Panorama

~ Release by Gabriel Fauré (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleRatingLength
1Requiem, Op. 48: I. Introït et Kyrie "Requiem aeternam dona eis, Domine" - "Kyrie eleison"
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: I. Introït et Kyrie (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
7:52
2Requiem, Op. 48: II. Offertoire "O Domine Jesu Christe, Rex gloriae"
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: II. Offertoire (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
9:46
3Requiem, Op. 48: III. Sanctus "Sanctus, Sanctus, Sanctus Dominus, Deus Sabaoth"
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: III. Sanctus (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
3:39
4Requiem, Op. 48: IV. Pie Jesu "Pie Jesu Domine"
recording engineer:
Hans Weber (producer/engineer) (in 1986-03)
executive producer:
Günther Breest (producer for classical music)
producer:
Joseph Szurly
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano) (in 1986-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: IV. Pie Jesu (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
recording of:
Requiem, op. 48: Pie Jesu (for saxophone and orchestra, Bauch)
composer:
Gabriel Fauré (French composer)
arranger:
Ronnie Bauch
arrangement of:
Requiem, op. 48: IV. Pie Jesu
4:06
5Requiem, Op. 48: V. Agnus Dei "Agnus Dei, qui tollis peccata mundi"
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: V. Agnus Dei et Lux Aeterna (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
7:08
6Requiem, Op. 48: VI. Libera me "Libera me, Domine, de morte aeterna"
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: VI. Libera me (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
5:50
7Requiem, Op. 48: VII. In Paradisum "In Paradisum deducant angeli"
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor) (in 1986-03)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: VII. In Paradisum (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
part of:
28 Days Later
part of:
Requiem, op. 48
3:50
8Pelléas et Mélisande, Op. 80: I. Prélude: Quasi adagio
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Pelléas et Mélisande, op. 80: I. Prélude (in 1986-11)
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
6:19
9Pelléas et Mélisande, Op. 80: II. Fileuse: Andantino quasi allegretto
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Pelléas et Mélisande, op. 80: II. Fileuse (in 1986-11)
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
2:33
10Pelléas et Mélisande, Op. 80: III. Chanson de Mélisande
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
soprano vocals:
Lorraine Hunt (American soprano / mezzo) (in 1986-11)
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
3:03
11Pelléas et Mélisande, Op. 80: IV. Sicilienne: Allegretto molto moderato
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Pelléas et Mélisande, op. 80: III. Sicilienne (in 1986-11)
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
4:06
12Pelléas et Mélisande, Op. 80: V. La Mort de Mélisande: Molto adagio
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Pelléas et Mélisande, op. 80: IV. La Mort de Mélisande (in 1986-11)
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
4:39
13Une châtelaine en sa tour, Op. 110
harp:
Nicanor Zabaleta (harpist)
arranger:
Nicanor Zabaleta (harpist)
recording of:
Une châtelaine en sa tour, op. 110
composer:
Gabriel Fauré (French composer) (in 1918)
part of:
Works of Gabriel Fauré by opus number (number: op. 110)
5:05
CD 2
#TitleRatingLength
1Pavane, Op. 50
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
producer:
Hanno Rinke
choir vocals:
Tanglewood Festival Chorus (in 1986-11)
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
chorus master:
John Oliver (chorus master) (in 1986-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1986-11)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
6:50
2Dolly, Op. 56: I. Berceuse: Allegretto moderato
piano:
Alfons Kontarsky (pianist) and Aloys Kontarsky (pianist)
recording of:
Dolly Suite, op. 56: I. Berceuse (for piano four hands)
composer:
Gabriel Fauré (French composer) (from 1894 until 1897)
part of:
Dolly Suite, op. 56 (for piano four hands)
2:32
3Dolly, Op. 56: II. Mi-a-ou: Allegro vivo - Più lento - Allegro
piano:
Alfons Kontarsky (pianist) and Aloys Kontarsky (pianist)
recording of:
Dolly Suite, op. 56: II. Mi-a-ou (for piano four hands)
composer:
Gabriel Fauré (French composer) (from 1894 until 1897)
part of:
Dolly Suite, op. 56 (for piano four hands)
1:45
4Dolly, Op. 56: III. Le Jardin de Dolly: Andantino
piano:
Alfons Kontarsky (pianist) and Aloys Kontarsky (pianist)
recording of:
Dolly Suite, op. 56: III. Le jardin de Dolly (for piano four hands)
composer:
Gabriel Fauré (French composer) (from 1894 until 1897)
part of:
Dolly Suite, op. 56 (for piano four hands)
3:07
5Dolly, Op. 56: IV. Kitty-Valse: Tempo di valse
piano:
Alfons Kontarsky (pianist) and Aloys Kontarsky (pianist)
recording of:
Dolly Suite, op. 56: IV. Kitty Valse (for piano four hands)
composer:
Gabriel Fauré (French composer) (from 1894 until 1897)
part of:
Dolly Suite, op. 56 (for piano four hands)
2:21
6Dolly, Op. 56: V. Tendresse: Andante
piano:
Alfons Kontarsky (pianist) and Aloys Kontarsky (pianist)
recording of:
Dolly Suite, op. 56: V. Tendresse (for piano four hands)
composer:
Gabriel Fauré (French composer) (from 1894 until 1897)
part of:
Dolly Suite, op. 56 (for piano four hands)
3:49
7Dolly, Op. 56: VI. Le Pas espagnol: Allegro
piano:
Alfons Kontarsky (pianist) and Aloys Kontarsky (pianist)
recording of:
Dolly Suite, op. 56: VI. Le pas espagnol (for piano four hands)
composer:
Gabriel Fauré (French composer) (from 1894 until 1897)
part of:
Dolly Suite, op. 56 (for piano four hands)
2:00
8Trois Mélodies, Op. 23 No. 1: Les Berceaux
piano:
Dalton Baldwin (American pianist)
baritone vocals:
Gérard Souzay (baritone)
recording of:
Les Berceaux, op. 23 no. 1
lyricist:
Sully Prudhomme
composer:
Gabriel Fauré (French composer) (in 1879)
part of:
3 Songs, op. 23
2:54
9Trois Mélodies, Op. 23 No. 2: Le Secret
piano:
Dalton Baldwin (American pianist)
baritone vocals:
Gérard Souzay (baritone)
2:23
10Trois Mélodies, Op. 23 No. 3: Soir
piano:
Dalton Baldwin (American pianist)
baritone vocals:
Gérard Souzay (baritone)
2:33
11L'Horizon chimérique, Op. 118 No. 1: La Mer est infinie
piano:
Dalton Baldwin (American pianist)
baritone vocals:
Gérard Souzay (baritone)
recording of:
L’Horizon chimérique, op. 118: 1. La mer est infinie
lyricist:
Jean de La Ville de Mirmont
composer:
Gabriel Fauré (French composer) (in 1921)
part of:
L’Horizon chimérique, op. 118
1:38
12L'Horizon chimérique, Op. 118 No. 2: Je me suis embarqué
piano:
Dalton Baldwin (American pianist)
baritone vocals:
Gérard Souzay (baritone)
recording of:
L’Horizon chimérique, op. 118: 2. Je me suis embarqué
lyricist:
Jean de La Ville de Mirmont
composer:
Gabriel Fauré (French composer) (in 1921)
part of:
L’Horizon chimérique, op. 118
2:32
13L'Horizon chimérique, Op. 118 No. 3: Diane. Séléné
piano:
Dalton Baldwin (American pianist)
baritone vocals:
Gérard Souzay (baritone)
recording of:
L’Horizon chimérique, op. 118: 3. Diane séléné
lyricist:
Jean de La Ville de Mirmont
composer:
Gabriel Fauré (French composer) (in 1921)
part of:
L’Horizon chimérique, op. 118
2:03
14Après un rêve, Op. 7 No. 1
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
producer:
Hanno Rinke
cello:
Jules Eskin (cellist) (in 1986-11)
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Après un rêve, op. 7 no. 1 (for cello and orchestra, Dubensky) (in 1986-11)
composer:
Gabriel Fauré (French composer) (in 1877)
arranger:
Arcady Dubensky
arrangement of:
Après un rêve, op. 7 no. 1 (original; for voice and piano)
3:18
15Elégie, Op. 24
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
producer:
Hanno Rinke
cello:
Jules Eskin (cellist) (in 1986-11)
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Élégie, op. 24 (for cello and orchestra) (in 1986-11)
orchestrator:
Gabriel Fauré (French composer)
composer:
Gabriel Fauré (French composer) (in 1883)
orchestration of:
Élégie, op. 24 (for cello and piano)
6:52
16Nocturne No. 4 in E flat major, Op. 36
piano:
Pascal Rogé (pianist)
recording of:
Nocturne no. 4 en Mi bémol majeur, op. 36
composer:
Gabriel Fauré (French composer) (in 1884)
part of:
Works of Gabriel Fauré by opus number (number: op. 36)
7:20
17Barcarolle No. 2 in G major, Op. 41
piano:
Pascal Rogé (pianist)
recording of:
Barcarolle no. 2 in G major, op. 41
composer:
Gabriel Fauré (French composer) (in 1885)
part of:
Works of Gabriel Fauré by opus number (number: op. 41)
6:52
18Masques et bergamasques, Op. 112: I. Ouverture: Allegro molto vivo
recording engineer:
Stephan Flock
executive producer:
Alison Ames
producer:
Christian Gansch (conductor)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1995-04)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1995-04)
recording of:
Suite, op. 112 "Masques et bergamasques": I. Overture: Allegro molto vivo (in 1995-04)
composer:
Gabriel Fauré (French composer)
is based on:
Masques et bergamasques, comédie musicale en 1 acte : I. Ouverture
part of:
Suite, op. 112 "Masques et bergamasques"
3:25
19Masques et bergamasques, Op. 112: II. Menuet: Tempo di minuetto - Allegretto moderato
recording engineer:
Stephan Flock
executive producer:
Alison Ames
producer:
Christian Gansch (conductor)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1995-04)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1995-04)
recording of:
Suite, op. 112 "Masques et bergamasques": II. Menuet: Tempo di minuetto – Allegretto moderato (in 1995-04)
composer:
Gabriel Fauré (French composer)
is based on:
Masques et bergamasques, comédie musicale en 1 acte : V. Menuet
part of:
Suite, op. 112 "Masques et bergamasques"
2:29
20Masques et bergamasques, Op. 112: III. Gavotte: Allegro vivo3:10
21Masques et bergamasques, Op. 112: IV. Pastorale: Andantino tranquillo
recording engineer:
Stephan Flock
executive producer:
Alison Ames
producer:
Christian Gansch (conductor)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1995-04)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1995-04)
recording of:
Suite, op. 112 "Masques et bergamasques": IV. Pastorale: Andantino tranquillo (in 1995-04)
composer:
Gabriel Fauré (French composer)
is based on:
Masques et bergamasques, comédie musicale en 1 acte : II. Pastorale
part of:
Suite, op. 112 "Masques et bergamasques"
5:23
22Cantique de Jean Racine, Op. 11
organ:
James Vivian (organist)
choir vocals:
Choir of King’s College, Cambridge
conductor:
Stephen Cleobury (organist, conductor)
recording of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ)
lyricist:
Jean Racine (librettist)
composer:
Gabriel Fauré (French composer) (in 1865)
dedicated to:
César Franck (Belgian-born French composer)
5:36

Credits

Release

part of:Panorama (Deutsche Grammophon) (order: 38)
ASIN:UK: B00005IB63 [info]