Hightech Oper (mit Audio‐Test‐Signalen)

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

a reference recording edition; a later reissue with clearer images and a more accurate tracklist (but evidently w/o the audio test signals 18-32) found here: https://www.discogs.com/release/12197128

Annotation last modified on 2018-08-14 08:27 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Tosca: 1. Akt. Ah! Finalmente… – Dammi i colori! – Recondita armonia
baritone vocals:
Domenico Trimarchi (bass-baritone) (in 1976-07)
bass vocals:
Samuel Ramey (bass-baritone) (in 1976-07)
tenor vocals:
José Carreras (Spanish tenor) (in 1976-07)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1976-07)
conductor:
Sir Colin Davis (English conductor) (in 1976-07)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1976)
recorded at:
Watford Town Hall (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1976-07)
recording of:
Tosca: Atto I. “Ah! Finalmente!” (Angelotti) (in 1976-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (in 1976-07)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I
Giacomo Puccini9:11
2Tosca: 1. Akt. Te Deum (Schluß)
baritone vocals [Scarpia]:
Ingvar Wixell (baritone) (in 1976-07)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1976-07)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1976-07)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1976-07)
conductor:
Sir Colin Davis (English conductor) (in 1976-07)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1976)
recorded at:
Watford Town Hall (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1976-07)
recording of:
Tosca: Atto I. “Tre sbirri … una carrozza …” … “Te Deum” (Scarpia, Spoletta, Coro) (in 1976-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Tosca: Atto I
Giacomo Puccini4:55
3La traviata: Vorspiel 1. Akt
orchestra:
Wiener Philharmoniker (in 1983-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1983-12)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1984)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1983-12)
recording of:
La traviata: Preludio (in 1983-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata (german lyrics)
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
Giuseppe Verdi4:32
4Rigoletto: 2. Akt. Ella mi fu rapita!
tenor vocals [Duca]:
Neil Shicoff (tenor) (in 1984-09)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1984-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1984-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1984-09)
recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca) (in 1984-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Giuseppe Verdi2:37
5Rigoletto: 2. Akt. Parmi veder le lagrime
tenor vocals [Duca]:
Neil Shicoff (tenor) (in 1984-09)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1984-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1984-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1984-09)
recording of:
Rigoletto: Atto II. "Parmi veder le lagrime" (Duca) (in 1984-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
Giuseppe Verdi3:09
6Rigoletto: 2. Akt. Duca, duca! – Scorrendo uniti
baritone vocals [Marullo]:
Armando Gabba (baritone) (in 1984-09)
bass vocals [Ceprano]:
Geoffrey Moses (Welsh bass singer) (in 1984-09)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1984-09)
tenor vocals [Borsa]:
William Matteuzzi (tenor) (in 1984-09)
tenor vocals [Duca]:
Neil Shicoff (tenor) (in 1984-09)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1984-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1984-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1984-09)
recording of:
Rigoletto: Atto II. “Duca, duca! … Ebben? … Scorrendo uniti” (Borsa, Marullo, Ceprano, Duca, Coro) (in 1984-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Giuseppe Verdi2:26
7Rigoletto: 2. Akt. Possente amor
baritone vocals [Marullo]:
Armando Gabba (baritone) (in 1984-09)
bass vocals [Ceprano]:
Geoffrey Moses (Welsh bass singer) (in 1984-09)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1984-09)
tenor vocals [Borsa]:
William Matteuzzi (tenor) (in 1984-09)
tenor vocals [Duca]:
Neil Shicoff (tenor) (in 1984-09)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1984-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1984-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1984-09)
recording of:
Rigoletto: Atto II. "Possente amor mi chiama" (Borsa, Marullo, Ceprano, Duca, Coro) (in 1984-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
Giuseppe Verdi3:20
8Rigoletto: 3. Akt. Un di, se ben rammentomi
baritone vocals [Rigoletto]:
Renato Bruson (baritone) (in 1984-09)
mezzo-soprano vocals [Maddalena]:
Brigitte Fassbaender (mezzo-soprano) (in 1984-09)
soprano vocals [Gilda]:
Edita Gruberová (soprano) (in 1984-09)
tenor vocals [Duca]:
Neil Shicoff (tenor) (in 1984-09)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1984-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1984-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1984-09)
recording of:
Rigoletto: Atto III. N°12 Quartetto. "Un dì, se ben rammentomi" (Duca, Gilda, Maddalena, Rigoletto) (in 1984-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi1:34
9Rigoletto: 3. Akt. Bella figlia dell’amore
baritone vocals [Rigoletto]:
Renato Bruson (baritone) (in 1984-09)
mezzo-soprano vocals [Maddalena]:
Brigitte Fassbaender (mezzo-soprano) (in 1984-09)
soprano vocals [Gilda]:
Edita Gruberová (soprano) (in 1984-09)
tenor vocals [Duca]:
Neil Shicoff (tenor) (in 1984-09)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1984-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1984-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1984-09)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) (in 1984-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi4:39
10Nabucco: Ouvertüre (Sinfonia)
orchestra:
Wiener Philharmoniker (in 1983-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1983-12)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1984)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1983-12)
recording of:
Nabucco: Sinfonia (Overture) (in 1983-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco
Giuseppe Verdi7:50
11Nabucco: Chor der Gefangenen »Va, pensiero, sull’ali dorate«
recorded in:
East Germany (historical, 1949-1990) (in 1983-12)
choir vocals:
Chor der Staatsoper Dresden (in 1983-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1983-12)
conductor:
Silvio Varviso (conductor) (in 1983-12)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1983-12)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1983-12)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:10
12Faust: 5. Akt. Va t’en!
orchestra:
Symphonie‐Orchester des Bayerischen Rundfunks (in 1986-02)
conductor:
Sir Colin Davis (English conductor) (in 1986-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1986)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1986-02)
recording of:
Faust : Acte V. No. 30 Scène de la prison « Va-t’en ! » (Faust, Méphistophélès) (in 1986-02)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V
Charles Gounod1:43
13Faust: 5. Akt. Mon cœur est pénétré
orchestra:
Symphonie‐Orchester des Bayerischen Rundfunks (in 1986-02)
conductor:
Sir Colin Davis (English conductor) (in 1986-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1986)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1986-02)
recording of:
Faust : Acte V. « Mon cœur est pénétré d’épouvante ! » (Faust) (in 1986-02)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V
Charles Gounod6:26
14Faust: 5. Akt. Alerte, alerte !
orchestra:
Symphonie‐Orchester des Bayerischen Rundfunks (in 1986-02)
conductor:
Sir Colin Davis (English conductor) (in 1986-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1986)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1986-02)
recording of:
Faust : Acte V. No. 31 « Alerte, alerte » … « Anges purs » (Méphistophélès, Marguerite, Faust, Chœur) (in 1986-02)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte V
Charles Gounod3:15
15Faust: 5. Akt. Apothéose: Sauvée !
orchestra:
Symphonie‐Orchester des Bayerischen Rundfunks (in 1986-02)
conductor:
Sir Colin Davis (English conductor) (in 1986-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1986)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1986-02)
recording of:
Faust : Acte V. No. 32 Apothéose « Sauvée » … « Christ est ressuscité » (Chœur) (in 1986-02)
part of:
Faust : Acte V
Charles Gounod2:13
16Die Zauberflöte KV 620: 2. Akt. In diesen heil’gen Hallen
bass vocals:
Kurt Moll (operatic bass) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1984)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:13
17Die Zauberflöte KV 620: 2. Akt. Nur stille, stille, stille – Die Strahlen der Sonne
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1984)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:28
18Audio‐Testsignale: Ansage Balance‐Test
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:17
19Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 10 dB
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:11
20Audio‐Testsignale: Ansage
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:05
21Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 10 dB
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:10
22Audio‐Testsignale: Ansage Phasentest
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:10
23Audio‐Testsignale: Phase »ein«
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:14
24Audio‐Testsignale: Phase »aus«
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:12
25Audio‐Testsignale: Ansage
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:40
26Audio‐Testsignale: Ansage Spitzenpegel
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:05
27Audio‐Testsignale: Linker Kanal – Sinussignal 1kHz = 0 dB (Maximalpegel)
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:11
28Audio‐Testsignale: Ansage
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:05
29Audio‐Testsignale: Rechter Kanal – Sinussignal 1kHz = 0 dB (Maximalpegel)
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:11
30Audio‐Testsignale: Ansage Gleitfrequenzgang
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:17
31Audio‐Testsignale: Gleitfrequenz linker + rechter Kanal von 20Hz bis 20kHz – 20 dB
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:51
32Audio‐Testsignale: Ansage
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:15

Credits

Release

manufactured in:Germany
printed in:Germany
manufactured by:Polygram in Hannover, Germany (CD pressing plant in Langenhagen, near Hanover, Germany)
phonographic copyright (℗) by:Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
Discogs:https://www.discogs.com/release/10719891 [info]
ASIN:DE: B000024H4W [info]