Mad Scenes & Bel Canto Arias

~ Release by Maria Callas (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Anna Bolena: Act II. "Piangete voi? ... Al dolce guidami castel natio"
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Joseph Rouleau (operatic bass) (from 1958-09-24 until 1958-09-25)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1958-09-24 until 1958-09-25)
contralto vocals:
Monica Sinclair (Operatic contralto) (from 1958-09-24 until 1958-09-25)
soprano vocals:
Maria Callas (soprano) (from 1958-09-24 until 1958-09-25)
tenor vocals:
John Lanigan (tenor) (from 1958-09-24 until 1958-09-25) and Duncan Robertson (tenor) (from 1958-09-24 until 1958-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-24 until 1958-09-25)
conductor:
Nicola Rescigno (conductor) (from 1958-09-24 until 1958-09-25)
balance engineer:
Neville Boyling (engineer)
publisher:
EMI (EMI Records, since 1972) (in 1959)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-09-24 until 1958-09-25)
recording of:
Anna Bolena: Atto II, Scena 3. “Al dolce guidami” (Anna, Coro) (from 1958-09-24 until 1958-09-25)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto II
recording of:
Anna Bolena: Atto II, Scena 3. “Cielo, a' miei lunghi spasimi” (Anna, Smeton, Percy, Rochefort, Tutti) (from 1958-09-24 until 1958-09-25)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto II
recording of:
Anna Bolena: Atto II, Scena 3. “Piangete voi?” (Anna, Coro) (from 1958-09-24 until 1958-09-25)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto II
Gaetano Donizetti19:54
2Hamlet: Act IV. "À vos jeux... Partagez-vous mes fleurs... Et maintenant écoutez ma chanson"
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Maria Callas (soprano) (from 1958-09-24 until 1958-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-24 until 1958-09-25)
conductor:
Nicola Rescigno (conductor) (from 1958-09-24 until 1958-09-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-09-24 until 1958-09-25)
remasters:
Hamlet: Atto IV. “À vos yeux ... Partagez vous mes fleurs ... Et maintenant, écoutez ma chanson“ (Ophélie - Chor, 4. Akt) by Maria Callas (soprano), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Nicola Rescigno (conductor) (in 1997)
recording of:
Hamlet : Acte IV. Scène et air d’Ophélie « À vos jeux mes amis » (Ophélie) (from 1958-09-24 until 1958-09-25)
composer:
Ambroise Thomas (opera composer)
librettist:
Jules Barbier (, in 1868) and Michel Carré (librettist) (, in 1868)
part of:
Hamlet : Acte IV.
recording of:
Hamlet : Acte IV. Scène et air d’Ophélie « Et maintenant écoutez ma chanson ! » (Ophélie, Chœur) (from 1958-09-24 until 1958-09-25)
composer:
Ambroise Thomas (opera composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Hamlet : Acte IV.
recording of:
Hamlet : Acte IV. Scène et air d’Ophélie « Partagez-vous mes fleurs ! » (Ophélie, chœur) (from 1958-09-24 until 1958-09-25)
composer:
Ambroise Thomas (opera composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Hamlet : Acte IV.
Ambroise Thomas10:23
3Il Pirata: Act I: "Sorgete... Lo sognai ferito esangue"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-11-14 until 1961-11-16)
soprano vocals:
Maria Callas (soprano) (from 1961-11-14 until 1961-11-16) and Monica Sinclair (Operatic contralto) (from 1961-11-14 until 1961-11-16)
tenor vocals:
Alexander Young (tenor) (from 1961-11-14 until 1961-11-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1961-11-14 until 1961-11-16)
conductor:
Antonio Tonini (conductor) (from 1961-11-14 until 1961-11-16)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1961-11-14 until 1961-11-16)
recording of:
Il pirata: Atto I, scena 1. “Lo sognai ferito, esangue” (Imogene, Adele, coro, Itulbo, Gualtiero) (from 1961-11-14 until 1961-11-16)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il pirata: Atto I
recording of:
Il pirata: Atto I, scena 1. “Sorgete: è in me dover quella pietade” (Imogene, Itulbo, Adele) (from 1961-11-14 until 1961-11-16)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il pirata: Atto I
Vincenzo Bellini9:21
4Il Pirata: Act II: "Oh! s'io potessi... Col sorriso d'innocenza"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1958-09-24 until 1958-09-25)
soprano vocals:
Maria Callas (soprano) (from 1958-09-24 until 1958-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-24 until 1958-09-25)
conductor:
Nicola Rescigno (conductor) (from 1958-09-24 until 1958-09-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-09-24 until 1958-09-25)
remasters:
Il pirata: Atto II. “Oh! s'io potessi ... Col sorriso d'innocenza“ (Imogene - Chor, Finale 2. Akt) by Maria Callas (soprano), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Nicola Rescigno (conductor) (in 1997)
recording of:
Il pirata: Atto II, scena 4. “Ah! S'io potessi dissipar le nubi” (Imogene, Adele, coro) (from 1958-09-24 until 1958-09-25)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il pirata: Atto II
recording of:
Il pirata: Atto II, scena 4. “Col sorriso d'innocenza” (Imogene) (from 1958-09-24 until 1958-09-25)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il pirata: Atto II
Vincenzo Bellini17:05
5La figlia del reggimento: Act I. "Convien partir"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (from 1963-12-04 until 1964-04-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-12-04 until 1964-04-24)
conductor:
Nicola Rescigno (conductor) (from 1963-12-04 until 1964-04-24)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-12-04 until 1964-04-24)
recording of:
La figlia del reggimento: Atto I. “Convien partir” (from 1963-12-04 until 1964-04-24)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La figlia del reggimento: Atto I
Gaetano Donizetti4:10
6Lucrezia Borgia: Act I. "Tranquillo ei posa... Com'è bello"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (from 1963-12-04 until 1964-04-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-12-04 until 1964-04-24)
conductor:
Nicola Rescigno (conductor) (from 1963-12-04 until 1964-04-24)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-12-04 until 1964-04-24)
recording of:
Lucrezia Borgia: Prologo. Romanza “Tranquillo ei posa … Com'è bello! … Quale incanto …” (Lucrezia) (from 1963-12-04 until 1964-04-24)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucrezia Borgia: Prologo
Gaetano Donizetti8:25
7L'elisir d'amore: Act II. "Prendi, per me sei libero"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (from 1963-12-04 until 1964-04-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-12-04 until 1964-04-24)
conductor:
Nicola Rescigno (conductor) (from 1963-12-04 until 1964-04-24)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-12-04 until 1964-04-24)
recording of:
L’elisir d’amore: Atto II. Aria “Prendi, per me sei libero” (Adina, Nemorino) (from 1963-12-04 until 1964-04-24)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti3:36

Credits

Release group

includes:Mad Scenes by Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Nicola Rescigno (conductor)