20th Century Fox: 75 Years Of Great Film Music

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD: 1935 – 1960
#TitleArtistRatingLength
120th Century-Fox Fanfare (with CinemaScope extension)
Alfred Newman0:20
2All About Eve: Main Title / The Award
Alfred Newman2:20
3How Green Was My Valley: The Family and Bronwen / Finale / End Title
Alfred Newman8:12
4The Song of Bernadette: The Vision
producer:
Nick Redman (Soundtrack and Film Producer) and Rick Victor
mixer and editor:
Rick Victor
conductor:
Alfred Newman
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recording of:
The Vision
composer:
Alfred Newman
Alfred Newman4:18
5Laura: Main Title
recording of:
Laura (original 1944 film theme)
composer:
David Raksin (in 1944)
David Raksin2:19
6The Ghost and Mrs. Muir: Prelude / Local Train / The Sea
Bernard Herrmann3:56
7Captain From Castile: Conquest
Alfred Newman4:10
8Twelve O’Clock High: Main Title
Alfred Newman1:55
9The Day the Earth Stood Still: Prelude / Outer Space / Radar
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States (in 1951-08)
recording of:
Prelude / Outer Space / Radar (The Day the Earth Stood Still) (in 1951-08)
composer:
Bernard Herrmann (composer)
part of:
The Day the Earth Stood Still
Bernard Herrmann3:48
10Viva Zapata! Gathering Forces
Alex North3:27
11My Cousin Rachel: Main Title
Franz Waxman2:25
12The Robe: Main Title / Caligula’s Arrival / Finale
Alfred Newman4:25
13Prince Valiant: Main Title / King Aguar’s Escape
Franz Waxman4:56
14Untamed: Main Title
Franz Waxman2:37
15The Rains of Ranchipur: Main Title
Hugo Friedhofer2:20
16How to Marry a Millionaire: Street Scene
Alfred Newman5:39
17The Seven Year Itch: Main Title
Alfred Newman3:16
18Three Coins in the Fountain: Prelude / Rome
Victor Young4:29
19Love Is a Many-Splendored Thing: Main Title / God Has Been Good / Finale
Alfred Newman7:07
20The Long, Hot Summer: The Long, Hot Summer / Two Butterflies
vocals:
Jimmie Rodgers (1950s pop/country singer, born in 1933; “Honeycomb”, “Kisses Sweeter Than Wine”)
medley including a recording of:
The Long, Hot Summer (from film of the same name)
lyricist:
Sammy Cahn
composer:
Alex North (US composer)
Alex North5:03
21From the Terrace: Love Theme
Elmer Bernstein1:30
2▼CD: 1961 – 1985
#TitleArtistRatingLength
1Cleopatra: Main Title / Cleopatra Enters Rome
Alex North9:39
2The Sand Pebbles: Overture / Main Title
Jerry Goldsmith5:10
3Planet of the Apes: Main Title / The Hunt
Jerry Goldsmith7:20
4Patton: Main Title / German Advance
Jerry Goldsmith5:39
5Tora! Tora! Tora! Main Title
conductor:
Jerry Goldsmith (American score composer)
Jerry Goldsmith3:04
6The French Connection: Main Title / This Is It
Don Ellis4:17
7The Poseidon Adventure: Main Title
producer:
Mike Matessino and Nick Redman (Soundtrack and Film Producer)
mixer:
Vinton Vernon
assistant editor:
Neil S. Bulk
editor:
Daniel Hersch (mastering engineer) and Ken Hall (music editor)
conductor:
John Williams (American score composer)
remixer:
Mike Matessino
recorded at:
Stage 1, 20th Century Fox Studios (1972-09-20 – 1972-09-22)
edited at:
DigiPrep in Los Angeles, California, United States
recording of:
Main Title
orchestrator:
Alexander Courage
composer:
John Williams (American score composer)
John Williams2:14
8The Paper Chase: End Title
John Williams2:34
9Conrack: Main Title
John Williams6:02
10The Omen: Ave Satani
engineer:
John Richards (engineer)
producer:
Jerry Goldsmith (American score composer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) and Lionel Newman
recording of:
Ave Satani (The Omen)
orchestrator:
Arthur Morton
lyricist and composer:
Jerry Goldsmith (American score composer)
part of:
The 49th Academy Award for Best Original Song (number: 2)
Jerry Goldsmith52:34
11Magic: Main Title
conductor:
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:04
12The Fury: For Gillian / End Title
John Williams4:30
13Alien: Main Title
conductor:
Lionel Newman
Jerry Goldsmith4:12
14Norma Rae: It Goes Like It Goes
vocals:
Jennifer Warnes
conductor:
David Shire (American score composer)
orchestrator:
David Shire (American score composer)
recording of:
Norma Rae: It Goes Like It Goes
lyricist:
Norman Gimbel
composer:
David Shire (American score composer)
part of:
The 52nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1979 winner)
David Shire3:03
15Author! Author! Main Title
Dave Grusin2:00
16Max Dugan Returns: End Title
David Shire2:25
17Romancing the Stone: End Title
Alan Silvestri5:30
18Commando: Prologue / Main Title
James Horner3:57
3▼CD: 1986 – 2010
#TitleArtistRatingLength
1Predator: Main Title
engineered in:
Los Angeles, California, United States
recording engineer and mixer:
Dennis Sands (American sound engineer)
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Dan Hersch (mastering engineer) and Michael Tronick
conductor:
Alan Silvestri (US score composer)
orchestrator:
James B. Campbell (orchestrator)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Twentieth Century Fox Studios (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-05-13 until 1987-05-20)
edited at:
DigiPrep Mastering in Los Angeles, California, United States
Alan Silvestri3:53
2The Fly: Main Title
producer:
Howard Shore (Canadian score composer)
mixer:
Keith Grant (classical recording engineer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1986-06-23 until 1986-06-27)
conductor:
Howard Shore (Canadian score composer) (from 1986-06-23 until 1986-06-27)
orchestrator:
Homer Denison (orchestrator, composer)
phonographic copyright (℗) by:
Brooksfilms Limited
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Main Title (The Fly) (from 1986-06-23 until 1986-06-27)
composer:
Howard Shore (Canadian score composer)
Howard Shore1:56
3Lucas: Main Title
producer:
Nick Redman (Soundtrack and Film Producer)
mixer:
Donald Murray (producer / engineer) and Armin Steiner
assistant editor:
Tom Carlson (editor) and Jeff Charbonneau
editor:
Daniel Hersch (mastering engineer), John R. Harris and Kenneth Wannberg
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Twentieth Century Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States
edited at:
DigiPrep in Los Angeles, California, United States
recording of:
Main Title
composer:
Dave Grusin (American pianist and score composer)
Dave Grusin2:46
4Raising Arizona: Way Out There
engineer:
Sebastian Niessen (engineer)
producer:
Carter Burwell (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recording of:
Way Out There
composer:
Carter Burwell (American score composer)
Carter Burwell1:57
5Wall Street: Bud’s Scam
Stewart Copeland2:50
6Big: Opening
mixer:
Armin Steiner
editor:
Daniel Hersch (mastering engineer)
conductor:
Howard Shore (Canadian score composer) (in 1988-03)
remixer:
Michael Matessino
orchestrator:
Homer Denison (orchestrator, composer)
recorded at:
Twentieth Century Fox Studios in Los Angeles, California, United States (in 1988-03)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
edited at:
DigiPrep in Los Angeles, California, United States
remixed at:
Sharpline Arts
recording of:
Opening (in 1988-03)
composer:
Howard Shore (Canadian score composer)
Howard Shore2:52
7Broadcast News: Young Jane / Main Title
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Broadcast News: Young Jane / Main Title (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti2:46
8Die Hard: The Nakatomi Plaza / Gruber’s Arrival
Michael Kamen5:31
9The Abyss: Bud on the Ledge
engineer:
Charley Pollard and Dennis S. Sands (American sound engineer)
assistant producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) (task: assistant to producer)
producer:
Alan Silvestri (US score composer)
conductor:
Alan Silvestri (US score composer)
orchestrator:
James B. Campbell (orchestrator)
recording of:
Bud on the Ledge (The Abyss)
composer:
Alan Silvestri (US score composer)
part of:
The Abyss
Alan Silvestri3:16
10Hoffa: End Credits
recording engineer:
Tim Boyle (recording and mixing engineer)
assistant engineer:
Sue McLean
producer:
David Newman (American score composer)
editor:
Tom Villano
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Fox Records Inc. (in 1993)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
Hoffa End Credits
orchestrator and composer:
David Newman (American score composer)
David Newman8:02
11Mrs. Doubtfire: Main Title
producer:
Howard Shore (Canadian score composer)
conductor:
Howard Shore (Canadian score composer)
phonographic copyright (℗) by:
Fox Records Inc.
recording of:
Main Title
composer:
Howard Shore (Canadian score composer)
Howard Shore3:02
12Speed: The Rescue
recording engineer:
Alan Meyerson
assistant engineer:
Bruno Roussel (engineer), Stephen Harrison (recording engineer) and Steven Stern
mixer:
Jay Rifkin
conductor:
Don Harper (LA‐based film composer)
arranger:
Mark Mancina (American score composer)
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator), Don Harper (LA‐based film composer), Mark Mancina (American score composer), Ladd McIntosh and Yvonne S. Moriarty (orchestrator)
phonographic copyright (℗) by:
Fox Records Inc.
recording of:
The Rescue
composer:
Mark Mancina (American score composer)
Mark Mancina4:05
13Cast Away: End Credits
Alan Silvestri3:47
14Unfaithful: Unfaithful
recording engineer:
John Rodd (engineer)
engineer:
Rafał Paczkowski (engineer) and Bill Talbott
producer:
Jan A.P. Kaczmarek (composer)
mixer:
Rafał Paczkowski (engineer)
editor:
Christopher Kennedy
orchestra:
Hollywood Studio Symphony
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at and mixed at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
Unfaithful
orchestrator:
Bruce Babcock, Jan A.P. Kaczmarek (composer) and Dylan Maulucci
composer:
Jan A.P. Kaczmarek (composer)
Jan A.P. Kaczmarek2:39
15Ice Age: Opening Travel Music
recording engineer:
Bruce Botnick, John Kurlander (engineer) and John Rodd (engineer)
sound engineer:
Marty Frasu
engineer:
Bill Talbott
producer:
David Newman (American score composer)
mixer:
Bruce Botnick and John Kurlander (engineer)
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, California, United States
recording of:
Opening Travel Music
orchestrator:
Rebecca R. Liddle and David Newman (American score composer)
composer:
David Newman (American score composer)
David Newman1:20
16I, Robot: End Credits
recording engineer:
Kevin Globerman, John Kurlander (engineer), Matt Patterson (engineer) and John Rodd (engineer)
engineer:
Bill Talbott and William Stein (engineer)
producer:
Marco Beltrami (American score composer)
mixer:
John Kurlander (engineer)
assistant editor:
Jeremy Raub
editor:
Alex Gibson (musician/editor)
orchestra:
Hollywood Studio Symphony
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Robert Wise Stage
recording of:
End Credits (I, Robot)
composer:
Marco Beltrami (American score composer)
Marco Beltrami3:17
17Fantastic Four: Main Titles
recording engineer:
Tim Lauber, Larry Mah and Casey Stone (engineer)
assistant engineer:
Wade Childers
engineer:
Bill Talbott
producer and mixer:
Casey Stone (engineer)
orchestra:
Hollywood Studio Symphony
conductor:
Damon Intrabartolo
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Main Titles
orchestrator:
Damon Intrabartolo and John Ottman
composer:
John Ottman
John Ottman2:35
18Night at the Museum: Night at the Museum
recording engineer and mixer:
Dennis Sands (American sound engineer)
additional engineer:
John Richards (engineer)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
editor:
Kenneth Karman
orchestra:
The Hollywood Studio Symphony
conductor:
Alan Silvestri (US score composer)
orchestrator:
John Ashton-Thomas, Conrad Pope and David Slonaker
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recording of:
Night at the Museum
composer:
Alan Silvestri (US score composer)
Alan Silvestri2:38
19Horton Hears a Who! Horton Suite
John Powell7:42
20Independence Day: End Credits
David Arnold9:07