Jukebox: 115 Original Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Don’t You Want Me
assistant programming and assistant engineer:
David M. Allen (UK producer/engineer/remixer (mainly new-wave/synth-pop/goth))
programming:
Martin Rushent
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
The Human League43:59
2The Reflex
producer:
Duran Duran (English rock band), Ian Little (producer, engineer, songwriter) and Alex Sadkin
mixer:
Jason Corsaro (U.S. music engineer, and record producer) and Nile Rodgers
remixer:
Jason Corsaro (U.S. music engineer, and record producer) and Nile Rodgers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1998)
recording of:
The Reflex
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran3.84:22
3Gold
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
guitar:
Gary Kemp (in 1982)
keyboard:
Jess Bailey (in 1982)
membranophone:
John Keeble (in 1982)
percussion and saxophone:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
lead vocals:
Tony Hadley (in 1982)
performer:
Spandau Ballet (in 1982)
recording of:
Gold (in 1982)
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:52
4Dancing With Tears in My Eyes
recording of:
Dancing With Tears in My Eyes
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) and Sing Sing Songs Ltd.
Ultravox44:06
5Souvenir
producer:
M. Howlett
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
recording of:
Souvenir
writer:
Martin Cooper (OMD and The Listening Pool) and Paul Humphreys (Orchestral Manoeuvres in the Dark)
publisher:
Dinsong Music
Orchestral Manoeuvres in the Dark33:31
6Simply Irresistible
engineer:
Tim Kramer (engineer)
producer:
Robert Palmer (English singer‐songwriter)
mixer:
Eric "E.T." Thorngren
recording of:
Simply Irresistible
lyricist and composer:
Robert Palmer (English singer‐songwriter)
Robert Palmer3.64:14
7Geno
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
writer:
Al Archer and Kevin Rowland
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:27
8Call Me
producer:
Giorgio Moroder
bass guitar:
Nigel Harrison (in 1979)
drums (drum set):
Clem Burke (in 1979)
guitar:
Frank Infante (in 1979) and Chris Stein (in 1979)
keyboard:
Jimmy Destri (in 1979)
lead vocals:
Deborah Harry (in 1979)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1979)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States
recording of:
Call Me (in 1979)
writer:
Deborah Harry and Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Rare Blue Music, inc., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie4.23:30
9It Ain’t What You Do It’s the Way That You Do It
cover recording of:
It Ain’t What You Do (It’s the Way That You Do It)
writer:
Sy Oliver and Trummy Young
Fun Boy Three & Bananarama2:36
10Too Much Too Young
recording of:
Too Much Too Young
lyricist and composer:
Jerry Dammers
The Specials2:05
11Red Red Wine
producer:
Ray “Pablo” Falconer and UB40
arranger:
UB40
cover recording of:
Red Red Wine
lyricist and composer:
Neil Diamond (in 1967)
publisher:
Bang Records (US disco) (in 1968)
UB403.83:00
12Angel Eyes
engineer:
Phill Brown (UK engineer), Rhett Davies, Jimmy Douglass (engineer) and Randy Mason
producer:
Roxy Music
performer:
Paul Carrack, Bryan Ferry, Andy Mackay (of Roxy Music), Phil Manzanera, Alan Spenner, Paul Thompson (Roxy Music drummer) and Gary Tibbs
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1979)
recorded at:
Basing Street Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Angel Eyes
writer:
Bryan Ferry and Andy Mackay (of Roxy Music)
publisher:
BMG Songs Ltd., E.G. Music Inc. and E.G. Music Ltd. (publisher) (in 1979)
Roxy Music33:34
13Golden Brown
recording of:
Golden Brown
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell and Dave Greenfield
publisher:
Complete Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers3:09
14Wild Wild Life
assistant recording engineer:
Kathy Botich, Nick Del Re and Melanie West (engineer)
recording engineer:
Eric “E.T.” Thorngren
producer:
Talking Heads
assistant mixer:
Charles Brocco, Robin Laine and Tom Nist (engineer)
mixer:
Mick Guzauski
bass guitar [bass]:
Tina Weymouth
drums (drum set) [drums]:
Chris Frantz
guitar:
David Byrne (Talking Heads) and Jerry Harrison (Talking Heads)
keyboard:
Jerry Harrison (Talking Heads)
background vocals:
Chris Frantz, Jerry Harrison (Talking Heads) and Tina Weymouth
lead vocals:
David Byrne (Talking Heads)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1986)
additionally recorded at:
O’Henry Studios in Burbank, California, United States
recorded at:
Sigma Sound (New York) in New York, New York, United States
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
Wild Wild Life
lyricist and composer:
David Byrne (Talking Heads)
publisher:
Index Music, Inc.
Talking Heads3.653:41
15China in Your Hand
producer:
Roy Thomas Baker (producer)
recording of:
China in Your Hand
writer:
Carol Decker and Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), M15 Publishing (in 1987) and Virgin Music (Publ.) Ltd. (publisher) (in 1987)
T’Pau4.255:05
16The Whole of the Moon
recording of:
The Whole of the Moon
lyricist and composer:
Mike Scott (The Waterboys)
The Waterboys4.455:01
17Alive and Kicking
producer:
Bob Clearmountain and Jimmy Iovine
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Alive and Kicking
writer:
Charlie Burchill, Jim Kerr (of Simple Minds) and Michael MacNeil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Publishing Ltd.
Simple Minds3.54:47
18Alone
recording engineer:
Chris Sheldon (mixer, producer)
producer:
David Bascombe and Big Country
mixer:
Mike Fraser (Canadian record producer, engineer and mixer)
recording of:
Alone
lyricist and composer:
Stuart Adamson
Big Country5:10
19(We Want) The Same Thing
producer:
Rick Nowels
recording of:
(We Want) The Same Thing
writer:
Rick Nowels and Ellen Shipley
publisher:
Future Furniture Music (in 1988), Shipwreck Music (publisher) (in 1988) and Virgin Songs Inc. (in 1988)
Belinda Carlisle3.54:17
20Do You Really Want to Hurt Me
engineer and producer:
Steve Levine
mixer:
Steve Levine and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
membranophone and percussion:
Jon Moss
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
Culture Club3.954:24
▼ CD 2
#TitleArtistRatingLength
1You Sexy Thing
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
recording of:
You Sexy Thing (in 1975)
writer:
Errol Brown and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), Finchley Music Corp. and RAK Publishing Ltd
Hot Chocolate3.84:05
2Too Shy
drums (drum set) programming:
Jez Strode
engineer:
Colin Thurston
producer:
Nick Rhodes and Colin Thurston
bass guitar:
Nick Beggs
ebow [e bow] and guitar:
Steve Askew
synthesizer:
Stuart Croxford Neale
additional vocals:
Nick Beggs and Stuart Croxford Neale
lead vocals:
Limahl
arranger:
Kajagoogoo
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1982)
music videos:
Too Shy by Kajagoogoo
recording of:
Too Shy
lyricist:
Nick Beggs and Christopher Hamill
composer:
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale and Jez Strode
Kajagoogoo43:43
3Kids in America
recording engineer:
Jeo
programming:
Jörn‐Uwe Fahrenkrog‐Petersen and Derek von Krogh
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Jörn‐Uwe Fahrenkrog‐Petersen and Ricky Wilde
additional keyboard:
Nick Priessnitz
bass guitar:
Derek von Krogh and Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981)
drums (drum set):
Bernhard Hahn, Tobias Wörner and Chris North (UK drummer of The Enid) (from 1980 until 1981)
guitar:
Thomas Hahn, Charlotte Hatherley, Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen, Derek von Krogh, Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz, M. Janz, N. Janz and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1996, in 2001) and EMI Records Limited (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2006)
recorded at:
Amira Studio, RAK Studios in London (Greater London), England, United Kingdom, Soundmastaz Studios, Studio 77 in Stuttgart, Baden-Württemberg, Germany and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen, Germany, RAK Studios in London (Greater London), England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (in 1980)
writer:
Marty Wilde and Ricky Wilde
publisher:
Finchley Music Corp.
Kim Wilde4.453:28
4Make Me Smile (Come Up and See Me)
producer:
Steve Harley and Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
part of:
TV Cream: Real 100 Best Singles Ever (number: 18)
recording of:
Make Me Smile (Come Up and See Me)
lyricist and composer:
Steve Harley
publisher:
RAK Publishing Ltd. and Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:54
5Roll Over Beethoven
engineer:
Denny Bridges and John Middleton (engineer)
producer:
Jeff Lynne
bass:
Michael d’Albuquerque (on 1972-09-08)
cello:
Mike Edwards (English Cellist that was a member of ELO) (on 1972-09-08) and Colin Walker (English Cellist that was a member of ELO) (on 1972-09-08)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (on 1972-09-08)
guitar, harmonium and Moog:
Jeff Lynne (on 1972-09-08) and Richard Tandy (on 1972-09-08)
piano:
Richard Tandy (on 1972-09-08)
violin:
Wilfred Gibson (UK violinist) (on 1972-09-08)
background vocals:
Michael d’Albuquerque (on 1972-09-08) and Richard Tandy (on 1972-09-08)
lead vocals:
Jeff Lynne (on 1972-09-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1972, in 2011), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1973)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-09-08)
cover recording of:
Roll Over Beethoven (on 1972-09-08)
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Dualtone Words and Songs, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. and Rock ’n’ Roll Music
Electric Light Orchestra4.54:32
6Motor Bikin’
Chris Spedding2:38
7Hi Ho Silver Lining
producer:
Mickie Most (English record producer) (on 1967-01-19)
bass guitar:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (on 1967-01-19)
drums (drum set):
Clem Cattini (on 1967-01-19)
electric guitar and lead vocals:
Jeff Beck (English rock guitarist) (on 1967-01-19)
background vocals:
Rod Stewart (on 1967-01-19)
engineered at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (on 1967-01-19)
recording of:
Hi Ho Silver Lining (on 1967-01-19)
writer:
Scott English and Larry Weiss (American singer-songwriter)
Jeff Beck22:54
8Dance With the Devil
producer:
Mickie Most (English record producer)
recording of:
Dance With the Devil
composer:
Phil Dennys and Michael Hayes
publisher:
RAK Publishing Ltd.
Cozy Powell23:34
9Dyna-Mite
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
recording of:
Dyna-Mite
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
Mud52:58
10Devil Gate Drive
recording of:
Devil Gate Drive
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing Ltd.
Suzi Quatro3:48
11My Sharona
bass:
Prescott Niles (in 1979-04)
drums (drum set):
Bruce Gary (in 1979-04)
guitar [lead guitar]:
Berton Averre (in 1979-04)
guitar [rhythm guitar] and lead vocals:
Doug Fieger (in 1979-04)
recording of:
My Sharona (in 1979-04)
writer:
Berton Averre and Douglas Fieger
The Knack4.14:02
12Centerfold
engineer:
Dave Thoener
producer:
Seth Justman
arranger:
Seth Justman
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) and EMI Catalog (in 2006)
recorded at:
Long View Farm in North Brookfield, Massachusetts, United States
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, United States
part of:
TV Cream: Real 100 Best Singles Ever (number: 38)
recording of:
Centerfold (song by The J. Geils Band)
lyricist and composer:
Seth Justman
publisher:
Rondor Music (London) Ltd. and Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band4.13:38
132-4-6-8 Motorway
producer:
Vic Maile
bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
drums (drum set):
Dolphin Taylor (on 1977-09-14)
guitar:
Danny Kustow (on 1977-09-14)
organ and piano:
Mark Ambler (on 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1977)
recorded at:
Berwick Street Studios in Westminster, London (Greater London), England, United Kingdom (on 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (on 1977-09-14)
lyricist and composer:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:17
14Milk and Alcohol
recording of:
Milk and Alcohol (in 1978-09)
writer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer) and Gypie Mayo
Dr. Feelgood4.652:48
15We Close Our Eyes
producer:
Gary Stevenson
recording of:
We Close Our Eyes
writer:
Peter Cox (Artist and songwriter) and Richard Drummie
Go West33:42
16Some Like It Hot
additional engineer:
Rob Eaton, Steve Rinkoff and Tony Taverner
engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Bernard Edwards
performer:
Robert Palmer (English singer‐songwriter), Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Tony Thompson (drummer, best known for his work in CHIC)
mixed at and engineered at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
recording of:
Some Like It Hot
writer:
Robert Palmer (English singer‐songwriter), Andy Taylor (of Duran Duran) and John Taylor (UK bassist for Duran Duran)
publisher:
Bungalow Music and Tritec Music Ltd. (publisher and copyrights holder)
The Power Station4.255:07
17White Wedding, Part 1
assistant engineer:
Steve Bates
engineer:
Brian Reeves
producer:
Keith Forsey (drummer, producer and songwriter)
bass guitar:
Phil Feit
drums (drum set):
Steve Missal
guitar:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
lead vocals:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982) and Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002)
recorded at and mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
music videos:
White Wedding, Pt. 1 by Billy Idol (English rock singer‐songwriter)
recording of:
White Wedding
lyricist and composer:
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher), Chrysalis Music Publishing Ltd. and Rare Blue Music Inc
Billy Idol4.84:12
18Dirty Love
Thunder4:20
19Black Night
drums (drum set):
Ian Paice (in 1970-05)
electric bass guitar:
Roger Glover (in 1970-05)
electric guitar:
Ritchie Blackmore (in 1970-05)
Hammond organ:
Jon Lord (in 1970-05)
lead vocals:
Ian Gillan (in 1970-05)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (in 1970-05)
recording of:
Black Night (in 1970-05)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (until 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Deep Purple4.353:27
▼ CD 3
#TitleArtistRatingLength
1Rock and Roll Dreams Come Through
cover recording of:
Rock and Roll Dreams Come Through
lyricist and composer:
Jim Steinman
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (from 1993 to ????) and Lost Boys Music (BMI affiliated) (from 1993 to present)
Meat Loaf2.55:09
2Here I Go Again (USA remix)
recording of:
Here I Go Again
writer:
David Coverdale and Bernie Marsden
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (ended), EMI Music Publishing (WP) Ltd., Seabreeze Music Ltd., Watanabe Music Publishing Co., Ltd. (Japanese publisher, 1962–present), Windswept Pacific Music Ltd., WB Music Corp. (1929–2019) (until 2019-05-28), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), WC Music Corp. (from 2019-05-28 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Whitesnake3.53:53
3Smoke on the Water
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 426)
recording of:
Smoke on the Water (in 1971-12)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Deep Purple5:28
4Mony Mony
engineer:
Brian Reeves
producer:
Keith Forsey (drummer, producer and songwriter)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1981-07)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981) and Chrysalis Records, Inc. (not for release label use!) (in 1987)
music videos:
Mony, Mony (live) by Billy Idol (English rock singer‐songwriter)
cover recording of:
Mony Mony (in 1981-07)
writer:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry and Tommy James (American musician, singer, songwriter and record producer)
publisher:
Big Seven Music Corp., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Planetary Nom (London) Ltd.
Billy Idol35:00
5Ever Fallen in Love (With Someone You Shouldn’t’ve)?
engineer:
Doug Bennett (producer, engineer) and Martin Rushent
producer and mixer:
Martin Rushent
arranger:
Buzzcocks (English punk band)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at and mixed at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 276)
recording of:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
lyricist and composer:
Pete Shelley (Buzzcocks lead singer) (in 1977-11)
publisher:
Complete Music Ltd.
Buzzcocks4.452:41
6Peaches
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
assistant mixer:
Benny King (engineer)
mixer:
Doug Bennett (producer, engineer)
bass guitar:
Jean‐Jacques Burnel (from 1976-12-20 until 1977-01-28)
drums (drum set):
Jet Black (UK drummer Brian Duffy, member of The Stranglers) (from 1976-12-20 until 1977-01-28)
guitar and lead vocals:
Hugh Cornwell (from 1976-12-20 until 1977-01-28)
keyboard:
Dave Greenfield (from 1976-12-20 until 1977-01-28)
publisher:
EMI April Music Inc.
recorded at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1976-12-20 until 1977-01-28)
mixed at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
produced at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1977-01 until 1977-02)
recording of:
Peaches (from 1976-12-20 until 1977-01-28)
writer:
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell and Dave Greenfield
publisher:
Albion Music Ltd., April Music Ltd., Complete Music Ltd., Musik-Edition Discoton and Universal Music Publishing MGB Ltd.
The Stranglers4.24:05
7The Passenger
engineer:
Eduard Meyer and Colin Thurston
producer:
Bewlay Bros.
bass guitar:
Tony Sales (from 1977-06-04 until 1977-06-18)
cowbell, drums (drum set), shakers and tambourine:
Hunt Sales (from 1977-06-04 until 1977-06-18)
guitar:
Carlos Alomar (from 1977-06-04 until 1977-06-18) and Ricky Gardiner (from 1977-06-04 until 1977-06-18)
piano:
David Bowie (English singer‐songwriter) (from 1977-06-04 until 1977-06-18)
background vocals:
David Bowie (English singer‐songwriter) (from 1977-06-04 until 1977-06-18), Hunt Sales (from 1977-06-04 until 1977-06-18) and Tony Sales (from 1977-06-04 until 1977-06-18)
lead vocals:
Iggy Pop (from 1977-06-04 until 1977-06-18)
phonographic copyright (℗) by:
Thousand Mile, Inc. (in 1977)
recorded at:
Hansa Studio III in Berlin, Germany (from 1977-06-04 until 1977-06-18)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 179)
recording of:
The Passenger (from 1977-06-04 until 1977-06-18)
lyricist:
Iggy Pop
composer:
Ricky Gardiner
Iggy Pop4.64:41
8Senses Working Overtime
engineer:
Hugh Padgham
producer:
Hugh Padgham and XTC (English rock band)
edit of:
Senses Working Overtime by XTC (English rock band)
recording of:
Senses Working Overtime
lyricist and composer:
Andy Partridge
XTC4.54:34
9Kayleigh
recording engineer:
Thomas Stiehler
producer:
Chris Kimsey
mixer:
Mark Freegard and Chris Kimsey
bass guitar:
Pete Trewavas (Marillion bassist / Edison’s Children / Transatlantic) (from 1985-03 until 1985-05)
drums (drum set) and percussion:
Ian Mosley (from 1985-03 until 1985-05)
guitar:
Steve Rothery (from 1985-03 until 1985-05)
keyboard:
Mark Kelly (Marillion keyboardist) (from 1985-03 until 1985-05)
lead vocals:
Fish (Derek William Dick, ex‐Marillion frontman) (from 1985-03 until 1985-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1985)
remix of:
Kayleigh (alternative mix) by Marillion (British progressive rock band) and Kayleigh (alternative mix) by Marillion (British progressive rock band)
edit of:
Kayleigh by Marillion (British progressive rock band)
recording of:
Kayleigh (from 1985-03 until 1985-05)
lyricist:
Derek William Dick
composer:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery and Pete Trewavas (Marillion bassist / Edison’s Children / Transatlantic)
publisher:
Charisma Music Publishing Co Ltd. and Charisma Music Publishing Ltd.
Marillion4.43:33
10Real Real Real
engineer:
Clive Goddard (engineer)
additional producer:
Ian Curnow and Phil Harding (engineer, producer and remixer)
producer:
Mike Edwards (UK guitar/keyboards for Jesus Jones)
mixer:
John Fryer (British producer and engineer)
remixer:
Ian Curnow and Phil Harding (engineer, producer and remixer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1990)
recording of:
Real Real Real
lyricist and composer:
Mike Edwards (UK guitar/keyboards for Jesus Jones)
publisher:
EMI Blackwood Music Inc. (1989-07-24–present)
Jesus Jones43:06
11Unbelievable
producer and mixer:
Ralph Jezzard
drums (drum set):
Mark Decloedt
electric guitar and keyboard:
Ian Dench
background vocals:
Claudia Fontaine (vocals, background vocals)
lead vocals:
James Atkin
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1990)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 421)
recording of:
Unbelievable
writer:
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench and Zac Foley
publisher:
Warner Chappell Music Publ. Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019/05/16)
EMF3.553:30
12She’s a Wind Up
Dr. Feelgood2:02
13Walking on Sunshine
recording of:
Walking on Sunshine
lyricist:
Kimberley Rew (in 1983)
composer:
Kimberley Rew
publisher:
Kyboside Music, Megasongs Limited and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.53:40
14We Belong
assistant engineer:
Dave Hernandez (Dave "Zulu" Hernandez Engineer)
producer:
Pete Coleman and Neil Giraldo
assistant mixer:
Murray Dvorkin and Bino Espinoza
additional guest bass guitar:
Roger Capps
bass guitar:
Donnie Nossov
drums (drum set):
Myron Grombacher
guitar and harmonica:
Neil Giraldo
keyboard:
Charles Giordano (American keyboardist and accordionist)
percussion:
Charles Giordano (American keyboardist and accordionist), Neil Giraldo and Myron Grombacher
lead vocals:
Pat Benatar
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1984)
mixed at:
Soundcastle (Interactive Studios) in Santa Monica, California, United States and The Complex Studios in Los Angeles, California, United States
recording of:
We Belong
writer:
Eric Lowen and Dan Navarro (singer/songwriter/voice actor)
Pat Benatar4.453:39
15Wheels of Steel
Saxon5:57
16Hey You (live)
live recording of:
Hey You
writer:
Guy Bailey and Spike (UK singer/songwriter, member of Quireboys)
The Quireboys3:19
17Doctor Doctor
recording of:
Doctor Doctor
writer:
Phil Mogg and Michael Schenker
UFO42:44
18Silver Machine (original single version - live at the Roundhouse London)
producer:
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) and Hawkwind
additional bass guitar and additional guitar:
Guy Pratt
bass guitar and lead vocals:
Lemmy Kilmister (“Lemmy” from Motörhead)
drums (drum set):
Simon King (drummer)
flute and saxophone:
Nik Turner
guitar:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
synthesizer:
Dik Mik Davies and Del Dettmar
vocals:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind), Robert Calvert and Nik Turner
remixer:
The Scourge of the Earth
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1972)
recorded at:
Roundhouse in Camden Town, Camden, London (Greater London), England, United Kingdom (on 1972-02-13)
mixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent, London (Greater London), England, United Kingdom
edit of:
Silver Machine (12″ mix) by Hawkwind infected by The Scourge of the Earth
live recording of:
Silver Machine (on 1972-02-13)
lyricist:
Robert Calvert
composer:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd.
Hawkwind3.654:39
▼ CD 4
#TitleArtistRatingLength
1Nothing Compares 2 U
engineer:
Chris Birkett
producer:
Nellee Hooper and Sinéad O’Connor (Irish singer-songwriter)
mixer:
Chris Birkett, Fachtna Ó Ceallaigh and Sinéad O’Connor (Irish singer-songwriter)
vocals:
Sinéad O’Connor (Irish singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest One-Hit Wonders of All Time (number: 38), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 162), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 184) and Indie 88: Top 500 Indie Rock Songs (number: 413)
cover recording of:
Nothing Compares 2 U
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
NPG Publishing, Warner Chappell, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Sinéad O’Connor4.355:07
2True
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
performer:
Spandau Ballet
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
music videos:
True by Spandau Ballet
recording of:
True
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd. and Reformation Publishing Inc.
Spandau Ballet3.655:34
3Vienna
producer:
Conny Plank (German producer and sound engineer) and Ultravox
bass:
Chris Cross (UK bassist for Ultravox)
drums (drum set):
Warren Cann
guitar:
Midge Ure
keyboard and violin:
Billy Currie
vocals:
Midge Ure
recording of:
Vienna
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) and Sing Sing Songs Ltd.
Ultravox34:38
4Sleeping Satellite
recording of:
Sleeping Satellite
writer:
Tasmin Archer, John Beck (Writer, producer & musician) and John Hughes (guitarist)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer4:35
5I Got You Babe
producer:
Ray “Pablo” Falconer and UB40
guest vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
performer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and UB40
produced at:
The Abattoir in Birmingham, West Midlands, England, United Kingdom
cover recording of:
I Got You Babe
lyricist and composer:
Sonny Bono
publisher:
Carlin Music, Chris Marc Music and Cotillion Music (BMI)
UB40 & Chrissie Hynde2.753:08
6Ghost Town
engineer:
John A. Rivers
trombone:
Rico Rodriguez (Jamaican trombonist)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 217)
recording of:
Ghost Town
lyricist and composer:
Jerry Dammers
publisher:
BMG Rights Management (UK) Limited (not for release label use!)
The Specials3.93:40
7People Everyday
recording of:
People Everyday
lyricist:
Speech (US rapper & musician)
composer:
Arrested Development
Arrested Development3:53
8Black Man Ray
recording of:
Black Man Ray
writer:
Gary Daly, Gazza Johnson and Eddie Lundon (China Crisis)
China Crisis3:33
9Missing You
producer:
Gary Gersh, David Thoener and John Waite
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1984)
edit of:
Missing You by John Waite
recording of:
Missing You
lyricist:
John Waite
composer:
Mark Leonard, Chas Sandford and John Waite
publisher:
Everpop Songs, Markmeem Music (publisher), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), WB Music Corp. (1929–2019) (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), Paperwaite Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
John Waite3.43:32
10Chicago
producer:
Teddy Reig
alto saxophone:
Marshall Royal (in 1959-01) and Frank Wess (in 1959-01)
baritone saxophone:
Charlie Fowlkes (in 1959-01)
double bass:
Eddie Jones (US jazz double bassist) (in 1959-01)
drums (drum set):
Sonny Payne (in 1959-01)
guitar:
Freddie Green (in 1959-01)
piano:
Ralph Sharon and Count Basie (pianist) (in 1959-01)
tenor saxophone:
Frank Foster (saxophonist) (in 1959-01) and Billy Mitchell (US jazz saxophonist) (in 1959-01)
trombone:
Henry Coker (in 1959-01), Al Grey (trombone) (in 1959-01) and Benny Powell (in 1959-01)
trumpet:
Wendell Culley (in 1959-01), Thad Jones (in 1959-01), Joe Newman (US jazz trumpeter) (in 1959-01) and Snooky Young (in 1959-01)
vocals:
Tony Bennett (US jazz/standards vocalist) (in 1959-01)
performer:
Tony Bennett (US jazz/standards vocalist)
arranger:
Ralph Sharon
live cover recording of:
Chicago (That Toddlin’ Town) (in 1959-01)
lyricist and composer:
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. and Salabert
cover recording of:
Chicago (That Toddlin’ Town)
lyricist and composer:
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. and Salabert
Tony Bennett42:07
11Come Fly With Me
producer:
Voyle Gilmore
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-08)
orchestra:
The Billy May Orchestra (on 1957-10-08)
conductor:
Billy May (on 1957-10-08)
arranger:
Billy May
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1957-10-08)
recording of:
Come Fly With Me (on 1957-10-08)
lyricist:
Sammy Cahn (in 1957)
composer:
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) and フジパシフィックミュージック
Frank Sinatra4.53:18
12Big Spender
producer:
Kenneth Hume and Norman Newell
lead vocals:
Shirley Bassey (Welsh singer)
vocals:
Shirley Bassey (Welsh singer)
orchestra:
Alyn Ainsworth and His Orchestra
conductor:
Ernest Freeman
arranger:
Ernest Freeman
recording of:
Big Spender
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Cy Coleman
publisher:
Campbell Connelly & Co. Ltd. and WB Music Corp. (1929–2019)
part of:
Overture (Sweet Charity)
part of:
Sweet Charity
Shirley Bassey4.51:50
13James Bond Theme
The John Barry Orchestra3:02
14Summertime Blues
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 11), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 73) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 432)
recording of:
Summertime Blues (in 1958-08)
writer:
Jerry Capehart and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Elvis Presley Music, Gladys Music, Hill and Range Songs, Inc., Rightsong Music, Viva Music, Inc and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran3.351:59
15The House of the Rising Sun
producer:
Mickie Most (English record producer)
bass guitar:
Chas Chandler
drums (drum set):
John Steel (English musician)
electric guitar:
Hilton Valentine
organ:
Alan Price
lead vocals:
Eric Burdon
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 11), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 122) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, Keith Prowse and Universal/MCA Music Ltd. (not for release label use!)
arrangement of:
House of the Rising Sun
The Animals4.154:30
16Good Vibrations
recording engineer:
Bruce Botnick, Chuck Britz and Larry Levine
engineer:
Chuck Britz and Jim Lockert (Enginear)
producer:
The Beach Boys (American rock band) and Brian Wilson (Beach Boys co‐founder)
mixer:
Derry FitzGerald
lead vocals:
Mike Love (Beach Boys) and Carl Wilson (Beach Boys) (from 1966-02 until 1966-06)
vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1966-02 until 1966-06)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 6) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (from 1966-02 until 1966-06)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country‐specific information is available)
version of:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:36
175-4-3-2-1
producer:
John Burgess (British record producer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1963-12-17)
recording of:
5-4-3-2-1
composer:
Mike Hugg, Paul Jones (singer, formerly of Manfred Mann, The Blues Band, was also in musical theatre) and Manfred Mann (the person)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Keith Prowse Music Publishing Ltd.
Manfred Mann51:59
18I'm Gonna Be (500 Miles)
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
acoustic guitar:
Jerry Donahue and Charlie Reid
bass guitar:
Phil Cranham
drums (drum set):
Paul Robinson (UK drummer, also Turning Point member)
electric guitar:
Jerry Donahue
fiddle:
Steve Shaw (Steve Brennan)
keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
mandolin and tin whistle:
Stuart Nisbet
steel guitar:
Gerry Hogan
vocals:
Charlie Reid and Craig Reid
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) and Chrysalis Records, Inc. (not for release label use!) (in 1988)
recorded at and mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 21)
recording of:
I’m Gonna Be (500 Miles)
writer:
Charlie Reid and Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Proclaimers43:36
19When You Walk in the Room
producer:
Christopher Neil
phonographic copyright (℗) by:
BMG Ariola München GmbH (in 1987) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1987)
cover recording of:
When You Walk in the Room
lyricist and composer:
Jackie DeShannon
publisher:
EMI Unart Catalog Inc., EMI United Partnership Ltd., Metric Music Company (publisher), フジパシフィックミュージック SBK事業部, SBK Songs (publisher) (in 1987) and United Partnership Ltd. (in 1987)
Paul Carrack2.653:30
20Mercy Mercy Me / I Want You (medley)
Robert Palmer5:53
▼ CD 5
#TitleArtistRatingLength
1Alright
engineer:
John Cornfield
producer:
Sam Williams (producer & musician. ex‐member of The Animalhouse)
mixer:
John Cornfield and Sam Williams (producer & musician. ex‐member of The Animalhouse)
bass guitar:
Mick Quinn (from 1994-02 until 1994-08)
drums (drum set):
Danny Goffey (from 1994-02 until 1994-08)
guitar and lead vocals:
Gaz Coombes (from 1994-02 until 1994-08)
keyboard:
Rob Coombes (from 1994-02 until 1994-08)
background vocals:
Danny Goffey (from 1994-02 until 1994-08) and Mick Quinn (from 1994-02 until 1994-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1995)
recorded at:
Sawmills Studio in Golant, Cornwall, England, United Kingdom (from 1994-02 until 1994-08)
part of:
TV Cream: Real 100 Best Singles Ever (number: 65)
recording of:
Alright (from 1994-02 until 1994-08)
writer:
Gaz Coombes, Danny Goffey and Mick Quinn
publisher:
EMI Music (do not use as release label! this is a music publisher)
Supergrass3.553:00
2Drinking in L.A.
recording of:
Drinking in L.A.
writer:
Bran Van 3000, James Di Salvio, Duane Larson and Haig Vartzbedian
quotes lyrics from:
Gin & Juice
Bran Van 300033:41
3Baby Come Back
producer:
Stoker (production/remixing)
guest performer:
Ali Campbell (UB40’s former vocalist) and Robin Campbell
performer:
Ali Campbell (UB40’s former vocalist) and Robin Campbell
cover recording of:
Baby, Come Back (The Equals song)
lyricist and composer:
Eddy Grant
publisher:
Kassner Music Ltd.
Pato Banton33:51
4Heaven Is a Place on Earth
producer:
Rick Nowels
lead vocals:
Belinda Carlisle
arranger:
Rick Nowels
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1987)
recording of:
Heaven Is a Place on Earth
writer:
Rick Nowels and Ellen Shipley
publisher:
BMG Bumblebee, Fujipacific Music, Inc. and Future Furniture
Belinda Carlisle4.054:05
5French Kissin’ in the USA
recording of:
French Kissin’ in the USA
lyricist and composer:
Chuck Lorre (US TV director, writer, producer & composer)
publisher:
Home Grown Music (formerly Home Grown Music Network), Home Grown Music, Inc. (work publisher) and Theodello Profunct Publishers
Deborah Harry2.654:11
6Rio
recording of:
Rio
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran4.54:44
7Temptation
producer:
B.E.F. and Greg Walsh (producer and engineer)
vocals:
Carol Kenyon
recording of:
Temptation
writer:
Glenn Gregory, Ian Craig Marsh and Martyn Ware
publisher:
Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 172.353:06
8Love Is the Drug
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1975), Virgin EG Records Ltd. (in 1975) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recording of:
Love Is the Drug
lyricist:
Bryan Ferry
composer:
Andy Mackay (of Roxy Music)
publisher:
BMG Songs Ltd., E.G. Music Inc., Universal Music–MGB Songs and E.G. Music Ltd. (publisher) (in 1975)
Roxy Music4.24:08
9View From a Bridge
producer:
Ricky Wilde
lead vocals:
Kim Wilde
phonographic copyright (℗) by:
Cherry Pop (a division of Cherry Red Records Ltd.), RAK, EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1996, in 2001) and EMI Records Limited (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2006)
recording of:
View From a Bridge
writer:
Marty Wilde and Ricky Wilde
Kim Wilde43:32
10Bitch
engineer and producer:
Geza X
mixer:
Jim Ebert
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
recording of:
Bitch
writer:
Meredith Brooks (US singer/songwriter and guitarist) and Shelly Peiken
publisher:
Hidden Pun Music, Kissing Booth Music, Sushi Too Music and Warner–Tamerlane Music Corp.
Meredith Brooks44:02
11The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim "Watts" Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981-2008) in Sausalito, California, United States
mixed at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Huey Lewis Music, Kinda Blue Music, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2)
part of:
Back to the Future: the Musical
Huey Lewis & the News43:54
12Rush Hour
recording of:
Rush Hour
writer:
Peter Rafelson and Jane Wiedlin
Jane Wiedlin4:05
13Nutbush City Limits
recording of:
Nutbush City Limits
lyricist and composer:
Tina Turner
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), EMI Unart Catalog Inc., Huh-Music, Unart Music Corp. and United Artists Music Ltd.
Ike & Tina Turner2:53
14Hanging On the Telephone
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
cover recording of:
Hanging On the Telephone (from 1978-06 until 1978-07)
lyricist and composer:
Jack Lee (US songwriter and musician)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) and Rare Blue Music Inc (in 1978)
Blondie4.22:17
15Tubthumping
engineer:
Neil Ferguson (Chumbawamba)
producer:
Chumbawamba
phonographic copyright (℗) by:
Chumbawamba (in 1997)
phonographic copyright (℗) by:
EMI Electrola GmbH & Co KG (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1997)
recorded at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom (in 1997-02)
mixed at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom (in 1997-09)
edit of:
Tubthumping (album version) by Chumbawamba
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 23)
recording of:
Tubthumping (in 1997)
publisher:
Chumbawamba (in 1997)
writer:
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts and Boff Whalley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Leosong (publisher) (in 1997)
Chumbawamba3.43:32
16Gertcha
Chas & Dave3:53
17I Am a Cider Drinker (Paloma Blanca)
recording of:
I Am a Cider Drinker
lyricist:
Tommy Banner, Tony Baylis and Pete Budd
writer:
Hans Bouwens
parody version of:
Paloma Blanca
The Wurzels3:04
18Letter From America
recording of:
Letter From America
writer:
Charlie Reid and Craig Reid
The Proclaimers34:02
19Kiss Me
recording of:
Kiss Me
lyricist and composer:
Stephen Duffy
publisher:
EMI Music Ltd. (in 1985)
Stephen Duffy33:32
▶ CD 6

Credits

Release

ASIN:UK: B0038PT56Y [info]