Boy With Lots of... BRASS (mono)

~ Release by Maynard Ferguson (see all versions of this release, 8 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
A1Give Me the Simple Life
recorded in:
New York, New York, United States (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
drums (drum set):
Larry Bunker (in 1957-07)
piano:
Bobby Timmons (in 1957-07)
saxophone:
Jimmy Ford (saxophone) (in 1957-07) and Anthony Ortega (jazz saxophonist) (in 1957-07)
tenor saxophone:
Willie Maiden (in 1957-07)
trombone:
Bob Burgess (american trombonist) (in 1957-07) and Jimmy Cleveland (in 1957-07)
trumpet:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) and Tom Slaney (in 1957-07)
instrumental recording of:
Give Me the Simple Life (in 1957-07)
lyricist:
Harry Ruby
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Harry Ruby
composer:
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
WC Music Corp.
2:34
A2My Funny Valentine
recorded in:
New York, New York, United States (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
drums (drum set):
Larry Bunker (in 1957-07)
piano:
Bobby Timmons (in 1957-07)
saxophone:
Jimmy Ford (saxophone) (in 1957-07) and Anthony Ortega (jazz saxophonist) (in 1957-07)
tenor saxophone:
Willie Maiden (in 1957-07)
trombone:
Bob Burgess (american trombonist) (in 1957-07) and Jimmy Cleveland (in 1957-07)
trumpet:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) and Tom Slaney (in 1957-07)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (in 1957-07)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
4:00
A3The Lamp Is Low
recorded in:
New York, New York, United States (on 1957-08-02)
baritone saxophone:
Tate Houston (on 1957-08-02)
double bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (on 1957-08-02)
drums (drum set):
Larry Bunker (on 1957-08-02)
piano:
Bobby Timmons (on 1957-08-02)
saxophone:
Jimmy Ford (saxophone) (on 1957-08-02) and Anthony Ortega (jazz saxophonist) (on 1957-08-02)
tenor saxophone:
Willie Maiden (on 1957-08-02)
trombone:
Bob Burgess (american trombonist) (on 1957-08-02) and Jimmy Cleveland (on 1957-08-02)
trumpet:
John Bellow (on 1957-08-02), Joe Burnett (on 1957-08-02), Maynard Ferguson (on 1957-08-02) and Tom Slaney (on 1957-08-02)
valve trombone:
Maynard Ferguson (on 1957-08-02)
instrumental recording of:
The Lamp Is Low (1939 song) (on 1957-08-02)
lyricist:
Mitchell Parish
additional composer:
Peter de Rose and Bert Shefter
composer:
Maurice Ravel (classical composer)
is based on:
Pavane pour une infante défunte (original version for solo piano)
3:25
A4Imagination
recorded in:
New York, New York, United States (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
drums (drum set):
Larry Bunker (in 1957-07)
piano:
Bobby Timmons (in 1957-07)
saxophone:
Jimmy Ford (saxophone) (in 1957-07) and Anthony Ortega (jazz saxophonist) (in 1957-07)
tenor saxophone:
Willie Maiden (in 1957-07)
trombone:
Bob Burgess (american trombonist) (in 1957-07) and Jimmy Cleveland (in 1957-07)
trumpet:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) and Tom Slaney (in 1957-07)
instrumental recording of:
Imagination (in 1957-07)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
3:56
A5The Song Is You
recorded in:
New York, New York, United States (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
drums (drum set):
Larry Bunker (in 1957-07)
piano:
Bobby Timmons (in 1957-07)
saxophone:
Jimmy Ford (saxophone) (in 1957-07) and Anthony Ortega (jazz saxophonist) (in 1957-07)
tenor saxophone:
Willie Maiden (in 1957-07)
trombone:
Bob Burgess (american trombonist) (in 1957-07) and Jimmy Cleveland (in 1957-07)
trumpet:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) and Tom Slaney (in 1957-07)
instrumental recording of:
The Song Is You (in 1957-07)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
2:10
A6Jeepers Creepers
recorded in:
New York, New York, United States (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
drums (drum set):
Larry Bunker (in 1957-07)
piano:
Bobby Timmons (in 1957-07)
saxophone:
Jimmy Ford (saxophone) (in 1957-07) and Anthony Ortega (jazz saxophonist) (in 1957-07)
tenor saxophone:
Willie Maiden (in 1957-07)
trombone:
Bob Burgess (american trombonist) (in 1957-07) and Jimmy Cleveland (in 1957-07)
trumpet:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) and Tom Slaney (in 1957-07)
instrumental recording of:
Jeepers Creepers (in 1957-07)
lyricist:
Johnny Mercer (in 1938)
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2)
2:33
B1Love Me or Leave Me
recorded in:
New York, New York, United States (on 1957-08-02)
baritone saxophone:
Tate Houston (on 1957-08-02)
double bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (on 1957-08-02)
drums (drum set):
Larry Bunker (on 1957-08-02)
piano:
Bobby Timmons (on 1957-08-02)
saxophone:
Jimmy Ford (saxophone) (on 1957-08-02) and Anthony Ortega (jazz saxophonist) (on 1957-08-02)
tenor saxophone:
Willie Maiden (on 1957-08-02)
trombone:
Bob Burgess (american trombonist) (on 1957-08-02) and Jimmy Cleveland (on 1957-08-02)
trumpet:
John Bellow (on 1957-08-02), Joe Burnett (on 1957-08-02), Maynard Ferguson (on 1957-08-02) and Tom Slaney (on 1957-08-02)
instrumental recording of:
Love Me or Leave Me (on 1957-08-02)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
2:45
B2A Foggy Day
recorded in:
New York, New York, United States (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
drums (drum set):
Larry Bunker (in 1957-07)
piano:
Bobby Timmons (in 1957-07)
saxophone:
Jimmy Ford (saxophone) (in 1957-07) and Anthony Ortega (jazz saxophonist) (in 1957-07)
tenor saxophone:
Willie Maiden (in 1957-07)
trombone:
Bob Burgess (american trombonist) (in 1957-07) and Jimmy Cleveland (in 1957-07)
trumpet:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) and Tom Slaney (in 1957-07)
instrumental recording of:
A Foggy Day (in London Town) (in 1957-07)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
part of:
A Damsel in Distress (1937 film score)
3:02
B3Easy to Love
recorded in:
New York, New York, United States (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
drums (drum set):
Larry Bunker (in 1957-07)
piano:
Bobby Timmons (in 1957-07)
saxophone:
Jimmy Ford (saxophone) (in 1957-07) and Anthony Ortega (jazz saxophonist) (in 1957-07)
tenor saxophone:
Willie Maiden (in 1957-07)
trombone:
Bob Burgess (american trombonist) (in 1957-07) and Jimmy Cleveland (in 1957-07)
trumpet:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) and Tom Slaney (in 1957-07)
instrumental recording of:
Easy to Love (in 1957-07)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
3:10
B4Moonlight in Vermont
recorded in:
New York, New York, United States (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
drums (drum set):
Larry Bunker (in 1957-07)
piano:
Bobby Timmons (in 1957-07)
saxophone:
Jimmy Ford (saxophone) (in 1957-07) and Anthony Ortega (jazz saxophonist) (in 1957-07)
tenor saxophone:
Willie Maiden (in 1957-07)
trombone:
Bob Burgess (american trombonist) (in 1957-07) and Jimmy Cleveland (in 1957-07)
trumpet:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) and Tom Slaney (in 1957-07)
instrumental recording of:
Moonlight in Vermont (in 1957-07)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:50
B5I Hadn't Anyone Till You
recorded in:
New York, New York, United States (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
drums (drum set):
Larry Bunker (in 1957-07)
piano:
Bobby Timmons (in 1957-07)
saxophone:
Jimmy Ford (saxophone) (in 1957-07) and Anthony Ortega (jazz saxophonist) (in 1957-07)
tenor saxophone:
Willie Maiden (in 1957-07)
trombone:
Bob Burgess (american trombonist) (in 1957-07) and Jimmy Cleveland (in 1957-07)
trumpet:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) and Tom Slaney (in 1957-07)
instrumental recording of:
I Hadn’t Anyone Till You (in 1957-07)
lyricist and composer:
Ray Noble
publisher:
Bourne Co. (not for release label use, this is a music publisher)
1:43
B6I Never Knew
recorded in:
New York, New York, United States (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
drums (drum set):
Larry Bunker (in 1957-07)
piano:
Bobby Timmons (in 1957-07)
saxophone:
Jimmy Ford (saxophone) (in 1957-07) and Anthony Ortega (jazz saxophonist) (in 1957-07)
tenor saxophone:
Willie Maiden (in 1957-07)
trombone:
Bob Burgess (american trombonist) (in 1957-07) and Jimmy Cleveland (in 1957-07)
trumpet:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) and Tom Slaney (in 1957-07)
instrumental recording of:
I Never Knew (in 1957-07)
lyricist:
Gus Kahn
composer:
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Gilbert Keyes Music Company
3:08