The Very Best of John Coltrane: The Prestige Era

~ Release by John Coltrane (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1I Hear a Rhapsody
recording engineer:
Rudy van Gelder (on 1957-05-31)
bass:
Paul Chambers (US jazz bassist) (on 1957-05-31)
double bass:
Paul Chambers (US jazz bassist)
drums (drum set):
Albert “Tootie” Heath (on 1957-05-31)
membranophone:
Albert “Tootie” Heath
piano:
Red Garland (on 1957-05-31)
tenor saxophone:
John Coltrane (on 1957-05-31)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1957-05-31)
instrumental cover recording of:
I Hear a Rhapsody (on 1957-05-31)
lyricist and composer:
Jack Baker (US songwriter "I Hear a Rhapsody"), George Fragos and Dick Gasparre
publisher:
Broadcast Music Inc.
instrumental recording of:
I Hear a Rhapsody (on 1957-05-31)
lyricist and composer:
Jack Baker (US songwriter "I Hear a Rhapsody"), George Fragos and Dick Gasparre
publisher:
Broadcast Music Inc.
cover recording of:
I Hear a Rhapsody
lyricist and composer:
Jack Baker (US songwriter "I Hear a Rhapsody"), George Fragos and Dick Gasparre
publisher:
Broadcast Music Inc.
recording of:
I Hear a Rhapsody
lyricist and composer:
Jack Baker (US songwriter "I Hear a Rhapsody"), George Fragos and Dick Gasparre
publisher:
Broadcast Music Inc.
6:03
2Nutty
cover recording of:
Nutty
composer:
Thelonious Monk (in 1954)
publisher:
Thelonious Music Corp.
6:38
3Soultrane
recording engineer:
Rudy van Gelder (on 1956-11-30)
bass and double bass:
John Simmons (bassist) (on 1956-11-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-11-30)
piano:
Tadd Dameron (on 1956-11-30)
tenor saxophone:
John Coltrane (on 1956-11-30)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-11-30)
recording of:
Soultrane (on 1956-11-30)
composer:
Tadd Dameron
5:25
4I Love You
recording engineer:
Rudy van Gelder (on 1957-08-16)
double bass [bass]:
Earl May (on 1957-08-16)
drums (drum set):
Art Taylor (on 1957-08-16)
tenor saxophone:
John Coltrane (on 1957-08-16)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1957-08-16)
instrumental recording of:
I Love You (Mexican Hayride musical) (on 1957-08-16)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
cover recording of:
I Love You (Mexican Hayride musical)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
recording of:
I Love You (Mexican Hayride musical)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
5:34
5Lover Come Back to Me
recording engineer:
Rudy van Gelder (on 1958-05-23)
bass:
Paul Chambers (US jazz bassist) (on 1958-05-23)
drums (drum set):
Art Taylor (on 1958-05-23)
piano:
Red Garland (on 1958-05-23)
tenor saxophone:
John Coltrane (on 1958-05-23)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1958-05-23)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-05-23)
cover recording of:
Lover, Come Back to Me (The New Moon) (on 1958-05-23)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
7:28
6Good Bait
cover recording of:
Good Bait
lyricist:
Tadd Dameron
composer:
Count Basie (pianist) and Tadd Dameron
publisher:
Redwood Music Ltd. (Carlin) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
12:10
7Traneing In
recorded in:
New York, New York, United States (on 1957-08-23)
recording engineer:
Rudy van Gelder (on 1957-08-23)
producer:
Bob Weinstock
double bass:
Paul Chambers (US jazz bassist) (on 1957-08-23)
drums (drum set):
Art Taylor (on 1957-08-23)
piano:
Red Garland (on 1957-08-23)
tenor saxophone:
John Coltrane (on 1957-08-23)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1957-08-23)
recording of:
Traneing In (on 1957-08-23)
composer:
John Coltrane
12:37
8Freight Trane
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-03-07)
recording of:
Freight Trane (on 1958-03-25)
composer:
Tommy Flanagan
7:23
9Theme for Ernie
cover recording of:
Theme for Ernie
composer:
Fred Lacey
arranger:
Joe Lovano (American jazz artist)
publisher:
Prestige Music
4:58
10Bahia
recording engineer:
Rudy van Gelder (on 1958-12-26)
double bass:
Paul Chambers (US jazz bassist) (on 1958-12-26)
drums (drum set):
Art Taylor (on 1958-12-26)
piano:
Red Garland (on 1958-12-26)
tenor saxophone:
John Coltrane (on 1958-12-26)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-12-26)
instrumental recording of:
Bahia (on 1958-12-26)
composer:
Ary Barroso
version of:
Na baixa do sapateiro
6:18