The New One!

~ Release by The Buddy Rich Big Band (see all versions of this release, 2 available)

Tracklist

CD 1
#TitleRatingLength
1Away We Go
recording engineer:
Lanky Linstrot (US recording engineer)
producer:
Richard Bock (record producer)
bass:
James Gannon (on 1967-06-27)
bass trombone:
Robert Brawn (on 1967-06-27)
drums (drum set):
Buddy Rich (on 1967-06-27)
guitar:
Richard Resnicoff (on 1967-06-27)
piano:
Ray Starling (on 1967-06-27)
reeds:
Jay Corre (on 1967-06-27) and Meyer Hirsch (on 1967-06-27)
trombone:
John Boice (on 1967-06-27) and Jim Trimble (on 1967-06-27)
trumpet:
Chuck Findley (on 1967-06-27), Ollie Mitchell (on 1967-06-27), Yoshito Murakami (trumpeter) (on 1967-06-27) and John Scottile (on 1967-06-27)
woodwind:
Robert Keller (woodwind, jazz) (on 1967-06-27), Jimmy Mosher (on 1967-06-27) and Ernie Watts (jazz and blues saxophonist) (on 1967-06-27)
remixer:
Bob Belden and Peter Doell
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-06-27)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
3:14
2Machine
recording engineer:
Lanky Linstrot (US recording engineer)
producer:
Richard Bock (record producer)
bass:
James Gannon (on 1967-06-27)
bass trombone:
Robert Brawn (on 1967-06-27)
drums (drum set):
Buddy Rich (on 1967-06-27)
guitar:
Richard Resnicoff (on 1967-06-27)
piano:
Ray Starling (on 1967-06-27)
reeds:
Jay Corre (on 1967-06-27) and Meyer Hirsch (on 1967-06-27)
trombone:
John Boice (on 1967-06-27) and Jim Trimble (on 1967-06-27)
trumpet:
Chuck Findley (on 1967-06-27), Ollie Mitchell (on 1967-06-27), Yoshito Murakami (trumpeter) (on 1967-06-27) and John Scottile (on 1967-06-27)
woodwind:
Robert Keller (woodwind, jazz) (on 1967-06-27), Jimmy Mosher (on 1967-06-27) and Ernie Watts (jazz and blues saxophonist) (on 1967-06-27)
remixer:
Bob Belden and Peter Doell
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-06-27)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
Machine
composer:
Bill Reddie
3:40
3The Rotten Kid
recording engineer:
Lanky Linstrot (US recording engineer)
producer:
Richard Bock (record producer)
bass:
Ronald Fudoli (on 1967-12-05)
bass trombone:
Robert Brawn (on 1967-12-05)
drums (drum set):
Buddy Rich (on 1967-12-05)
guitar:
Richard Resnicoff (on 1967-12-05)
piano:
Russell Turner, Jr. (on 1967-12-05)
reeds:
Frank Capi (on 1967-12-05) and Jay Corre (on 1967-12-05)
trombone:
Sam Burtis (on 1967-12-05) and Jack Spurlock (on 1967-12-05)
trumpet:
Chuck Findley (on 1967-12-05), Russ Iverson (on 1967-12-05), Yoshito Murakami (trumpeter) (on 1967-12-05) and John Scottile (on 1967-12-05)
woodwind:
Pat LaBarbera (American-born Canadian jazz reed player) (on 1967-12-05), Charles Owens (US jazz & session saxophonist, from Phoenix, born 193) (on 1967-12-05) and Ernie Watts (jazz and blues saxophonist) (on 1967-12-05)
remixer:
Bob Belden and Peter Doell
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-12-05)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
5:14
4New Blues
recording engineer:
Lanky Linstrot (US recording engineer)
producer:
Richard Bock (record producer)
bass:
James Gannon (on 1967-06-16)
bass trombone:
Robert Brawn (on 1967-06-16)
drums (drum set):
Buddy Rich (on 1967-06-16)
guitar:
Richard Resnicoff (on 1967-06-16)
piano:
Ray Starling (on 1967-06-16)
reeds:
Jay Corre (on 1967-06-16) and Meyer Hirsch (on 1967-06-16)
trombone:
John Boice (on 1967-06-16) and Jim Trimble (on 1967-06-16)
trumpet:
Chuck Findley (on 1967-06-16), Ollie Mitchell (on 1967-06-16), Yoshito Murakami (trumpeter) (on 1967-06-16) and John Scottile (on 1967-06-16)
woodwind:
Robert Keller (woodwind, jazz) (on 1967-06-16), Jimmy Mosher (on 1967-06-16) and Ernie Watts (jazz and blues saxophonist) (on 1967-06-16)
remixer:
Bob Belden and Peter Doell
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-06-16)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
New Blues
composer:
Don Piestrup
4:57
5Something for Willie
recording engineer:
Lanky Linstrot (US recording engineer)
producer:
Richard Bock (record producer)
bass:
James Gannon (on 1967-06-27)
bass trombone:
Robert Brawn (on 1967-06-27)
drums (drum set):
Buddy Rich (on 1967-06-27)
guitar:
Richard Resnicoff (on 1967-06-27)
piano:
Ray Starling (on 1967-06-27)
reeds:
Jay Corre (on 1967-06-27) and Meyer Hirsch (on 1967-06-27)
trombone:
John Boice (on 1967-06-27) and Jim Trimble (on 1967-06-27)
trumpet:
Chuck Findley (on 1967-06-27), Ollie Mitchell (on 1967-06-27), Yoshito Murakami (trumpeter) (on 1967-06-27) and John Scottile (on 1967-06-27)
woodwind:
Robert Keller (woodwind, jazz) (on 1967-06-27), Jimmy Mosher (on 1967-06-27) and Ernie Watts (jazz and blues saxophonist) (on 1967-06-27)
remixer:
Bob Belden and Peter Doell
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-06-27)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
4:11
6Standing Up in a Hammock
recording engineer:
Lanky Linstrot (US recording engineer)
producer:
Richard Bock (record producer)
bass:
James Gannon (on 1967-06-27)
bass trombone:
Robert Brawn (on 1967-06-27)
drums (drum set):
Buddy Rich (on 1967-06-27)
guitar:
Richard Resnicoff (on 1967-06-27)
piano:
Ray Starling (on 1967-06-27)
reeds:
Jay Corre (on 1967-06-27) and Meyer Hirsch (on 1967-06-27)
trombone:
John Boice (on 1967-06-27) and Jim Trimble (on 1967-06-27)
trumpet:
Chuck Findley (on 1967-06-27), Ollie Mitchell (on 1967-06-27), Yoshito Murakami (trumpeter) (on 1967-06-27) and John Scottile (on 1967-06-27)
woodwind:
Robert Keller (woodwind, jazz) (on 1967-06-27), Jimmy Mosher (on 1967-06-27) and Ernie Watts (jazz and blues saxophonist) (on 1967-06-27)
remixer:
Bob Belden and Peter Doell
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-06-27)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
Standing up in a Hammock
composer:
Bill Potts (American jazz pianist and arranger)
2:40
7Chicago
recording engineer:
Lanky Linstrot (US recording engineer)
producer:
Richard Bock (record producer)
bass:
James Gannon (on 1967-06-26)
bass trombone:
Robert Brawn (on 1967-06-26)
drums (drum set):
Buddy Rich (on 1967-06-26)
guitar:
Richard Resnicoff (on 1967-06-26)
piano:
Ray Starling (on 1967-06-26)
reeds:
Jay Corre (on 1967-06-26) and Meyer Hirsch (on 1967-06-26)
trombone:
John Boice (on 1967-06-26) and Jim Trimble (on 1967-06-26)
trumpet:
Chuck Findley (on 1967-06-26), Ollie Mitchell (on 1967-06-26), Yoshito Murakami (trumpeter) (on 1967-06-26) and John Scottile (on 1967-06-26)
woodwind:
Robert Keller (woodwind, jazz) (on 1967-06-26), Jimmy Mosher (on 1967-06-26) and Ernie Watts (jazz and blues saxophonist) (on 1967-06-26)
remixer:
Bob Belden and Peter Doell
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-06-26)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
Chicago (That Toddlin’ Town)
lyricist and composer:
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. and Salabert
2:11
8Luv
recording engineer:
Lanky Linstrot (US recording engineer)
producer:
Richard Bock (record producer)
bass:
James Gannon (on 1967-06-26)
bass trombone:
Robert Brawn (on 1967-06-26)
drums (drum set):
Buddy Rich (on 1967-06-26)
guitar:
Richard Resnicoff (on 1967-06-26)
piano:
Ray Starling (on 1967-06-26)
reeds:
Jay Corre (on 1967-06-26) and Meyer Hirsch (on 1967-06-26)
trombone:
John Boice (on 1967-06-26) and Jim Trimble (on 1967-06-26)
trumpet:
Chuck Findley (on 1967-06-26), Ollie Mitchell (on 1967-06-26), Yoshito Murakami (trumpeter) (on 1967-06-26) and John Scottile (on 1967-06-26)
woodwind:
Robert Keller (woodwind, jazz) (on 1967-06-26), Jimmy Mosher (on 1967-06-26) and Ernie Watts (jazz and blues saxophonist) (on 1967-06-26)
remixer:
Bob Belden and Peter Doell
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-06-26)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
Luv
composer:
Gerry Mulligan
3:00
9I Can't Get Started
recording engineer:
Lanky Linstrot (US recording engineer)
producer:
Richard Bock (record producer)
bass:
James Gannon (on 1967-06-16)
bass trombone:
Robert Brawn (on 1967-06-16)
drums (drum set):
Buddy Rich (on 1967-06-16)
guitar:
Richard Resnicoff (on 1967-06-16)
piano:
Ray Starling (on 1967-06-16)
reeds:
Jay Corre (on 1967-06-16) and Meyer Hirsch (on 1967-06-16)
trombone:
John Boice (on 1967-06-16) and Jim Trimble (on 1967-06-16)
trumpet:
Chuck Findley (on 1967-06-16), Ollie Mitchell (on 1967-06-16), Yoshito Murakami (trumpeter) (on 1967-06-16) and John Scottile (on 1967-06-16)
woodwind:
Robert Keller (woodwind, jazz) (on 1967-06-16), Jimmy Mosher (on 1967-06-16) and Ernie Watts (jazz and blues saxophonist) (on 1967-06-16)
remixer:
Bob Belden and Peter Doell
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-06-16)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
I Can’t Get Started
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:53
10Group Shot
recording engineer:
Lanky Linstrot (US recording engineer)
producer:
Richard Bock (record producer)
bass:
James Gannon (on 1967-06-16)
bass trombone:
Robert Brawn (on 1967-06-16)
drums (drum set):
Buddy Rich (on 1967-06-16)
guitar:
Richard Resnicoff (on 1967-06-16)
piano:
Ray Starling (on 1967-06-16)
reeds:
Jay Corre (on 1967-06-16) and Meyer Hirsch (on 1967-06-16)
trombone:
John Boice (on 1967-06-16) and Jim Trimble (on 1967-06-16)
trumpet:
Chuck Findley (on 1967-06-16), Ollie Mitchell (on 1967-06-16), Yoshito Murakami (trumpeter) (on 1967-06-16) and John Scottile (on 1967-06-16)
woodwind:
Robert Keller (woodwind, jazz) (on 1967-06-16), Jimmy Mosher (on 1967-06-16) and Ernie Watts (jazz and blues saxophonist) (on 1967-06-16)
remixer:
Bob Belden and Peter Doell
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-06-16)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
Group Shot
5:11
11Diabolus
recording engineer:
Lanky Linstrot (US recording engineer)
producer:
Richard Bock (record producer)
bass:
Ronald Fudoli (on 1967-12-05)
bass trombone:
Robert Brawn (on 1967-12-05)
drums (drum set):
Buddy Rich (on 1967-12-05)
guitar:
Richard Resnicoff (on 1967-12-05)
piano:
Russell Turner, Jr. (on 1967-12-05)
reeds:
Frank Capi (on 1967-12-05) and Jay Corre (on 1967-12-05)
trombone:
Sam Burtis (on 1967-12-05) and Jack Spurlock (on 1967-12-05)
trumpet:
Chuck Findley (on 1967-12-05), Russ Iverson (on 1967-12-05), Yoshito Murakami (trumpeter) (on 1967-12-05) and John Scottile (on 1967-12-05)
woodwind:
Pat LaBarbera (American-born Canadian jazz reed player) (on 1967-12-05), Charles Owens (US jazz & session saxophonist, from Phoenix, born 193) (on 1967-12-05) and Ernie Watts (jazz and blues saxophonist) (on 1967-12-05)
remixer:
Bob Belden and Peter Doell
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-12-05)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
9:00
12Away We Go (alternative version)
recording engineer:
Lanky Linstrot (US recording engineer)
producer:
Richard Bock (record producer)
bass:
Ronald Fudoli (on 1967-12-05)
bass trombone:
Robert Brawn (on 1967-12-05)
drums (drum set):
Buddy Rich (on 1967-12-05)
guitar:
Richard Resnicoff (on 1967-12-05)
piano:
Russell Turner, Jr. (on 1967-12-05)
reeds:
Frank Capi (on 1967-12-05) and Jay Corre (on 1967-12-05)
trombone:
Sam Burtis (on 1967-12-05) and Jack Spurlock (on 1967-12-05)
trumpet:
Chuck Findley (on 1967-12-05), Russ Iverson (on 1967-12-05), Yoshito Murakami (trumpeter) (on 1967-12-05) and John Scottile (on 1967-12-05)
woodwind:
Pat LaBarbera (American-born Canadian jazz reed player) (on 1967-12-05), Charles Owens (US jazz & session saxophonist, from Phoenix, born 193) (on 1967-12-05) and Ernie Watts (jazz and blues saxophonist) (on 1967-12-05)
remixer:
Bob Belden and Peter Doell
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-12-05)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
3:03
13The Rotten Kid (alternative version)
recording engineer:
Lanky Linstrot (US recording engineer)
producer:
Richard Bock (record producer)
bass:
James Gannon (on 1967-06-26)
bass trombone:
Robert Brawn (on 1967-06-26)
drums (drum set):
Buddy Rich (on 1967-06-26)
guitar:
Richard Resnicoff (on 1967-06-26)
piano:
Ray Starling (on 1967-06-26)
reeds:
Jay Corre (on 1967-06-26) and Meyer Hirsch (on 1967-06-26)
trombone:
John Boice (on 1967-06-26) and Jim Trimble (on 1967-06-26)
trumpet:
Chuck Findley (on 1967-06-26), Ollie Mitchell (on 1967-06-26), Yoshito Murakami (trumpeter) (on 1967-06-26) and John Scottile (on 1967-06-26)
woodwind:
Robert Keller (woodwind, jazz) (on 1967-06-26), Jimmy Mosher (on 1967-06-26) and Ernie Watts (jazz and blues saxophonist) (on 1967-06-26)
remixer:
Bob Belden and Peter Doell
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-06-26)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
4:17
14Diabolus (alternative version)
recording engineer:
Lanky Linstrot (US recording engineer)
producer:
Richard Bock (record producer)
bass:
James Gannon (on 1967-06-26)
bass trombone:
Robert Brawn (on 1967-06-26)
drums (drum set):
Buddy Rich (on 1967-06-26)
guitar:
Richard Resnicoff (on 1967-06-26)
piano:
Ray Starling (on 1967-06-26)
reeds:
Jay Corre (on 1967-06-26) and Meyer Hirsch (on 1967-06-26)
trombone:
John Boice (on 1967-06-26) and Jim Trimble (on 1967-06-26)
trumpet:
Chuck Findley (on 1967-06-26), Ollie Mitchell (on 1967-06-26), Yoshito Murakami (trumpeter) (on 1967-06-26) and John Scottile (on 1967-06-26)
woodwind:
Robert Keller (woodwind, jazz) (on 1967-06-26), Jimmy Mosher (on 1967-06-26) and Ernie Watts (jazz and blues saxophonist) (on 1967-06-26)
remixer:
Bob Belden and Peter Doell
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-06-26)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
9:00
15Old Timey
recording engineer:
Lanky Linstrot (US recording engineer)
producer:
Richard Bock (record producer)
bass:
James Gannon (on 1967-06-23)
bass trombone:
Robert Brawn (on 1967-06-23)
drums (drum set):
Buddy Rich (on 1967-06-23)
guitar:
Richard Resnicoff (on 1967-06-23)
piano:
Ray Starling (on 1967-06-23)
reeds:
Jay Corre (on 1967-06-23) and Meyer Hirsch (on 1967-06-23)
trombone:
John Boice (on 1967-06-23) and Jim Trimble (on 1967-06-23)
trumpet:
Chuck Findley (on 1967-06-23), Ollie Mitchell (on 1967-06-23), Yoshito Murakami (trumpeter) (on 1967-06-23) and John Scottile (on 1967-06-23)
woodwind:
Robert Keller (woodwind, jazz) (on 1967-06-23), Jimmy Mosher (on 1967-06-23) and Ernie Watts (jazz and blues saxophonist) (on 1967-06-23)
remixer:
Bob Belden and Peter Doell
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-06-23)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
Old Timey
composer:
Bob Florence
3:18
16Naptown Blues
recording engineer:
Lanky Linstrot (US recording engineer)
producer:
Richard Bock (record producer)
bass:
James Gannon (on 1967-06-27)
bass trombone:
Robert Brawn (on 1967-06-27)
drums (drum set):
Buddy Rich (on 1967-06-27)
guitar:
Richard Resnicoff (on 1967-06-27)
piano:
Ray Starling (on 1967-06-27)
reeds:
Jay Corre (on 1967-06-27) and Meyer Hirsch (on 1967-06-27)
trombone:
John Boice (on 1967-06-27) and Jim Trimble (on 1967-06-27)
trumpet:
Chuck Findley (on 1967-06-27), Ollie Mitchell (on 1967-06-27), Yoshito Murakami (trumpeter) (on 1967-06-27) and John Scottile (on 1967-06-27)
woodwind:
Robert Keller (woodwind, jazz) (on 1967-06-27), Jimmy Mosher (on 1967-06-27) and Ernie Watts (jazz and blues saxophonist) (on 1967-06-27)
remixer:
Bob Belden and Peter Doell
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-06-27)
remixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
Naptown Blues
composer:
Wes Montgomery
4:27