Mass in B Minor

~ Release by Johann Sebastian Bach: Ensemble Instrumental de Lausanne, Ensemble Vocal de Lausanne, Michel Corboz (see all versions of this release, 1 available)

Tracklist

| |
▼ CD 1
#TitleArtistRatingLength
1h-Moll-Messe, BWV 232: Kyrie eleison
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach8:23
2h-Moll-Messe, BWV 232: Christe eleison
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 1996-09-15 until 1996-09-17)
soprano vocals:
Sandrine Piau (soprano) (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:36
3h-Moll-Messe, BWV 232: Kyrie eleison
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:49
4h-Moll-Messe, BWV 232: Gloria in excelsis
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:43
5h-Moll-Messe, BWV 232: Et in terra pax
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:53
6h-Moll-Messe, BWV 232: Laudamus te
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
soprano vocals:
Sandrine Piau (soprano) (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:17
7h-Moll-Messe, BWV 232: Gratias agimus tibi
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:48
8h-Moll-Messe, BWV 232: Domine Deus
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
soprano vocals:
Sandrine Piau (soprano) (from 1996-09-15 until 1996-09-17)
tenor vocals:
Markus Schäfer (tenor) (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:20
9h-Moll-Messe, BWV 232: Qui tollis peccata mundi
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:40
10h-Moll-Messe, BWV 232: Qui sedes ad dexteram Patris
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:37
11h-Moll-Messe, BWV 232: Quoniam tu solus sanctus
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
bass vocals:
Marcos Fink (bass-baritone) (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:23
12h-Moll-Messe, BWV 232: Cum Sancto Spiritu
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:39
▼ CD 2
#TitleArtistRatingLength
1h-Moll-Messe, BWV 232: Credo in unum Deum
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:44
2h-Moll-Messe, BWV 232: Patrem omnipotentem
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:08
3h-Moll-Messe, BWV 232: Et in unum Dominum
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 1996-09-15 until 1996-09-17)
soprano vocals:
Sandrine Piau (soprano) (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:39
4h-Moll-Messe, BWV 232: Et incarnatus est
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:55
5h-Moll-Messe, BWV 232: Crucifixus
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:37
6h-Moll-Messe, BWV 232: Et resurrexit
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:40
7h-Moll-Messe, BWV 232: Et in Spiritum Sanctum Dominum
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
bass vocals:
Marcos Fink (bass-baritone) (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:33
8h-Moll-Messe, BWV 232: Confiteor
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:40
9h-Moll-Messe, BWV 232: Et expecto
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:06
10h-Moll-Messe, BWV 232: Sanctus
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:52
11h-Moll-Messe, BWV 232: Osanna in excelsis
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:34
12h-Moll-Messe, BWV 232: Benedictus
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
tenor vocals:
Markus Schäfer (tenor) (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:00
13h-Moll-Messe, BWV 232: Osanna in excelsis (da capo)
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
bass vocals:
Marcos Fink (bass-baritone) (from 1996-09-15 until 1996-09-17)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:34
14h-Moll-Messe, BWV 232: Agnus Dei
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:08
15h-Moll-Messe, BWV 232: Dona nobis pacem
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
recorded at:
Auditorium Stravinski in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:21