オトナのアイのうた -ジャズ編-

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1What a Wonderful WorldLouis Armstrong2:20
2A Lover’s Concerto
cover recording of:
A Lover’s Concerto
writer:
Sandy Linzer and Denny Randell
is based on:
Minuet in G major, BWV Anh. 114 (for keyboard)
Sarah Vaughan2:48
3The Girl from Ipanema
Stan Getz & João Gilberto5:26
4Fly Me to the Moon
engineer:
Val Valentin
executive producer:
Ken Druker
producer:
Creed Taylor
vocals:
Astrud Gilberto (from 1964-10-21 until 1965-02-04)
conductor:
Claus Ogerman (from 1964-10-21 until 1965-02-04)
arranger:
Claus Ogerman
recorded at:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1964-10-21)
cover recording of:
Fly Me to the Moon (from 1964-10-21 until 1965-02-04)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
Astrud Gilberto2:22
5Calling YouNatalie Cole5:02
6Timer after Time
cover recording of:
Time After Time
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended), CBS Songs Ltd., Gray Matter Music, Human Boy Music, Rellla Music Corp., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing Ltd., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Japan, Synch division, Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label), WB Music Corp. (1929–2019) (until 2019-05-28), Dub Notes Music (publisher) (in 1984), Rella Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
Paul Anka4:03
7Our Love Is Here to Stay (mono)
cover recording of:
Love Is Here to Stay (on 1957-08-23)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Goldwyn Follies
Ella Fitzgerald & Louis Armstrong4:01
8Love Letters (mono)
cover recording of:
Love Letters
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony
part of:
The 18th Academy Award for Best Original Song (number: 2)
Peggy Lee2:49
9What a Difference a Day Made
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (on 1959-02-19)
double bass:
Milt Hinton (on 1959-02-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-02-19)
flute:
Jerome Richardson (on 1959-02-19)
guitar:
Kenny Burrell (on 1959-02-19)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1959-02-19)
lead vocals:
Dinah Washington (on 1959-02-19)
vocals:
Dinah Washington (on 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (on 1959-02-19)
conductor:
Belford Hendricks (on 1959-02-19)
arranger:
Belford Hendricks
cover recording of:
What a Diff’rence a Day Made (on 1959-02-19)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music – Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Dinah Washington3.352:31
10Takin’ a Chance on Love (mono)Anita O’Day2:25
11You’d Be Nice to Come Home To (mono)
producer:
Quincy Jones
baritone saxophone and bass clarinet:
Danny Bank (reeds) (on 1954-12-22)
bass:
Milt Hinton (on 1954-12-22)
guitar:
Barry Galbraith (on 1954-12-22)
instruments:
Osie Johnson (on 1954-12-22)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1954-12-22)
trumpet:
Clifford Brown (trumpet) (on 1954-12-22)
lead vocals:
Helen Merrill (on 1954-12-22)
conductor:
Quincy Jones
arranger:
Quincy Jones
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1954-12-22)
cover recording of:
You’d Be So Nice to Come Home To (on 1954-12-22)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Helen Merrill4:23
12Everything Happens to Me
recording of:
Everything Happens to Me
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Chet Baker5:04
13The Look of LoveSérgio Mendes & Brasil ’662:46
14The Man I Love
producer:
Robert Sadin
mixer:
Bruce Swedien
bass:
Ira Coleman (from 1998-03 until 1998-06)
drums (drum set):
Terri Lyne Carrington (from 1998-03 until 1998-06)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (from 1998-03 until 1998-06)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (from 1998-03 until 1998-06)
vocals:
Joni Mitchell (from 1998-03 until 1998-06)
arranger:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Robert Sadin
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
recording of:
The Man I Love (from 1998-03 until 1998-06)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (soundtrack of the 1977 film)
Herbie Hancock feat. Joni Mitchell5:59
15Moon River
cover recording of:
Moon River
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 34)
Jane Monheit4:45
16Ai No Corrida
synthesizer programming:
Ian Underwood
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
clavinet:
David “Hawk” Wolinski
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
guitar:
Steve Lukather
membranophone:
John “JR” Robinson (session drummer)
percussion and other vocals:
Paulinho da Costa (Brazilian percussionist)
saxophone:
Kim Hutchcroft and Ernie Watts (jazz and blues saxophonist)
synthesizer:
Craig Huxley, Greg Phillinganes and Ian Underwood
trombone:
Bill Reichenbach, Jr. (jazz trombonist)
trumpet:
Chuck Findley and Jerry Hey
background vocals:
Patti Austin, Tom Bahler and Jim Gilstrap
lead vocals:
Charles May
brass arranger:
Jerry Hey
synthesizer arranger:
Jerry Hey and Quincy Jones
vocals arranger:
Patti Austin and Quincy Jones
cover recording of:
Ai no corrida
writer:
Chaz Jankel and Kenny Young
publisher:
Lazy Lizard Music Inc.
Quincy Jones46:27

Credits

Release

ASIN:JP: B001QL36J4 [info]

Release group

part of:アイのうた (UNIVERSAL‐related series, all have a ♥‐shaped something on cover) (order: 3)