Echoes in the Dark

~ Release by Uriah Heep (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Echoes in the Dark
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
Echoes in the Dark (from 1972-09 until 1972-10)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:51
2The Wizard
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972)
recording of:
The Wizard
writer:
Mark Clarke (Rock, UK) and Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
2:58
3Come Away Melinda
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Colin Wood (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970, in 1971), Castle Copyrights Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970, in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
cover recording of:
Come Away Melinda (from 1969 until 1970)
lyricist:
Frances Minkoff
composer:
Fred Hellerman
publisher:
Appleseed Music, Inc. and Harmony Music Ltd.
recording of:
Come Away Melinda
lyricist:
Frances Minkoff
composer:
Fred Hellerman
publisher:
Appleseed Music, Inc. and Harmony Music Ltd.
33:50
4Devil's Daughter
assistant engineer:
Dave Burns (engineer) and Dave Harris (Recording engineer at Morgan Studios, London)
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set) and percussion:
Lee Kerslake
electric bass guitar and mellotron:
John Wetton
guitar:
Mick Box and Ken Hensley
keyboard and synthesizer:
Ken Hensley
background vocals:
Ken Hensley, Lee Kerslake and John Wetton
lead vocals:
David Byron
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1975) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1975)
recording of:
Devil’s Daughter (in 1975)
writer:
Mick Box, David Byron, Ken Hensley and Lee Kerslake
publisher:
A Tale of Two Ditties, EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
34:52
5Hot Persuasion
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1982)
recording of:
Hot Persuasion
writer:
Mick Box, Bob Daisley, Peter Goalby, Lee Kerslake and John Sinclair (keyboardist, Uriah Heep/Ozzy Osbourne's band)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hit Songs Ltd., Intersong Music, Intersong Music Ltd. and O.A.M. Music Publishing
3:49
6Showdown
assistant engineer:
Dave Burns (engineer) and Dave Harris (Recording engineer at Morgan Studios, London)
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set) and percussion:
Lee Kerslake
electric bass guitar and mellotron:
John Wetton
guitar:
Mick Box and Ken Hensley
keyboard and synthesizer:
Ken Hensley
background vocals:
Ken Hensley, Lee Kerslake and John Wetton
lead vocals:
David Byron
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1975) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1975)
recording of:
Showdown (in 1975)
writer:
Mick Box, David Byron, Ken Hensley and Lee Kerslake
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:20
7I'm Alive
assistant engineer:
Colin Bainbridge, Julian Cooper (engineer) and John Gallen
engineer:
Peter Gallen
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1978)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1978-04 until 1978-08)
recording of:
I’m Alive (from 1978-04 until 1978-08)
lyricist and composer:
John Lawton
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:19
8Look at Yourself
producer:
Gerry Bron
drums (drum set):
Iain Clarke (a former member of Uriah Heep and Cressida) (in 1971-07)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
vocals:
David Byron (in 1971-07)
additional performer:
Osibisa (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971, in 1986), Castle Copyrights Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
Look at Yourself (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3.55:11
9Spider Woman
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
Spider Woman (from 1972-09 until 1972-10)
writer:
Mick Box, David Byron, Lee Kerslake and Gary Thain
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
2:27
10Woman of the Night
assistant engineer:
Colin Bainbridge, Julian Cooper (engineer) and John Gallen
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1978) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1978)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1978-04 until 1978-08)
recording of:
Woman of the Night (from 1978-04 until 1978-08)
writer:
Mick Box, Lee Kerslake and John Lawton
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:08
11I Wanna Be Free
producer:
Gerry Bron
bass guitar and electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
drums (drum set):
Iain Clarke (a former member of Uriah Heep and Cressida) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
lead vocals:
David Byron (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Wanna Be Free (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
34:02
12Gypsy
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Ken Hensley (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970, in 1971), Castle Copyrights Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970, in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Gypsy (from 1969 until 1970)
writer:
Mick Box and David Byron
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4.56:39
13Sunrise
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
Sunrise (from 1972-09 until 1972-10)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:03
14Bird of Prey
recording engineer:
Peter Gallen (from 1970-10 until 1970-11)
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
mixer:
Peter Gallen
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (drummer) (from 1969 until 1970, from 1970-10 until 1970-11)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
guitar:
Mick Box (from 1969 until 1970)
organ:
Ken Hensley (from 1969 until 1970, from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970), Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) and Castle Communications PLC (not for label use, copyright holder) (in 1996)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970, from 1970-10 until 1970-11)
recording of:
Bird of Prey (from 1970-10 until 1970-11)
writer:
Mick Box, David Byron and Paul Newton (UK bassist for Uriah Heep)
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
34:11
15Love Machine
producer:
Gerry Bron
bass guitar and electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
drums (drum set):
Iain Clarke (a former member of Uriah Heep and Cressida) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
lead vocals:
David Byron (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
Love Machine (in 1971-07)
writer:
Mick Box, David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
33:40
16Lady in Black
recording engineer and mixer:
Peter Gallen
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (drummer) (from 1969 until 1970, from 1970-10 until 1970-11)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
guitar:
Mick Box (from 1969 until 1970)
organ:
Ken Hensley (from 1969 until 1970, from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) and Castle Communications PLC (not for label use, copyright holder) (in 1996)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970, from 1970-10 until 1970-11)
recording of:
Lady in Black (from 1970-10 until 1970-11)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing, EMI Publishing Ltd., Fanfare Musikverlag Global Musik GmbH & Co. KG and S. Bron Music Co. Ltd.
4.654:43

Credits

Release

phonographic copyright (℗) by:Pickwick Group Plc. (in 1991)
licensed to:Pickwick International Inc. (GB) Ltd. (a division of Pickwick Group Limited)
Discogs:https://www.discogs.com/release/4701036 [info]
ASIN:UK: B0000247BM [info]