in Es-Dur, op. 73: Adagio un poco mosso
piano:
Peter Toperczer (Slavic pianist)
conductor:
Libor Pešek (conductor)
performer:
Slovenská filharmónia (Slovak Philharmonic, Bratislava)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven8:21

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part of:Classic Dreams (number: 1) (order: 1)