Geistliche Kantaten BWV 61 - 63

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1[BWV 61] Coro: Nun Komm Der Heiden Heiland
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1975-11) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
3:42
2[BWV 61] Recitativo (Tenor): Der Heiland Ist Gekommen
tenor vocals:
Kurt Equiluz (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": II. Recitativo (Tenore): "Der Heiland ist gekommen" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
1:34
3[BWV 61] Aria (Tenor): Komm, Jesu, Komm Zu Deiner Kirche
tenor vocals:
Kurt Equiluz (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": III. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
3:59
4[BWV 61] Recitativo (Bass): Siehe, Ich Stehe Vor Der Türe
bass vocals:
Ruud van der Meer (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": IV. Recitativo (Basso) "Siehe, ich stehe vor der Tür und klopfe an" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
1:04
5[BWV 61] Aria (Sopran): Öffne Dich, Mein Ganzes Herze
treble vocals:
Seppi Kronwitter (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": V. Aria (Soprano) "Öffne dich, mein ganzes Herze" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
3:23
6[BWV 61] Choral: Amen, Amen
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1975-11) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": VI. Choral "Amen, Amen" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
1:09
7[BWV 62] Coro: Nun Komm Der Heiden Heiland
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
4:53
8[BWV 62] Aria (Tenor): Bewundert, o Menschen, Dies Große Geheimnis
tenor vocals:
Kurt Equiluz (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": II. Aria (Tenore) "Bewundert, o Menschen" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
7:29
9[BWV 62] Recitativo (Bass): So Geht Aus Gottes Herrlichkeit Und Thron
bass vocals:
Ruud van der Meer (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": III. Recitativo (Basso) "So geht aus Gottes Herrlichkeit" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
0:36
10[BWV 62] Aria (Bass): Streite, Siege, Starker Held
bass vocals:
Ruud van der Meer (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": IV. Aria (Basso) "Streite, siege, starker Held!" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
5:09
11[BWV 62] Recitativo (S, a): Wir Ehren Diese Herrlichkeit
alto vocals:
Paul Esswood (countertenor) (in 1975-11)
treble vocals:
Peter Jelosits (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": V. Recitativo (Duetto: Soprano, Alto) "Wir ehren diese Herrlichkeit" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
0:58
12[BWV 62] Choral: Lob Sei Gott Dem Vater Ton
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": VI. Choral "Lob sei Gott, dem Vater, g'ton" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 265)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
0:48
13[BWV 63] Coro: Christen Ätzet Diesen Tag
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
performer:
Concentus Musicus Wien
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1983)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
5:17
14[BWV 63] Recitativo (Alt): O Selger Tag, o Ungemeines Heute
alto vocals:
Paul Esswood (countertenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
3:32
15[BWV 63] Duetto (S, B): Gott Du Hast Es Wohl Gefüget
bass vocals:
Ruud van der Meer (in 1975-11)
treble vocals:
Peter Jelosits (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
6:24
16[BWV 63] Recitativo (Tenor): So Kehret Sich Nun Heut Das Bange Leid
tenor vocals:
Kurt Equiluz (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
0:53
17[BWV 63] Duetto (A, T): Ruft Und Fleht Den Himmel An
alto vocals:
Paul Esswood (countertenor) (in 1975-11)
tenor vocals:
Kurt Equiluz (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
4:23
18[BWV 63] Recitativo (Bass): Verdoppelt Euch Demnach
bass vocals:
Ruud van der Meer (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
1:06
19[BWV 63] Coro: Höchster, Schau in Gnaden An
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
7:19