Poulenc: Le Bestiaire / Tel jour, telle nuit / 9 mélodies / Britten: Michelangelo Songs / John Donne Sonnets

~ Release by Francis Poulenc, Benjamin Britten; Pierre Bernac, Francis Poulenc, Peter Pears, Benjamin Britten (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Le bestiaire: Le dromadaire / La chèvre du Tibet / La sauterelle / Le dauphin / L'écrevisse / La carpe
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Francis Poulenc (pianist and composer) (on 1945-12-11)
baritone vocals:
Pierre Bernac (French baritone) (on 1945-12-11)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1945-12-11)
recording of:
Le bestiaire, ou Cortège d'Orphée, FP 15a (on 1945-12-11)
lyricist:
Guillaume Apollinaire
composer:
Francis Poulenc (pianist and composer) (from 1918 until 1919)
part of:
Francis Poulenc’s works (FP) (number: FP 15a)
Francis Poulenc4:42
2Chansons gaillardes: 4. Invocation aux parques
piano:
Francis Poulenc (pianist and composer) (on 1936-07-07)
baritone vocals:
Pierre Bernac (French baritone) (on 1936-07-07)
recorded at:
Studio Albert in Paris, Île-de-France, France (on 1936-07-07)
recording of:
Chansons gaillardes, FP 42: 4. Invocation aux Parques (on 1936-07-07)
lyricist:
[anonymous] (special purpose artist)
composer:
Francis Poulenc (pianist and composer) (from 1925 until 1926)
part of:
Chansons gaillardes, FP 42
Francis Poulenc1:30
3Chansons gaillardes: 7. La belle jeunesse
piano:
Francis Poulenc (pianist and composer) (on 1936-07-07)
baritone vocals:
Pierre Bernac (French baritone) (on 1936-07-07)
recorded at:
Studio Albert in Paris, Île-de-France, France (on 1936-07-07)
recording of:
Chansons gaillardes, FP 42: 7. La belle jeunesse (on 1936-07-07)
lyricist:
[anonymous] (special purpose artist)
composer:
Francis Poulenc (pianist and composer) (from 1925 until 1926)
part of:
Chansons gaillardes, FP 42
Francis Poulenc1:21
4Tel jour, telle nuit: 1. Bonne journée
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Francis Poulenc (pianist and composer) (on 1946-06-26)
baritone vocals:
Pierre Bernac (French baritone) (on 1946-06-26)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1946-06-26)
recording of:
Tel jour telle nuit, FP 86: 1. Bonne journée (on 1946-06-26)
lyricist:
Paul Éluard (French poet)
composer:
Francis Poulenc (pianist and composer) (from 1936 until 1937)
part of:
Tel jour telle nuit, FP 86
Francis Poulenc2:31
5Tel jour, telle nuit: 2. Une ruine coquille vide
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Francis Poulenc (pianist and composer) (on 1946-06-26)
baritone vocals:
Pierre Bernac (French baritone) (on 1946-06-26)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1946-06-26)
recording of:
Tel jour telle nuit, FP 86: 2. Une ruine coquille vide (on 1946-06-26)
lyricist:
Paul Éluard (French poet)
composer:
Francis Poulenc (pianist and composer) (from 1936 until 1937)
part of:
Tel jour telle nuit, FP 86
Francis Poulenc2:00
6Tel jour, telle nuit: 3. Le front comme un drapeau perdu
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Francis Poulenc (pianist and composer) (on 1946-06-26)
baritone vocals:
Pierre Bernac (French baritone) (on 1946-06-26)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1946-06-26)
recording of:
Tel jour telle nuit, FP 86: 3. Le front comme un drapeau perdu (on 1946-06-26)
lyricist:
Paul Éluard (French poet)
composer:
Francis Poulenc (pianist and composer) (from 1936 until 1937)
part of:
Tel jour telle nuit, FP 86
Francis Poulenc1:03
7Tel jour, telle nuit: 4. Une roulotte couverte en tuiles
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Francis Poulenc (pianist and composer) (on 1946-06-26)
baritone vocals:
Pierre Bernac (French baritone) (on 1946-06-26)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1946-06-26)
recording of:
Tel jour telle nuit, FP 86: 4. Une roulotte couverte en tuiles (on 1946-06-26)
lyricist:
Paul Éluard (French poet)
composer:
Francis Poulenc (pianist and composer) (from 1936 until 1937)
part of:
Tel jour telle nuit, FP 86
Francis Poulenc0:48
8Tel jour, telle nuit: 5. À toutes brides
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Francis Poulenc (pianist and composer) (on 1946-06-26)
baritone vocals:
Pierre Bernac (French baritone) (on 1946-06-26)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1946-06-26)
recording of:
Tel jour telle nuit, FP 86: 5. À toutes brides (on 1946-06-26)
lyricist:
Paul Éluard (French poet)
composer:
Francis Poulenc (pianist and composer) (from 1936 until 1937)
part of:
Tel jour telle nuit, FP 86
Francis Poulenc0:39
9Tel jour, telle nuit: 6. Une herbe pauvre
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Francis Poulenc (pianist and composer) (on 1946-06-26)
baritone vocals:
Pierre Bernac (French baritone) (on 1946-06-26)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1946-06-26)
recording of:
Tel jour telle nuit, FP 86: 6. Une herbe pauvre (on 1946-06-26)
lyricist:
Paul Éluard (French poet)
composer:
Francis Poulenc (pianist and composer) (from 1936 until 1937)
part of:
Tel jour telle nuit, FP 86
Francis Poulenc1:31
10Tel jour, telle nuit: 7. Je n'ai envie que de t'aimer
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Francis Poulenc (pianist and composer) (on 1946-06-26)
baritone vocals:
Pierre Bernac (French baritone) (on 1946-06-26)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1946-06-26)
recording of:
Tel jour telle nuit, FP 86: 7. Je n'ai envie que de t'aimer (on 1946-06-26)
lyricist:
Paul Éluard (French poet)
composer:
Francis Poulenc (pianist and composer) (from 1936 until 1937)
part of:
Tel jour telle nuit, FP 86
Francis Poulenc0:42
11Tel jour, telle nuit: 8. Figure de force brûlante et farouche
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Francis Poulenc (pianist and composer) (on 1946-06-26)
baritone vocals:
Pierre Bernac (French baritone) (on 1946-06-26)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1946-06-26)
recording of:
Tel jour telle nuit, FP 86: 8. Figure de force brûlante et farouche (on 1946-06-26)
lyricist:
Paul Éluard (French poet)
composer:
Francis Poulenc (pianist and composer) (from 1936 until 1937)
part of:
Tel jour telle nuit, FP 86
Francis Poulenc1:09
12Tel jour, telle nuit: 9. Nous avons fait la nuit
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Francis Poulenc (pianist and composer) (on 1946-06-26)
baritone vocals:
Pierre Bernac (French baritone) (on 1946-06-26)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1946-06-26)
recording of:
Tel jour telle nuit, FP 86: 9. Nous avons fait la nuit (on 1946-06-26)
lyricist:
Paul Éluard (French poet)
composer:
Francis Poulenc (pianist and composer) (from 1936 until 1937)
part of:
Tel jour telle nuit, FP 86
Francis Poulenc2:51
13Deux Poèmes de Guillaume Apollinaire: 1. Dans le jardin d'Anna
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Francis Poulenc (pianist and composer) (on 1946-07-02)
baritone vocals:
Pierre Bernac (French baritone) (on 1946-07-02)
balance engineer:
William Dickson (sound engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1946-07-02)
recording of:
Deux poèmes de Guillaume Apollinaire, FP 94: 1. Dans le jardin d'Anna (on 1946-07-02)
lyricist:
Guillaume Apollinaire
composer:
Francis Poulenc (pianist and composer) (in 1938)
part of:
Deux poèmes de Guillaume Apollinaire, FP 94
Francis Poulenc2:58
14Métamorphoses: 1. Reine des mouettes
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Francis Poulenc (pianist and composer) (on 1945-12-11)
baritone vocals:
Pierre Bernac (French baritone) (on 1945-12-11)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1945-12-11)
recording of:
Métamorphoses, FP 121: 1. Reine des mouettes (on 1945-12-11)
lyricist:
Louise de Vilmorin
composer:
Francis Poulenc (pianist and composer) (in 1943)
part of:
Métamorphoses, FP 121
Francis Poulenc0:55
15Métamorphoses: 2. C'est ainsi que tu es
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Francis Poulenc (pianist and composer) (on 1945-12-11)
baritone vocals:
Pierre Bernac (French baritone) (on 1945-12-11)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1945-12-11)
recording of:
Métamorphoses, FP 121: 2. C'est ainsi que tu es (on 1945-12-11)
lyricist:
Louise de Vilmorin
composer:
Francis Poulenc (pianist and composer) (in 1943)
part of:
Métamorphoses, FP 121
Francis Poulenc2:04
16Métamorphoses: 3. Paganini
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Francis Poulenc (pianist and composer) (on 1945-12-11)
baritone vocals:
Pierre Bernac (French baritone) (on 1945-12-11)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1945-12-11)
recording of:
Métamorphoses, FP 121: 3. Paganini (on 1945-12-11)
lyricist:
Louise de Vilmorin
composer:
Francis Poulenc (pianist and composer) (in 1943)
part of:
Métamorphoses, FP 121
Francis Poulenc0:56
17Deux Poèmes de Louis Aragon: 1. 'C'
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Francis Poulenc (pianist and composer) (on 1945-12-11)
baritone vocals:
Pierre Bernac (French baritone) (on 1945-12-11)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1945-12-11)
recording of:
Deux poèmes de Louis Aragon, FP 122: Nº1. C (on 1945-12-11)
lyricist:
Louis Aragon (French poet)
composer:
Francis Poulenc (pianist and composer) (in 1943)
part of:
Deux poèmes de Louis Aragon, FP 122
Francis Poulenc3:06
18Deux Poèmes de Louis Aragon: 2. Fêtes galantes
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Francis Poulenc (pianist and composer) (on 1945-12-11)
baritone vocals:
Pierre Bernac (French baritone) (on 1945-12-11)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1945-12-11)
recording of:
Deux poèmes de Louis Aragon, FP 122: Nº2. Fêtes galantes (on 1945-12-11)
lyricist:
Louis Aragon (French poet)
composer:
Francis Poulenc (pianist and composer) (in 1943)
part of:
Deux poèmes de Louis Aragon, FP 122
Francis Poulenc0:58
19Deux mélodies de Guillaume Apollinaire: 1. Montparnasse
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Francis Poulenc (pianist and composer) (on 1945-12-11)
baritone vocals:
Pierre Bernac (French baritone) (on 1945-12-11)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1945-12-11)
recording of:
Deux mélodies de Guillaume Apollinaire, FP 127: 1. Montparnasse (on 1945-12-11)
lyricist:
Guillaume Apollinaire
composer:
Francis Poulenc (pianist and composer) (from 1941 until 1945)
part of:
Deux mélodies de Guillaume Apollinaire, FP 127
Francis Poulenc3:40
20Seven Sonnets of Michelangelo, op. 22: 1. Sì come nella penna
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Benjamin Britten (English composer, conductor, and pianist) (on 1942-11-20)
tenor vocals:
Peter Pears (tenor) (on 1942-11-20)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1942-11-20)
recording of:
Seven Sonnets of Michelangelo, op. 22: 1. Sonetto XVI: Si come nella penna e nell'inchiostro (on 1942-11-20)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
Benjamin Britten2:03
21Seven Sonnets of Michelangelo, op. 22: 2. A che più debb'io mai
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Benjamin Britten (English composer, conductor, and pianist) (on 1942-11-20)
tenor vocals:
Peter Pears (tenor) (on 1942-11-20)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1942-11-20)
recording of:
Seven Sonnets of Michelangelo, op. 22: 2. Sonetto XXXI: A che piu debb'io mai l'intensa voglia (on 1942-11-20)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
Benjamin Britten1:20
22Seven Sonnets of Michelangelo, op. 22: 3. Veggio co' bei vostri occhi
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Benjamin Britten (English composer, conductor, and pianist) (on 1942-11-20)
tenor vocals:
Peter Pears (tenor) (on 1942-11-20)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1942-11-20)
recording of:
Seven Sonnets of Michelangelo, op. 22: 3. Sonetto XXX: Veggio co' be' vostri occhi un dolce lume (on 1942-11-20)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
Benjamin Britten3:10
23Seven Sonnets of Michelangelo, op. 22: 4. Tu sa' ch'io so
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Benjamin Britten (English composer, conductor, and pianist) (on 1942-11-20)
tenor vocals:
Peter Pears (tenor) (on 1942-11-20)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1942-11-20)
recording of:
Seven Sonnets of Michelangelo, op. 22: 4. Sonetto LV: Tu sa' ch'io so, signior mie, che tu sai (on 1942-11-20)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
Benjamin Britten1:46
24Seven Sonnets of Michelangelo, op. 22: 5. Rendete a gli occhi miei
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Benjamin Britten (English composer, conductor, and pianist) (on 1942-11-20)
tenor vocals:
Peter Pears (tenor) (on 1942-11-20)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1942-11-20)
recording of:
Seven Sonnets of Michelangelo, op. 22: 5. Sonetto XXXVIII: Rendete a gli occhi miei, o fonte o fiume (on 1942-11-20)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
Benjamin Britten1:50
25Seven Sonnets of Michelangelo, op. 22: 6. S'un casto amor
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Benjamin Britten (English composer, conductor, and pianist) (on 1942-11-20)
tenor vocals:
Peter Pears (tenor) (on 1942-11-20)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1942-11-20)
recording of:
Seven Sonnets of Michelangelo, op. 22: 6. Sonetto XXXII: S'un casto amor, s'una pieta superna (on 1942-11-20)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
Benjamin Britten1:15
26Seven Sonnets of Michelangelo, op. 22: 7. Spirto ben nato
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Benjamin Britten (English composer, conductor, and pianist) (on 1942-11-20)
tenor vocals:
Peter Pears (tenor) (on 1942-11-20)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1942-11-20)
recording of:
Seven Sonnets of Michelangelo, op. 22: 7. Sonetto XXIV: Spirto ben nato, in cui si specchia e vede (on 1942-11-20)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
Benjamin Britten4:42
27Holy Sonnets of John Donne, op. 35: 1. Oh My Blacke Soule
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: Oh my blacke Soule! (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Benjamin Britten3:17
28Holy Sonnets of John Donne, op. 35: 2. Batter My Heart
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: Batter my heart (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Benjamin Britten1:11
29Holy Sonnets of John Donne, op. 35: 3. O Might Those Sighes and Teares
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: Oh might those sighes and teares (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Benjamin Britten3:01
30Holy Sonnets of John Donne, op. 35: 4. Oh, to Vex Me
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: Oh, to vex me (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Benjamin Britten1:02
31Holy Sonnets of John Donne, op. 35: 5. What If This Present
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: What if this present (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Benjamin Britten2:54
32Holy Sonnets of John Donne, op. 35: 6. Since She Whom I Loved
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: Since she whom I loved (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Benjamin Britten3:46
33Holy Sonnets of John Donne, op. 35: 7. At the Round Earth's Imagined Corners
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: At the round earth's imagin'd corners (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Benjamin Britten2:45
34Holy Sonnets of John Donne, op. 35: 8. Thou Hast Made Me
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: Thou hast made me (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Benjamin Britten1:22
35Holy Sonnets of John Donne, op. 35: 9. Death, Be Not Proud
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: Death be not proud (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Benjamin Britten4:10

Credits

Release

mastering:Andrew Walter (engineer)
mastered at:Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1994 until 2008)
part of:Composers in Person (number: 13) (order: 12)
Discogs:https://www.discogs.com/release/3203700 [info]