The Complete Odes and Welcome Songs

~ Release by Henry Purcell; The King’s Consort, Robert King (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Ode, Z 320 "Arise, My Muse": I. Symphony
Henry Purcell1:42
2Ode, Z 320 "Arise, My Muse": II. Aria (Alto) "Arise, my muse"
Henry Purcell1:57
3Ode, Z 320 "Arise, My Muse": III. Chorus - Ritornello "Ye sons of music"
Henry Purcell1:01
4Ode, Z 320 "Arise, My Muse": IV. Aria (Tenor, Bass) - Chorus "Then sound your instruments"
Henry Purcell1:40
5Ode, Z 320 "Arise, My Muse": V. Aria (Alto) "See how the glitt'ring ruler of the day"
Henry Purcell2:59
6Ode, Z 320 "Arise, My Muse": VI. Aria (Altos I-II) - Chorus - Ritornello "Hail, gracious Gloriana, hail"
Henry Purcell3:01
7Ode, Z 320 "Arise, My Muse": VII. Aria (Bass) "And since the time's distress to wars' alarms"
Henry Purcell1:23
8Ode, Z 320 "Arise, My Muse": VIII. Aria (Alto, Tenor, Bass) "To quell his country's foes"
Henry Purcell1:23
9Ode, Z 320 "Arise, My Muse": IX. Aria (Alto) "But, ah, I see Eusebia drown'd in tears"
Henry Purcell2:37
10Ode, Z 320 "Arise, My Muse": X. Aria (Bass) - Aria (Alto) - Chorus "But Glory cries"
Henry Purcell3:23
11Ode, Z 339 "Welcome to All the Pleasures": I. Symphony
Henry Purcell1:33
12Ode, Z 339 "Welcome to All the Pleasures": II. Aria (Alto, Tenor, Bass) - Chorus - Ritornello "Welcome to all the pleasures that delight"
Henry Purcell2:07
13Ode, Z 339 "Welcome to All the Pleasures": III. Aria (Alto) - Ritornello "Here the Deities approve"
Henry Purcell4:36
14Ode, Z 339 "Welcome to All the Pleasures": IV. Aria (Sopranos I-II, Bass) - Ritornello "While joys celestial"
Henry Purcell1:29
15Ode, Z 339 "Welcome to All the Pleasures": V. Aria (Alto, Tenor, Bass) - Chorus "Then lift up your voices"
Henry Purcell1:57
16Ode, Z 339 "Welcome to All the Pleasures": VI. Ritornello - Aria (Tenor) - Ritornello "Beauty, thou scene of love"
Henry Purcell2:28
17Ode, Z 339 "Welcome to All the Pleasures": VII. Aria (Tenor) - Chorus "In a consort of voices"
Henry Purcell1:23
18Ode, Z 332 "Now Does the Glorious Day Appear": I. Symphony
Henry Purcell3:37
19Ode, Z 332 "Now Does the Glorious Day Appear": II. Chorus - Ritornello "Now does the glorious day appear"
Henry Purcell1:21
20Ode, Z 332 "Now Does the Glorious Day Appear": III. Aria (Tenor, Bass) "Not any one such joy could bring"
Henry Purcell1:24
21Ode, Z 332 "Now Does the Glorious Day Appear": IV. Aria (Tenor) - Ritornello "Now does the glorious day appear"
Henry Purcell2:29
22Ode, Z 332 "Now Does the Glorious Day Appear": V. Chorus - Ritornello "Now does the glorious day appear"
Henry Purcell1:21
23Ode, Z 332 "Now Does the Glorious Day Appear": VI. Aria (Bass) "It was a work of full as great a weight"
Henry Purcell1:56
24Ode, Z 332 "Now Does the Glorious Day Appear": VII. Aria (Alto) "By beauteous softness mixed with majesty"
Henry Purcell3:55
25Ode, Z 332 "Now Does the Glorious Day Appear": VIII. Aria (Basses I-II) "Her hero too"
Henry Purcell1:33
26Ode, Z 332 "Now Does the Glorious Day Appear": IX. Aria (Soprano, Alto, Tenor) "Our dear religion"
Henry Purcell1:48
27Ode, Z 332 "Now Does the Glorious Day Appear": X. Aria (Tenor) - Ritornello "No more shall we the great Eliza boast"
Henry Purcell2:32
28Ode, Z 332 "Now Does the Glorious Day Appear": XI. Chorus "Now, now, with one united voice"
Henry Purcell1:41
CD 2
#TitleArtistRatingLength
1Ode, Z 328 "Hail! bright Cecilia": I. Symphony
recording engineer:
Antony Howell (engineer) (in 1989-01)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1989-01)
orchestra:
The King’s Consort (from 1989-01-18 until 1989-01-20)
conductor:
Robert King (conductor and harpsichordist) (from 1989-01-18 until 1989-01-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1989-01-18 until 1989-01-20)
recording of:
“Hail! Bright Cecilia”, Z. 328: I. Symphony (from 1989-01-18 until 1989-01-20)
composer:
Henry Purcell (baroque composer)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell9:27
2Ode, Z 328 "Hail! bright Cecilia": II. (Soloists and Chorus) "Hail! bright Cecilia"
recording engineer:
Antony Howell (engineer) (in 1989-01)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1989-01)
bass vocals:
Michael George (operatic bass) (from 1989-01-18 until 1989-01-20)
choir vocals:
Choir of New College Oxford (from 1989-01-18 until 1989-01-20)
countertenor vocals:
James Bowman (UK countertenor) (from 1989-01-18 until 1989-01-20)
soprano vocals:
Gillian Fisher (soprano) (from 1989-01-18 until 1989-01-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1989-01-18 until 1989-01-20)
orchestra:
The King’s Consort (from 1989-01-18 until 1989-01-20)
conductor:
Robert King (conductor and harpsichordist) (from 1989-01-18 until 1989-01-20)
chorus master:
Edward Higginbottom (keyboardist, organist) (from 1989-01-18 until 1989-01-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1989-01-18 until 1989-01-20)
recording of:
“Hail! Bright Cecilia”, Z. 328: II. “Hail! Bright Cecilia” (from 1989-01-18 until 1989-01-20)
composer:
Henry Purcell (baroque composer)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell4:11
3Ode, Z 328 "Hail! bright Cecilia": III. Aria (Alto, Bass) "Hark, each Tree its silence breaks"
recording engineer:
Antony Howell (engineer) (in 1989-01)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1989-01)
bass vocals:
Michael George (operatic bass) (from 1989-01-18 until 1989-01-20)
countertenor vocals:
James Bowman (UK countertenor) (from 1989-01-18 until 1989-01-20)
orchestra:
The King’s Consort (from 1989-01-18 until 1989-01-20)
conductor:
Robert King (conductor and harpsichordist) (from 1989-01-18 until 1989-01-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1989-01-18 until 1989-01-20)
recording of:
“Hail! Bright Cecilia”, Z. 328: III. “Hark! Hark! Each tree its silence breaks” (from 1989-01-18 until 1989-01-20)
composer:
Henry Purcell (baroque composer)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell4:14
4Ode, Z 328 "Hail! bright Cecilia": IV. Aria (Alto) "'Tis Nature's Voice"
recording engineer:
Antony Howell (engineer) (in 1989-01)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1989-01)
countertenor vocals:
James Bowman (UK countertenor) (from 1989-01-18 until 1989-01-20)
orchestra:
The King’s Consort (from 1989-01-18 until 1989-01-20)
conductor:
Robert King (conductor and harpsichordist) (from 1989-01-18 until 1989-01-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1989-01-18 until 1989-01-20)
recording of:
“Hail! Bright Cecilia”, Z. 328: IV. “’Tis nature’s voice” (from 1989-01-18 until 1989-01-20)
composer:
Henry Purcell (baroque composer)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell4:03
5Ode, Z 328 "Hail! bright Cecilia": V. Chorus "Soul of the World"
recording engineer:
Antony Howell (engineer) (in 1989-01)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1989-01)
choir vocals:
Choir of New College Oxford (from 1989-01-18 until 1989-01-20)
orchestra:
The King’s Consort (from 1989-01-18 until 1989-01-20)
conductor:
Robert King (conductor and harpsichordist) (from 1989-01-18 until 1989-01-20)
chorus master:
Edward Higginbottom (keyboardist, organist) (from 1989-01-18 until 1989-01-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1989-01-18 until 1989-01-20)
recording of:
“Hail! Bright Cecilia”, Z. 328: V. “Soul of the world” (from 1989-01-18 until 1989-01-20)
composer:
Henry Purcell (baroque composer)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell2:45
6Ode, Z 328 "Hail! bright Cecilia": VI. Aria (Soprano) "Thou tun'st this World below"
recording engineer:
Antony Howell (engineer) (in 1989-01)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1989-01)
choir vocals:
Choir of New College Oxford (from 1989-01-18 until 1989-01-20)
soprano vocals:
Gillian Fisher (soprano) (from 1989-01-18 until 1989-01-20)
orchestra:
The King’s Consort (from 1989-01-18 until 1989-01-20)
conductor:
Robert King (conductor and harpsichordist) (from 1989-01-18 until 1989-01-20)
chorus master:
Edward Higginbottom (keyboardist, organist) (from 1989-01-18 until 1989-01-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1989-01-18 until 1989-01-20)
recording of:
“Hail! Bright Cecilia”, Z. 328: VI. “Thou tun’st this world” (from 1989-01-18 until 1989-01-20)
composer:
Henry Purcell (baroque composer)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell3:14
7Ode, Z 328 "Hail! bright Cecilia": VII. Aria (Alto, Tenor, Bass) "With that sublime Celestial Lay"
recording engineer:
Antony Howell (engineer) (in 1989-01)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1989-01)
baritone vocals:
Simon Keenlyside (baritone) (from 1989-01-18 until 1989-01-20)
countertenor vocals:
James Bowman (UK countertenor) (from 1989-01-18 until 1989-01-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1989-01-18 until 1989-01-20)
orchestra:
The King’s Consort (from 1989-01-18 until 1989-01-20)
conductor:
Robert King (conductor and harpsichordist) (from 1989-01-18 until 1989-01-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1989-01-18 until 1989-01-20)
recording of:
“Hail! Bright Cecilia”, Z. 328: VII. “With that sublime celestial lay” (from 1989-01-18 until 1989-01-20)
composer:
Henry Purcell (baroque composer)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell3:11
8Ode, Z 328 "Hail! bright Cecilia": VIII. Aria (Bass) "Wond'rous Machine!"
recording engineer:
Antony Howell (engineer) (in 1989-01)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1989-01)
bass vocals:
Michael George (operatic bass) (from 1989-01-18 until 1989-01-20)
orchestra:
The King’s Consort (from 1989-01-18 until 1989-01-20)
conductor:
Robert King (conductor and harpsichordist) (from 1989-01-18 until 1989-01-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1989-01-18 until 1989-01-20)
recording of:
“Hail! Bright Cecilia”, Z. 328: VIII. “Wondrous machine!” (from 1989-01-18 until 1989-01-20)
composer:
Henry Purcell (baroque composer)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell2:45
9Ode, Z 328 "Hail! bright Cecilia": IX. Aria (High Tenor) "The Airy Violin"
recording engineer:
Antony Howell (engineer) (in 1989-01)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1989-01)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1989-01-18 until 1989-01-20)
orchestra:
The King’s Consort (from 1989-01-18 until 1989-01-20)
conductor:
Robert King (conductor and harpsichordist) (from 1989-01-18 until 1989-01-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1989-01-18 until 1989-01-20)
recording of:
“Hail! Bright Cecilia”, Z. 328: IX. “The airy violin” (from 1989-01-18 until 1989-01-20)
composer:
Henry Purcell (baroque composer)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell1:28
10Ode, Z 328 "Hail! bright Cecilia": X. Aria (Alto, Tenor) "In vain the Am'rous Flute"
recording engineer:
Antony Howell (engineer) (in 1989-01)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1989-01)
countertenor vocals:
James Bowman (UK countertenor) (from 1989-01-18 until 1989-01-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1989-01-18 until 1989-01-20)
orchestra:
The King’s Consort (from 1989-01-18 until 1989-01-20)
conductor:
Robert King (conductor and harpsichordist) (from 1989-01-18 until 1989-01-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1989-01-18 until 1989-01-20)
recording of:
“Hail! Bright Cecilia”, Z. 328: X. “In vain the am’rous flute” (from 1989-01-18 until 1989-01-20)
composer:
Henry Purcell (baroque composer)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell5:56
11Ode, Z 328 "Hail! bright Cecilia": XI. Aria (Tenor) "The Fife and all the Harmony of War"
recording engineer:
Antony Howell (engineer) (in 1989-01)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1989-01)
tenor vocals:
John Mark Ainsley (tenor) (from 1989-01-18 until 1989-01-20)
orchestra:
The King’s Consort (from 1989-01-18 until 1989-01-20)
conductor:
Robert King (conductor and harpsichordist) (from 1989-01-18 until 1989-01-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1989-01-18 until 1989-01-20)
recording of:
“Hail! Bright Cecilia”, Z. 328: XI. “The fife and all the harmony of war” (from 1989-01-18 until 1989-01-20)
composer:
Henry Purcell (baroque composer)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell3:09
12Ode, Z 328 "Hail! bright Cecilia": XII. Aria (Basses I-II) "Let these amongst themselves contest"
recording engineer:
Antony Howell (engineer) (in 1989-01)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1989-01)
baritone vocals:
Simon Keenlyside (baritone) (from 1989-01-18 until 1989-01-20)
bass vocals:
Michael George (operatic bass) (from 1989-01-18 until 1989-01-20)
orchestra:
The King’s Consort (from 1989-01-18 until 1989-01-20)
conductor:
Robert King (conductor and harpsichordist) (from 1989-01-18 until 1989-01-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1989-01-18 until 1989-01-20)
recording of:
“Hail! Bright Cecilia”, Z. 328: XII. “Let these amongst themselves contest” (from 1989-01-18 until 1989-01-20)
composer:
Henry Purcell (baroque composer)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell3:25
13Ode, Z 328 "Hail! bright Cecilia": XIII. (Soloists and Chorus) "Hail! bright Cecilia"
recording engineer:
Antony Howell (engineer) (in 1989-01)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1989-01)
bass vocals:
Michael George (operatic bass) (from 1989-01-18 until 1989-01-20)
choir vocals:
Choir of New College Oxford (from 1989-01-18 until 1989-01-20)
countertenor vocals:
James Bowman (UK countertenor) (from 1989-01-18 until 1989-01-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1989-01-18 until 1989-01-20) and Rogers Covey‐Crump (tenor) (from 1989-01-18 until 1989-01-20)
orchestra:
The King’s Consort (from 1989-01-18 until 1989-01-20)
conductor:
Robert King (conductor and harpsichordist) (from 1989-01-18 until 1989-01-20)
chorus master:
Edward Higginbottom (keyboardist, organist) (from 1989-01-18 until 1989-01-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1989-01-18 until 1989-01-20)
recording of:
“Hail! Bright Cecilia”, Z. 328: XIII. “Hail! Bright Cecilia, hail to thee” (from 1989-01-18 until 1989-01-20)
composer:
Henry Purcell (baroque composer)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell4:22
14Ode, Z 342 "Who can from joy refrain": I. Overture
recording engineer:
Antony Howell (engineer) (in 1989-01)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1989-01)
orchestra:
The King’s Consort (from 1989-01-18 until 1989-01-20)
conductor:
Robert King (conductor and harpsichordist) (from 1989-01-18 until 1989-01-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1989-01-18 until 1989-01-20)
Henry Purcell4:28
15Ode, Z 342 "Who can from joy refrain": II. Aria (Alto) "Who can from joy refrain"
recording engineer:
Antony Howell (engineer) (in 1989-01)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1989-01)
bass vocals:
Michael George (operatic bass) (from 1989-01-18 until 1989-01-20)
countertenor vocals:
James Bowman (UK countertenor) (from 1989-01-18 until 1989-01-20)
soprano vocals:
Tessa Bonner (soprano) (from 1989-01-18 until 1989-01-20) and Gillian Fisher (soprano) (from 1989-01-18 until 1989-01-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1989-01-18 until 1989-01-20) and Rogers Covey‐Crump (tenor) (from 1989-01-18 until 1989-01-20)
orchestra:
The King’s Consort (from 1989-01-18 until 1989-01-20)
conductor:
Robert King (conductor and harpsichordist) (from 1989-01-18 until 1989-01-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1989-01-18 until 1989-01-20)
Henry Purcell5:12
16Ode, Z 342 "Who can from joy refrain": III. Aria (High Tenor) "A Prince of glorious race"
recording engineer:
Antony Howell (engineer) (in 1989-01)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1989-01)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1989-01-18 until 1989-01-20)
orchestra:
The King’s Consort (from 1989-01-18 until 1989-01-20)
conductor:
Robert King (conductor and harpsichordist) (from 1989-01-18 until 1989-01-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1989-01-18 until 1989-01-20)
Henry Purcell3:34
17Ode, Z 342 "Who can from joy refrain": IV. Aria (Bass) "The Father brave as e'er was Dane"
recording engineer:
Antony Howell (engineer) (in 1989-01)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1989-01)
bass vocals:
Michael George (operatic bass) (from 1989-01-18 until 1989-01-20)
orchestra:
The King’s Consort (from 1989-01-18 until 1989-01-20)
conductor:
Robert King (conductor and harpsichordist) (from 1989-01-18 until 1989-01-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1989-01-18 until 1989-01-20)
Henry Purcell1:29
18Ode, Z 342 "Who can from joy refrain": V. Aria (Soprano) "The Graces in his Mother shine"
recording engineer:
Antony Howell (engineer) (in 1989-01)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1989-01)
soprano vocals:
Tessa Bonner (soprano) (from 1989-01-18 until 1989-01-20)
orchestra:
The King’s Consort (from 1989-01-18 until 1989-01-20)
conductor:
Robert King (conductor and harpsichordist) (from 1989-01-18 until 1989-01-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1989-01-18 until 1989-01-20)
Henry Purcell2:01
19Ode, Z 342 "Who can from joy refrain": VI. Aria (Tenor) "Sound the Trumpet"
recording engineer:
Antony Howell (engineer) (in 1989-01)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1989-01)
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (from 1989-01-18 until 1989-01-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1989-01-18 until 1989-01-20)
orchestra:
The King’s Consort (from 1989-01-18 until 1989-01-20)
conductor:
Robert King (conductor and harpsichordist) (from 1989-01-18 until 1989-01-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1989-01-18 until 1989-01-20)
Henry Purcell2:29
20Ode, Z 342 "Who can from joy refrain": VII. Aria (Sopranos I-II) "If now he burns with noble flame"
recording engineer:
Antony Howell (engineer) (in 1989-01)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1989-01)
soprano vocals:
Tessa Bonner (soprano) (from 1989-01-18 until 1989-01-20) and Gillian Fisher (soprano) (from 1989-01-18 until 1989-01-20)
orchestra:
The King’s Consort (from 1989-01-18 until 1989-01-20)
conductor:
Robert King (conductor and harpsichordist) (from 1989-01-18 until 1989-01-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1989-01-18 until 1989-01-20)
Henry Purcell5:31
CD 3
#TitleArtistRatingLength
1Ode, Z 324 "Fly, bold rebellion": I. Symphony
recording of:
Ode, Z 324 "Fly, bold rebellion": I. Symphony
composer:
Henry Purcell (baroque composer) (in 1683)
Henry Purcell1:58
2Ode, Z 324 "Fly, bold rebellion": II. Quintet - Ritornello - Aria (Bass) - Chorus "Fly, bold rebellion"Henry Purcell2:28
3Ode, Z 324 "Fly, bold rebellion": III. Aria (High Tenor) - Ritornello - Chorus "Rivers from their channels turned"Henry Purcell3:15
4Ode, Z 324 "Fly, bold rebellion": IV. Aria (Bass, Tenor) - Ritornello "If then we've found the want of his rays"Henry Purcell3:16
5Ode, Z 324 "Fly, bold rebellion": V. Trio (Sopranos I-II, Tenor) - Ritornello "But Heaven has now dispelled those fears"Henry Purcell1:21
6Ode, Z 324 "Fly, bold rebellion": VI. Aria (Alto, Tenor, Bass) - Chorus "Come then, change your notes"Henry Purcell1:41
7Ode, Z 324 "Fly, bold rebellion": VII. Aria (Alto) - Ritornello " Be welcome then, great Sir"
engineer:
Philip Hobbs (engineer/producer), Antony Howell (engineer) and Nicholas Parker (classical violinist, producer, engineer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals:
James Bowman (UK countertenor)
orchestra:
The King’s Consort
conductor:
Robert King (conductor and harpsichordist)
recording of:
Ode, Z 324 "Fly, bold rebellion": VII. Aria (Alto) - Ritornello " Be welcome then, great Sir"
composer:
Henry Purcell (baroque composer) (in 1683)
Henry Purcell3:34
8Ode, Z 324 "Fly, bold rebellion": VIII. Septet - Chorus "Welcome to all those wishes fulfilled"Henry Purcell1:56
9Ode, Z 335 "Sound the trumpet, beat the drum": I. SymphonyHenry Purcell3:11
10Ode, Z 335 "Sound the trumpet, beat the drum": II. Aria (High Tenor, Bass) - Chorus "Sound the trumpet, beat the drum"Henry Purcell1:58
11Ode, Z 335 "Sound the trumpet, beat the drum": III. Aria (High Tenor) - Chorus "Crown the year and crown the day"Henry Purcell3:30
12Ode, Z 335 "Sound the trumpet, beat the drum": IV. Aria (Alto, High Tenor) - Ritornello "Let Caesar and Urania live"Henry Purcell2:57
13Ode, Z 335 "Sound the trumpet, beat the drum": V. Aria (Tenor, Bass) - Chorus "What greater bliss can Fate bestow"Henry Purcell2:49
14Ode, Z 335 "Sound the trumpet, beat the drum": VI. Chaconne
Henry Purcell3:35
15Ode, Z 335 "Sound the trumpet, beat the drum": VII. Aria (Bass) "While Caesar like the morning star"Henry Purcell2:23
16Ode, Z 335 "Sound the trumpet, beat the drum": VIII. Aria (Alto, Tenor, Bass) - Sextet - Chorus "To Urania and Caesar delights without measure"Henry Purcell3:25
17Ode, Z 321 "Celebrate this Festival": I. Symphony
Henry Purcell1:37
18Ode, Z 321 "Celebrate this Festival": II. (Soloists, Chorus) "Celebrate this Festival"
Henry Purcell1:32
19Ode, Z 321 "Celebrate this Festival": III. Aria (Sopranos I-II) - Chorus "Britain now thy cares beguile"
Henry Purcell2:36
20Ode, Z 321 "Celebrate this Festival": IV. Aria (Soprano, Trumpet) - Chorus "'Tis sacred, bid the trumpet cease"
Henry Purcell0:48
21Ode, Z 321 "Celebrate this Festival": V. Aria (Soprano) - Chorus "Let sullen Discord smile"
Henry Purcell2:39
22Ode, Z 321 "Celebrate this Festival": VI. Aria (Alto) "Crown the altar, deck the shrine"
Henry Purcell3:05
23Ode, Z 321 "Celebrate this Festival": VII. Aria (Bass) - Chorus "Expected Spring at last is come"
Henry Purcell1:49
24Ode, Z 321 "Celebrate this Festival": VIII. Aria (Alto) - Ritornello "April, who till now has mourned"
Henry Purcell2:54
25Ode, Z 321 "Celebrate this Festival": IX. Aria (High Tenor) Departing thus youæll hear him say"
Henry Purcell1:20
26Ode, Z 321 "Celebrate this Festival": X. Ritornello - Aria (Alto, Tenor, Bass) "Happy realm beyond expressing"
Henry Purcell3:25
27Ode, Z 321 "Celebrate this Festival": XI. Aria (Bass, Trumpet) "While, for a righteous cause he arms"
Henry Purcell4:49
28Ode, Z 321 "Celebrate this Festival": XII. Aria (High Tenor) - Eight-part Chorus "Return, fond Muse, the thoughts of war"
Henry Purcell3:29
29Ode, Z 321 "Celebrate this Festival": XIII. Aria (Soprano) - Chorus "Kindly treat Maria's day"
Henry Purcell2:48
CD 4
#TitleArtistRatingLength
1Ode, Z 344 "Ye tuneful muses": I. Symphony
Henry Purcell3:26
2Ode, Z 344 "Ye tuneful muses": II. Duet (Basses I-II) - Ritornello - Chorus "Ye tuneful muses"
Henry Purcell2:55
3Ode, Z 344 "Ye tuneful muses": III. Aria (High Tenor) - Chorus - Ritornello "Be lively then and gay"
Henry Purcell2:23
4Ode, Z 344 "Ye tuneful muses": IV. Aria (Bass) - Chorus "In his just praise"
Henry Purcell2:34
5Ode, Z 344 "Ye tuneful muses": V. Ritornell - Aria (Tenor) - Chorus "From the rattling of drums"
Henry Purcell3:16
6Ode, Z 344 "Ye tuneful muses": VI. Trio (Alto, High Tenor, Bass) "To music's softer but yet kind"
Henry Purcell1:55
7Ode, Z 344 "Ye tuneful muses": VII. Aria (Alto) - Ritornello "With him he brings the partner of his throne"
Henry Purcell4:31
8Ode, Z 344 "Ye tuneful muses": VIII. Duet (Sopranos I-II) "Happy in a mutual love"
Henry Purcell1:22
9Ode, Z 344 "Ye tuneful muses": IX. Aria (High Tenor) - Chorus "Whilst in music and verse our duty we show"
Henry Purcell1:54
10Ode, Z 322 "Celestial music did the gods inspire": I. Symphony
Henry Purcell3:09
11Ode, Z 322 "Celestial music did the gods inspire": II. Aria (Bass) - Chorus "Celestial music did the Gods inspire"
Henry Purcell2:10
12Ode, Z 322 "Celestial music did the gods inspire": III. Aria (Alto) "Her charming strains expel tormenting care"
Henry Purcell3:05
13Ode, Z 322 "Celestial music did the gods inspire": IV. Aria (Soprano) "Thus Virgil's Genius lov'd"
Henry Purcell2:13
14Ode, Z 322 "Celestial music did the gods inspire": V. Duet (High Tenor, Bass) - Ritornello "Whilst Music did improve Amphion's song"
Henry Purcell2:11
15Ode, Z 322 "Celestial music did the gods inspire": VI. Aria (Alto) "When Orpheus sang all Nature did rejoice"
Henry Purcell2:06
16Ode, Z 322 "Celestial music did the gods inspire": VII. Trio (Alto, Tenor, Bass) - Chorus "Let Phyllis by her voice"
Henry Purcell2:34
17Ode, Z 325 "From hardy climes": I. Symphony
Henry Purcell2:37
18Ode, Z 325 "From hardy climes": II. Aria (Bass) - Chorus - Ritornello "From hardy Climes and dangerous Toils of War"
Henry Purcell3:12
19Ode, Z 325 "From hardy climes": III. Aria (High Tenor) - Duet (Sopranos I-II) - Ritornello "As Fame, Great Sir, before you ran"
Henry Purcell2:38
20Ode, Z 325 "From hardy climes": IV. Aria (Bass) - Chorus - Ritornello "Wake then, my Muse"
Henry Purcell1:57
21Ode, Z 325 "From hardy climes": V. Aria (Tenor) - Ritornello "The Sparrow and the gentle Dove"
engineer:
Philip Hobbs (engineer/producer), Antony Howell (engineer) and Nicholas Parker (classical violinist, producer, engineer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
tenor vocals:
Charles Daniels (tenor)
orchestra:
The King’s Consort
conductor:
Robert King (conductor and harpsichordist)
partial recording of:
From hardy climes and dangerous toils of war, Z. 325
composer:
Henry Purcell (baroque composer) (in 1683)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 325)
Henry Purcell4:44
22Ode, Z 325 "From hardy climes": VI. Trio (Alto, High Tenor, Bass) - Ritornello "So all the Boons indulgent"
Henry Purcell1:23
23Ode, Z 325 "From hardy climes": VII. Aria (Soprano) - Chorus "Hence without Scheme or Figure to descry"
Henry Purcell1:22
CD 5
CD 6
CD 7
CD 8

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ASIN:UK: B000002ZFU [info]