| # | Title | Artist | Rating | Length |
|---|
| 1 | Stompin' at the Savoy | Benny Goodman | | 3:15 |
| 2 | I Should Care- producer:
- Lee Gillette
- alto saxophone:
- Bud Shank (on 1954-01-18)
- baritone saxophone:
- Johnny Rotella (on 1954-01-18)
- bass:
- Joe Mondragon (on 1954-01-18)
- bass trombone:
- George Roberts (on 1954-01-18)
- drums (drum set):
- Larry Bunker (on 1954-01-18) and Shelly Manne (on 1954-01-18)
- flute and tenor saxophone:
- Ted Nash (on 1954-01-18)
- French horn:
- Vincent DeRosa (on 1954-01-18) and John Graas (on 1954-01-18)
- guitar:
- Jack Marshall (on 1954-01-18) and Howard Roberts (on 1954-01-18)
- piano:
- Joe Castro (on 1954-01-18) and Russ Freeman (on 1954-01-18)
- reeds:
- Chuck Gentry (on 1954-01-18)
- trombone:
- Milt Bernhart (on 1954-01-18), Harry Betts (on 1954-01-18), Frank Rosolino (on 1954-01-18) and Tommy Pederson (on 1954-01-18)
- trumpet:
- Frank Beach (on 1954-01-18), Conte Candoli (on 1954-01-18), Maynard Ferguson (on 1954-01-18), Conrad Gozzo (on 1954-01-18) and Shorty Rogers (on 1954-01-18)
- tuba:
- Paul Sarmento (on 1954-01-18) and Phil Stephens (on 1954-01-18)
- woodwind:
- Bob Cooper (on 1954-01-18), Paul Horn (on 1954-01-18) and Harry Klee (on 1954-01-18)
- vocals:
- June Christy (on 1954-01-18)
- conductor:
- Pete Rugolo (on 1954-01-18)
- arranger:
- Pete Rugolo
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-01-18) and Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-01-18)
- recording of:
- I Should Care (on 1954-01-18)
- writer:
- Sammy Cahn, Axel Stordahl and Paul Weston
- publisher:
- Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation , Peermusic (UK) Limited and Stordahl Music Publishing
- sub-publisher:
- ピアーミュージック
| June Christy | | 2:12 |
| 3 | I Still Believe | Ronnie Hilton | | 2:34 |
| 4 | Ma About the Boy | Billy May | | 3:05 |
| 5 | I Love You Yes I Do | Ella Mae Morse | | 2:41 |
| 6 | The Creep | Ken Mackintosh | | 3:01 |
| 7 | Gilly Gilly Ossenfeffer Katzenellenbogen by the Sea | Max Bygraves | | 2:58 |
| 8 | Sky Blue Shirt & Rainbow Tie | The Ray Ellington Quartet | | 2:26 |
| 9 | You Better Not Do That | Tommy Collins | | 2:29 |
| 10 | Let's Get Together No.1 | The Big Ben Banjo Band | | 5:59 |
| 11 | Jeepers Creepers | Al Belletto | | 3:01 |
| 12 | My Funny Valentine- producer:
- Richard Bock
- double bass:
- Carson Smith (on 1954-02-15)
- drums (drum set):
- Bob Neel (on 1954-02-15)
- piano:
- Russ Freeman (on 1954-02-15)
- trumpet:
- Chet Baker (on 1954-02-15)
- vocals:
- Chet Baker (on 1954-02-15)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1954) and Blue Note (in 1989)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-02-15)
- cover recording of:
- My Funny Valentine (on 1954-02-15)
- lyricist:
- Lorenz Hart (in 1937)
- composer:
- Richard Rodgers (in 1937)
- publisher:
- Chappell & Co., Inc. , Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. , Warner/Chappell and Williamson Music Company
- sub-publisher:
- Warner/Chappell Music, Hong Kong Limited , シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- Babes in Arms
- part of:
- The Real Book
- part of:
- Waiting to Exhale
| Chet Baker | 2.5 | 2:18 |
| 13 | Changing Partners | Kay Starr | | 2:53 |
| 14 | I Get So Lonely | The Four Knights | 1 | 2:05 |
| 15 | This Ole House | Billie Anthony | | 2:19 |
| 16 | Sidewalk | Charles Williams | | 2:58 |
| 17 | Happy Days & Lonely Nights | Frankie Vaughan | | 2:31 |
| 18 | Amore | Dean Martin | 4.35 | 3:07 |
| 19 | Satin Doll | Duke Ellington & His Orchestra | | 2:58 |
| 20 | Smile- producer:
- Lee Gillette
- bass:
- Charlie Harris (on 1954-07-27)
- bass trombone:
- George Roberts (on 1954-07-27)
- cello:
- Cy Bernard (on 1954-07-27), Armand Kaproff (on 1954-07-27), Ray Kramer (on 1954-07-27) and Eleanor Slatkin (on 1954-07-27)
- drums (drum set):
- Lee Young (on 1954-07-27)
- French horn:
- Vincent DeRosa (on 1954-07-27) and William Hinshaw (on 1954-07-27)
- guitar:
- John Collins (on 1954-07-27)
- percussion:
- Louis Singer (on 1954-07-27)
- piano:
- Bill Miller (on 1954-07-27)
- reeds:
- John Hacker (on 1954-07-27), Harry Klee (on 1954-07-27) and Dominic Mumolo (on 1954-07-27)
- trombone:
- Francis Howard (on 1954-07-27)
- viola:
- Stanley Harris (on 1954-07-27), Paul Robyn (on 1954-07-27), Barbara Simons (on 1954-07-27) and Dave Sterkin (on 1954-07-27)
- violin:
- Leonard Atkins (on 1954-07-27), Victor Bay (on 1954-07-27), Alex Beller (on 1954-07-27), Harry Bluestone (on 1954-07-27), Walter Edelstein (on 1954-07-27), Nathan Ross (on 1954-07-27), Mischa Russell (on 1954-07-27), Eudice Shapiro (on 1954-07-27), Paul Shure (on 1954-07-27), Felix Slatkin (on 1954-07-27), Marshall Sosson (on 1954-07-27) and Gerald Vinci (on 1954-07-27)
- vocals:
- Nat King Cole (on 1954-07-27)
- orchestra:
- Nelson Riddle and His Orchestra (in 1954)
- conductor:
- Nelson Riddle (on 1954-07-27)
- arranger:
- Nelson Riddle
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-07-27)
- cover recording of:
- Smile (on 1954-07-27)
- lyricist:
- Geoffrey Parsons and John Turner
- composer:
- Charlie Chaplin
- publisher:
- Bourne France Éditions Musicale, Bourne Music Ltd. and Bourne Co. (in 1954)
- sub-publisher:
- Editions Vedette Sprl and 日音 Synch事業部
- is based on:
- Smile
- part of:
- Chaplin
| Nat King Cole | | 2:54 |
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