Feels Like Home

~ Release by Norah Jones (see all versions of this release, 26 available)

Annotation

Sub-Optimal Credits

Dolly Parton appears courtesy of Blue Eye Records
Jesse Harris appears courtesy of Blue Thumb / Verve Music Group

A&R Administration: Chris Colofoni
Product Manager: Zach Hochkeppel
Design Production Assistance: Burton Yount
Management: Macklam/Feldman Management Inc.

Thanks: Adam Levy, Andrew Borger, Daru Oda, Kevin Breit, Lee Alexander, Arif Mardin, Jay Newland, Dolly Parton, Garth Hudson, Levon Helm, Tony Scherr, Jesse Harris, Brian Blade, Rob Burger, Jane Scarpentoni, David Gold, Zach Hochkeppel, JR Rich, Matt Hanks, Eli Wolf, Andria Tay, Cem Kurosman, Sharon Russell, Saul Shapiro, Chris Colom, Burton Yount, Jessica Berenblat, Tom Evered, Bruce Lindvall, Sam Feldman, Steve Maddam, Peter Fairley, Stu Silfen, Shell White, Gail Nishi, Lee Moro, Joe Brauner, Mario Tirado, Katherine McVicker, Steve Mazur, Aya Takemura, Matthew Cullen, Geoff Vick, Marc McKenna, Maud Hudson, Vin Scelsa, Rita Houston, Nic Harcourt, Bruce Warren, David Dye, Sue Jones, "all the people who have supported us in the past 2 years"

Special Thanks: Richard Julian, the Duke Ellington estate, Townes van Zandt, Tom Waits, Kathleen Brennan

Annotation last modified on 2018-07-20 13:12 UTC.

Tracklist

Enhanced CD 1
#TitleRatingLength
1Sunrise
recording engineer and mixer:
Jay Newland
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar and banjolin:
Kevin Breit (from 2003 until 2004)
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
slit drum:
Andrew Borger (from 2003 until 2004)
background vocals [backup vocal]:
Adam Levy (jazz guitarist) (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Sunrise (from 2003 until 2004)
writer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Fumblethumbs Music and Muthajones Music
3.83:21
2What Am I to You?
recording engineer and mixer:
Jay Newland
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Levon Helm (from 2003 until 2004)
electric guitar:
Tony Scherr (from 2003 until 2004)
Hammond organ:
Garth Hudson (from 2003 until 2004)
Wurlitzer electric piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
What Am I to You? (from 2003 until 2004)
lyricist and composer:
Norah Jones
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) and Muthajones Music
4.253:30
3Those Sweet Words
recording engineer and mixer:
Jay Newland
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Kevin Breit (from 2003 until 2004) and Jesse Harris (from 2003 until 2004)
cajón [box]:
Andrew Borger (from 2003 until 2004)
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
piano and lead vocals [vocals]:
Norah Jones (from 2003 until 2004)
reed organ [pump organ]:
Rob Burger (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Those Sweet Words (from 2003 until 2004)
writer:
Lee Alexander (US bassist, songwriter & producer) and Richard Julian
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Fumblethumbs Music, Slow New York Music and Sony/ATV Songs LLC
4.353:23
4Carnival Town
recording engineer and mixer:
Jay Newland
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris (from 2003 until 2004)
cello:
Jane Scarpantoni (cellist) (from 2003 until 2004)
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
viola:
David Gold (viola player) (from 2003 until 2004)
strings arranger:
Arif Mardin
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Carnival Town (from 2003 until 2004)
writer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Fumblethumbs Music and Muthajones Music
3.253:12
5In the Morning
recording engineer and mixer:
Jay Newland
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Adam Levy (jazz guitarist) (from 2003 until 2004)
double bass [acoustic bass] and electric bass guitar:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Andrew Borger (from 2003 until 2004)
resonator guitar:
Kevin Breit (from 2003 until 2004)
Wurlitzer electric piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
In the Morning (from 2003 until 2004)
lyricist and composer:
Adam Levy (jazz guitarist)
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
Bughouse, Lost Wax Music and Universal Music Corp. (USA, affiliated with ASCAP)
3.654:08
6Be Here to Love Me
recording engineer and mixer:
Jay Newland
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
accordion:
Garth Hudson (from 2003 until 2004)
acoustic guitar:
Kevin Breit (from 2003 until 2004)
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Andrew Borger (from 2003 until 2004)
electric guitar:
Adam Levy (jazz guitarist) (from 2003 until 2004)
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
background vocals [backup vocal]:
Kevin Breit (from 2003 until 2004), Adam Levy (jazz guitarist) (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Be Here to Love Me (from 2003 until 2004)
lyricist and composer:
Townes van Zandt
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
Bughouse and Silver House Music Inc. (publisher; do NOT use as release label)
3.653:29
7Creepin’ In
recording engineer and mixer:
Jay Newland
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Kevin Breit (from 2003 until 2004)
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
reed organ [pump organ]:
Rob Burger (from 2003 until 2004)
snare drum:
Andrew Borger (from 2003 until 2004)
background vocals [backup vocal]:
Adam Levy (jazz guitarist) (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
lead vocals [vocal]:
Norah Jones (from 2003 until 2004) and Dolly Parton (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Creepin’ In (from 2003 until 2004)
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer)
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) and Fumblethumbs Music
3.753:04
8Toes
recording engineer and mixer:
Jay Newland
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Andrew Borger (from 2003 until 2004)
electric guitar:
Adam Levy (jazz guitarist) (from 2003 until 2004)
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
resonator guitar:
Kevin Breit (from 2003 until 2004)
background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Toes (from 2003 until 2004)
writer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Fumblethumbs Music and Muthajones Music
3.653:47
9Humble Me
recording engineer and mixer:
Jay Newland
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
reed organ [pump organ] and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
resonator guitar:
Kevin Breit (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Humble Me (from 2003 until 2004)
lyricist and composer:
Kevin Breit
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
Poverty Playlist and Sony/ATV Songs LLC
3.54:37
10Above Ground
recording engineer and mixer:
Jay Newland
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Andrew Borger (from 2003 until 2004)
electric guitar:
Adam Levy (jazz guitarist) (from 2003 until 2004)
electric guitar, foot stomps [foot tapping] and resonator guitar:
Kevin Breit (from 2003 until 2004)
Wurlitzer electric piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Above Ground (from 2003 until 2004)
writer:
Adrew Borger and Daru Oda
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
Chamfered Music and Honk Shoo Music
3.653:44
11The Long Way Home
recording engineer and mixer:
Jay Newland
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Kevin Breit (from 2003 until 2004)
cajón [box]:
Andrew Borger (from 2003 until 2004)
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
electric guitar:
Adam Levy (jazz guitarist) (from 2003 until 2004)
flute [flutes] and background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Long Way Home (from 2003 until 2004)
writer:
Kathleen Brennan and Tom Waits
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
Jalma Music
43:14
12The Prettiest Thing
recording engineer and mixer:
Jay Newland
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Kevin Breit (from 2003 until 2004)
double bass [bass] and lap steel guitar [lap steel]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician) (from 2003 until 2004)
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
The Prettiest Thing (from 2003 until 2004)
writer:
Lee Alexander (US bassist, songwriter & producer), Norah Jones and Richard Julian
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Fumblethumbs Music, Muthajones Music, Slow New York Music and Sony/ATV Songs LLC
3.753:52
13Don’t Miss You at All
recording engineer and mixer:
Jay Newland
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Don't Miss You at All (from 2003 until 2004)
lyricist:
Norah Jones
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Muthajones Music and Sony/ATV Harmony
43:08
Data tracks
14Multimedia Track
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Credits

Release

art direction and design/illustration:Jessica Novod Berenblat
additional design/illustration:Burton Yount
photography:Clay Patrick McBride
assistant engineer:Matthew Cullen (US engineer)
Dick Kondas
Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC)
Aya Takemura
assistant mastering:Jamie Polaski
mastering:Gene Paul
Discogs:https://www.discogs.com/release/924156 [info]
ASIN:US: B00018D44U [info]
other databases:https://rateyourmusic.com/release/album/norah_jones/feels_like_home.p/ [info]
Allmusic:https://www.allmusic.com/album/release/mr0000841629 [info]