...Allow Us to Be Frank (3-dot cover)

~ Release by Westlife (see all versions of this release, 2 available)

Tracklist

CD 1
#TitleRatingLength
1Ain't That a Kick in the Head
recording engineer:
Mike Ross-Trevor (engineer)
producer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
assistant mixer:
Daniel Martin Pursey (engineer)
mixer:
Ren Swan
phonographic copyright (℗) by:
BMG UK & Ireland Ltd. (holding company, do not add releases here)
recorded at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London, which includes the City of London), England, United Kingdom
cover recording of:
Ain’t That a Kick in the Head
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
2:28
2Fly Me to the Moon
recording engineer:
Mike Ross-Trevor (engineer)
producer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
assistant mixer:
Daniel Martin Pursey (engineer)
mixer:
Ren Swan
phonographic copyright (℗) by:
BMG UK & Ireland Ltd. (holding company, do not add releases here)
recorded at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London, which includes the City of London), England, United Kingdom
cover recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC, TRO Essex Music Ltd. and ティー・アール・オー・エセックス・ジャパン A事業部
2:32
3Smile
recording engineer:
Mike Ross-Trevor (engineer)
producer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
assistant mixer:
Daniel Martin Pursey (engineer)
mixer:
Ren Swan
phonographic copyright (℗) by:
BMG UK & Ireland Ltd. (holding company, do not add releases here)
recorded at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London, which includes the City of London), England, United Kingdom
cover recording of:
Smile
lyricist:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
composer:
Charlie Chaplin (filmmaker)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne France Éditions Musicale, Bourne Music Ltd. and 日音 Synch事業部
is based on:
Smile (Modern Times; original instrumental version)
part of:
Chaplin
recording of:
Smile
lyricist:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
composer:
Charlie Chaplin (filmmaker)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne France Éditions Musicale, Bourne Music Ltd. and 日音 Synch事業部
is based on:
Smile (Modern Times; original instrumental version)
part of:
Chaplin
2:50
4Let There Be Love
recording engineer:
Mike Ross-Trevor (engineer)
producer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
assistant mixer:
Daniel Martin Pursey (engineer)
mixer:
Ren Swan
phonographic copyright (℗) by:
BMG UK & Ireland Ltd. (holding company, do not add releases here)
recorded at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London, which includes the City of London), England, United Kingdom
cover recording of:
Let There Be Love
lyricist:
Ian Grant (lyricist)
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music Publishing
recording of:
Let There Be Love
lyricist:
Ian Grant (lyricist)
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music Publishing
2:45
5The Way You Look Tonight
recording engineer:
Mike Ross-Trevor (engineer)
producer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
assistant mixer:
Daniel Martin Pursey (engineer)
mixer:
Ren Swan
phonographic copyright (℗) by:
BMG UK & Ireland Ltd. (holding company, do not add releases here)
recorded at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London, which includes the City of London), England, United Kingdom
cover recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部 and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
part of:
Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
4:07
6Come Fly With Me
recording engineer:
Mike Ross-Trevor (engineer)
producer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
assistant mixer:
Daniel Martin Pursey (engineer)
mixer:
Ren Swan
phonographic copyright (℗) by:
BMG UK & Ireland Ltd. (holding company, do not add releases here)
recorded at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London, which includes the City of London), England, United Kingdom
cover recording of:
Come Fly With Me
lyricist:
Sammy Cahn (in 1957)
composer:
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, Sony Music Publishing (Japan) Inc., The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929-2019) and フジパシフィックミュージック
3:15
7Mack the Knife
recording engineer:
Mike Ross-Trevor (engineer)
producer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
assistant mixer:
Daniel Martin Pursey (engineer)
mixer:
Ren Swan
phonographic copyright (℗) by:
BMG UK & Ireland Ltd. (holding company, do not add releases here)
recorded at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London, which includes the City of London), England, United Kingdom
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
3:10
8I Left My Heart in San Francisco
recording engineer:
Mike Ross-Trevor (engineer)
producer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
assistant mixer:
Daniel Martin Pursey (engineer)
mixer:
Ren Swan
phonographic copyright (℗) by:
BMG UK & Ireland Ltd. (holding company, do not add releases here)
recorded at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London, which includes the City of London), England, United Kingdom
cover recording of:
I Left My Heart in San Francisco
lyricist:
Douglass Cross (US songwriter)
composer:
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. and EMI April Music Inc.
2:59
9Summer Wind
recording engineer:
Mike Ross-Trevor (engineer)
producer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
assistant mixer:
Daniel Martin Pursey (engineer)
mixer:
Ren Swan
phonographic copyright (℗) by:
BMG UK & Ireland Ltd. (holding company, do not add releases here)
recorded at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London, which includes the City of London), England, United Kingdom
cover recording of:
Summer Wind
lyricist:
Johnny Mercer
composer:
Henry Mayer
publisher:
Edition Primus Rolf Budde KG, M. Witmark & Sons, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and フジパシフィックミュージック
translated version of:
Sommerwind
2:59
10Clementine
recording engineer:
Mike Ross-Trevor (engineer)
producer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
assistant mixer:
Daniel Martin Pursey (engineer)
mixer:
Ren Swan
phonographic copyright (℗) by:
BMG UK & Ireland Ltd. (holding company, do not add releases here)
recorded at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London, which includes the City of London), England, United Kingdom
recording of:
Clementine
writer and composer:
Woody Harris
version of:
Oh My Darling, Clementine
3:19
11When I Fall in Love
recording engineer:
Mike Ross-Trevor (engineer)
producer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
assistant mixer:
Daniel Martin Pursey (engineer)
mixer:
Ren Swan
phonographic copyright (℗) by:
BMG UK & Ireland Ltd. (holding company, do not add releases here)
recorded at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London, which includes the City of London), England, United Kingdom
cover recording of:
When I Fall in Love
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:09
12That's Life
recording engineer:
Mike Ross-Trevor (engineer)
producer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
assistant mixer:
Daniel Martin Pursey (engineer)
mixer:
Ren Swan
phonographic copyright (℗) by:
BMG UK & Ireland Ltd. (holding company, do not add releases here)
recorded at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London, which includes the City of London), England, United Kingdom
cover recording of:
That’s Life
lyricist:
Kelly Gordon and Dean Kay
composer:
Dean Kay
publisher:
Four Star Television Music Co., Lichelle Music Company, PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
3:10