The Art of Cecilia Bartoli

~ Release by Cecilia Bartoli (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Rinaldo: Lascia ch'io pianga
producer:
Chris Sayers (producer)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano) (from 1999-11-19 until 1999-11-27)
orchestra:
Academy of Ancient Music (from 1999-11-19 until 1999-11-27)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1999-11-19 until 1999-11-27)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1999-11-19 until 1999-11-27)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena) (from 1999-11-19 until 1999-11-27)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
Georg Friedrich Händel4:56
2Rinaldo: Scherzano sul tuo volto
instruments and orchestra:
Academy of Ancient Music
countertenor vocals:
David Daniels (American countertenor)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
conductor:
Christopher Hogwood (conductor, harpsichordist)
performer:
Cecilia Bartoli (mezzo-soprano) and David Daniels (American countertenor)
recording of:
Rinaldo, HWV 7a: Atto I, Scene VI, no. 12. Duetto "Scherzano sul tuo volto le grazie vezzosette" (Almirena, Rinaldo)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto I
Georg Friedrich Händel3:44
3Dorilla in Tempe: Dell'aura al sussurrar
choir vocals:
Arnold Schoenberg Chor
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Il Giardino Armonico (Italian baroque ensemble)
conductor:
Giovanni Antonini (conductor and flautist)
Antonio Vivaldi2:04
4Farnace: Gelido in ogni vena (Excerpt)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Il Giardino Armonico (Italian baroque ensemble)
conductor:
Giovanni Antonini (conductor and flautist)
recording of:
Il Farnace, RV 711: Atto II, Scena VI. Aria "Gelido in ogni vena" (Farnace)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
librettist:
Antonio Maria Lucchini
part of:
Il Farnace, RV 711: Atto II
Antonio Vivaldi5:03
5Bajazet (Il Tamerlano): Sommerga
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Il Giardino Armonico (Italian baroque ensemble)
conductor:
Giovanni Antonini (conductor and flautist)
Antonio Vivaldi4:06
6Il Parnaso confuso: Di questa cetra in seno
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Akademie für Alte Musik Berlin
conductor:
Bernhard Forck (violinist)
recording of:
Il Parnaso confuso: "Di questa cetra in seno" (Erato)
lyricist:
Pietro Metastasio
composer:
Christoph Willibald Gluck (composer)
Christoph Willibald Gluck5:22
7La clemenza di Tito: Se mai senti (excerpt)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Akademie für Alte Musik Berlin
conductor:
Bernhard Forck (violinist)
recording of:
La clemenza di Tito: Atto II. "Se mai senti spirarti sul volto" (Sesto)
lyricist:
Pietro Metastasio
composer:
Christoph Willibald Gluck (composer)
Christoph Willibald Gluck5:20
8Le nozze di Figaro: Non so più cosa son, cosa faccio
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
mezzo-soprano vocals and mezzo-soprano vocals [Cherubino, paggio del conte]:
Cecilia Bartoli (mezzo-soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart2:48
9Le nozze di Figaro: Voi che sapete
recording engineer and producer:
Christopher Alder (editor/engineer/producer)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
mezzo-soprano vocals [Cherubino, paggio del conte] and mezzo-soprano vocals [Cherubino]:
Cecilia Bartoli (mezzo-soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart2:28
10Don Giovanni: Là ci darem la mano
producer:
Evans Mirageas and Christopher Raeburn (producer)
bass-baritone vocals [Don Giovanni]:
Bryn Terfel (bass-baritone opera singer) (from 1998-06-06 until 1998-06-10)
mezzo-soprano vocals [Zerlina]:
Cecilia Bartoli (mezzo-soprano) (from 1998-06-06 until 1998-06-10)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1998-06-06 until 1998-06-10)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1998-06-06 until 1998-06-10)
balance engineer:
Neil Hutchinson (sound engineer) (from 1998-06-06 until 1998-06-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1999)
recorded at:
Accademia di Santa Cecilia in Roma, Roma, Lazio, Italy (from 1998-06-06 until 1998-06-10)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1998-06-06 until 1998-06-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:12
11Le nozze di Figaro: Un moto di gioia
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor:
Myung Whun Chung (pianist and conductor)
recording of:
Aria for Soprano in G major, K. 579: "Un moto di gioia mi sento"
lyricist and librettist:
Lorenzo Da Ponte
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (original numbering) (number: 579) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 579)
Wolfgang Amadeus Mozart3:21
12Die Zauberflöte: Pa-Pa-Pa-Pa
producer:
Evans Mirageas and Christopher Raeburn (producer)
baritone vocals [Papageno]:
Bryn Terfel (bass-baritone opera singer) (from 1998-06-06 until 1998-06-10)
mezzo-soprano vocals [Papagena]:
Cecilia Bartoli (mezzo-soprano) (from 1998-06-06 until 1998-06-10)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1998-06-06 until 1998-06-10)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1998-06-06 until 1998-06-10)
balance engineer:
Neil Hutchinson (sound engineer) (from 1998-06-06 until 1998-06-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1999)
recorded at:
Accademia di Santa Cecilia in Roma, Roma, Lazio, Italy (from 1998-06-06 until 1998-06-10)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (from 1998-06-06 until 1998-06-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:26
13La Cenerentola: Nacqui all'affanno / Non più mesta
baritone vocals:
Alessandro Corbelli (baritone), Enzo Dara (operatic bass) and Michele Pertusi (operatic bass)
choir vocals [Chorus]:
Coro del Teatro Comunale di Bologna
mezzo-soprano vocals:
Gloria Banditelli (mezzo-soprano) and Cecilia Bartoli (mezzo-soprano)
soprano vocals:
Fernanda Costa (soprano)
tenor vocals:
William Matteuzzi (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Riccardo Chailly (conductor)
recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini7:14
14Il barbiere di Siviglia: Dunque io son... tu non m'inganni
producer:
Evans Mirageas and Christopher Raeburn (producer)
baritone vocals [Figaro]:
Bryn Terfel (bass-baritone opera singer) (from 1998-06-06 until 1998-06-10)
mezzo-soprano vocals [Rosina]:
Cecilia Bartoli (mezzo-soprano) (from 1998-06-06 until 1998-06-10)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1998-06-06 until 1998-06-10)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1998-06-06 until 1998-06-10)
balance engineer:
Neil Hutchinson (sound engineer) (from 1998-06-06 until 1998-06-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1999)
recorded at:
Accademia di Santa Cecilia in Roma, Roma, Lazio, Italy (from 1998-06-06 until 1998-06-10)
recording of:
Il barbiere di Siviglia: Atto I, N°7a. Duetto “Dunque io son” (Rosina, Figaro) (from 1998-06-06 until 1998-06-10)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:42
15Il Turco in Italia: Squallida veste, e bruna
baritone vocals:
Roberto de Candia (baritone)
choir vocals:
Coro del Teatro alla Scala di Milano
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Riccardo Chailly (conductor)
Gioachino Rossini7:07
16L'elisir d'amore: Una parola, o Adina / Chiedi all'aura
soprano vocals:
Cecilia Bartoli (mezzo-soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi
conductor:
Riccardo Chailly (conductor)
recording of:
L’elisir d’amore: Atto I. Duetto “Chiedi all’aura lusinghiera” (Adina, Nemorino)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
recording of:
L’elisir d’amore: Atto I. Scena e duetto “Una parola, o Adina” (Nemorino, Adina)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti7:55
17La traviata: Libiamo ne' lieti calici (brindisi)
choir vocals:
Coro Sinfonico di Milano Giuseppe Verdi
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi
conductor:
Riccardo Chailly (conductor)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
Giuseppe Verdi2:58