Tracklist

CD 1
#TitleArtistRatingLength
1Dido and Aeneas: Overture
recorded in:
London (Greater London), England, United Kingdom (in 1985-05)
cello:
Charles Tunnell (in 1985-05)
double bass:
Adrian Beers (double bass player) (in 1985-05)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1985-05) and Robert Aldwinkle (in 1985-05)
orchestra:
English Chamber Orchestra (in 1985-05)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1985-05)
concertmaster:
José‐Luis García (violinist & conductor) (in 1985-05)
recording of:
Dido and Aeneas, Z. 626: Overture (in 1985-05)
composer:
Henry Purcell (baroque composer) (in 1689)
part of:
Dido and Aeneas, Z. 626
Henry Purcell2:10
2Dido and Aeneas: Act I. “Shake the cloud from off your brow”
recorded in:
London (Greater London), England, United Kingdom (in 1985-05)
cello:
Charles Tunnell (in 1985-05)
double bass:
Adrian Beers (double bass player) (in 1985-05)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1985-05) and Robert Aldwinkle (in 1985-05)
choir vocals:
English Chamber Orchestra Chorus (in 1985-05)
soprano vocals [Belinda]:
Marie McLaughlin (soprano) (in 1985-05)
orchestra:
English Chamber Orchestra (in 1985-05)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1985-05)
chorus master:
Jane Glover (conductor and music scholar) (in 1985-05)
concertmaster:
José‐Luis García (violinist & conductor) (in 1985-05)
recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus) (in 1985-05)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:13
3Dido and Aeneas: Act I. “Ah! Belinda, I am prest with torment”
recorded in:
London (Greater London), England, United Kingdom (in 1985-05)
cello:
Charles Tunnell (in 1985-05)
double bass:
Adrian Beers (double bass player) (in 1985-05)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1985-05) and Robert Aldwinkle (in 1985-05)
choir vocals:
English Chamber Orchestra Chorus (in 1985-05)
soprano vocals [Belinda]:
Marie McLaughlin (soprano) (in 1985-05)
soprano vocals [Dido]:
Jessye Norman (soprano) (in 1985-05)
orchestra:
English Chamber Orchestra (in 1985-05)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1985-05)
chorus master:
Jane Glover (conductor and music scholar) (in 1985-05)
concertmaster:
José‐Luis García (violinist & conductor) (in 1985-05)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) (in 1985-05)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman) (in 1985-05)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus) (in 1985-05)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell5:41
4Dido and Aeneas: Act I. “Whence could so much virtue spring?” – “Fear no danger”
recorded in:
London (Greater London), England, United Kingdom (in 1985-05)
cello:
Charles Tunnell (in 1985-05)
double bass:
Adrian Beers (double bass player) (in 1985-05)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1985-05) and Robert Aldwinkle (in 1985-05)
soprano vocals [Belinda]:
Marie McLaughlin (soprano) (in 1985-05)
soprano vocals [Dido]:
Jessye Norman (soprano) (in 1985-05)
soprano vocals [Second Woman]:
Elizabeth Gale (soprano) (in 1985-05)
orchestra:
English Chamber Orchestra (in 1985-05)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1985-05)
concertmaster:
José‐Luis García (violinist & conductor) (in 1985-05)
recording of:
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman) (in 1985-05)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus) (in 1985-05)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell3:33
5Dido and Aeneas: Act I. “See, your royal guest appears” – “If not for mine” – “To the hills and the vales” – The Triumphing Dance
recorded in:
London (Greater London), England, United Kingdom (in 1985-05)
cello:
Charles Tunnell (in 1985-05)
double bass:
Adrian Beers (double bass player) (in 1985-05)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1985-05) and Robert Aldwinkle (in 1985-05)
baritone vocals [Aeneas]:
Thomas Allen (baritone) (in 1985-05)
choir vocals:
English Chamber Orchestra Chorus (in 1985-05)
soprano vocals [Belinda]:
Marie McLaughlin (soprano) (in 1985-05)
soprano vocals [Dido]:
Jessye Norman (soprano) (in 1985-05)
orchestra:
English Chamber Orchestra (in 1985-05)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1985-05)
chorus master:
Jane Glover (conductor and music scholar) (in 1985-05)
concertmaster:
José‐Luis García (violinist & conductor) (in 1985-05)
recording of:
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) (in 1985-05)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus) (in 1985-05)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas) (in 1985-05)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda) (in 1985-05)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus) (in 1985-05)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance (in 1985-05)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell5:22
6Dido and Aeneas: Act II, Scene 1. Prelude for the Witches
recorded in:
London (Greater London), England, United Kingdom (in 1985-05)
cello:
Charles Tunnell (in 1985-05)
double bass:
Adrian Beers (double bass player) (in 1985-05)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1985-05) and Robert Aldwinkle (in 1985-05)
orchestra:
English Chamber Orchestra (in 1985-05)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1985-05)
concertmaster:
José‐Luis García (violinist & conductor) (in 1985-05)
partial recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (in 1985-05)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:01
7Dido and Aeneas: Act II, Scene 1. “Wayward sisters” – “But ere we this perform”
recorded in:
London (Greater London), England, United Kingdom (in 1985-05)
cello:
Charles Tunnell (in 1985-05)
double bass:
Adrian Beers (double bass player) (in 1985-05)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1985-05) and Robert Aldwinkle (in 1985-05)
choir vocals:
English Chamber Orchestra Chorus (in 1985-05)
mezzo-soprano vocals [Second Witch]:
Della Jones (mezzo-soprano) (in 1985-05)
mezzo-soprano vocals [Sorceress]:
Patricia Kern (mezzo-soprano) (in 1985-05)
soprano vocals [First Witch]:
Helen Walker (mezzo-soprano) (in 1985-05)
orchestra:
English Chamber Orchestra (in 1985-05)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1985-05)
chorus master:
Jane Glover (conductor and music scholar) (in 1985-05)
concertmaster:
José‐Luis García (violinist & conductor) (in 1985-05)
partial recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (in 1985-05)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus) (in 1985-05)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress) (in 1985-05)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus) (in 1985-05)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress) (in 1985-05)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus) (in 1985-05)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches) (in 1985-05)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell4:59
8Dido and Aeneas: Act II, Scene 1. “In our deep vaulted cell” – Echo Dance of the Furies
recorded in:
London (Greater London), England, United Kingdom (in 1985-05)
cello:
Charles Tunnell (in 1985-05)
double bass:
Adrian Beers (double bass player) (in 1985-05)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1985-05) and Robert Aldwinkle (in 1985-05)
choir vocals:
English Chamber Orchestra Chorus (in 1985-05)
orchestra:
English Chamber Orchestra (in 1985-05)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1985-05)
chorus master:
Jane Glover (conductor and music scholar) (in 1985-05)
concertmaster:
José‐Luis García (violinist & conductor) (in 1985-05)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) (in 1985-05)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies (in 1985-05)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:23
9Dido and Aeneas: Act II, Scene 2. Ritornelle – “Thanks to these lonesome vales”
recorded in:
London (Greater London), England, United Kingdom (in 1985-05)
cello:
Charles Tunnell (in 1985-05)
double bass:
Adrian Beers (double bass player) (in 1985-05)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1985-05) and Robert Aldwinkle (in 1985-05)
choir vocals:
English Chamber Orchestra Chorus (in 1985-05)
soprano vocals [Belinda]:
Marie McLaughlin (soprano) (in 1985-05)
orchestra:
English Chamber Orchestra (in 1985-05)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1985-05)
chorus master:
Jane Glover (conductor and music scholar) (in 1985-05)
concertmaster:
José‐Luis García (violinist & conductor) (in 1985-05)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle (in 1985-05)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus) (in 1985-05)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:28
10Dido and Aeneas: Act II, Scene 2. “Oft she visits” – “Behold, upon my bending spear”
recorded in:
London (Greater London), England, United Kingdom (in 1985-05)
cello:
Charles Tunnell (in 1985-05)
double bass:
Adrian Beers (double bass player) (in 1985-05)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1985-05) and Robert Aldwinkle (in 1985-05)
baritone vocals [Aeneas]:
Thomas Allen (baritone) (in 1985-05)
soprano vocals [Belinda]:
Marie McLaughlin (soprano) (in 1985-05)
soprano vocals [Dido]:
Jessye Norman (soprano) (in 1985-05)
soprano vocals [Second Woman]:
Elizabeth Gale (soprano) (in 1985-05)
orchestra:
English Chamber Orchestra (in 1985-05)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1985-05)
concertmaster:
José‐Luis García (violinist & conductor) (in 1985-05)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle (in 1985-05)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) (in 1985-05)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus) (in 1985-05)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:25
11Dido and Aeneas: Act II, Scene 2. “Stay, Prince” – “Jove’s commands shall be obey’d”
recorded in:
London (Greater London), England, United Kingdom (in 1985-05)
cello:
Charles Tunnell (in 1985-05)
double bass:
Adrian Beers (double bass player) (in 1985-05)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1985-05) and Robert Aldwinkle (in 1985-05)
baritone vocals [Aeneas]:
Thomas Allen (baritone) (in 1985-05)
countertenor vocals [Spirit]:
Derek Ragin (countertenor) (in 1985-05)
orchestra:
English Chamber Orchestra (in 1985-05)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1985-05)
concertmaster:
José‐Luis García (violinist & conductor) (in 1985-05)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) (in 1985-05)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:20
12Dido and Aeneas: Act III, Scene 1. Prelude – “Come away, fellow sailors”
recorded in:
London (Greater London), England, United Kingdom (in 1985-05)
cello:
Charles Tunnell (in 1985-05)
double bass:
Adrian Beers (double bass player) (in 1985-05)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1985-05) and Robert Aldwinkle (in 1985-05)
choir vocals:
English Chamber Orchestra Chorus (in 1985-05)
tenor vocals [First Sailor]:
Patrick Power (in 1985-05)
orchestra:
English Chamber Orchestra (in 1985-05)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1985-05)
chorus master:
Jane Glover (conductor and music scholar) (in 1985-05)
concertmaster:
José‐Luis García (violinist & conductor) (in 1985-05)
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) (in 1985-05)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:41
13Dido and Aeneas: Act III, Scene 1. The Sailor’s Dance – “See the flags” – “Destruction’s our delight” – The Witches’ Dance
recorded in:
London (Greater London), England, United Kingdom (in 1985-05)
cello:
Charles Tunnell (in 1985-05)
double bass:
Adrian Beers (double bass player) (in 1985-05)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1985-05) and Robert Aldwinkle (in 1985-05)
choir vocals:
English Chamber Orchestra Chorus (in 1985-05)
mezzo-soprano vocals [Second Witch]:
Della Jones (mezzo-soprano) (in 1985-05)
mezzo-soprano vocals [Sorceress]:
Patricia Kern (mezzo-soprano) (in 1985-05)
soprano vocals [First Witch]:
Helen Walker (mezzo-soprano) (in 1985-05)
orchestra:
English Chamber Orchestra (in 1985-05)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1985-05)
chorus master:
Jane Glover (conductor and music scholar) (in 1985-05)
concertmaster:
José‐Luis García (violinist & conductor) (in 1985-05)
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance (in 1985-05)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches) (in 1985-05)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus) (in 1985-05)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance (in 1985-05)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:24
14Dido and Aeneas: Act III, Scene 2. “Your counsel all is urged in vain” – “But death, alas!”
recorded in:
London (Greater London), England, United Kingdom (in 1985-05)
cello:
Charles Tunnell (in 1985-05)
double bass:
Adrian Beers (double bass player) (in 1985-05)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1985-05) and Robert Aldwinkle (in 1985-05)
baritone vocals [Aeneas]:
Thomas Allen (baritone) (in 1985-05)
choir vocals:
English Chamber Orchestra Chorus (in 1985-05)
soprano vocals [Belinda]:
Marie McLaughlin (soprano) (in 1985-05)
soprano vocals [Dido]:
Jessye Norman (soprano) (in 1985-05)
orchestra:
English Chamber Orchestra (in 1985-05)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1985-05)
chorus master:
Jane Glover (conductor and music scholar) (in 1985-05)
concertmaster:
José‐Luis García (violinist & conductor) (in 1985-05)
recording of:
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas) (in 1985-05)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 34. Recitative “But death, alas! I cannot shun” (Dido) (in 1985-05)
composer:
Henry Purcell (baroque composer) (in 1689)
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus) (in 1985-05)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell5:34
15Dido and Aeneas: Act III, Scene 2. “Thy hand, Belinda … When I am laid in earth”
recorded in:
London (Greater London), England, United Kingdom (in 1985-05)
cello:
Charles Tunnell (in 1985-05)
double bass:
Adrian Beers (double bass player) (in 1985-05)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1985-05) and Robert Aldwinkle (in 1985-05)
soprano vocals [Dido]:
Jessye Norman (soprano) (in 1985-05)
orchestra:
English Chamber Orchestra (in 1985-05)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1985-05)
concertmaster:
José‐Luis García (violinist & conductor) (in 1985-05)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (in 1985-05)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (in 1985-05)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell5:23
16Dido and Aeneas: Act III, Scene 2. “With drooping wings”
recorded in:
London (Greater London), England, United Kingdom (in 1985-05)
cello:
Charles Tunnell (in 1985-05)
double bass:
Adrian Beers (double bass player) (in 1985-05)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1985-05) and Robert Aldwinkle (in 1985-05)
choir vocals:
English Chamber Orchestra Chorus (in 1985-05)
orchestra:
English Chamber Orchestra (in 1985-05)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1985-05)
chorus master:
Jane Glover (conductor and music scholar) (in 1985-05)
concertmaster:
José‐Luis García (violinist & conductor) (in 1985-05)
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) (in 1985-05)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:46

Credits

Release

manufactured in:West Germany
printed in:West Germany
photography:Zoë Dominic (British dance and theatre photographer)
manufactured by:PolyGram, Hanover, West Germany (CD pressing plant in Langenhagen, near Hanover, Germany)
copyrighted (©) by:Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies)
part of:Digital Classics (Philips) (order: 20)
Discogs:https://www.discogs.com/release/7612669 [info]
ASIN:DE: B0000040XP [info] (from 1986-05-09 to present)