# | Title | Artist | Rating | Length |
---|
1 | Crash (95 mix) | The Primitives | 3 | 3:15 |
2 | Baby I Don’t Care | Transvision Vamp | 4.5 | 4:40 |
3 | Walk This World | Heather Nova | 4.65 | 3:49 |
4 | Two Princes | Spin Doctors | 4.25 | 4:18 |
5 | Personal Jesus | Depeche Mode | 4.05 | 3:45 |
6 | Our House | Madness | 4.15 | 3:21 |
7 | The King of Rock ’n’ Roll | Prefab Sprout | 4.5 | 4:24 |
8 | Wonderful | Adam Ant | | 3:51 |
9 | Dignity | Deacon Blue | 4 | 3:59 |
10 | I’m Gonna Be (500 Miles) | The Proclaimers | 4 | 3:38 |
11 | A Little Respect | Erasure | 4 | 3:32 |
12 | How Bizarre | OMC | 4.05 | 3:47 |
13 | King for a Day (remix) | Thompson Twins | | 6:00 |
14 | Rotterdam (or Anywhere) | The Beautiful South | 3 | 3:37 |
15 | The Tide Is High- engineer:
- Lenise Bent
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1980)
- drums (drum set):
- Clem Burke (in 1980)
- guest percussion:
- Alex Acuña (in 1980), Ollie E. Brown (in 1980) and Emil Richards (in 1980)
- guitar:
- Frank Infante (in 1980) and Chris Stein (in 1980)
- keyboard:
- Jimmy Destri (in 1980)
- timpani:
- Chris Stein (in 1980)
- background vocals:
- Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) and Frank Infante (in 1980)
- lead vocals:
- Deborah Harry (in 1980)
- instruments arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980)
- recorded at:
- United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
- cover recording of:
- The Tide Is High (in 1980)
- additional writer:
- Howard Barrett and Tyrone Evans
- writer:
- John Holt
- publisher:
- B & C Music Corp., Copyright Control , Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
| Blondie | 4.45 | 3:52 |
16 | Woman in Chains | Tears for Fears | 4 | 6:27 |
17 | Africa | Toto | 4.15 | 4:58 |
18 | Mustang Sally | The Commitments | 5 | 4:01 |
19 | Johnny Calls the Chemist | Wonderboom | | 3:23 |