Matthäus-Passion

~ Release by Johann Sebastian Bach; Gundula Janowitz, Christa Ludwig, Peter Schreier, Horst Laubenthal, Dietrich Fischer‐Dieskau, Walter Berry, Anton Diakov, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
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1Matthäus-Passion, BWV 244: Teil I: Chorus I/II: 'Kommt, ihr Tochter, helft mir klagen'
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Deutschen Oper Berlin (in 1972-01), Staats‐ und Domchor Berlin (in 1972-01) and Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01), Walter Hagen-Groll (chorus master) (in 1972-01) and Karl-Heinz Kaiser (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach59:21
2Matthäus-Passion, BWV 244: Teil I: Evangelist, Jesus: 'Da Jesus diese Rede vollendet hatte'
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:52
3Matthäus-Passion, BWV 244: Teil I: Choral: Herzliebster Jesu, was hast du verbrochen
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (from 1971-12-14 until 1972-11-01)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:14
4Matthäus-Passion, BWV 244: Teil I: Evangelist: 'Da versammeleten sich die Hohenpriester' / No.5 Chor: 'Ja nicht auf das Fest'
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
recording of:
Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:42
5Matthäus-Passion, BWV 244: Teil I: Evangelist: 'Da nun Jesus war zu Bethanien' / No.7 Chorus: 'Wozu dienet dieser Unrat?'
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
recording of:
Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:59
6Matthäus-Passion, BWV 244: Teil I: Evangelist, Jesus: 'Da das Jesus merkete'
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach1:57
7Matthäus-Passion, BWV 244: Teil I: Recitative (Alto): 'Du lieber Heiland du'
producer:
Hans Weber (producer/engineer)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:08
8Matthäus-Passion, BWV 244: Teil I: Aria (Alto): 'Buß und Reu'
producer:
Hans Weber (producer/engineer)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:23
9Matthäus-Passion, BWV 244: Teil I: Evangelist, Judas: 'Da ging hin der Zwolfen einer'
producer:
Hans Weber (producer/engineer)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:36
10Matthäus-Passion, BWV 244: Teil I: Aria (Soprano) - Blute nur, du liebes Herz!
producer:
Hans Weber (producer/engineer)
soprano vocals:
Gundula Janowitz (soprano) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:03
11Matthäus-Passion, BWV 244: Teil I: Evangelist: 'Aber am ersten Tage' / No.14 Chor: 'Wo willst du, daß wir dir bereiten'
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
recording of:
Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:41
12Matthäus-Passion, BWV 244: Teil I: Evangelist, Jesus: 'Er sprach: Gehet hin in die Stadt'
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
choir vocals:
Wiener Singverein (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
recording of:
Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
recording of:
Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach1:57
13Matthäus-Passion, BWV 244: Teil I: Choral: 'Ich bin's, ich sollte bußen'
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (from 1971-12-14 until 1972-11-01)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:12
14Matthäus-Passion, BWV 244: Teil I: Evangelist, Jesus, Judas: 'Er antwortete und sprach'
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:02
15Matthäus-Passion, BWV 244: Teil I: Recitative (Soprano): 'Wiewohl mein Herz in Tranen schwimmt'
producer:
Hans Weber (producer/engineer)
soprano vocals:
Gundula Janowitz (soprano) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:49
16Matthäus-Passion, BWV 244: Teil I: Aria (Soprano): 'Ich will dir mein Herz schenken'
producer:
Hans Weber (producer/engineer)
soprano vocals:
Gundula Janowitz (soprano) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:03
17Matthäus-Passion, BWV 244: Teil I: Evangelist, Jesus: 'Und da sie den Lobgesang gesprochen hatten'
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:16
18Matthäus-Passion, BWV 244: Teil I: Choral: 'Erkenne mich, mein Huter'
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (from 1971-12-14 until 1972-11-01)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:34
19Matthäus-Passion, BWV 244: Teil I: Evangelist, Jesus, Petrus: 'Petrus aber antwortete'
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:12
20Matthäus-Passion, BWV 244: Teil I: Choral: 'Ich will hier bei dir stehen'
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:34
21Matthäus-Passion, BWV 244: Teil I: Evangelist, Jesus: 'Da kam Jesus mit ihnen zu einem Hofe'
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:04
22Matthäus-Passion, BWV 244: Teil I: Recitative (Tenor, Chorus II): 'O Schmerz! hier zittert das gequalte Herz'
producer:
Hans Weber (producer/engineer)
tenor vocals:
Horst Laubenthal (tenor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:16
23Matthäus-Passion, BWV 244: Teil I: Aria (Tenor, Chorus II): 'Ich will bei meinem Jesu wachen'
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Deutschen Oper Berlin (in 1972-01) and Wiener Singverein (in 1972-01)
tenor vocals:
Horst Laubenthal (tenor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01) and Walter Hagen-Groll (chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:18
24Matthäus-Passion, BWV 244: Teil I: Evangelist, Jesus: 'Und ging hin ein wenig'
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:56
25Matthäus-Passion, BWV 244: Teil I: Recitative (Baß): 'Der Heiland fallt vor seinem Vater nieder'
producer:
Hans Weber (producer/engineer)
bass vocals:
Walter Berry (bass-baritone) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:25
26Matthäus-Passion, BWV 244: Teil I: Aria (Baß): 'Gerne will ich mich bequemen'
producer:
Hans Weber (producer/engineer)
bass vocals:
Walter Berry (bass-baritone) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach7:01
27Matthäus-Passion, BWV 244: Teil I: Evangelist, Jesus: 'Und er kam zu seinen Jüngern'
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:35
28Matthäus-Passion, BWV 244: Teil I: Choral: 'Was mein Gott will, das g'scheh allzeit'
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Deutschen Oper Berlin (in 1972-01) and Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01) and Walter Hagen-Groll (chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:42
29Matthäus-Passion, BWV 244: Teil I: Evangelist, Jesus, Judas: 'Und er kam und fand sie aber schlafend'
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:48
▼ CD 2
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244: Teil I: Aria (Soprano, Alto, Chorus II): 'So ist mein Jesus nun gefangen' - Chorus I/II: 'Sind Blitze, sind Donner'
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Deutschen Oper Berlin (in 1972-01) and Wiener Singverein (in 1972-01)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1972-01)
soprano vocals:
Gundula Janowitz (soprano) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01) and Walter Hagen-Groll (chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:25
2Matthäus-Passion, BWV 244: Teil I: Evangelist, Jesus: 'Und siehe, einer aus denen'
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:57
3Matthäus-Passion, BWV 244: Teil I: Choral: 'O Mensch, bewein dein Sünde groß'
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Deutschen Oper Berlin (in 1972-01) and Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01) and Walter Hagen-Groll (chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach7:34
4Matthäus-Passion, BWV 244: Teil II: Part Two - No.36 Aria (Alto, Chorus II): 'Ach nun ist mein Jesu hin'
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:52
5Matthäus-Passion, BWV 244: Teil II: Evangelist: 'Die aber Jesum gegriffen hatten'
producer:
Hans Weber (producer/engineer)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:05
6Matthäus-Passion, BWV 244: Teil II: Choral: 'Mir hat die Welt truglich gericht'
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (from 1971-12-14 until 1972-11-01)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:08
7Matthäus-Passion, BWV 244: Teil II: Evangelist, Pontifex, Testis I/II: 'Und wiewohl viel falsche Zeugen herzutraten'
producer:
Hans Weber (producer/engineer)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:15
8Matthäus-Passion, BWV 244: Teil II: Recitative (Tenor): 'Mein Jesus schweigt zu falschen Lugen stille'
producer:
Hans Weber (producer/engineer)
tenor vocals:
Horst Laubenthal (tenor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:22
9Matthäus-Passion, BWV 244: Teil II: Aria (Tenor): 'Geduld'
producer:
Hans Weber (producer/engineer)
tenor vocals:
Horst Laubenthal (tenor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:22
10Matthäus-Passion, BWV 244: Teil II: Evangelist, Pontifex, Jesus, Chorus I/II: 'Und der Hohepriester antwortete'
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
choir vocals:
Wiener Singverein (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach1:46
11Matthäus-Passion, BWV 244: Teil II: Evangelist/Chorus I/II 'Da speieten sie aus in sein Ange-sicht'
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIb. "Er ist des Todes schuldig" (Chori) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVId. "Weissage uns, Christe" (Chori) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:36
12Matthäus-Passion, BWV 244: Teil II: Choral: 'Wer hat dich so geschlagen'
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (from 1971-12-14 until 1972-11-01)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:15
13Matthäus-Passion, BWV 244: Teil II: Evangelist, Ancilla I + II, Petrus: 'Petrus aber saß draußen' / Chorus: 'Wahrlich, du bist auch einer von denen'
producer:
Hans Weber (producer/engineer)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1972-01)
soprano vocals:
Gundula Janowitz (soprano) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:53
14Matthäus-Passion, BWV 244: Teil II: Aria (Alto): 'Erbarme dich, mein Gott'
producer:
Hans Weber (producer/engineer)
contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1971-12-14 until 1972-11-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1971-12-14 until 1972-11-01)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:13
15Matthäus-Passion, BWV 244: Teil II: Choral: 'Bin ich gleich von dir gewichen'
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (from 1971-12-14 until 1972-11-01)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:39
16Matthäus-Passion, BWV 244: Teil II: Evangelist, Judas, Chorus: 'Des Morgens aber hielten' / Evangelist, Pontifexes: 'Und er warf die Silberlinge in den Te
producer:
Hans Weber (producer/engineer)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
choir vocals:
Chor der Deutschen Oper Berlin (in 1972-01) and Wiener Singverein (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01) and Walter Hagen-Groll (chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:52
17Matthäus-Passion, BWV 244: Teil II: Aria (Baß): 'Gebt mir meinen Jesum wieder'
producer:
Hans Weber (producer/engineer)
bass vocals:
Walter Berry (bass-baritone) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:53
18Matthäus-Passion, BWV 244: Teil II: Evangelist, Pilatus, Jesus: 'Sie hielten aber einen Rat'
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:23
19Matthäus-Passion, BWV 244: Teil II: Choral: 'Befiel du deine Wege'
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (from 1971-12-14 until 1972-11-01)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:40
20Matthäus-Passion, BWV 244: Teil II: Evangelist, Pilatus, Uxor Pilati, Chorus I/II: 'Auf das Fest aber hatte der Landpfleger Gewohnheit'
producer:
Hans Weber (producer/engineer)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
choir vocals:
Wiener Singverein (in 1972-01)
soprano vocals:
Gundula Janowitz (soprano) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Chori) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
Johann Sebastian Bach2:29
21Matthäus-Passion, BWV 244: Teil II: Choral: 'Wie wunderbarlich ist doch diese Strafe'
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (from 1971-12-14 until 1972-11-01)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:12
22Matthäus-Passion, BWV 244: Teil II: Evangelist, Pilatus: 'Der Landpfleger sagte'
producer:
Hans Weber (producer/engineer)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:19
23Matthäus-Passion, BWV 244: Teil II: Recitative (Soprano): 'Er hat uns allen wohlgetan'
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:23
24Matthäus-Passion, BWV 244: Teil II: Aria (Soprano): 'Aus Liebe will mein Heiland Sterben'
producer:
Hans Weber (producer/engineer)
soprano vocals:
Gundula Janowitz (soprano) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:37
▼ CD 3
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244: Teil II: Evangelist, Chorus I/II, Pilatus: "Sie schrieen aber noch mehr"
producer:
Hans Weber (producer/engineer)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
choir vocals:
Wiener Singverein (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach2:00
2Matthäus-Passion, BWV 244: Teil II: Recitative (Alto): "Erbarm es Gott"
producer:
Hans Weber (producer/engineer)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:31
3Matthäus-Passion, BWV 244: Teil II: Aria (Alto): "Konnen Tranen meiner Wangen"
producer:
Hans Weber (producer/engineer)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach9:08
4Matthäus-Passion, BWV 244: Teil II: Evangelist, Chorus I/II: "Da nahmen die Kriegsknechte"
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
Johann Sebastian Bach1:11
5Matthäus-Passion, BWV 244: Teil II: Choral: "O Haupt voll Blut und Wunden"
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1971-12-14 until 1972-11-01)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:25
6Matthäus-Passion, BWV 244: Teil II: Evangelist: "Und da sie ihn verspotten hatten"
producer:
Hans Weber (producer/engineer)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:57
7Matthäus-Passion, BWV 244: Teil II: Recitative (Baß): "Ja freilich will in uns das Fleisch und Blut"
producer:
Hans Weber (producer/engineer)
bass vocals:
Walter Berry (bass-baritone) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:43
8Matthäus-Passion, BWV 244: Teil II: Aria (Baß): "Komm, sußes Kreuz"
producer:
Hans Weber (producer/engineer)
bass vocals:
Walter Berry (bass-baritone) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:54
9Matthäus-Passion, BWV 244: Teil II: Evangelist, Chorus I/II: "Und da sie an die Statte kamen"
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie and die Stätte kamen" (Evangelista) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIb. "Der du den Tempel Gottes zerbrichst" (Chori) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIId. "Andern hat er geholfen" (Chori) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach3:27
10Matthäus-Passion, BWV 244: Teil II: Evangelist: "Desgleichen schmaheten ihn auch die Morder"
producer:
Hans Weber (producer/engineer)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:15
11Matthäus-Passion, BWV 244: Teil II: Recitative (Alto): "Ach Golgatha"
producer:
Hans Weber (producer/engineer)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:53
12Matthäus-Passion, BWV 244: Teil II: Aria (Alto, Chorus II): "Sehet, Jesus hat die Hand" - "Wohin?"
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:49
13Matthäus-Passion, BWV 244: Teil II: Evangelist, Jesus, Chorus I/II: "Und von der sechsten Stunde an" - "Der rufet dem Elias" - "Und bald lief" - "Halt!" - "Ab
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
choir vocals:
Wiener Singverein (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
Johann Sebastian Bach2:44
14Matthäus-Passion, BWV 244: Teil II: Choral: "Wenn ich einmal soll scheiden"
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Deutschen Oper Berlin (in 1972-01) and Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01) and Walter Hagen-Groll (chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (from 1971-12-14 until 1972-11-01)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:06
15Matthäus-Passion, BWV 244: Teil II: Evangelist, Chorus I/II: "Und siehe da, der Vorhang im Tempel zerriß" / "Und es waren viel Weiber da"
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:50
16Matthäus-Passion, BWV 244: Teil II: Recitative (Baß): "Am Abend, da es kuhle war"
producer:
Hans Weber (producer/engineer)
bass vocals:
Walter Berry (bass-baritone) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:31
17Matthäus-Passion, BWV 244: Teil II: Aria (Baß): "Mache dich, mein Herze, rein"
producer:
Hans Weber (producer/engineer)
bass vocals:
Walter Berry (bass-baritone) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:28
18Matthäus-Passion, BWV 244: Teil II: Evangelist, Chorus I/II, Pilatus: "Und Joseph nahm den Leib" - "Herr, wir haben gedacht" - "Pilatus sprach zu ihnen"
producer:
Hans Weber (producer/engineer)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
choir vocals:
Wiener Singverein (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
Johann Sebastian Bach2:56
19Matthäus-Passion, BWV 244: Teil II: Recitative (Soprano, Alto, Tenor, Baß, Chorus II): "Nun ist der Herr zur Ruh gebracht" - "Mein Jesu, gute Nacht"
producer:
Hans Weber (producer/engineer)
bass vocals:
Walter Berry (bass-baritone) (in 1972-01)
choir vocals:
Chor der Deutschen Oper Berlin (in 1972-01) and Wiener Singverein (in 1972-01)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1972-01)
soprano vocals:
Gundula Janowitz (soprano) (in 1972-01)
tenor vocals:
Horst Laubenthal (tenor) (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01) and Walter Hagen-Groll (chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:25
20Matthäus-Passion, BWV 244: Teil II: Chorus I/II: "Wir setzen uns mit Tranen nieder"
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Deutschen Oper Berlin (in 1972-01) and Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (in 1972-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01) and Walter Hagen-Groll (chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:19

Credits

Release

ASIN:DE: B000001G8G [info]