# | Title | Artist | Rating | Length |
---|
1 | Trumpet Voluntary | Jeremiah Clarke | | 2:55 |
2 | Jesu, joy of man's desiring (Cantata no. 147) | Johann Sebastian Bach | | 5:16 |
3 | Non piú andrai (Le nozze di Figaro, Act I) | Wolfgang Amadeus Mozart | | 3:41 |
4 | Adagio | Tomaso Giovanni Albinoni / Remo Giazotto | | 7:46 |
5 | Invitation to the Dance, op. 65 | Carl Maria von Weber / Hector Berlioz | | 8:38 |
6 | Nocturne in E-flat, op. 9 no. 2 | Fryderyk Chopin | | 4:34 |
7 | Celeste Aida (Aida, Act I) | Giuseppe Verdi | | 4:24 |
8 | Dance of the Hours (La Gioconda, Act III) | Amilcare Ponchielli | | 9:16 |
9 | Peer Gynt: Morning- producer:
- Lawrance Collingwood
- choir vocals:
- Beecham Choral Society
- soprano vocals:
- Ilse Hollweg
- orchestra:
- Royal Philharmonic Orchestra (from 1956-11-05 until 1957-04-01, in 1957)
- conductor:
- Sir Thomas Beecham (from 1956-11-05 until 1957-04-01, in 1957)
- chorus master:
- Denis Vaughan
- balance engineer:
- Robert Beckett
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1956-11) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London , England, United Kingdom (from 1956-11-05 until 1957-04-01)
- recording of:
- Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (from 1956-11-05 until 1957-04-01)
- composer:
- Edvard Grieg (in 1875)
- librettist:
- Henrik Ibsen (in 1867)
- part of:
- Peer Gynt, op. 23
- recording of:
- Peer Gynt Suite no. 1, op. 46: I. Morgenstemning
- composer:
- Edvard Grieg (in 1875)
- revised by:
- Edvard Grieg (in 1888)
- version of:
- Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
- part of:
- Peer Gynt Suite no. 1, op. 46
| Edvard Grieg | | 4:13 |
10 | Karelia Suite, op. 11: I. Intermezzo | Jean Sibelius | | 3:45 |
11 | Un bel dì vedremo (Madama Butterfly, Act II) | Giacomo Puccini | | 5:24 |
12 | Popular Song (Façade) | Sir William Walton | | 2:24 |
13 | Prélude à l'après midi d'un faune | Claude Debussy | | 10:22 |
14 | Lohengrin: Prelude (Act III) | Richard Wagner | | 2:57 |