Sentimental Journey

~ Release by Rosemary Clooney (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1The Best Thing for You Would Be Me
recording of:
The Best Thing for You (Would Be Me)
lyricist and composer:
Irving Berlin (in 1950)
4:26
2Sentimental Journey
producer:
John Oddo
cornet:
Warren Vaché (trumpet, cornet, flugelhorn)
drums (drum set):
Jake Hanna (jazz drummer)
piano:
John Oddo
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist)
vocals:
Rosemary Clooney
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
remixed at:
PER (Hayward) in Hayward, California, United States
recording of:
Sentimental Journey
lyricist:
Bud Green (in 1944)
composer:
Les Brown (American big band & jazz musician) (in 1944) and Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc., Morley Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
4:26
3I've Got You Under My Skin
3:54
4I Remember You
recording of:
I Remember You
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Paramount Music Corporation
3:11
5My Shining Hour
recording of:
My Shining Hour (The Sky’s the Limit)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (ended), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Harwin Music Corporation
part of:
The 16th Academy Award for Best Original Song (number: 2)
part of:
The Sky’s the Limit (1943 film)
3:51
6Them There Eyes
recording of:
Them There Eyes
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) and Warner Chappell Music Limited (2019-present)
2:37
7I'm Beginning to See the Light
recorded in:
Hollywood, Los Angeles, California, United States (in 1983-08)
recording engineer:
Allen Sides
producer:
Carl E. Jefferson
baritone saxophone:
Mike Brignola (in 1983-08)
bass [acoustic, electric bass]:
John Adams (jazz bassist, composer and arranger) (in 1983-08)
bass trombone:
Randy Hawes (in 1983-08)
brass [trumpet, flugelhorn]:
Bill Byrne (trumpeter) (in 1983-08), Dan Fornero (in 1983-08), Mark Lewis (Jazz trumpet player, son of Cappy Lewis) (in 1983-08), Paul Mazzio (in 1983-08) and Scott Wagstaff (in 1983-08)
drums (drum set) and percussion:
Jeff Hamilton (jazz drummer) (in 1983-08)
guitar [acoustic, electric guitar]:
John Chiodini (in 1983-08)
piano [piano, electric piano]:
John Oddo (in 1983-08)
reeds [clarinet, alto saxophone]:
Woody Herman (in 1983-08)
tenor saxophone:
Frank Tiberi (in 1983-08)
trombone:
John Fedchock (in 1983-08) and Gene Smith (trombone, jazz) (in 1983-08)
woodwind [tenor saxophone, flute]:
James Carroll (US jazz saxophonist) (in 1983-08) and Mark Vinci (in 1983-08)
vocals:
Rosemary Clooney (in 1983-08)
conductor:
John Oddo (in 1983-08)
remixer:
Allen Sides
arranger:
John Oddo
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
remixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
recording of:
I’m Beginning to See the Light (in 1983-08)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
3:42
8Nice "N" Easy
recording engineer and mixer:
Phil Edwards (recording engineer)
producer:
John Burk
bass:
Tom Warrington (from 1991-11 until 1991-12)
brass [trumpet flugelhorn]:
George Graham (trumpet) (from 1991-11 until 1991-12)
brass [trumpet, flugelhorn]:
Larry Hall (trumpet player) (from 1991-11 until 1991-12), Warren Luening (from 1991-11 until 1991-12) and Bob Summers (trumpet) (from 1991-11 until 1991-12)
drums (drum set):
Joe LaBarbera (from 1991-11 until 1991-12)
French horn:
Brad Warnaar (from 1991-11 until 1991-12)
guitar:
Tim May (session/jazz guitarist) (from 1991-11 until 1991-12)
keyboard [piano, synthesizer]:
John Oddo (from 1991-11 until 1991-12)
percussion:
Joe Porcaro (from 1991-11 until 1991-12)
reeds [clarinet, tenor saxophone]:
Bob Cooper (US jazz saxophonist) (from 1991-11 until 1991-12)
trombone:
Bill Booth (US trombonist) (from 1991-11 until 1991-12), Bill Elton (from 1991-11 until 1991-12), George Roberts (american bass trombone) (from 1991-11 until 1991-12) and Chauncey Welsch (from 1991-11 until 1991-12)
woodwind [flute, alto flute, alto saxophone]:
Gary Foster (woodwind instrumentalist) (from 1991-11 until 1991-12)
woodwind [flute, bass clarinet, baritone saxophone]:
Bob Tricarico (from 1991-11 until 1991-12)
woodwind [flute, clarinet, alto saxophone, tenor saxophone]:
Dan Higgins (saxophonist and woodwind recording artist) (from 1991-11 until 1991-12)
woodwind [flute, clarinet, alto saxophone]:
Joe Soldo (from 1991-11 until 1991-12)
woodwind [flute, clarinet, tenor saxophone]:
Pete Christlieb (from 1991-11 until 1991-12)
vocals:
Rosemary Clooney (from 1991-11 until 1991-12)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Group IV Recording Studios in Hollywood, Los Angeles, California, United States (from 1991-11 until 1991-12)
mixed at:
PER in San Francisco, California, United States
recording of:
Nice ’n’ Easy (from 1991-11 until 1991-12)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Lew Spence
publisher:
Spirit Two Music (ended), Threesome Music Company (ended), Warner Bros. Music Corp. (ended), Spence Lew Music and Spirit Two Music Crescendo
3:11
9There Will Never Be Another You
assistant recording engineer:
Dann Michael Thompson (sound engineer)
recording engineer:
Phil Edwards (recording engineer)
producer:
John Burk and Carl E. Jefferson
remixer:
Phil Edwards (recording engineer)
recorded at:
Group IV Studios in Hollywood, Los Angeles, California, United States (from 1994-10-10 until 1994-10-13)
remixed at:
PER in San Francisco, California, United States
3:23
10The Continental
assistant recording engineer:
Steve Genewick (from 1995-09-27 until 1995-09-30)
recording engineer:
Leslie Ann Jones (recording engineer) (from 1995-09-27 until 1995-09-30)
producer:
John Burk and Allen Sviridoff
bass:
Chuck Berghofer (Jazz bassist) (from 1995-09-27 until 1995-09-30)
bass trombone:
George Roberts (american bass trombone) (from 1995-09-27 until 1995-09-30)
brass [trumpet, flugelhorn]:
Warren Luening (from 1995-09-27 until 1995-09-30)
cello:
Christine Ermacoff (from 1995-09-27 until 1995-09-30) and Armen Ksajikian (from 1995-09-27 until 1995-09-30)
drums (drum set):
Gregg Field (drums) (from 1995-09-27 until 1995-09-30)
guitar:
Dennis Budimir (from 1995-09-27 until 1995-09-30)
harp:
Marcia Dickstein (from 1995-09-27 until 1995-09-30)
piano:
John Oddo (from 1995-09-27 until 1995-09-30)
trombone:
Charley Loper (American trombonist) (from 1995-09-27 until 1995-09-30), Bill Elton (from 1995-09-27 until 1995-09-30) and Chauncey Welsch (from 1995-09-27 until 1995-09-30)
trumpet:
Rick Baptist (from 1995-09-27 until 1995-09-30), Wayne Bergeron (from 1995-09-27 until 1995-09-30) and George Graham (trumpet) (from 1995-09-27 until 1995-09-30)
violin:
Darius Campo (from 1995-09-27 until 1995-09-30), Assa Drori (from 1995-09-27 until 1995-09-30), Gwenn Heller (from 1995-09-27 until 1995-09-30), Karen Jones (Violinist) (from 1995-09-27 until 1995-09-30) and Bob Sanov (from 1995-09-27 until 1995-09-30)
woodwind [baritone saxophone, oboe]:
Gene Cipriano (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, alto saxophone]:
Gary Foster (woodwind instrumentalist) (from 1995-09-27 until 1995-09-30) and Joe Soldo (from 1995-09-27 until 1995-09-30)
woodwind [woodwinds, tenor saxophone]:
Tommy Newsom (from 1995-09-27 until 1995-09-30) and Vince Trombetta (from 1995-09-27 until 1995-09-30)
vocals:
Rosemary Clooney (from 1995-09-27 until 1995-09-30)
conductor:
John Oddo (from 1995-09-27 until 1995-09-30)
remixer:
Leslie Ann Jones (recording engineer)
arranger:
Nelson Riddle
concertmaster:
Endré Granat (Hungarian violinist) (from 1995-09-27 until 1995-09-30)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1995-09-27 until 1995-09-30)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
The Continental (from the 1934 film "The Gay Divorcee") (from 1995-09-27 until 1995-09-30)
lyricist:
Herb Magidson (in 1934)
composer:
Con Conrad (in 1934)
publisher:
Harms, Inc., Magidson Music, Inc., The Songwriters Guild and Warner Bros., Inc. (not for release label use!)
part of:
Academy Award for Best Original Song (number: 7) and The 7th Academy Award for Best Original Song (number: 1)
3:13