Annotation

Dialog

  • Selim - Curd Jürgens
  • Konstanze - Renate Pichler
  • Belmonte - Friedhelm Ptok
  • Blonde - Pia Werfel
  • Pedrillo - Franz Rudnik
  • Osmin - Herbert Weicker

Recording Date: November 1978
Live / Studio: Studio
Format: ADD Stereo


Cat# (release): 422 538-2
Cat# (discs): 422 810-2, 422 811-2

FIXME: Probably has no barcode.

Annotation last modified on 2013-06-06 22:00 UTC.

Tracklist

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CD 1
#TitleRatingLength
1Die Entführung aus dem Serail, K. 384: Ouvertüre
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Die Entführung aus dem Serail, K. 384
4:13
2Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich Dich denn sehen" (Belmonte)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Stuart Burrows (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
2:27
3Die Entführung aus dem Serail, K. 384: Akt I, Szene I. Dialog "Aber wie soll ich in den Palast kommen?" (Belmonte)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. Dialog "Aber wie soll ich in den Palast kommen?" (Belmonte) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
0:03
4Die Entführung aus dem Serail, K. 384: Akt I, Szene II. No. 2 Lied und Duett "Wer ein Liebchen hat gefunden Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Robert Lloyd (operatic bass) (in 1978-11)
tenor vocals:
Stuart Burrows (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene II. No. 2 Lied und Duett "Wer ein Liebchen hat gefunden" (Osmin) / "Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
6:45
5Die Entführung aus dem Serail, K. 384: Akt I, Szene III. Dialog "Allah sei Dank!" (Osmin, Pedrillo)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. Dialog "Allah sei Dank!" (Osmin, Pedrillo) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
0:22
6Die Entführung aus dem Serail, K. 384: Akt I, Szene III. No. 3 Arie "Solche hergelauf'ne Laffen" (Osmin) / Akt I, Szene III. Dialog "Was bist du nur für ein Mensch!" (Pedrillo) / Akt I, Szene III. "Erst geköpft, dann gehangen" (Osmin)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Robert Lloyd (operatic bass) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. No. 3 Arie "Solche hergelauf'ne Laffen" (Osmin) / Akt I, Szene III. Dialog "Was bist du nur für ein Mensch!" (Pedrillo) / Akt I, Szene III. "Erst geköpft, dann gehangen" (Osmin) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
5:12
7Die Entführung aus dem Serail, K. 384: Akt I, Szene IV. Dialog "Geh nur, verwünschter Aufpasser!" (Pedrillo, Belmonte)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene IV. Dialog "Geh nur, verwünschter Aufpasser!" (Pedrillo, Belmonte) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
1:25
8Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wiederzusehen... O wie ängstlich, o wie feurig" (Belmonte)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Stuart Burrows (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
4:56
9Die Entführung aus dem Serail, K. 384: Akt I, Szene VI. No. 5 Chor de Janitscharen "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen)
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
The John Alldis Choir (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VI. No. 5b Chor de Janitscharen "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
1:41
10Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
0:59
11Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. No. 6 Arie "Ach ich liebte, war so glücklich" (Konstanze)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Christiane Eda‐Pierre (soprano) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. No. 6 Arie "Ach ich liebte, war so glücklich" (Konstanze) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
5:10
12Die Entführung aus dem Serail, K. 384: Akt I, Szene VIII. Dialog "Undankbare! Ihr Schmerz, ihre Tränen" (Selim, Pedrillo, Belmonte, Osmin)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VIII. Dialog "Undankbare! Ihr Schmerz, ihre Tränen" (Selim, Pedrillo, Belmonte, Osmin) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
2:05
13Die Entführung aus dem Serail, K. 384: Akt I, Szene X. No. 7 Terzett "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Robert Lloyd (operatic bass) (in 1978-11)
tenor vocals:
Stuart Burrows (tenor) (in 1978-11) and Robert Tear (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene X. No. 7 Terzett "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
2:20
14Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Norma Burrowes (soprano) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
3:26
15Die Entführung aus dem Serail, K. 384: Akt II, Szene I. Dialog "Ei seht doch mal" (Osmin, Blonde)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. Dialog "Ei seht doch mal" (Osmin, Blonde) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
1:38
16Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 9 Duett "Ich gehe, doch rate ich dir" (Osmin, Blonde)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Robert Lloyd (operatic bass) (in 1978-11)
soprano vocals:
Norma Burrowes (soprano) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 9 Duett "Ich gehe, doch rate ich dir" (Osmin, Blonde) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
3:36
17Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10a Rezitativ "Welcher Kummer herrscht in meiner Seele" (Konstanze)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Christiane Eda‐Pierre (soprano) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10a Rezitativ "Welcher Kummer herrscht in meiner Seele" (Konstanze) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
2:06
18Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10b Arie "Traurigkeit ward mir zum Lose" (Konstanze)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Christiane Eda‐Pierre (soprano) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10b Arie "Traurigkeit ward mir zum Lose" (Konstanze) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
5:32
19Die Entführung aus dem Serail, K. 384: Akt II, Szene III. Dialog "Nun, Konstanze, hast du dich entschieden?" (Selim, Konstanze)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. Dialog "Nun, Konstanze, hast du dich entschieden?" (Selim, Konstanze) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
0:44
20Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Christiane Eda‐Pierre (soprano) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
8:52
21Die Entführung aus dem Serail, K. 384: Akt II, Szene IV. Dialog "Kein Bassa, keine Konstanze mehr da?" (Blonde, Pedrillo)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene V. Dialog "Kein Bassa, keine Konstanze mehr da?" (Blonde, Pedrillo) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
1:21
22Die Entführung aus dem Serail, K. 384: Akt II, Szene VI. No. 12 Arie "Welche Wonne, welche Lust" (Blonde)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Norma Burrowes (soprano) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VI. No. 12 Arie "Welche Wonne, welche Lust" (Blonde) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
2:38
CD 2
#TitleRatingLength
1Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. Dialog "Ah, daß es schon vorbei wäre!" (Pedrillo)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. Dialog "Ah, daß es schon vorbei wäre!" (Pedrillo) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
0:14
2Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. No. 13 Arie "Frisch zum Kampfe!" (Pedrillo)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Robert Tear (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. No. 13 Arie "Frisch zum Kampfe!" (Pedrillo) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
3:22
3Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. Dialog "Ha! Geht's hier so lustig zu?" (Osmin, Pedrillo)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. Dialog "Ha! Geht's hier so lustig zu?" (Osmin, Pedrillo) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
1:26
4Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Robert Lloyd (operatic bass) (in 1978-11)
tenor vocals:
Robert Tear (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
2:26
5Die Entführung aus dem Serail, K. 384: Act II, Scene VIII. Dialog "Hör, Alter, trink nicht zu viel" (Pedrillo, Osmin, Belmonte, Konstanze)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. Dialog "Hör, Alter, trink nicht zu viel" (Pedrillo, Osmin, Belmonte, Konstanze) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
1:30
6Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Stuart Burrows (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
4:12
7Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Ach Belmonte! Ach mein Leben!" (Konstanze, Belmonte, Pedrillo, Blonde)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Norma Burrowes (soprano) (in 1978-11) and Christiane Eda‐Pierre (soprano) (in 1978-11)
tenor vocals:
Stuart Burrows (tenor) (in 1978-11) and Robert Tear (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Ach Belmonte! Ach mein Leben!" (Konstanze, Belmonte, Pedrillo, Blonde) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
6:38
8Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Wenn unsrer Ehre wegen" (Konstanze, Belmonte, Pedrillo, Blonde)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Norma Burrowes (soprano) (in 1978-11) and Christiane Eda‐Pierre (soprano) (in 1978-11)
tenor vocals:
Stuart Burrows (tenor) (in 1978-11) and Robert Tear (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Wenn unsrer Ehre wegen" (Konstanze, Belmonte, Pedrillo, Blonde) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
4:43
9Die Entführung aus dem Serail, K. 384: Akt III, Szene III. No. 17 Aria "Ich baue ganz auf deine Stärke" (Belmonte)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Stuart Burrows (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene III. No. 17 Aria "Ich baue ganz auf deine Stärke" (Belmonte) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
7:46
10Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Alles liegt auf dem Ohr" (Pedrillo, Belmonte)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Alles liegt auf dem Ohr" (Pedrillo, Belmonte) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
0:18
11Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. No. 18 Romanze "In Mohrenland gefangen war" (Pedrillo, Belmonte)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Stuart Burrows (tenor) (in 1978-11) and Robert Tear (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. No. 18 Romanze "In Mohrenland gefangen war" (Pedrillo, Belmonte) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
2:38
12Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Endlich, sie macht auf, Herr" (Pedrillo, Belmonte, Konstanze, Osmin)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Endlich, sie macht auf, Herr" (Pedrillo, Belmonte, Konstanze, Osmin) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
2:13
13Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Robert Lloyd (operatic bass) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
3:27
14Die Entführung aus dem Serail, K. 384: Akt III, Szene VI. Dialog "Was ist das für ein Lärm?" (Selim, Osmin, Konstanze, Belmonte)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene VI. Dialog "Was ist das für ein Lärm?" (Selim, Osmin, Konstanze, Belmonte) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
2:38
15Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20a Rezitativ "Welch ein Geschick!" (Belmonte, Konstanze)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Christiane Eda‐Pierre (soprano) (in 1978-11)
tenor vocals:
Stuart Burrows (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20a Rezitativ "Welch ein Geschick!" (Belmonte, Konstanze) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
2:01
16Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20b Duett "Meinetwegen sollst du sterben!" (Belmonte, Konstanze)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Christiane Eda‐Pierre (soprano) (in 1978-11)
tenor vocals:
Stuart Burrows (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20b Duett "Meinetwegen sollst du sterben!" (Belmonte, Konstanze) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
6:42
17Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. Dialog "Nun, Belmonte Lostados!" (Selim, Belmonte, Konstanze, Pedrillo, Osmin)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. Dialog "Nun, Belmonte Lostados!" (Selim, Belmonte, Konstanze, Pedrillo, Osmin) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
2:17
18Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21a Vaudeville "Nie werd'ich deine Huld verkennen" / Akt III, Szene IX. No. 21b Chor der Janitscharen "Bassa Selim lebe lange"
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Robert Lloyd (operatic bass) (in 1978-11)
choir vocals:
The John Alldis Choir (in 1978-11)
soprano vocals:
Norma Burrowes (soprano) (in 1978-11) and Christiane Eda‐Pierre (soprano) (in 1978-11)
tenor vocals:
Stuart Burrows (tenor) (in 1978-11) and Robert Tear (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21a Vaudeville "Nie werd'ich deine Huld verkennen" (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21b Chor der Janitscharen "Bassa Selim lebe lange" (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
5:34

Credits

Release

part of:Complete Mozart Edition (1990s Philips series) (number: 38) (order: 42)
ASIN:US: B00000411J [info]
other databases:http://www.worldcat.org/oclc/25003234 [info]