The Best Smooth Jazz... Ever!

~ Release by Various Artists (see all versions of this release, 4 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Cantaloop
performer:
Rahsaan Patterson
recording of:
Cantaloop (Flip Fantasia)
writer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer), Rahsaan Kelly, Mel Simpson (Member of Us3) and Geoff Wilkinson
is based on:
Cantaloupe Island
recording of:
Cantaloop 2004
writer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer), Rahsaan Kelly, Mel Simpson (Member of Us3) and Geoff Wilkinson
Us32.53:44
2The Beat Goes On
vocals:
Cathy Rich
recording of:
The Beat Goes On (arr. Rogers - Buddy Rich version)
writer:
Sonny Bono
arranger:
Shorty Rogers (trumpet)
arrangement of:
The Beat Goes On
live recording of:
The Beat Goes On (arr. Rogers - Buddy Rich version)
writer:
Sonny Bono
arranger:
Shorty Rogers (trumpet)
arrangement of:
The Beat Goes On
Buddy Rich4:57
3California DreamingBobby Womack3.53:21
4Light My Fire
guest vocals:
José Feliciano
vocals:
Minnie Riperton
cover recording of:
Light My Fire (in 1979)
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. and 日音 Synch事業部
Minnie Riperton feat. José Feliciano5:09
5Ain't No Sunshine
recording engineer:
Bill Halverson and Bill Lazarus
producer:
Booker T. Jones
mixer:
John Golden (mastering engineer)
acoustic guitar:
Stephen Stills
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
lead vocals:
Bill Withers
strings arranger:
Booker T. Jones
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 280) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 309)
recording of:
Ain’t No Sunshine (in 1971)
lyricist and composer:
Bill Withers
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Bill Withers4.452:05
6I Can't Stand the Rain
recording engineer:
Danny Kopelson
assistant engineer:
Peter Beekerman, Dinji Brown, Bil Emmons, Joe Hogan, Fred Kevorkian and Julio Peralta
producer:
Craig Street
mixer:
Jimmy Douglass (engineer)
editor:
Fred Kevorkian
resonator guitar:
Chris Whitley (from 1993-03 until 1993-07)
lead vocals:
Cassandra Wilson (from 1993-03 until 1993-07)
arranger:
Chris Whitley and Cassandra Wilson
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1993-03 until 1993-07)
mixed at:
Sound on Sound Recording Studios (New York) in New York, New York, United States
edited at:
Sear Sound in New York, New York, United States
cover recording of:
I Can’t Stand the Rain (from 1993-03 until 1993-07)
writer:
Don Bryant, Bernard Miller and Ann Peebles
publisher:
Irving Music, Inc. and JEC Publishing (in 1977)
Cassandra Wilson5:26
7We Have All the Time in the World
producer:
John Barry (English score composer) and Phil Ramone
lead vocals:
Louis Armstrong
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
We Have All the Time in the World (from the film "On Her Majesty’s Secret Service")
lyricist:
Hal David
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI United Partnership Ltd.
part of:
On Her Majesty's Secret Service (from the James Bond film)
Louis Armstrong3.53:13
8Fly Me to the Moon
engineer:
David Hassinger
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
conductor:
Ernie Freeman
arranger:
Ernie Freeman
phonographic copyright (℗) by:
Liberty (a division of UMG Recordings, Inc.) (in 1964)
cover recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
Julie London42:33
9I Wish I Knew How It Would Feel to Be Free
Billy Taylor3:40
10Always ThereRonnie Laws4:52
11More Than This
assistant engineer:
Reuben Kaller
engineer:
Joe Ferla
producer:
Joe Ferla and Charlie Hunter
assistant mixer:
Suzie Barros (engineer)
guest vocals:
Norah Jones
recorded at:
Water Music in Hoboken, New Jersey, United States
mixed at:
River Sound Studio in New York, New York, United States
instrumental cover recording of:
More Than This
lyricist and composer:
Bryan Ferry
publisher:
BMG Platinum Songs US, E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs Inc. and E.G. Music Ltd. (publisher) (in 1982)
Charlie Hunter feat. Norah Jones34:11
12Sure Thing
samples:
Harry’s Philosophy by John Lee Hooker (US blues singer, songwriter & guitarist)
recording of:
Sure Thing
composer:
Ludovic Navarre
publisher:
Primary Society Publishing and Universal Music Publishing France (not for release label use!)
St. Germain3:47
13Inner City Blues
Paul Jackson, Jr.4:40
14I Heard It Through the GrapevineEarl Klugh34:12
15Don't Worry Be Happy
producer:
Linda Goldstein
music videos:
Don’t Worry, Be Happy by Bobby McFerrin
recording of:
Don’t Worry, Be Happy (in 1988)
lyricist and composer:
Bobby McFerrin
publisher:
BMG Music Publishing Ltd.
Bobby McFerrin3.73:55
16Work Song
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1961)
cover recording of:
Work Song (lyrics added by Oscar Brown Jr.) (in 1961)
lyricist:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
composer:
Nat Adderley
publisher:
Upam Music Co. and シンコーミュージック・パブリッシャーズ
version of:
Work Song (original instrumental)
Nina Simone4.52:36
17Nature Boy
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1947-08-22)
guitar:
Oscar Moore (on 1947-08-22)
piano:
Nat King Cole (on 1947-08-22)
reeds:
Jules Kinsler (on 1947-08-22)
violin:
Harry Bluestone (on 1947-08-22)
vocals:
Nat King Cole (on 1947-08-22)
orchestra:
Frank Devol and His Orchestra (on 1947-08-22)
conductor:
Frank De Vol (on 1947-08-22)
performer:
The Nat King Cole Trio (on 1947-08-22)
arranger:
Frank De Vol
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1947-08-22)
cover recording of:
Nature Boy (on 1947-08-22)
lyricist and composer:
eden ahbez (composer of "Nature Boy", artist name lowercase by intent) (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Nat King Cole42:39
CD 2
#TitleArtistRatingLength
1Ain't No Time to Play
recording of:
Ain’t No Time to Play
writer:
Keith Elam (alternative rapper from Boston)
Guru feat. DC Lee33:34
2Brown Sugar
recording of:
Brown Sugar (D’Angelo song)
writer:
D’Angelo (US soul singer, songwriter & producer) and Ali Shaheed Muhammad
publisher:
1200 Music, Ah Choo Music Publishing, Jazz Merchant Music (Publishing company related to Q-Tip), Universal Music – Z Tunes LLC and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
D’Angelo4:04
3Son of a Preacher Man
phonographic copyright (℗) by:
Nashville (country label, used to be under Starday Records in Nashville, TN, today under Capitol Records, Inc.) (in 1969)
cover recording of:
Son of a Preacher Man
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing, LLC (1995–2020) and Sony/ATV Songs LLC
Bobbie Gentry2:07
43 Is the Magic Number
Bob Dorough3:16
5Rose Rouge
recording of:
Rose rouge (in 2000)
composer:
Ludovic Navarre
publisher:
Primary Society Publishing
St. Germain4:02
6Strawberry Letter 23
engineer:
Bob "Groovus" Breault, George "General" Beauregard and Willie "The Hand" Greer
producer:
Johnny Otis
mixer:
Bob "Groovus" Breault
bass, bell [sleigh and orquestra bells], drums (drum set), guitar [guitars], organ, piano, slide guitar [bottleneck guitar], tack piano and background vocals and lead vocals:
Shuggie Otis
arranger:
Shuggie Otis
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (from 1971 to present)
recording of:
Strawberry Letter 23
lyricist, writer and composer:
Shuggie Otis
publisher:
Shugiterius Music
Shuggie Otis43:59
7Call Me
cover recording of:
Call Me
lyricist and composer:
Tony Hatch
publisher:
ATV Music Ltd., Duchess Music Corporation (BMI-affiliated) and Songs of Universal, Inc.
Nancy Wilson2:14
8Just My Imagination
engineer:
Val Garay, Steve Maslow and Jim Nipar
producer:
Fonce Mizell and Larry Mizell
mixer:
David Hassinger
clavinet and trumpet:
Fonce Mizell (on 1975-08-20)
congas:
Mayuto Correa (on 1975-08-20) and King Errisson (on 1975-08-20)
drums (drum set):
Harvey Mason (jazz drummer) (on 1975-08-20)
electric bass guitar [fender]:
Chuck Rainey (American bassist) (on 1975-08-20)
electric piano:
Skip Scarborough (on 1975-08-20)
flugelhorn and trumpet:
Donald Byrd (American jazz trumpeter) (on 1975-08-20)
guitar:
Craig McMullen (on 1975-08-20) and John Rowin (jazz guitarist) (on 1975-08-20)
percussion:
Mayuto Correa (on 1975-08-20)
piano:
Larry Mizell (on 1975-08-20)
tenor saxophone:
Tyree Glenn, Jr. (on 1975-08-20)
trombone:
George Bohanon (on 1975-08-20)
trumpet:
Ray Brown (soul/jazz trumpet player Raymond Lee Brown, 75-) (on 1975-08-20)
background vocals:
Kay Haith (vocalist) (on 1975-08-20), Fonce Mizell (on 1975-08-20) and Larry Mizell (on 1975-08-20)
vocals:
Donald Byrd (American jazz trumpeter) (on 1975-08-20)
conductor:
Wade Marcus (on 1975-08-20)
strings arranger:
Wade Marcus
arranger:
Larry Mizell
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (on 1975-08-20)
cover recording of:
Just My Imagination (Running Away With Me) (on 1975-08-20)
lyricist:
Barrett Strong
composer:
Norman Whitfield
publisher:
Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Stone Agate Music
Donald Byrd4:38
9So Amazing
recording engineer, engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
horn arranger and strings arranger:
Nat Adderley, Jr. and Paul Riser
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
So Amazing
lyricist and composer:
Luther Vandross
publisher:
EMI April Music Inc., SBK Songs (publisher), Uncle Ronnie’s Music, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), April Music Inc. (in 1986), Uncle Ronnie's Music Co. Inc. (in 1986) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Luther Vandross43:43
10Time After Time
recording engineer:
Danny Kopelson (from 1998-05 until 1998-09)
acoustic guitar:
Marvin Sewell (from 1998-05 until 1998-09)
bouzouki and electric guitar:
Kevin Breit (from 1998-05 until 1998-09)
double bass:
Lonnie Plaxico (from 1998-05 until 1998-09)
percussion:
Jeffrey Haynes (from 1998-05 until 1998-09)
vocals:
Cassandra Wilson (from 1998-05 until 1998-09)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1998-05 until 1998-09)
cover recording of:
Time After Time (from 1998-05 until 1998-09)
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended), CBS Songs Ltd., Gray Matter Music, Human Boy Music, Rellla Music Corp., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing Ltd., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Japan, Synch division, Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label), WB Music Corp. (1929–2019) (until 2019-05-28), Dub Notes Music (publisher) (in 1984), Rella Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
Cassandra Wilson4:07
11Lovin' You
mastering:
Kent Duncan
additional engineer:
Gary Olazabal
engineer:
Malcolm Cecil and Robert Margouleff
bass drum, cymbal, harmonica, membranophone and piano:
El Toro Negro
bass guitar:
Reggie McBride
congas:
Rocki Dzidzornu
guitar:
Michael Sembello
membranophone:
Ollie E. Brown (US drummer, session musician & record producer)
background vocals:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) and Yvonne Wright
lead vocals:
Minnie Riperton
arranger:
Wonderlove (Stevie Wonder alias used to do work outside of Motown)
recording of:
Lovin’ You
writer:
Minnie Riperton and Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3:46
12Sister Moon
Bob Belden4:55
13Maybe I'm Amazed
cover recording of:
Maybe I’m Amazed
written in:
London (Greater London), England, United Kingdom (in 1969)
lyricist and composer:
Paul McCartney (The Beatles) (in 1969)
publisher:
Northern Songs Ltd. and Sony/ATV Tunes LLC
Carleen Anderson5:09
14I'm a Woman
vocals:
Peggy Lee (jazz vocalist) (on 1962-11-14)
cover recording of:
I’m a Woman (on 1962-11-14)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Sony/ATV Songs LLC
Peggy Lee2:11
15Unforgetable
producer:
Lee Gillette
piano:
Nat King Cole (in 1961)
vocals:
Nat King Cole (in 1961)
conductor:
Ralph Carmichael (in 1961)
recording of:
Unforgettable (in 1961)
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
Nat King Cole3.853:28
16Girl From Ipanema
cover recording of:
The Girl From Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc., Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Windswept Music (London) Ltd.
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
Lou Rawls3:49
17Sambop
recorded in:
New York, New York, United States (on 1962-12-10)
alto saxophone:
Cannonball Adderley (on 1962-12-10) and Paulo Moura (on 1962-12-10)
double bass:
Octavio Bailly Jr. (on 1962-12-10)
guitar:
Durval Ferreira (on 1962-12-10)
membranophone:
Dom Um Romão (on 1962-12-10)
piano:
Sérgio Mendes (on 1962-12-10)
trumpet:
Pedro Paulo (on 1962-12-10)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999) and Essential Media Group LLC (in 2009)
Cannonball Adderley3:34
18Mas Que Nada ('Say No More')
cover recording of:
Mas, que nada!
lyricist and composer:
Jorge Ben Jor
Elza Soares2:27
CD 3
#TitleArtistRatingLength
1For What It's Worth (Stop Hey What's That Sound)
cover recording of:
For What It’s Worth
lyricist and composer:
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East and Ten‐East Music (BMI)
Lou Rawls2:57
2Joy and Pain
recording of:
Joy and Pain
lyricist and composer:
Frankie Beverly
Maze4:33
3Why Can't We Live TogetherTimmy Thomas4:01
4That Lady
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1973)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 349)
recording of:
That Lady
writer:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley and Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. and EMI Songs Ltd.
version of:
Who’s That Lady
The Isley Brothers4.355:37
5You Are the Sunshine of My Life
recording engineer:
Dave Hassinger and Val Christian Garay
assistant engineer:
James Nipar, John Mills (recording/mix engineer) and Val Christian Garay
producer:
Chuck Davis (production/engineer) and Larry Mizell
drums (drum set):
Harvey Mason (jazz drummer) (on 1974-06-20)
flute:
Bobbi Humphrey (on 1974-06-20)
Moog:
Phil Davis (American jazz & R&B producer, songwriter, keyboardist) (on 1974-06-20)
synthesizer:
Don Preston (piano/keyboards, member of Mothers of Invention) (on 1974-06-20)
conductor:
Larry Mizell (on 1974-06-20)
remixer:
David Hassinger
arranger:
Larry Mizell
phonographic copyright (℗) by:
United Artists Music and Records Group, Inc. (UAMARG, Inc.)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (on 1974-06-20)
instrumental cover recording of:
You Are the Sunshine of My Life (on 1974-06-20)
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc. (in 1972) and Stein & Van Stock, Inc. (in 1972)
part of:
The Real Book (compilation of jazz standards, Volume I)
Bobbi Humphrey2:46
6Save the ChildrenMarlena Shaw4:11
7StayMica Paris3:58
8Down That Road
recording of:
Down That Road
writer:
Shara Nelson and Prince Be
publisher:
Universal/MCA Music Ltd. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Shara Nelson3:46
9Every Day People
producer:
Speech (US rapper & musician)
recording of:
People Everyday
lyricist:
Speech (US rapper & musician)
composer:
Arrested Development
Arrested Development3.54:09
10Never Come Closer
Doris4:18
11This Will Be
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 3)
recording of:
This Will Be (An Everlasting Love)
writer:
Chuck Jackson (songwriter/producer) and Marvin Yancy (R&B/soul singer and pastor)
publisher:
Chappell & Co., Inc. (USA) and Jay’s Enterprises Inc.
Natalie Cole3.52:51
12Every Generation
Ronnie Laws5:53
13Mystic Voyage
performer:
Roy Ayers
recording of:
Mystic Voyage (Mystic Vibrations)
composer:
Roy Ayers
publisher:
Arlovol Music and BMG Monarch
Ronny Jordan feat. Roy Ayers4:16
14Theme From M.A.S.H.
performer:
Bobby Hutcherson
instrumental cover recording of:
Suicide Is Painless
lyricist:
Mike Altman
composer:
Johnny Mandel (American composer and arranger)
publisher:
Chappell Music Ltd., Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Bobby Hutcherson4:29
15Canteloupe Island
recording of:
Cantaloupe Island
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music Company
Herbie Hancock5:28
16Mercy Mercy
phonographic copyright (℗) by:
Dance Plant Records (Cussy Music Publishing) (in 2012) and FHT (in 2012)
recording of:
Mercy, Mercy, Mercy (in 1966-07)
composer:
Josef Zawinul (jazz and fusion keyboard player)
publisher:
Zawinul Music
Cannonball Adderley3:07
17'Round Midnight
double bass:
Al McKibbon (on 1963-05-29)
drums (drum set):
Milt Turner (on 1963-05-29)
guitar:
John Collins (jazz guitarist) (on 1963-05-29)
organ:
Ernie Freeman (on 1963-05-29)
tenor saxophone:
Teddy Edwards (jazz saxophonist) (on 1963-05-29)
trumpet:
Carmell Jones (on 1963-05-29)
vocals:
Sarah Vaughan (on 1963-05-29)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1963-05-29)
cover recording of:
’Round Midnight (on 1963-05-29)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Sarah Vaughan3:35
18Misty Blue
cover recording of:
Misty Blue
lyricist and composer:
Bob Montgomery
publisher:
Reservoir One America and Talmont Music (publisher) (from 1966 to present)
Ella Fitzgerald3:33
CD 4
#TitleArtistRatingLength
1My Funny Valentine
baritone saxophone:
Gerry Mulligan (on 1952-09-02)
bass:
Carson Smith (on 1952-09-02)
drums (drum set):
Chico Hamilton (on 1952-09-02)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1952-09-02)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (from 2006 to present)
recorded at:
Black Hawk in San Francisco, California, United States (on 1952-09-02)
instrumental cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1952-09-02)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Chet Baker2:57
2Use Me
recording of:
Use Me
lyricist and composer:
Bill Withers
publisher:
Interior Music Corp. (in 1972)
Patricia Barber6:21
3Something
producer:
Tony Colton and Johnny Harris (Scottish composer, conductor)
vocals:
Shirley Bassey (Welsh singer)
conductor:
Johnny Harris (Scottish composer, conductor)
arranger:
Johnny Harris (Scottish composer, conductor)
phonographic copyright (℗) by:
Capitol Records, LLC. (not for release label use! fka Capitol Records, Inc. until 2007) (in 1970)
cover recording of:
Something
lyricist and composer:
George Harrison (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Harrisongs Ltd. and Nichion Synch Division
Shirley Bassey3:34
4Cry Me a River
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Cry Me a River
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London52:49
5Here's That Rainy Day
cover recording of:
Here’s That Rainy Day
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Peggy Lee2:47
6I’m Just a Lucky So and So
recording engineer:
Ray Hall (engineer)
producer:
Bob Thiele (producer & songwriter) (on 1961-04-04)
clarinet:
Barney Bigard (on 1961-04-04)
double bass:
Mort Herbert (on 1961-04-04)
drums (drum set):
Danny Barcelona (on 1961-04-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-04)
trombone:
Trummy Young (on 1961-04-04)
trumpet:
Louis Armstrong (on 1961-04-04)
vocals:
Louis Armstrong (on 1961-04-04)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1961-04-04)
recording of:
I’m Just a Lucky So and So (on 1961-04-04)
lyricist:
Mack David (American lyricist and songwriter) (in 1945)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation and PolyGram International (ASCAP-affiliated publisher)
Louis Armstrong & Duke Ellington43:07
7Stormy Weather
cover recording of:
Stormy Weather
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Sarah Vaughan3:28
8Autumn Leaves
recording of:
Autumn Leaves (jazz standard, english lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes
Cannonball Adderley5:14
9Thinking About Your Body
Bobby McFerrin3:12
10While I’m Alone
recording of:
While I'm Alone
composer:
Frankie Beverly
Maze4:37
11Living for the City
Noel Pointer5:19
12Living Inside Your Love
Earl Klugh5:38
13Me and Mrs Jones
cover recording of:
Me and Mrs. Jones
writer:
Kenneth Gamble, Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ronnie Foster4:24
14I’ve Been Loving You Too Long (to Stop Now)
Tina Turner3:56
15Something Deep in the NightSwing Out Sister7:17
16You Made Me So Very Happy
Lou Rawls4:27
17Woman of the Ghetto
recording of:
Woman of the Ghetto
writer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer), Bobby Miller (US songwriter & record producer) and Marlena Shaw
Marlena Shaw58:23