Annotation

SubOptimalCredits

liner notes translator: Nigel Wilkins – lyric/s translator (Latin to English, not sung)
miscellaneous support: Elizabeth Randall – “pronunciation”
miscellaneous support: Stephen Haynes – “musical text for the Lai” (= Track 7—18)

Annotation last modified on 2018-03-10 01:42 UTC.

Tracklist

CD 1
#TitleArtistRatingLength
1Messe de Notre Dame: Kyrie
recording engineer:
Robert von Bahr (from 1987-03-30 until 1987-03-31)
producer:
Robert von Bahr
editor:
Siegbert Ernst (engineer) (from 1987-03-30 until 1987-03-31)
bass vocals:
Michael George (operatic bass) (from 1987-03-30 until 1987-03-31)
countertenor vocals:
David James (countertenor) (from 1987-03-30 until 1987-03-31) and Ashley Stafford (alto / counter-tenor) (from 1987-03-30 until 1987-03-31)
solo bass vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1987-03-30 until 1987-03-31)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1987-03-30 until 1987-03-31), Leigh Nixon (lay vicar & tenor) (from 1987-03-30 until 1987-03-31), Mark Padmore (British tenor) (from 1987-03-30 until 1987-03-31) and John Potter (tenor) (from 1987-03-30 until 1987-03-31)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1987-03-30 until 1987-03-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (from 1987-03-30 until 1987-03-31)
recording of:
Messe de Nostre Dame: I. Kyrie (from 1987-03-30 until 1987-03-31)
lyricist:
[traditional] (special purpose artist)
composer:
Guillaume de Machaut (French medieval poet & composer)
part of:
Messe de Nostre Dame
Guillaume de Machaut5:46
2Messe de Notre Dame: Gloria
recording engineer:
Robert von Bahr (from 1987-03-30 until 1987-03-31)
producer:
Robert von Bahr
editor:
Siegbert Ernst (engineer) (from 1987-03-30 until 1987-03-31)
bass vocals:
Michael George (operatic bass) (from 1987-03-30 until 1987-03-31)
countertenor vocals:
David James (countertenor) (from 1987-03-30 until 1987-03-31) and Ashley Stafford (alto / counter-tenor) (from 1987-03-30 until 1987-03-31)
solo bass vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1987-03-30 until 1987-03-31)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1987-03-30 until 1987-03-31), Leigh Nixon (lay vicar & tenor) (from 1987-03-30 until 1987-03-31), Mark Padmore (British tenor) (from 1987-03-30 until 1987-03-31) and John Potter (tenor) (from 1987-03-30 until 1987-03-31)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1987-03-30 until 1987-03-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (from 1987-03-30 until 1987-03-31)
recording of:
Messe de Nostre Dame: II. Gloria (from 1987-03-30 until 1987-03-31)
lyricist:
[traditional] (special purpose artist)
composer:
Guillaume de Machaut (French medieval poet & composer)
part of:
Messe de Nostre Dame
Guillaume de Machaut4:11
3Messe de Notre Dame: Credo
recording engineer:
Robert von Bahr (from 1987-03-30 until 1987-03-31)
producer:
Robert von Bahr
editor:
Siegbert Ernst (engineer) (from 1987-03-30 until 1987-03-31)
bass vocals:
Michael George (operatic bass) (from 1987-03-30 until 1987-03-31)
countertenor vocals:
David James (countertenor) (from 1987-03-30 until 1987-03-31) and Ashley Stafford (alto / counter-tenor) (from 1987-03-30 until 1987-03-31)
solo bass vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1987-03-30 until 1987-03-31)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1987-03-30 until 1987-03-31), Leigh Nixon (lay vicar & tenor) (from 1987-03-30 until 1987-03-31), Mark Padmore (British tenor) (from 1987-03-30 until 1987-03-31) and John Potter (tenor) (from 1987-03-30 until 1987-03-31)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1987-03-30 until 1987-03-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (from 1987-03-30 until 1987-03-31)
recording of:
Messe de Nostre Dame: III. Credo (from 1987-03-30 until 1987-03-31)
composer:
Guillaume de Machaut (French medieval poet & composer)
part of:
Messe de Nostre Dame
Guillaume de Machaut5:40
4Messe de Notre Dame: Sanctus and Benedictus
recording engineer:
Robert von Bahr (from 1987-03-30 until 1987-03-31)
producer:
Robert von Bahr
editor:
Siegbert Ernst (engineer) (from 1987-03-30 until 1987-03-31)
bass vocals:
Michael George (operatic bass) (from 1987-03-30 until 1987-03-31)
countertenor vocals:
David James (countertenor) (from 1987-03-30 until 1987-03-31) and Ashley Stafford (alto / counter-tenor) (from 1987-03-30 until 1987-03-31)
solo bass vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1987-03-30 until 1987-03-31)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1987-03-30 until 1987-03-31), Leigh Nixon (lay vicar & tenor) (from 1987-03-30 until 1987-03-31), Mark Padmore (British tenor) (from 1987-03-30 until 1987-03-31) and John Potter (tenor) (from 1987-03-30 until 1987-03-31)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1987-03-30 until 1987-03-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (from 1987-03-30 until 1987-03-31)
recording of:
Messe de Nostre Dame: IV. Sanctus (from 1987-03-30 until 1987-03-31)
composer:
Guillaume de Machaut (French medieval poet & composer)
part of:
Messe de Nostre Dame
Guillaume de Machaut4:16
5Messe de Notre Dame: Agnus Dei
recording engineer:
Robert von Bahr (from 1987-03-30 until 1987-03-31)
producer:
Robert von Bahr
editor:
Siegbert Ernst (engineer) (from 1987-03-30 until 1987-03-31)
bass vocals:
Michael George (operatic bass) (from 1987-03-30 until 1987-03-31)
countertenor vocals:
David James (countertenor) (from 1987-03-30 until 1987-03-31) and Ashley Stafford (alto / counter-tenor) (from 1987-03-30 until 1987-03-31)
solo bass vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1987-03-30 until 1987-03-31)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1987-03-30 until 1987-03-31), Leigh Nixon (lay vicar & tenor) (from 1987-03-30 until 1987-03-31), Mark Padmore (British tenor) (from 1987-03-30 until 1987-03-31) and John Potter (tenor) (from 1987-03-30 until 1987-03-31)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1987-03-30 until 1987-03-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (from 1987-03-30 until 1987-03-31)
recording of:
Messe de Nostre Dame: V. Agnus Dei (from 1987-03-30 until 1987-03-31)
composer:
Guillaume de Machaut (French medieval poet & composer)
part of:
Messe de Nostre Dame
Guillaume de Machaut3:27
6Messe de Notre Dame: Ite missa est
recording engineer:
Robert von Bahr (from 1987-03-30 until 1987-03-31)
producer:
Robert von Bahr
editor:
Siegbert Ernst (engineer) (from 1987-03-30 until 1987-03-31)
bass vocals:
Michael George (operatic bass) (from 1987-03-30 until 1987-03-31)
countertenor vocals:
David James (countertenor) (from 1987-03-30 until 1987-03-31) and Ashley Stafford (alto / counter-tenor) (from 1987-03-30 until 1987-03-31)
solo bass vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1987-03-30 until 1987-03-31)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1987-03-30 until 1987-03-31), Leigh Nixon (lay vicar & tenor) (from 1987-03-30 until 1987-03-31), Mark Padmore (British tenor) (from 1987-03-30 until 1987-03-31) and John Potter (tenor) (from 1987-03-30 until 1987-03-31)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1987-03-30 until 1987-03-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (from 1987-03-30 until 1987-03-31)
recording of:
Messe de Nostre Dame: VI. Ite, missa est (from 1987-03-30 until 1987-03-31)
composer:
Guillaume de Machaut (French medieval poet & composer)
part of:
Messe de Nostre Dame
Guillaume de Machaut1:03
7Le lai de la fonteinne: Je ne cesse de prier
recording engineer:
Antony Howell (engineer) (on 1989-02-22)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
tenor vocals:
Rogers Covey‐Crump (tenor) (on 1989-02-22), Mark Padmore (British tenor) (on 1989-02-22) and John Potter (tenor) (on 1989-02-22)
vocals:
The Hilliard Ensemble (British male vocal quartet) (on 1989-02-22)
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (on 1989-02-22)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St Jude’s-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (on 1989-02-22)
partial recording of:
Le lai de la fonteinne
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut1:22
8Le lai de la fonteinne: Et ou porroit querir
recording engineer:
Antony Howell (engineer) (on 1989-02-22)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
tenor vocals:
Rogers Covey‐Crump (tenor) (on 1989-02-22), Mark Padmore (British tenor) (on 1989-02-22) and John Potter (tenor) (on 1989-02-22)
vocals:
The Hilliard Ensemble (British male vocal quartet) (on 1989-02-22)
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (on 1989-02-22)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St Jude’s-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (on 1989-02-22)
partial recording of:
Le lai de la fonteinne
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut1:49
9Le lai de la fonteinne: C'est celle qui par ordonnance
recording engineer:
Antony Howell (engineer) (on 1989-02-22)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
tenor vocals:
Rogers Covey‐Crump (tenor) (on 1989-02-22), Mark Padmore (British tenor) (on 1989-02-22) and John Potter (tenor) (on 1989-02-22)
vocals:
The Hilliard Ensemble (British male vocal quartet) (on 1989-02-22)
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (on 1989-02-22)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St Jude’s-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (on 1989-02-22)
partial recording of:
Le lai de la fonteinne
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut2:36
10Le lai de la fonteinne: Ces trois un a po de peinne
recording engineer:
Antony Howell (engineer) (on 1989-02-22)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
tenor vocals:
Rogers Covey‐Crump (tenor) (on 1989-02-22), Mark Padmore (British tenor) (on 1989-02-22) and John Potter (tenor) (on 1989-02-22)
vocals:
The Hilliard Ensemble (British male vocal quartet) (on 1989-02-22)
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (on 1989-02-22)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St Jude’s-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (on 1989-02-22)
partial recording of:
Le lai de la fonteinne
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut2:05
11Le lai de la fonteinne: Et qui de ceste eaue prendroit
recording engineer:
Antony Howell (engineer) (on 1989-02-22)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
tenor vocals:
Rogers Covey‐Crump (tenor) (on 1989-02-22), Mark Padmore (British tenor) (on 1989-02-22) and John Potter (tenor) (on 1989-02-22)
vocals:
The Hilliard Ensemble (British male vocal quartet) (on 1989-02-22)
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (on 1989-02-22)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St Jude’s-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (on 1989-02-22)
partial recording of:
Le lai de la fonteinne
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut1:56
12Le lai de la fonteinne: Mais ceste trinité
recording engineer:
Antony Howell (engineer) (on 1989-02-22)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
tenor vocals:
Rogers Covey‐Crump (tenor) (on 1989-02-22), Mark Padmore (British tenor) (on 1989-02-22) and John Potter (tenor) (on 1989-02-22)
vocals:
The Hilliard Ensemble (British male vocal quartet) (on 1989-02-22)
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (on 1989-02-22)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St Jude’s-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (on 1989-02-22)
partial recording of:
Le lai de la fonteinne
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut2:06
13Le lai de la fonteinne: De la duis le Pere nomme
recording engineer:
Antony Howell (engineer) (on 1989-02-22)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
tenor vocals:
Rogers Covey‐Crump (tenor) (on 1989-02-22), Mark Padmore (British tenor) (on 1989-02-22) and John Potter (tenor) (on 1989-02-22)
vocals:
The Hilliard Ensemble (British male vocal quartet) (on 1989-02-22)
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (on 1989-02-22)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St Jude’s-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (on 1989-02-22)
partial recording of:
Le lai de la fonteinne
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut1:26
14Le lai de la fonteinne: Et pour ce di que cil troy
recording engineer:
Antony Howell (engineer) (on 1989-02-22)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
tenor vocals:
Rogers Covey‐Crump (tenor) (on 1989-02-22), Mark Padmore (British tenor) (on 1989-02-22) and John Potter (tenor) (on 1989-02-22)
vocals:
The Hilliard Ensemble (British male vocal quartet) (on 1989-02-22)
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (on 1989-02-22)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St Jude’s-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (on 1989-02-22)
partial recording of:
Le lai de la fonteinne
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut2:05
15Le lai de la fonteinne: Pour ce te pri
recording engineer:
Antony Howell (engineer) (on 1989-02-22)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
tenor vocals:
Rogers Covey‐Crump (tenor) (on 1989-02-22), Mark Padmore (British tenor) (on 1989-02-22) and John Potter (tenor) (on 1989-02-22)
vocals:
The Hilliard Ensemble (British male vocal quartet) (on 1989-02-22)
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (on 1989-02-22)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St Jude’s-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (on 1989-02-22)
partial recording of:
Le lai de la fonteinne
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut1:20
16Le lai de la fonteinne: Mais de tel confort
recording engineer:
Antony Howell (engineer) (on 1989-02-22)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
tenor vocals:
Rogers Covey‐Crump (tenor) (on 1989-02-22), Mark Padmore (British tenor) (on 1989-02-22) and John Potter (tenor) (on 1989-02-22)
vocals:
The Hilliard Ensemble (British male vocal quartet) (on 1989-02-22)
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (on 1989-02-22)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St Jude’s-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (on 1989-02-22)
partial recording of:
Le lai de la fonteinne
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut2:17
17Le lai de la fonteinne: He! fonteinne de concorde
recording engineer:
Antony Howell (engineer) (on 1989-02-22)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
tenor vocals:
Rogers Covey‐Crump (tenor) (on 1989-02-22), Mark Padmore (British tenor) (on 1989-02-22) and John Potter (tenor) (on 1989-02-22)
vocals:
The Hilliard Ensemble (British male vocal quartet) (on 1989-02-22)
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (on 1989-02-22)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St Jude’s-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (on 1989-02-22)
partial recording of:
Le lai de la fonteinne
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut1:54
18Le lai de la fonteinne: Pour laver et nettoyer
recording engineer:
Antony Howell (engineer) (on 1989-02-22)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
tenor vocals:
Rogers Covey‐Crump (tenor) (on 1989-02-22), Mark Padmore (British tenor) (on 1989-02-22) and John Potter (tenor) (on 1989-02-22)
vocals:
The Hilliard Ensemble (British male vocal quartet) (on 1989-02-22)
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (on 1989-02-22)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St Jude’s-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (on 1989-02-22)
partial recording of:
Le lai de la fonteinne
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut2:25
19Ma fin est mon commencement
recording engineer:
Antony Howell (engineer) (on 1989-02-22)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
bass vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (on 1989-02-22)
tenor vocals:
Rogers Covey‐Crump (tenor) (on 1989-02-22) and John Potter (tenor) (on 1989-02-22)
vocals:
The Hilliard Ensemble (British male vocal quartet) (on 1989-02-22)
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (on 1989-02-22)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
recorded at:
St Jude’s-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (on 1989-02-22)
recording of:
Ma fin est mon commencement
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut5:38

Credits

Release

liner notes:Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (until 1989)
liner notes translator:Nigel Wilkins
miscellaneous support:Stephen Haynes
Elizabeth Randall (Horn player)
executive producer:Cecile Kelly (producer)
Edward Perry (producer and founder of hyperion, aka Ted Perry)
illustration:Cimabue
design:Terry Shannon (designer)
copyrighted (©) by:Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1989)
ASIN:UK: B000002ZM7 [info]
US: B000002ZM7 [info]
discography entry:http://www.hyperion-records.co.uk/dc.asp?dc=D_CDA66358 [info]
https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA66358 [info]