Early Cassettes Box

~ Release by Merzbow (see all versions of this release, 1 available)

Tracklist

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CD 1: Collection 010
#TitleRatingLength
1007B1+Ah Corps
mixer:
Masami Akita (Japanese noise musician; Merzbow) (on 1981-10-26)
bass [rubber band bass], drum machine [rhythm box], drums (drum set), effects, electric guitar, electronic instruments [Merztronics], electronic instruments [radio], electronic instruments [TV], percussion, synthesizer [Synare 3], tape [broken tape recorder], tape [tape loop], tape [tapes], turntable, violin and other vocals [voice]:
Masami Akita (Japanese noise musician; Merzbow) (in 1981)
bass [wood bass] and guitar:
Kiyoshi Mizutani (Japanese noise / field recording artist) (in 1981)
electronic instruments [AIWA uni-directional condenser microphone]:
Kiyoshi Mizutani (Japanese noise / field recording artist) (in 1981) and Masami Akita (Japanese noise musician; Merzbow) (in 1981)
recorded at:
Lowest Music & Arts (Masami Akita’s home studio during the early 1980s) in Tokyo, Japan (in 1981)
mixed at:
Lowest Music & Arts Studio (Masami Akita’s home studio during the early 1980s) in Tokyo, Japan (on 1981-10-26)
recording of:
007B1+Ah Corps (in 1981)
11:45
2E3B2+Ah Corps
mixer:
Masami Akita (Japanese noise musician; Merzbow) (on 1981-10-26)
bass [rubber band bass], drum machine [rhythm box], drums (drum set), effects, electric guitar, electronic instruments [Merztronics], electronic instruments [radio], electronic instruments [TV], percussion, synthesizer [Synare 3], tape [broken tape recorder], tape [tape loop], tape [tapes], turntable, violin and other vocals [voice]:
Masami Akita (Japanese noise musician; Merzbow) (in 1981)
bass [wood bass] and guitar:
Kiyoshi Mizutani (Japanese noise / field recording artist) (in 1981)
electronic instruments [AIWA uni-directional condenser microphone]:
Kiyoshi Mizutani (Japanese noise / field recording artist) (in 1981) and Masami Akita (Japanese noise musician; Merzbow) (in 1981)
recorded at:
Lowest Music & Arts (Masami Akita’s home studio during the early 1980s) in Tokyo, Japan (in 1981)
mixed at:
Lowest Music & Arts Studio (Masami Akita’s home studio during the early 1980s) in Tokyo, Japan (on 1981-10-26)
recording of:
E3B2+Ah Corps (in 1981)
11:23
3N.A.M 6 With Radio & Tapes
mixer:
Masami Akita (Japanese noise musician; Merzbow) (on 1981-10-26)
bass [rubber band bass], drum machine [rhythm box], drums (drum set), effects, electric guitar, electronic instruments [Merztronics], electronic instruments [radio], electronic instruments [TV], percussion, synthesizer [Synare 3], tape [broken tape recorder], tape [tape loop], tape [tapes], turntable, violin and other vocals [voice]:
Masami Akita (Japanese noise musician; Merzbow) (in 1981)
bass [wood bass] and guitar:
Kiyoshi Mizutani (Japanese noise / field recording artist) (in 1981)
electronic instruments [AIWA uni-directional condenser microphone]:
Kiyoshi Mizutani (Japanese noise / field recording artist) (in 1981) and Masami Akita (Japanese noise musician; Merzbow) (in 1981)
recorded at:
Lowest Music & Arts (Masami Akita’s home studio during the early 1980s) in Tokyo, Japan (in 1981)
mixed at:
Lowest Music & Arts Studio (Masami Akita’s home studio during the early 1980s) in Tokyo, Japan (on 1981-10-26)
recording of:
N.A.M 6 With Radio & Tapes (in 1981)
22:43
CD 2: Yantra Material Action
#TitleRatingLength
1[untitled]
engineer:
Mr Kawagishi (engineer on some early Merzbow releases) (in 1981)
drums (drum set), electronic instruments [noise], electronic instruments [radio] and other instruments [junks]:
Masami Akita (Japanese noise musician; Merzbow) (in 1981)
guitar, percussion and tape [tapes]:
Kiyoshi Mizutani (Japanese noise / field recording artist) (in 1981) and Masami Akita (Japanese noise musician; Merzbow) (in 1981)
keyboard and synthesizer:
Kiyoshi Mizutani (Japanese noise / field recording artist) (in 1981)
mixed at:
Junktion Music Works (studio on some early Merzbow releases) in Shibuya, Tokyo, Japan (in 1981)
recording of:
[untitled] (Yantra Material Action track 1) (in 1981)
11:25
2[untitled]
engineer:
Mr Kawagishi (engineer on some early Merzbow releases) (in 1981)
drums (drum set), electronic instruments [noise], electronic instruments [radio] and other instruments [junks]:
Masami Akita (Japanese noise musician; Merzbow) (in 1981)
guitar, percussion and tape [tapes]:
Kiyoshi Mizutani (Japanese noise / field recording artist) (in 1981) and Masami Akita (Japanese noise musician; Merzbow) (in 1981)
keyboard and synthesizer:
Kiyoshi Mizutani (Japanese noise / field recording artist) (in 1981)
mixed at:
Junktion Music Works (studio on some early Merzbow releases) in Shibuya, Tokyo, Japan (in 1981)
recording of:
[untitled] (Yantra Material Action track 2) (in 1981)
2:52
3[untitled]
engineer:
Mr Kawagishi (engineer on some early Merzbow releases) (in 1981)
drums (drum set), electronic instruments [noise], electronic instruments [radio] and other instruments [junks]:
Masami Akita (Japanese noise musician; Merzbow) (in 1981)
guitar, percussion and tape [tapes]:
Kiyoshi Mizutani (Japanese noise / field recording artist) (in 1981) and Masami Akita (Japanese noise musician; Merzbow) (in 1981)
keyboard and synthesizer:
Kiyoshi Mizutani (Japanese noise / field recording artist) (in 1981)
mixed at:
Junktion Music Works (studio on some early Merzbow releases) in Shibuya, Tokyo, Japan (in 1981)
recording of:
[untitled] (Yantra Material Action track 3) (in 1981)
1:49
4[untitled]
engineer:
Mr Kawagishi (engineer on some early Merzbow releases) (in 1981)
drums (drum set), electronic instruments [noise], electronic instruments [radio] and other instruments [junks]:
Masami Akita (Japanese noise musician; Merzbow) (in 1981)
guitar, percussion and tape [tapes]:
Kiyoshi Mizutani (Japanese noise / field recording artist) (in 1981) and Masami Akita (Japanese noise musician; Merzbow) (in 1981)
keyboard and synthesizer:
Kiyoshi Mizutani (Japanese noise / field recording artist) (in 1981)
mixed at:
Junktion Music Works (studio on some early Merzbow releases) in Shibuya, Tokyo, Japan (in 1981)
recording of:
[untitled] (Yantra Material Action track 4) (in 1981)
4:38
5[untitled]
engineer:
Mr Kawagishi (engineer on some early Merzbow releases) (in 1981)
drums (drum set), electronic instruments [noise], electronic instruments [radio] and other instruments [junks]:
Masami Akita (Japanese noise musician; Merzbow) (in 1981)
guitar, percussion and tape [tapes]:
Kiyoshi Mizutani (Japanese noise / field recording artist) (in 1981) and Masami Akita (Japanese noise musician; Merzbow) (in 1981)
keyboard and synthesizer:
Kiyoshi Mizutani (Japanese noise / field recording artist) (in 1981)
mixed at:
Junktion Music Works (studio on some early Merzbow releases) in Shibuya, Tokyo, Japan (in 1981)
recording of:
[untitled] (Yantra Material Action track 5) (in 1981)
1:07
6[untitled]
engineer:
Mr Kawagishi (engineer on some early Merzbow releases) (in 1981)
drums (drum set), electronic instruments [noise], electronic instruments [radio] and other instruments [junks]:
Masami Akita (Japanese noise musician; Merzbow) (in 1981)
guitar, percussion and tape [tapes]:
Kiyoshi Mizutani (Japanese noise / field recording artist) (in 1981) and Masami Akita (Japanese noise musician; Merzbow) (in 1981)
keyboard and synthesizer:
Kiyoshi Mizutani (Japanese noise / field recording artist) (in 1981)
mixed at:
Junktion Music Works (studio on some early Merzbow releases) in Shibuya, Tokyo, Japan (in 1981)
recording of:
[untitled] (Yantra Material Action track 6) (in 1981)
8:41
7[untitled]
engineer:
Mr Kawagishi (engineer on some early Merzbow releases) (in 1981)
drums (drum set), electronic instruments [noise], electronic instruments [radio] and other instruments [junks]:
Masami Akita (Japanese noise musician; Merzbow) (in 1981)
guitar, percussion and tape [tapes]:
Kiyoshi Mizutani (Japanese noise / field recording artist) (in 1981) and Masami Akita (Japanese noise musician; Merzbow) (in 1981)
keyboard and synthesizer:
Kiyoshi Mizutani (Japanese noise / field recording artist) (in 1981)
mixed at:
Junktion Music Works (studio on some early Merzbow releases) in Shibuya, Tokyo, Japan (in 1981)
recording of:
[untitled] (Yantra Material Action track 7) (in 1981)
7:26
8[untitled]
engineer:
Mr Kawagishi (engineer on some early Merzbow releases) (in 1981)
drums (drum set), electronic instruments [noise], electronic instruments [radio] and other instruments [junks]:
Masami Akita (Japanese noise musician; Merzbow) (in 1981)
guitar, percussion and tape [tapes]:
Kiyoshi Mizutani (Japanese noise / field recording artist) (in 1981) and Masami Akita (Japanese noise musician; Merzbow) (in 1981)
keyboard and synthesizer:
Kiyoshi Mizutani (Japanese noise / field recording artist) (in 1981)
mixed at:
Junktion Music Works (studio on some early Merzbow releases) in Shibuya, Tokyo, Japan (in 1981)
recording of:
[untitled] (Yantra Material Action track 8) (in 1981)
4:35
CD 3: Expanded Musik (2)
#TitleRatingLength
1[untitled]
recording engineer and mixer:
Masami Akita (Japanese noise musician; Merzbow) (in 1982)
drum machine [rhythm machine], electronic instruments [feedback processed audio mixer], electronic instruments [TV test signal], percussion [percussions], tape [broken tape recorder], tape [field recordings] and tape [tapes]:
Masami Akita (Japanese noise musician; Merzbow) (in 1982)
recorded at and mixed at:
Lowest Music & Arts Studio (Masami Akita’s home studio during the early 1980s) in Tokyo, Japan (in 1982)
recording of:
[untitled] (Expanded Musik (2) track 1) (in 1982)
23:33
2[untitled]
recording engineer and mixer:
Masami Akita (Japanese noise musician; Merzbow) (in 1982)
drum machine [rhythm machine], electronic instruments [feedback processed audio mixer], electronic instruments [TV test signal], percussion [percussions], tape [broken tape recorder], tape [field recordings] and tape [tapes]:
Masami Akita (Japanese noise musician; Merzbow) (in 1982)
recorded at and mixed at:
Lowest Music & Arts Studio (Masami Akita’s home studio during the early 1980s) in Tokyo, Japan (in 1982)
recording of:
[untitled] (Expanded Musik (2) track 2) (in 1982)
23:29
CD 4: Musick for Screen
#TitleRatingLength
1Musick for Screen, Part A
recording engineer and mixer:
Masami Akita (Japanese noise musician; Merzbow) (in 1983-08)
effects and tape [tapes]:
Masami Akita (Japanese noise musician; Merzbow) (in 1983-08)
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recorded at and mixed at:
Lowest Music & Arts Studio (Masami Akita’s home studio during the early 1980s) in Tokyo, Japan (in 1983-08)
30:50
2Musick for Screen, Part B
recording engineer and mixer:
Masami Akita (Japanese noise musician; Merzbow) (in 1983-08)
effects and tape [tapes]:
Masami Akita (Japanese noise musician; Merzbow) (in 1983-08)
recorded at and mixed at:
Lowest Music & Arts Studio (Masami Akita’s home studio during the early 1980s) in Tokyo, Japan (in 1983-08)
29:38
CD 5: Le sang et la rose
#TitleArtistRatingLength
1A1
recording engineer and mixer:
Masami Akita (Japanese noise musician; Merzbow) (in 1983)
performer:
Masami Akita (Japanese noise musician; Merzbow) (in 1983)
recorded at and mixed at:
ZSF Produkt Studio in Takinogawa, Kita, Tokyo, Japan (in 1983)
recording of:
[untitled] (Le sang et la rose A1) (in 1983)
composer:
Masami Akita (Japanese noise musician; Merzbow)
Merzbow / Lotus Club22:25
2A2
recording engineer and mixer:
Masami Akita (Japanese noise musician; Merzbow) (in 1983)
performer:
Masami Akita (Japanese noise musician; Merzbow) (in 1983)
recorded at and mixed at:
ZSF Produkt Studio in Takinogawa, Kita, Tokyo, Japan (in 1983)
recording of:
[untitled] (Le sang et la rose A2) (in 1983)
composer:
Masami Akita (Japanese noise musician; Merzbow)
Merzbow / Lotus Club4:10
3A3
recording engineer and mixer:
Masami Akita (Japanese noise musician; Merzbow) (in 1983)
performer:
Masami Akita (Japanese noise musician; Merzbow) (in 1983)
recorded at and mixed at:
ZSF Produkt Studio in Takinogawa, Kita, Tokyo, Japan (in 1983)
recording of:
[untitled] (Le sang et la rose A3) (in 1983)
composer:
Masami Akita (Japanese noise musician; Merzbow)
Merzbow / Lotus Club4:10
4B1
recording engineer and mixer:
Masami Akita (Japanese noise musician; Merzbow) (in 1983)
performer:
Masami Akita (Japanese noise musician; Merzbow) (in 1983)
recorded at and mixed at:
ZSF Produkt Studio in Takinogawa, Kita, Tokyo, Japan (in 1983)
recording of:
[untitled] (Le sang et la rose B1) (in 1983)
composer:
Masami Akita (Japanese noise musician; Merzbow)
Merzbow / Lotus Club10:55
5B2
recording engineer and mixer:
Masami Akita (Japanese noise musician; Merzbow) (in 1983)
performer:
Masami Akita (Japanese noise musician; Merzbow) (in 1983)
recorded at and mixed at:
ZSF Produkt Studio in Takinogawa, Kita, Tokyo, Japan (in 1983)
recording of:
[untitled] (Le sang et la rose B2) (in 1983)
composer:
Masami Akita (Japanese noise musician; Merzbow)
Merzbow / Lotus Club19:25
CD 6: Age of 369
#TitleRatingLength
1A1
recording engineer and mixer:
Masami Akita (Japanese noise musician; Merzbow) (in 1984)
electronic instruments [electronics], electronic instruments [microphone], electronic instruments [radio], other instruments [chain], other instruments [metals] and tape [loops]:
Masami Akita (Japanese noise musician; Merzbow) (in 1984)
recorded at and mixed at:
ZSF Produkt Studio in Takinogawa, Kita, Tokyo, Japan (in 1984)
recording of:
Age of 369, Part 1 (in 1984)
composer:
Masami Akita (Japanese noise musician; Merzbow)
18:01
2A2
recording engineer and mixer:
Masami Akita (Japanese noise musician; Merzbow) (in 1984)
electronic instruments [electronics], electronic instruments [microphone], electronic instruments [radio], other instruments [chain], other instruments [metals] and tape [loops]:
Masami Akita (Japanese noise musician; Merzbow) (in 1984)
recorded at and mixed at:
ZSF Produkt Studio in Takinogawa, Kita, Tokyo, Japan (in 1984)
recording of:
Age of 369, Part 2 (in 1984)
composer:
Masami Akita (Japanese noise musician; Merzbow)
12:35
3B1
recording engineer and mixer:
Masami Akita (Japanese noise musician; Merzbow) (in 1984)
electronic instruments [electronics], electronic instruments [microphone], electronic instruments [radio], other instruments [chain], other instruments [metals] and tape [loops]:
Masami Akita (Japanese noise musician; Merzbow) (in 1984)
recorded at and mixed at:
ZSF Produkt Studio in Takinogawa, Kita, Tokyo, Japan (in 1984)
recording of:
Age of 369, Part 3 (in 1984)
composer:
Masami Akita (Japanese noise musician; Merzbow)
24:14
4B2
recording engineer and mixer:
Masami Akita (Japanese noise musician; Merzbow) (in 1984)
electronic instruments [electronics], electronic instruments [microphone], electronic instruments [radio], other instruments [chain], other instruments [metals] and tape [loops]:
Masami Akita (Japanese noise musician; Merzbow) (in 1984)
recorded at and mixed at:
ZSF Produkt Studio in Takinogawa, Kita, Tokyo, Japan (in 1984)
recording of:
Age of 369, Part 4 (in 1984)
composer:
Masami Akita (Japanese noise musician; Merzbow)
5:53

Credits

Release

liner notes:デンシノオト (liner notes)
remastering:Masami Akita (Japanese noise musician; Merzbow) (in 2018-02)
remastered at:Munemihouse (Masami Akita’s home studio) in Tokyo, Japan (in 2018-02)
Discogs:https://www.discogs.com/release/12713709 [info]
ASIN:JP: B07J54GNZL [info]
discography entry:http://studiowarp.jp/slowdown/merzbow『early-cassettes-box』/ [info]

Release group

artist & repertoire support:Yasuyuki Nakamura (label production / management)
included in:10×6=60 CD Box
includes:Age of 369
Collection:010
Expanded Musik (2)
Le Sang et la rose by Merzbow (Japanese noise project) et Lotus Club (Japanese noise)
Musick for Screen
Yantra Material Action
other databases:https://rateyourmusic.com/release/comp/merzbow/early-cassettes-box/ [info]
Wikidata:Q60235539 [info]