Stan Getz & Arthur Fiedler at Tanglewood

~ Release by Stan Getz & Arthur Fiedler (see all versions of this release, 2 available)

Annotation

Tanglewood, Lenox, MA, 2-3. 8. 1966

Annotation last modified on 2016-11-22 10:14 UTC.

Tracklist

▼ CD 1
#TitleRatingLength
1The Girl From Ipanema
recorded in:
Lenox, Massachusetts, United States (from 1966-08-02 until 1966-08-03)
engineer:
Bernard Keville (RCA recording engineer)
producer:
Peter Dellheim (producer for RCA)
double bass [bass]:
Steve Swallow (from 1966-08-02 until 1966-08-03)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (from 1966-08-02 until 1966-08-03)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (from 1966-08-02 until 1966-08-03)
tenor saxophone:
Stan Getz (from 1966-08-02 until 1966-08-03)
vibraphone:
Gary Burton (jazz vibraphonist and composer) (from 1966-08-02 until 1966-08-03)
orchestra:
Boston Pops Orchestra (from 1966-08-02 until 1966-08-03)
conductor:
Arthur Fiedler (conductor) (from 1966-08-02 until 1966-08-03)
phonographic copyright (℗) by:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87)
instrumental recording of:
The Girl From Ipanema (in 1966-08)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc., Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Windswept Music (London) Ltd.
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
3:31
2Tanglewood Concerto
recorded in:
Lenox, Massachusetts, United States (from 1966-08-02 until 1966-08-03)
engineer:
Bernard Keville (RCA recording engineer)
producer:
Peter Dellheim (producer for RCA)
double bass [bass]:
Steve Swallow (from 1966-08-02 until 1966-08-03)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (from 1966-08-02 until 1966-08-03)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (from 1966-08-02 until 1966-08-03)
tenor saxophone:
Stan Getz (from 1966-08-02 until 1966-08-03)
vibraphone:
Gary Burton (jazz vibraphonist and composer) (from 1966-08-02 until 1966-08-03)
orchestra:
Boston Pops Orchestra (from 1966-08-02 until 1966-08-03)
conductor:
Arthur Fiedler (conductor) (from 1966-08-02 until 1966-08-03)
phonographic copyright (℗) by:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87)
15:29
3Love Is for the Very Young
recorded in:
Lenox, Massachusetts, United States (from 1966-08-02 until 1966-08-03)
engineer:
Bernard Keville (RCA recording engineer)
producer:
Peter Dellheim (producer for RCA)
double bass [bass]:
Steve Swallow (from 1966-08-02 until 1966-08-03)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (from 1966-08-02 until 1966-08-03)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (from 1966-08-02 until 1966-08-03)
tenor saxophone:
Stan Getz (from 1966-08-02 until 1966-08-03)
vibraphone:
Gary Burton (jazz vibraphonist and composer) (from 1966-08-02 until 1966-08-03)
orchestra:
Boston Pops Orchestra (from 1966-08-02 until 1966-08-03)
conductor:
Arthur Fiedler (conductor) (from 1966-08-02 until 1966-08-03)
phonographic copyright (℗) by:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87)
recording of:
Love Is for the Very Young (in 1966-08)
writer:
David Raksin
6:42
4A Song After Sundown
recorded in:
Lenox, Massachusetts, United States (from 1966-08-02 until 1966-08-03)
engineer:
Bernard Keville (RCA recording engineer)
producer:
Peter Dellheim (producer for RCA)
double bass [bass]:
Steve Swallow (from 1966-08-02 until 1966-08-03)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (from 1966-08-02 until 1966-08-03)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (from 1966-08-02 until 1966-08-03)
tenor saxophone:
Stan Getz (from 1966-08-02 until 1966-08-03)
vibraphone:
Gary Burton (jazz vibraphonist and composer) (from 1966-08-02 until 1966-08-03)
orchestra:
Boston Pops Orchestra (from 1966-08-02 until 1966-08-03)
conductor:
Arthur Fiedler (conductor) (from 1966-08-02 until 1966-08-03)
phonographic copyright (℗) by:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87)
recording of:
A Song After Sundown (theme from "Too Late Blues") (in 1966-08)
writer:
David Raksin
5:45
5Three Ballads for Stan
10:39
6Where Do You Go?
recorded in:
Lenox, Massachusetts, United States (from 1966-08-02 until 1966-08-03)
engineer:
Bernard Keville (RCA recording engineer)
producer:
Peter Dellheim (producer for RCA)
double bass [bass]:
Steve Swallow (from 1966-08-02 until 1966-08-03)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (from 1966-08-02 until 1966-08-03)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (from 1966-08-02 until 1966-08-03)
tenor saxophone:
Stan Getz (from 1966-08-02 until 1966-08-03)
vibraphone:
Gary Burton (jazz vibraphonist and composer) (from 1966-08-02 until 1966-08-03)
orchestra:
Boston Pops Orchestra (from 1966-08-02 until 1966-08-03)
conductor:
Arthur Fiedler (conductor) (from 1966-08-02 until 1966-08-03)
phonographic copyright (℗) by:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87)
recording of:
Where Do You Go? (in 1966-08)
writer:
Arnold Sundgaard and Alec Wilder
publisher:
Chanteclair Music, TRO-Hampshire House Publishing Corp. and TRO-Ludlow Music, Inc.
2:24