Soul of the Ultimate Nation

~ Release by Howard Shore (see all versions of this release, 2 available)

Annotation

The National Philharmonic of Russia and the Academy of Choral Arts conducted by Howard Shore.

Annotation last modified on 2013-02-02 15:53 UTC.

Tracklist

▼ CD 1
#TitleRatingLength
1Sanctuary of Ether
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer and editor:
Mark Willsher
choir vocals:
Academy of Choral Arts (Moscow)
soprano vocals:
Irina Komarova (soprano)
orchestra:
National Philharmonic of Russia (orchestra formed in January 2003 with director Vladimir Spivakov)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
recorded at:
Moscow Performing Arts Center in Moscow, Russia
mixed at and edited at:
HowE Building
recording of:
Sanctuary of Ether
composer:
Howard Shore (Canadian score composer)
2:35
2A Prelude to Revolt
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer and editor:
Mark Willsher
choir vocals:
Academy of Choral Arts (Moscow)
orchestra:
National Philharmonic of Russia (orchestra formed in January 2003 with director Vladimir Spivakov)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
recorded at:
Moscow Performing Arts Center in Moscow, Russia
mixed at and edited at:
HowE Building
recording of:
A Prelude to Revolt
composer:
Howard Shore (Canadian score composer)
6:47
3Tides of Hope
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer and editor:
Mark Willsher
choir vocals:
Academy of Choral Arts (Moscow)
orchestra:
National Philharmonic of Russia (orchestra formed in January 2003 with director Vladimir Spivakov)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
recorded at:
Moscow Performing Arts Center in Moscow, Russia
mixed at and edited at:
HowE Building
recording of:
Tides of Hope
composer:
Howard Shore (Canadian score composer)
3:19
4Helron’s Castle
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer and editor:
Mark Willsher
choir vocals:
Academy of Choral Arts (Moscow)
orchestra:
National Philharmonic of Russia (orchestra formed in January 2003 with director Vladimir Spivakov)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
recorded at:
Moscow Performing Arts Center in Moscow, Russia
mixed at and edited at:
HowE Building
recording of:
Helron’s Castle
composer:
Howard Shore (Canadian score composer)
2:10
5The Triumph
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer and editor:
Mark Willsher
choir vocals:
Academy of Choral Arts (Moscow)
orchestra:
National Philharmonic of Russia (orchestra formed in January 2003 with director Vladimir Spivakov)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
recorded at:
Moscow Performing Arts Center in Moscow, Russia
mixed at and edited at:
HowE Building
recording of:
The Triumph
composer:
Howard Shore (Canadian score composer)
2:09
6The Valley of Dragons
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer and editor:
Mark Willsher
choir vocals:
Academy of Choral Arts (Moscow)
orchestra:
National Philharmonic of Russia (orchestra formed in January 2003 with director Vladimir Spivakov)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
recorded at:
Moscow Performing Arts Center in Moscow, Russia
mixed at and edited at:
HowE Building
recording of:
The Valley of Dragons
composer:
Howard Shore (Canadian score composer)
2:18
7Forest of the Beasts
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer and editor:
Mark Willsher
choir vocals:
Academy of Choral Arts (Moscow)
orchestra:
National Philharmonic of Russia (orchestra formed in January 2003 with director Vladimir Spivakov)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
recorded at:
Moscow Performing Arts Center in Moscow, Russia
mixed at and edited at:
HowE Building
recording of:
Forest of the Beasts
composer:
Howard Shore (Canadian score composer)
4:03
8Empire Geist
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer and editor:
Mark Willsher
choir vocals:
Academy of Choral Arts (Moscow)
orchestra:
National Philharmonic of Russia (orchestra formed in January 2003 with director Vladimir Spivakov)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
recorded at:
Moscow Performing Arts Center in Moscow, Russia
mixed at and edited at:
HowE Building
recording of:
Empire Geist
composer:
Howard Shore (Canadian score composer)
3:23
9The Epitaph
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer and editor:
Mark Willsher
choir vocals:
Academy of Choral Arts (Moscow)
soprano vocals:
Ekaterina Popova
orchestra:
National Philharmonic of Russia (orchestra formed in January 2003 with director Vladimir Spivakov)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
recorded at:
Moscow Performing Arts Center in Moscow, Russia
mixed at and edited at:
HowE Building
recording of:
The Epitaph
composer:
Howard Shore (Canadian score composer)
3:05
10Night of the Crescent Moon
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer and editor:
Mark Willsher
choir vocals:
Academy of Choral Arts (Moscow)
orchestra:
National Philharmonic of Russia (orchestra formed in January 2003 with director Vladimir Spivakov)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
recorded at:
Moscow Performing Arts Center in Moscow, Russia
mixed at and edited at:
HowE Building
recording of:
Night of the Crescent Moon
composer:
Howard Shore (Canadian score composer)
1:35
11Hymns of Battlefields
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer and editor:
Mark Willsher
choir vocals:
Academy of Choral Arts (Moscow)
orchestra:
National Philharmonic of Russia (orchestra formed in January 2003 with director Vladimir Spivakov)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
recorded at:
Moscow Performing Arts Center in Moscow, Russia
mixed at and edited at:
HowE Building
recording of:
Hymns of Battlefields
composer:
Howard Shore (Canadian score composer)
2:14
12Immortal Emperor
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer and editor:
Mark Willsher
choir vocals:
Academy of Choral Arts (Moscow)
orchestra:
National Philharmonic of Russia (orchestra formed in January 2003 with director Vladimir Spivakov)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
recorded at:
Moscow Performing Arts Center in Moscow, Russia
mixed at and edited at:
HowE Building
recording of:
Immortal Emperor
composer:
Howard Shore (Canadian score composer)
2:44
13March to Victory
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer and editor:
Mark Willsher
choir vocals:
Academy of Choral Arts (Moscow)
orchestra:
National Philharmonic of Russia (orchestra formed in January 2003 with director Vladimir Spivakov)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
recorded at:
Moscow Performing Arts Center in Moscow, Russia
mixed at and edited at:
HowE Building
recording of:
March to Victory
composer:
Howard Shore (Canadian score composer)
2:11
14A Poem for Nemesis
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer and editor:
Mark Willsher
choir vocals:
Academy of Choral Arts (Moscow)
orchestra:
National Philharmonic of Russia (orchestra formed in January 2003 with director Vladimir Spivakov)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
recorded at:
Moscow Performing Arts Center in Moscow, Russia
mixed at and edited at:
HowE Building
recording of:
A Poem for Nemesis
composer:
Howard Shore (Canadian score composer)
2:20
15Soul of the Ultimate Nation
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer and editor:
Mark Willsher
choir vocals:
Academy of Choral Arts (Moscow)
orchestra:
National Philharmonic of Russia (orchestra formed in January 2003 with director Vladimir Spivakov)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
recorded at:
Moscow Performing Arts Center in Moscow, Russia
mixed at and edited at:
HowE Building
recording of:
Soul of the Ultimate Nation
composer:
Howard Shore (Canadian score composer)
3:13
16Requiem for the Dead
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer and editor:
Mark Willsher
choir vocals:
Academy of Choral Arts (Moscow)
orchestra:
National Philharmonic of Russia (orchestra formed in January 2003 with director Vladimir Spivakov)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
recorded at:
Moscow Performing Arts Center in Moscow, Russia
mixed at and edited at:
HowE Building
recording of:
Requiem for the Dead
composer:
Howard Shore (Canadian score composer)
4:35
17Ethereal Life
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer and editor:
Mark Willsher
choir vocals:
Academy of Choral Arts (Moscow)
orchestra:
National Philharmonic of Russia (orchestra formed in January 2003 with director Vladimir Spivakov)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
recorded at:
Moscow Performing Arts Center in Moscow, Russia
mixed at and edited at:
HowE Building
recording of:
Ethereal Life
composer:
Howard Shore (Canadian score composer)
2:53
18A Pernicious Plot
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer and editor:
Mark Willsher
choir vocals:
Academy of Choral Arts (Moscow)
orchestra:
National Philharmonic of Russia (orchestra formed in January 2003 with director Vladimir Spivakov)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
recorded at:
Moscow Performing Arts Center in Moscow, Russia
mixed at and edited at:
HowE Building
recording of:
A Pernicious Plot
composer:
Howard Shore (Canadian score composer)
2:12
19Graveyard of Aiort
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer and editor:
Mark Willsher
choir vocals:
Academy of Choral Arts (Moscow)
orchestra:
National Philharmonic of Russia (orchestra formed in January 2003 with director Vladimir Spivakov)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
recorded at:
Moscow Performing Arts Center in Moscow, Russia
mixed at and edited at:
HowE Building
recording of:
Graveyard of Aiort
composer:
Howard Shore (Canadian score composer)
2:45
20Menace of the Army Wings
recording engineer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
mixer and editor:
Mark Willsher
choir vocals:
Academy of Choral Arts (Moscow)
orchestra:
National Philharmonic of Russia (orchestra formed in January 2003 with director Vladimir Spivakov)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
recorded at:
Moscow Performing Arts Center in Moscow, Russia
mixed at and edited at:
HowE Building
recording of:
Menace of the Army Wings
composer:
Howard Shore (Canadian score composer)
7:54