The Songs of John Ireland

~ Release by John Ireland; Lisa Milne, John Mark Ainsley, Christopher Maltman, Graham Johnson (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Songs Sacred and Profane: The Advent
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Songs Sacred and Profane: No. 1. The Advent (in 1998-09)
lyricist:
Alice Meynell (writer, editor, critic, suffragist, poet)
composer:
John Ireland (English composer) (from 1929 until 1931)
part of:
Songs Sacred and Profane
John Ireland3:08
2Songs Sacred and Profane: Hymn for a Child
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Songs Sacred and Profane: No. 2. Hymn for a Child (in 1998-09)
lyricist:
Sylvia Townsend Warner
composer:
John Ireland (English composer) (from 1929 until 1931)
part of:
Songs Sacred and Profane
John Ireland2:04
3Songs Sacred and Profane: My Fair
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Songs Sacred and Profane: No. 3. My Fair (in 1998-09)
lyricist:
Alice Meynell (writer, editor, critic, suffragist, poet)
composer:
John Ireland (English composer) (from 1929 until 1931)
part of:
Songs Sacred and Profane
John Ireland3:07
4Songs Sacred and Profane: The Salley Gardens
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Songs Sacred and Profane: No. 4. The Salley Gardens (in 1998-09)
lyricist:
William Butler Yeats
composer:
John Ireland (English composer) (from 1929 until 1931)
part of:
Songs Sacred and Profane
John Ireland1:51
5Songs Sacred and Profane: The Soldier’s Return
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Songs Sacred and Profane: No. 5. The Soldier’s Return (in 1998-09)
lyricist:
Sylvia Townsend Warner
composer:
John Ireland (English composer) (from 1929 until 1931)
part of:
Songs Sacred and Profane
John Ireland1:01
6Songs Sacred and Profane: The Scapegoat
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Songs Sacred and Profane: No. 6. The Scapegoat (in 1998-09)
lyricist:
Sylvia Townsend Warner
composer:
John Ireland (English composer) (from 1929 until 1931)
part of:
Songs Sacred and Profane
John Ireland1:28
7Santa Chiara (Palm Sunday: Naples)
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Santa Chiara (Palm Sunday, Naples) (in 1998-09)
lyricist:
Arthur Symons (British writer)
composer:
John Ireland (English composer) (in 1925)
John Ireland2:34
8Tryst (In Fountain Court)
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Two Songs: Tryst (In Fountain Court) (in 1998-09)
lyricist:
Arthur Symons (British writer)
composer:
John Ireland (English composer) (in 1928)
part of:
Two Songs ("Tryst" & "During Music")
John Ireland3:39
9Three Songs: The Adoration
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Three Songs: The Adoration (in 1998-09)
lyricist:
Arthur Symons (British writer)
composer:
John Ireland (English composer) (from 1918 until 1919)
part of:
Three Songs
John Ireland2:37
10Three Songs: The Rat
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Three Songs: The Rat (in 1998-09)
lyricist:
Arthur Symons (British writer)
composer:
John Ireland (English composer) (from 1918 until 1919)
part of:
Three Songs
John Ireland1:50
11Three Songs: Rest
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Three Songs: Rest (in 1998-09)
lyricist:
Arthur Symons (British writer)
composer:
John Ireland (English composer) (from 1918 until 1919)
part of:
Three Songs
John Ireland2:35
12Tutto è sciolto
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Tutto è sciolto (in 1998-09)
lyricist:
James Joyce (Irish writer)
composer:
John Ireland (English composer) (in 1932)
John Ireland1:58
13Spring Sorrow
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Spring Sorrow (in 1998-09)
lyricist:
Rupert Brooke (war poet)
composer:
John Ireland (English composer) (in 1918)
John Ireland1:51
14Two Songs: The Trellis
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Two Songs: The Trellis (in 1998-09)
lyricist:
Aldous Huxley (English writer and philosopher)
composer:
John Ireland (English composer) (in 1920)
part of:
Two Songs ("The Trellis" & "My True Love Hath My Heart")
John Ireland2:54
15Two Songs: My True Love Hath My Heart
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Two Songs: My True Love Hath My Heart (in 1998-09)
lyricist:
Sir Philip Sidney
composer:
John Ireland (English composer) (in 1920)
part of:
Two Songs ("The Trellis" & "My True Love Hath My Heart")
John Ireland1:58
16When I Am Old
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
When I Am Old (in 1998-09)
lyricist:
Ernest Dowson
composer:
John Ireland (English composer)
John Ireland2:48
17Spleen
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Marigold: No. 3. Spleen (in 1998-09)
lyricist:
Ernest Dowson
composer:
John Ireland (English composer) (in 1913)
part of:
Marigold (for voice and piano)
John Ireland3:19
18Love Is a Sickness Full of Woes
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Love Is a Sickness Full of Woes (in 1998-09)
lyricist:
Samuel Daniel
composer:
John Ireland (English composer) (in 1921)
John Ireland2:01
19If There Were Dreams to Sell
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
If There Were Dreams to Sell (in 1998-09)
lyricist:
Thomas Lovell Beddoes
composer:
John Ireland (English composer) (in 1918)
John Ireland2:23
20If We Must Part
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
If We Must Part (in 1998-09)
lyricist:
Ernest Dowson
composer:
John Ireland (English composer) (in 1929)
John Ireland1:58
21Five Songs to Poems by Thomas Hardy: Beckon to Me to Come
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Five Songs to Poems by Thomas Hardy: No. 1. Beckon to Me (in 1998-09)
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1926)
part of:
Five Songs to Poems by Thomas Hardy
John Ireland2:14
22Five Songs to Poems by Thomas Hardy: In My Sage Moments
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Five Songs to Poems by Thomas Hardy: No. 2. In My Sage Moments (in 1998-09)
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1926)
part of:
Five Songs to Poems by Thomas Hardy
John Ireland2:54
23Five Songs to Poems by Thomas Hardy: It Was What You Bore With You, Woman
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Five Songs to Poems by Thomas Hardy: No. 3. It Was What You Bore With You, Woman (in 1998-09)
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1926)
part of:
Five Songs to Poems by Thomas Hardy
John Ireland1:19
24Five Songs to Poems by Thomas Hardy: The Tragedy of That Moment
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Five Songs to Poems by Thomas Hardy: No. 4. The Tragedy of That Moment (in 1998-09)
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1926)
part of:
Five Songs to Poems by Thomas Hardy
John Ireland1:40
25Five Songs to Poems by Thomas Hardy: Dear, Think Not That They Will Forget You "Her Temple"
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Five Songs to Poems by Thomas Hardy: No. 5. Dear, Think Not That They Will Forget You (in 1998-09)
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1926)
part of:
Five Songs to Poems by Thomas Hardy
John Ireland2:33
26Three Songs to Poems by Thomas Hardy: Summer Schemes
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
3 Songs to Poems by Thomas Hardy: No. 1. Summer Schemes (in 1998-09)
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1925)
part of:
3 Songs to Poems by Thomas Hardy
John Ireland2:16
27Three Songs to Poems by Thomas Hardy: Her Song
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
3 Songs to Poems by Thomas Hardy: No. 2. Her Song (in 1998-09)
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1925)
part of:
3 Songs to Poems by Thomas Hardy
John Ireland2:41
28Three Songs to Poems by Thomas Hardy: Weathers
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
3 Songs to Poems by Thomas Hardy: No. 3. Weathers (in 1998-09)
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1925)
part of:
3 Songs to Poems by Thomas Hardy
John Ireland2:18
29I Have Twelve Oxen
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
I Have Twelve Oxen (in 1998-09)
composer:
John Ireland (English composer) (in 1918)
John Ireland1:53
30Great Things
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Great Things (in 1998-09)
lyricist:
Thomas Hardy (poet)
composer:
John Ireland (English composer) (in 1925)
John Ireland2:15
31Earth’s Call (A Sylvan Rhapsody)
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Earth’s Call (A Sylvan Rhapsody) (in 1998-09)
lyricist:
Harold Monro (poet)
composer:
John Ireland (English composer) (in 1918)
John Ireland5:18
32Hope the Hornblower
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Hope the Hornblower (for voice and piano) (in 1998-09)
lyricist:
Sir Henry Newbolt
composer:
John Ireland (English composer) (in 1911)
John Ireland2:04
▼ CD 2
#TitleArtistRatingLength
1Songs of a Wayfarer: Memory
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Songs of a Wayfarer: No. 1. Memory (in 1998-09)
lyricist:
William Blake (English poet, painter, and printmaker)
composer:
John Ireland (English composer) (in 1905)
part of:
Songs of a Wayfarer
John Ireland2:00
2Songs of a Wayfarer: When Daffodils Begin to Peer
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Songs of a Wayfarer: No. 2. When Daffodils Begin to Peer (in 1998-09)
lyricist:
William Shakespeare (English poet and playwright)
composer:
John Ireland (English composer) (in 1905)
part of:
Songs of a Wayfarer
John Ireland2:08
3Songs of a Wayfarer: English May
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Songs of a Wayfarer: No. 3. English May (in 1998-09)
lyricist:
Dante Gabriel Rossetti
composer:
John Ireland (English composer) (in 1905)
part of:
Songs of a Wayfarer
John Ireland2:50
4Songs of a Wayfarer: I Was Not Sorrowful (Spleen)
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Songs of a Wayfarer: No. 4. Spleen (I Was Not Sorrowful) (in 1998-09)
lyricist:
Ernest Dowson
composer:
John Ireland (English composer) (in 1903)
part of:
Songs of a Wayfarer
John Ireland3:19
5Songs of a Wayfarer: I Will Walk on the Earth
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Songs of a Wayfarer: No. 5. I Will Walk on the Earth (in 1998-09)
lyricist:
James Vila Blake
composer:
John Ireland (English composer) (in 1911)
part of:
Songs of a Wayfarer
John Ireland1:35
6Ladslove
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
The Land of Lost Content: No. 2. Ladslove (in 1998-09)
lyricist:
A. E. Housman (poet)
composer:
John Ireland (English composer) (from 1920 until 1921)
part of:
The Land of Lost Content
John Ireland2:25
7The Heart’s Desire
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
The Heart’s Desire (in 1998-09)
lyricist:
A. E. Housman (poet)
composer:
John Ireland (English composer) (in 1917)
John Ireland2:39
8When I Am Dead, My Dearest
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
When I Am Dead, My Dearest (for voice and piano) (in 1998-09)
lyricist:
Christina Rossetti
composer:
John Ireland (English composer) (in 1924)
John Ireland2:00
9What Art Thou Thinking of?
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
What Art Thou Thinking of? (in 1998-09)
lyricist:
Christina Rossetti
composer:
John Ireland (English composer) (in 1924)
John Ireland3:33
10During Music
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Two Songs: During Music (in 1998-09)
lyricist:
Dante Gabriel Rossetti
composer:
John Ireland (English composer) (in 1928)
part of:
Two Songs ("Tryst" & "During Music")
John Ireland2:55
11Mother and Child: Newborn
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Mother and Child: No. 1. Newborn (in 1998-09)
lyricist:
Christina Rossetti
composer:
John Ireland (English composer) (in 1918)
part of:
Mother and Child
John Ireland1:24
12Mother and Child: The Only Child
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Mother and Child: No. 2. The only child (in 1998-09)
lyricist:
Christina Rossetti
composer:
John Ireland (English composer) (in 1918)
part of:
Mother and Child
John Ireland1:47
13Mother and Child: Hope
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Mother and Child: No. 3. Hope (in 1998-09)
lyricist:
Christina Rossetti
composer:
John Ireland (English composer) (in 1918)
part of:
Mother and Child
John Ireland1:00
14Mother and Child: Skylark and Nightingale
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Mother and Child: No. 4. Skylark and nightingale (in 1998-09)
lyricist:
Christina Rossetti
composer:
John Ireland (English composer) (in 1918)
part of:
Mother and Child
John Ireland0:51
15Mother and Child: The Blind Boy
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Mother and Child: No. 5. The blind boy (in 1998-09)
lyricist:
Christina Rossetti
composer:
John Ireland (English composer) (in 1918)
part of:
Mother and Child
John Ireland1:19
16Mother and Child: Baby
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Mother and Child: No. 6. Baby (in 1998-09)
lyricist:
Christina Rossetti
composer:
John Ireland (English composer) (in 1918)
part of:
Mother and Child
John Ireland1:14
17Mother and Child: Death-Parting
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Mother and Child: No. 7. Death-parting (in 1998-09)
lyricist:
Christina Rossetti
composer:
John Ireland (English composer) (in 1918)
part of:
Mother and Child
John Ireland1:18
18Mother and Child: The Garland
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Mother and Child: No. 8. The garland (in 1998-09)
lyricist:
Christina Rossetti
composer:
John Ireland (English composer) (in 1918)
part of:
Mother and Child
John Ireland1:22
19The Vagabond
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
The Vagabond (in 1998-09)
lyricist:
John Masefield (poet)
composer:
John Ireland (English composer) (in 1922)
John Ireland1:54
20The Bells of San Marie
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
The Bells of San Marie (for voice and piano) (in 1998-09)
lyricist:
John Masefield (poet)
composer:
John Ireland (English composer) (in 1918)
John Ireland3:01
21Sea Fever
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Sea Fever (for voice and piano) (in 1998-09)
lyricist:
John Masefield (poet)
composer:
John Ireland (English composer) (in 1913-10)
John Ireland2:22
22The Journey
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
The Journey (in 1998-09)
lyricist:
Ernest Blake
composer:
John Ireland (English composer) (in 1920)
John Ireland1:27
23Bed in Summer
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Bed in Summer (in 1998-09)
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
John Ireland (English composer) (from 1912 until 1913)
John Ireland1:20
24Five XVIth-Century Poems: A Thanksgiving
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Five Sixteenth-Century Poems: No. 1. A Thanksgiving (in 1998-09)
composer:
John Ireland (English composer) (in 1938)
part of:
Five Sixteenth-Century Poems
John Ireland1:32
25Five XVIth-Century Poems: All in a Garden Green
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Five Sixteenth-Century Poems: No. 2. All in a Garden Green (in 1998-09)
composer:
John Ireland (English composer) (in 1938)
part of:
Five Sixteenth-Century Poems
John Ireland1:50
26Five XVIth-Century Poems: An Aside
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Five Sixteenth-Century Poems: No. 3. An Aside (in 1998-09)
composer:
John Ireland (English composer) (in 1938)
part of:
Five Sixteenth-Century Poems
John Ireland1:23
27Five XVIth-Century Poems: A Report Song
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Five Sixteenth-Century Poems: No. 4. A Report Song (in 1998-09)
composer:
John Ireland (English composer) (in 1938)
part of:
Five Sixteenth-Century Poems
John Ireland1:55
28Five XVIth-Century Poems: The Sweet Season
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Five Sixteenth-Century Poems: No. 5. The Sweet Reason (in 1998-09)
composer:
John Ireland (English composer) (in 1938)
part of:
Five Sixteenth-Century Poems
John Ireland2:54
29The Sacred Flame
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
The Sacred Flame (in 1998-09)
lyricist:
Mary Elizabeth Coleridge
composer:
John Ireland (English composer) (in 1918)
John Ireland1:56
30Remember
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Remember (in 1998-09)
lyricist:
Mary Elizabeth Coleridge
composer:
John Ireland (English composer) (in 1918)
John Ireland1:37
31Three Songs: Love and Friendship
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
soprano vocals:
Lisa Milne (soprano) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Three Songs: No. 1. Love and Friendship (in 1998-09)
lyricist:
Emily Brontë
composer:
John Ireland (English composer) (in 1926)
part of:
Three Songs
John Ireland2:11
32Three Songs: Friendship in Misfortune
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Three Songs: No. 2. Friendship in Misfortune (in 1998-09)
lyricist:
[anonymous] (special purpose artist)
composer:
John Ireland (English composer) (in 1926)
part of:
Three Songs
John Ireland1:40
33Three Songs: The One Hope
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
Three Songs: No. 3. The One Hope (in 1998-09)
lyricist:
Dante Gabriel Rossetti
composer:
John Ireland (English composer) (in 1926)
part of:
Three Songs
John Ireland3:30
34We’ll to the Woods No More: We’ll to the Woods No More
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
We’ll to the Woods No More: No. 1. We’ll to the Woods No More (in 1998-09)
lyricist:
A. E. Housman (poet)
composer:
John Ireland (English composer) (in 1927)
part of:
We’ll to the Woods No More
John Ireland2:30
35We’ll to the Woods No More: In Boyhood
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
tenor vocals:
John Mark Ainsley (tenor) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
We’ll to the Woods No More: No. 2. In Boyhood (in 1998-09)
lyricist:
A. E. Housman (poet)
composer:
John Ireland (English composer) (in 1927)
part of:
We’ll to the Woods No More
John Ireland1:43
36We’ll to the Woods No More: Spring Will Not Wait
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
We’ll to the Woods No More: No. 3. Spring Will Not Wait (in 1998-09)
lyricist:
A. E. Housman (poet)
composer:
John Ireland (English composer) (in 1927)
part of:
We’ll to the Woods No More
John Ireland3:49
37When the Lights Go Rolling Round the Sky
engineer:
Mike Clements (engineer) and Mike Hatch (engineer/editor)
producer:
Arthur Johnson (recording producer of classical music)
piano:
Graham Johnson (pianist) (in 1998-09)
baritone vocals:
Christopher Maltman (baritone) (in 1998-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1998-09)
recording of:
When Lights Go Rolling Round the Sky (in 1998-09)
composer:
John Ireland (English composer) (in 1911)
John Ireland2:51

Credits

Release

ASIN:UK: B00000JLKG [info]