Carmen & L’Arlésienne Suites

~ Release by Bizet; Philharmonia Orchestra, Charles Munch (see all versions of this release, 1 available)

Tracklist

▼ 12" Vinyl 1
#TitleArtistRatingLength
A1Carmen Suite no. 1: VI. Les toréadors
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (in 1967-01)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet4:25
A2Carmen Suite no. 1: II. Aragonaise
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) (in 1967-01)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet2:16
A3Carmen Suite no. 1: III. Intermezzo
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (in 1967-01)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:25
A4Carmen Suite no. 1: V. Les dragons d'Alcala
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) (in 1967-01)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
Georges Bizet1:39
A5Carmen Suite no. 2: II. Habanera
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 2: II. Habanera (in 1967-01)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera)
part of:
Carmen Suite no. 2
Georges Bizet2:06
A6Carmen Suite no. 2: V. La garde montante
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 2: V. La Garde montante (in 1967-01)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
part of:
Carmen Suite no. 2
Georges Bizet3:40
A7Carmen Suite no. 2: VI. Danse bohème
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 2: VI. Danse bohème (in 1967-01)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
part of:
Carmen Suite no. 2
Georges Bizet4:49
B1L'Arlésienne Suite no. 1: I. Prélude, Allegro deciso
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra) (in 1967-01)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet8:24
B2L'Arlésienne Suite no. 1: II. Minuet, Allegro giocoso
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra) (in 1967-01)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet3:30
B3L'Arlésienne Suite no. 1: III. Adagietto
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra) (in 1967-01)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet4:02
B4L'Arlésienne Suite no. 1: IV. Carillon, Allegro moderato
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra) (in 1967-01)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet5:07
B5L'Arlésienne Suite no. 2: IV. Farandole
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) (in 1967-01)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:34