The Original Elvis Presley Collection

~ Release by Elvis Presley (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Elvis Presley
#TitleRatingLength
1Blue Suede Shoes
assistant engineer:
Dror Mohar
mixer:
Ray Bardani
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30)
drums (drum set):
D.J. Fontana (on 1956-01-30)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-01-30) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-30)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-30)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 423)
cover recording of:
Blue Suede Shoes (on 1956-01-30)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (Publisher), Carl Perkins Music Inc., Carlin Music Corp., Hi Lo Music, Hill and Range Songs, Inc., Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
4.51:58
2I’m Counting on You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-11)
drums (drum set):
D.J. Fontana (on 1956-01-11)
guitar:
Chet Atkins (on 1956-01-11), Scotty Moore (American guitarist and recording engineer) (on 1956-01-11) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-11)
recording of:
I’m Counting on You (on 1956-01-11)
lyricist and composer:
Don Robertson (“Happy Whistler” songwriter)
publisher:
Carlin Music Corporation, Don Robertson Music Corp. and Ross Jungnickel, Inc.
32:22
3I Got a Woman
engineer:
Bob Ferris (engineer)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-10)
drums (drum set):
D.J. Fontana (on 1956-01-10)
guitar:
Chet Atkins (on 1956-01-10), Scotty Moore (American guitarist and recording engineer) (on 1956-01-10) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
piano:
Floyd Cramer (on 1956-01-10)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1956-01-10)
cover recording of:
I Got a Woman (on 1956-01-10)
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell, ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
32:23
4One‐Sided Love Affair
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30)
drums (drum set):
D.J. Fontana (on 1956-01-30)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10) and Scotty Moore (American guitarist and recording engineer) (on 1956-01-30)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-30)
phonographic copyright (℗) by:
BMG Music (in 1957)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-30)
recording of:
One-Sided Love Affair (on 1956-01-30)
lyricist and composer:
Bill Campbell (US songwriter)
publisher:
EMI Unart Catalog Inc. and Sheldon Music
32:09
5I Love You Because
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-07-05)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-07-05) and Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05)
vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05)
phonographic copyright (℗) by:
BMG Music (in 1954, in 1956, in 1957)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-07-05)
cover recording of:
I Love You Because (on 1954-07-05)
lyricist and composer:
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and Acuff-Rose Publications, Inc. (BMI) (on 1949-10-12)
42:41
6Just Because
cover recording of:
Just Because (on 1954-09-12)
lyricist:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) and Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
composer:
Leon Chappelear and Sid Robin (US lyricist & composer)
publisher:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) and State Street Music Publ. Co. Inc. (on 1936-03-19)
2:31
7Tutti Frutti
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-31)
drums (drum set):
D.J. Fontana (on 1956-01-31)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-01-31) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-31)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-31)
phonographic copyright (℗) by:
BMG Music (in 1956)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-31)
cover recording of:
Tutti Frutti (on 1956-01-31)
lyricist:
Dorothy LaBostrie (American songwriter) and Richard Wayne Penniman
composer:
Dorothy LaBostrie (American songwriter), Joe Lubin and Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 and Phonogram GmbH (in 1983)
31:56
8Trying to Get to You
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1955-07-11)
drums (drum set):
Johnny Bernero (on 1955-07-11)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1955-07-11) and Elvis Presley (“The King of Rock and Roll”) (on 1955-07-11)
recorded at:
Sun Studios in Memphis, Tennessee, United States (on 1955-07-11)
cover recording of:
Trying to Get to You (on 1955-07-11)
writer:
Rose Marie McCoy and Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific and You Look Good Music Publishing
42:31
9I’m Going to Sit Right Down and Cry (Over You)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-31)
drums (drum set):
D.J. Fontana (on 1956-01-31)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-01-31) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-31)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-31)
cover recording of:
I’m Gonna Sit Right Down and Cry (Over You) (on 1956-01-31)
lyricist and composer:
Howard Biggs and Joe Thomas (US songwriter and Jazz saxophonist)
publisher:
Angle Music, Coblin Music Co., Copyright Records and EMI Music Publishing Ltd. (PRS‐affiliated)
4.351:58
10I’ll Never Let You Go (Little Darling)
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-09-10)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-09-10) and Elvis Presley (“The King of Rock and Roll”) (on 1954-09-10)
phonographic copyright (℗) by:
BMG Music (in 1956)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-09-10)
cover recording of:
I’ll Never Let You Go Little Darlin’ (on 1954-09-10)
lyricist and composer:
Jimmy Wakely (Country and western singer and songwriter)
publisher:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) and Sunshine Music Co., Inc. (on 1941-11-17)
32:22
11Blue Moon
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-08-19)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-08-19) and Elvis Presley (“The King of Rock and Roll”) (on 1954-08-19)
phonographic copyright (℗) by:
BMG Music (in 1954)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-08-19)
cover recording of:
Blue Moon (on 1954-08-19)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (soundtrack of the 1977 film)
42:38
12Money Honey
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-10)
drums (drum set):
D.J. Fontana (on 1956-01-10)
guitar:
Chet Atkins (on 1956-01-10), Scotty Moore (American guitarist and recording engineer) (on 1956-01-10) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
piano:
Floyd Cramer (on 1956-01-10)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1956-01-10)
cover recording of:
Money Honey (on 1956-01-10)
lyricist and composer:
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) and ZFC Music
42:32
▼ CD 2: Elvis
#TitleRatingLength
1Rip It Up
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-09-03)
drums (drum set):
D.J. Fontana (on 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (on 1956-09-03)
piano:
Gordon Stoker (on 1956-09-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-03)
cover recording of:
Rip It Up (on 1956-09-03)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC and Venice Music
4.51:53
2Love Me
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-09-01, from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (on 1956-09-01, from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-09-01, from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01, from 1956-09-01 until 1956-09-03)
piano:
Gordon Stoker (on 1956-09-01, from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03)
additional vocals:
The Jordanaires (on 1956-09-01)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-01, from 1956-09-01 until 1956-09-03)
cover recording of:
Love Me (from 1956-09-01 until 1956-09-03)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) and Sony/ATV Songs LLC
42:42
3When My Blue Moon Turns to Gold Again
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 21)
cover recording of:
When My Blue Moon Turns to Gold Again (on 1956-09-02)
writer:
Gene Sullivan (in 1940) and Wiley Walker (in 1940)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) and Peer International Corporation (BMI) (on 1941-12-03)
4.52:20
4Long Tall Sally
live cover recording of:
Long Tall Sally
writer:
Enotris Johnson (on 1955-11-29), Richard Wayne Penniman (on 1955-11-29) and Robert Alexander Blackwell (on 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music and Venice Music
41:51
5First in Line
recording of:
First in Line
composer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
Rachel’s Own Music and Ross Jungnickel, Inc.
53:21
6Paralyzed
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-09-02)
drums (drum set):
D.J. Fontana (on 1956-09-02)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-09-02) and Elvis Presley (“The King of Rock and Roll”) (on 1956-09-02)
piano:
Gordon Stoker (on 1956-09-02)
additional performer:
The Jordanaires (on 1956-09-02)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-02)
recording of:
Paralyzed (on 1956-09-02)
composer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music and Williamson Music Company
3.52:22
7So Glad You’re Mine
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30)
drums (drum set):
D.J. Fontana (on 1956-01-30)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10) and Scotty Moore (American guitarist and recording engineer) (on 1956-01-30)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-30)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-30)
cover recording of:
So Glad You’re Mine (on 1956-01-30)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Elvis Presley Music and Elvis Presley Music Inc.
32:19
8Old Shep
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03) and Gordon Stoker (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Old Shep (from 1956-09-01 until 1956-09-03)
publisher:
Clyde Julian Foley (US country music musician) (on 1935-06-24)
lyricist:
Willis Arthur (lyricist)
composer:
Clyde Julian Foley (US country music musician)
publisher:
Westpar Music
54:09
9Ready Teddy
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-09-03)
drums (drum set):
D.J. Fontana (on 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (on 1956-09-03)
piano:
Gordon Stoker (on 1956-09-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-03)
cover recording of:
Ready Teddy (on 1956-09-03)
lyricist and composer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC and Venice Music, Inc.
41:54
10Anyplace Is Paradise
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-09-03)
drums (drum set):
D.J. Fontana (on 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (on 1956-09-03)
piano:
Gordon Stoker (on 1956-09-03)
additional performer:
The Jordanaires (on 1956-09-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-03)
recording of:
Anyplace Is Paradise (on 1956-09-03)
lyricist and composer:
Joe Thomas (US songwriter and Jazz saxophonist)
publisher:
Elvis Presley Music and Elvis Presley Music Inc.
42:24
11How’s the World Treating You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03) and Gordon Stoker (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
How’s the World Treating You (on 1956-09-01)
composer:
Chet Atkins and Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI)
42:23
12How Do You Think I Feel
cover recording of:
How Do You Think I Feel
composer:
Webb Pierce and Wiley Walker
42:09
▼ CD 3: Loving You
#TitleRatingLength
1Mean Woman Blues
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
drums (drum set):
D.J. Fontana
guitar:
Scotty Moore (American guitarist and recording engineer)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
cover recording of:
Mean Woman Blues
lyricist and composer:
Claude Demetrius
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. and Williamson Music Company
2:12
2(Let Me Be Your) Teddy Bear
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1957-01-15 until 1957-01-18)
vocals:
Elvis Presley (“The King of Rock and Roll”) and The Jordanaires (from 1957-01-15 until 1957-01-18)
additional performer:
The Jordanaires (from 1957-01-15 until 1957-01-18)
phonographic copyright (℗) by:
BMG Entertainment (in 1957), BMG Music (in 1957) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 26)
recording of:
(Let Me Be Your) Teddy Bear (from 1957-01-15 until 1957-01-18)
writer:
Bernie Lowe and Kal Mann
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. and Williamson Music Company
cover recording of:
(Let Me Be Your) Teddy Bear
writer:
Bernie Lowe and Kal Mann
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. and Williamson Music Company
2.851:47
3Loving You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-02-23 until 1957-02-24)
drums (drum set):
D.J. Fontana (from 1957-02-23 until 1957-02-24)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-02-23 until 1957-02-24) and Elvis Presley (“The King of Rock and Roll”) (from 1957-02-23 until 1957-02-24)
piano:
Dudley Brooks (from 1957-02-23 until 1957-02-24)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-02-24)
vocals:
The Jordanaires (from 1957-02-23 until 1957-02-24)
additional performer:
The Jordanaires (on 1957-02-24)
phonographic copyright (℗) by:
BMG Music and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-02-23 until 1957-02-24)
recording of:
Loving You (from 1957-02-23 until 1957-02-24)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
cover recording of:
Loving You
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
42:14
4Got a Lot o’ Livin’ to Do
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
drums (drum set):
D.J. Fontana
guitar:
Scotty Moore (American guitarist and recording engineer)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
recording of:
Got a Lot o’ Livin’ to Do
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
Gladys Music Inc., Minder Music Ltd. and Rachel’s Own Music
2:32
5Lonesome Cowboy
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (from 1957-01-15 until 1957-01-18)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18)
recording of:
Lonesome Cowboy (from 1957-01-15 until 1957-01-18)
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc. and Williamson Music Company
cover recording of:
Lonesome Cowboy
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc. and Williamson Music Company
43:02
6Hot Dog
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (from 1957-01-15 until 1957-01-18)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18)
cover recording of:
Hot Dog (from 1957-01-15 until 1957-01-18)
writer:
Jerry Leiber and Mike Stoller
publisher:
Elvis Presley Music Inc., Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Silver Seahorse Music LLC and Sony/ATV Songs LLC
1:12
7Party
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (from 1957-01-15 until 1957-01-18)
phonographic copyright (℗) by:
BMG Music (in 1957) and RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1957)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18)
cover recording of:
Let’s Have a Party (from 1957-01-15 until 1957-01-18)
lyricist and composer:
Jessie Mae Robinson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Gladys Music Inc., IQ Music Ltd., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and Universal/MCA Music Ltd. (not for release label use!)
2.61:28
8Blueberry Hill
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
drums (drum set):
D.J. Fontana
guitar:
Scotty Moore (American guitarist and recording engineer)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
cover recording of:
Blueberry Hill (on 1957-01-19)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
42:39
9True Love
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
drums (drum set):
D.J. Fontana
guitar:
Scotty Moore (American guitarist and recording engineer)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
cover recording of:
True Love (High Society)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
part of:
The 29th Academy Award for Best Original Song (number: 2)
part of:
High Society (1956 film)
part of:
High Society (stage musical)
2:09
10Don’t Leave Me Now
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09) and Neal Matthews (from 1957-04-30 until 1957-05-09)
drums (drum set):
D.J. Fontana (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09) and Elvis Presley (“The King of Rock and Roll”) (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09)
piano:
Dudley Brooks (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09) and Mike Stoller (from 1957-04-30 until 1957-05-09)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-02-23 until 1957-02-24, on 1957-04-30, on 1957-05-03, from 1957-05-08 until 1957-05-09)
cover recording of:
Don't Leave Me Now (from 1957-02-23 until 1957-02-24)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
A. Schroeder, Blen Music, Chappell & Co., Gladys Music Inc. and Rachel’s Own Music
cover recording of:
Don't Leave Me Now (from 1957-04-30 until 1957-05-09)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
A. Schroeder, Blen Music, Chappell & Co., Gladys Music Inc. and Rachel’s Own Music
41:59
11Have I Told You Lately (That I Love You?)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-01-19)
drums (drum set):
D.J. Fontana (on 1957-01-19)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-01-19) and Elvis Presley (“The King of Rock and Roll”) (on 1957-01-19)
organ:
Hoyt Hawkins (on 1957-01-19)
piano:
Dudley Brooks (on 1957-01-19)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (on 1957-01-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-01-19)
cover recording of:
Have I Told You Lately That I Love You? (on 1957-01-19)
lyricist and composer:
Scott Wiseman (in 1945)
publisher:
Duchess Music Corporation (BMI-affiliated), MCA Duchess Music Corporation, Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部 and Leeds Music Ltd. (in 1982)
42:31
12I Need You So
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-02-23 until 1957-02-24)
drums (drum set):
D.J. Fontana (from 1957-02-23 until 1957-02-24)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-02-23 until 1957-02-24) and Elvis Presley (“The King of Rock and Roll”) (from 1957-02-23 until 1957-02-24)
piano:
Dudley Brooks (from 1957-02-23 until 1957-02-24)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (from 1957-02-23 until 1957-02-24)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-02-23 until 1957-02-24)
cover recording of:
I Need You So (from 1957-02-23 until 1957-02-24)
lyricist and composer:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
publisher:
Hill and Range Songs, Inc., St. Louis Music Corp. and Unichappell Music
42:39
▼ CD 4: Elvis’ Christmas Album
#TitleRatingLength
1Santa Claus Is Back in Town
engineer:
Thorne Nogar
acoustic guitar and lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-09-07)
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-09-07)
drums (drum set):
D.J. Fontana (on 1957-09-07)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-09-07)
piano:
Dudley Brooks (on 1957-09-07)
background vocals:
The Jordanaires (on 1957-09-07) and Millie Kirkham (on 1957-09-07)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1957)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-09-07)
recording of:
Santa Claus Is Back in Town (on 1957-09-07)
writer:
Jerry Leiber and Mike Stoller
publisher:
Carlin Music Corporation, Cherry River Music, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
3.52:21
2White Christmas
cover recording of:
White Christmas
lyricist and composer:
Irving Berlin (from 1938 until 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Berlin Music Corp., Williamson Music Company and Irving Berlin Music Company (from 1940 to present)
sub-publisher:
Irving Berlin Music Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 15th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 15)
2:44
3Here Comes Santa Claus (Right Down Santa Claus Lane)
engineer:
Thorne Nogar
acoustic guitar and lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-09-06)
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-09-06)
drums (drum set):
D.J. Fontana (on 1957-09-06)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-09-06)
piano:
Dudley Brooks (on 1957-09-06)
background vocals:
The Jordanaires (on 1957-09-06) and Millie Kirkham (on 1957-09-06)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-09-06)
cover recording of:
Here Comes Santa Claus (Right Down Santa Claus Lane) (on 1957-09-06)
lyricist and composer:
Gene Autry (“The Singing Cowboy”), Oakley Haldeman and Harriett Melka
publisher:
Campbell Connelly & Co., Remick Music Corp., Warner Bros. Music Corp. and Gene Autry Music Publishing, Inc. (on 1947-11-20)
41:55
4I’ll Be Home for Christmas
engineer:
Thorne Nogar
acoustic guitar and lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-09-07)
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-09-07)
drums (drum set):
D.J. Fontana (on 1957-09-07)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-09-07)
piano:
Dudley Brooks (on 1957-09-07)
background vocals:
The Jordanaires (on 1957-09-07) and Millie Kirkham (on 1957-09-07)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-09-07)
cover recording of:
I’ll Be Home for Christmas (on 1957-09-07)
lyricist:
Kim Gannon
additional writer:
Buck Ram
composer:
Walter Kent
publisher:
Chappell Music Ltd., Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gannon and Kent Music Co. and Piedmont Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
41:55
5Blue Christmas
engineer:
Thorne Nogar
acoustic guitar and lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-09-05)
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-09-05)
drums (drum set):
D.J. Fontana (on 1957-09-05)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-09-05)
piano:
Dudley Brooks (on 1957-09-05)
background vocals:
The Jordanaires (on 1957-09-05) and Millie Kirkham (on 1957-09-05)
phonographic copyright (℗) by:
RCA Victor (in 1957), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1957) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-09-05)
cover recording of:
Blue Christmas (on 1957-09-05)
writer:
Bill Hayes (songwriter) and Jay Johnson (songwriter of "Blue Christmas")
publisher:
Anglo-Pic Music Co. Ltd., Bibo Music Publishing, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal Polygram International, Inc.
3.52:09
6Santa Bring My Baby Back (to Me)
engineer:
Thorne Nogar
acoustic guitar and lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-09-07)
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-09-07)
drums (drum set):
D.J. Fontana (on 1957-09-07)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-09-07)
piano:
Dudley Brooks (on 1957-09-07)
background vocals:
The Jordanaires (on 1957-09-07) and Millie Kirkham (on 1957-09-07)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-09-07)
recording of:
Santa Bring My Baby Back (to Me) (on 1957-09-07)
writer:
Claude Demetrius and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Carlin Music Corporation, Cherry Lane Music Co., Gladys Music, Gladys Music Inc., Minder Music Ltd. and Rachel’s Own Music
41:53
7Oh Little Town of Bethlehem
cover recording of:
O Little Town of Bethlehem (version performed by Elvis Presley)
writer:
Mark White (co-writer of version of "O Little Town of Bethlehem" performed by Elvis Presley)
composer:
Lewis Henry Redner
publisher:
Cherry River Music, Elvis Presley Music, Elvis Presley Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
version of:
O Little Town of Bethlehem (traditional carol with the tune “St. Louis”, as commonly sung in the U.S.)
2:36
8Silent Night
acoustic guitar and lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-09-06)
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-09-06)
drums (drum set):
D.J. Fontana (on 1957-09-06)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-09-06)
piano:
Dudley Brooks (on 1957-09-06)
background vocals:
The Jordanaires (on 1957-09-06) and Millie Kirkham (on 1957-09-06)
recording of:
Silent Night (Elvis Presley version) (on 1957-09-06)
lyricist:
Josef Mohr
composer:
Franz Xaver Gruber
translator:
John Freeman Young (in 1859)
publisher:
Cherry River Music and Elvis Presley Music
version of:
Silent Night (Christmas carol, English translation)
4.52:26
9(There’ll Be) Peace in the Valley (for Me)
vocals:
The Jordanaires
cover recording of:
There’ll Be Peace in the Valley for Me
publisher:
Thomas A. Dorsey (gospel musician aka “Georgia Tom”) (on 1939-01-25)
lyricist and composer:
Thomas A. Dorsey (gospel musician aka “Georgia Tom”)
publisher:
Carlin Music Corp., Rightsong Music, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:22
10I Believe
vocals:
The Jordanaires
cover recording of:
I Believe
writer:
Ervin Drake (Songwriter), Irvin Graham, Jimmy Shirl (Songwriter) and Al Stillman
publisher:
Adaken Music, Cromwell Music, Inc., Gentlemen Jim Music Corp., Hampshire House Publishing Corp., L and S Freedom Music, Lindabet Music Corporation, Tadzio Music Corp., The Songwriters Guild, The Stillman Song Company and TRO Essex Music Ltd.
2:05
11Take My Hand, Precious Lord
vocals:
The Jordanaires
cover recording of:
Take My Hand, Precious Lord
lyricist and arranger:
Thomas A. Dorsey (gospel musician aka “Georgia Tom”)
additional composer:
Thomas A. Dorsey (gospel musician aka “Georgia Tom”)
composer:
[traditional] (special purpose artist)
previously attributed to:
George Nelson Allen (American composer from the 1800s)
3:18
12It Is No Secret (What God Can Do)
vocals:
The Jordanaires
cover recording of:
It Is No Secret
lyricist and composer:
Stuart Hamblen
publisher:
Duchess Music Corporation (BMI-affiliated), Hamblen Music, MCA Music Ltd. and Songs of Universal, Inc.
3:58
▼ CD 5: Elvis’ Golden Records I
#TitleRatingLength
1Hound Dog
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-07-02) and Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-07-02)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
vocals:
The Jordanaires (on 1956-07-02)
additional performer:
The Jordanaires
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-07-02)
cover recording of:
Hound Dog (on 1956-07-02)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
cover recording of:
Hound Dog
writer:
Jerry Leiber and Mike Stoller
3.82:16
2Loving You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-02-23 until 1957-02-24)
drums (drum set):
D.J. Fontana (from 1957-02-23 until 1957-02-24)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-02-23 until 1957-02-24) and Elvis Presley (“The King of Rock and Roll”) (from 1957-02-23 until 1957-02-24)
piano:
Dudley Brooks (from 1957-02-23 until 1957-02-24)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-02-24)
vocals:
The Jordanaires (from 1957-02-23 until 1957-02-24)
additional performer:
The Jordanaires (on 1957-02-24)
phonographic copyright (℗) by:
BMG Music and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-02-23 until 1957-02-24)
recording of:
Loving You (from 1957-02-23 until 1957-02-24)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
cover recording of:
Loving You
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
42:16
3All Shook Up
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-12 until 1957-01-13)
drums (drum set):
D.J. Fontana (from 1957-01-12 until 1957-01-13)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-12 until 1957-01-13) and Elvis Presley (“The King of Rock and Roll”) (from 1957-01-12 until 1957-01-13)
piano:
Gordon Stoker (from 1957-01-12 until 1957-01-13)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Elvis Presley (“The King of Rock and Roll”) and The Jordanaires (from 1957-01-12 until 1957-01-13)
remixer:
Dennis Ferrante
additional performer:
The Jordanaires
phonographic copyright (℗) by:
BMG Entertainment (in 1957), BMG Music (in 1957) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-01-12 until 1957-01-13) and Bloch Arena in Honolulu, Hawaii, United States (on 1961-03-25)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 18) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 353)
cover recording of:
All Shook Up (on 1957-01-12)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) and Shalimar Music Corp.
3.651:58
4Heartbreak Hotel
engineer:
Bob Ferris (engineer)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-10)
drums (drum set):
D.J. Fontana (on 1956-01-10)
guitar:
Chet Atkins (on 1956-01-10), Scotty Moore (American guitarist and recording engineer) (on 1956-01-10) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
piano:
Floyd Cramer (on 1956-01-10)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
vocals:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (on 1956-01-10), Lena Brock "Mom" Speer (on 1956-01-10) and Gordon Stoker (on 1956-01-10)
publisher:
Sony/ATV Songs LLC
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (Nashville) in Nashville, Tennessee, United States (on 1956-01-10)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 1), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 45) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 347)
recording of:
Heartbreak Hotel (on 1956-01-10)
writer:
Mae Boren Axton, Tommy Durden and Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Unichappell Music, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3.82:07
5Jailhouse Rock
drums (drum set):
D.J. Fontana (on 1957-04-30)
electric bass guitar:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-04-30)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-04-30)
additional vocals:
The Jordanaires (on 1957-04-30)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-04-30)
vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-04-30)
phonographic copyright (℗) by:
BMG Entertainment (in 1957) and BMG Music (in 1957)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 67) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 216)
recording of:
Jailhouse Rock (on 1957-04-30)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Fujipacific Music, Inc., Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Nichion Synch Division, Silver Seahorse Music LLC and Sony/ATV Songs LLC
3.452:27
6Love Me
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-09-01, from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (on 1956-09-01, from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-09-01, from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01, from 1956-09-01 until 1956-09-03)
piano:
Gordon Stoker (on 1956-09-01, from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03)
additional vocals:
The Jordanaires (on 1956-09-01)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-01, from 1956-09-01 until 1956-09-03)
cover recording of:
Love Me (from 1956-09-01 until 1956-09-03)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) and Sony/ATV Songs LLC
42:45
7Too Much
cover recording of:
Too Much
writer:
Lee Rosenberg and Bernard Weinman
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., MCS Music Ltd. and Southern Belle Music
2:33
8Don’t Be Cruel
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-07-02) and Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-07-02)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
vocals:
The Jordanaires (on 1956-07-02)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-07-02)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 11) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 197)
recording of:
Don’t Be Cruel (on 1956-07-02)
lyricist, writer and composer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. and Williamson Music Company
3.82:04
9That’s When Your Heartaches Begin
cover recording of:
That’s When Your Heartaches Begin
writer:
Fred Fisher, Billy Hill (US songwriter) and William Raskin
publisher:
Fred Fisher Music Co., Inc. and Sony/ATV Tunes LLC
3:25
10(Let Me Be Your) Teddy Bear
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1957-01-15 until 1957-01-18)
vocals:
Elvis Presley (“The King of Rock and Roll”) and The Jordanaires (from 1957-01-15 until 1957-01-18)
additional performer:
The Jordanaires (from 1957-01-15 until 1957-01-18)
phonographic copyright (℗) by:
BMG Entertainment (in 1957), BMG Music (in 1957) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 26)
recording of:
(Let Me Be Your) Teddy Bear (from 1957-01-15 until 1957-01-18)
writer:
Bernie Lowe and Kal Mann
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. and Williamson Music Company
cover recording of:
(Let Me Be Your) Teddy Bear
writer:
Bernie Lowe and Kal Mann
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. and Williamson Music Company
2.851:47
11Love Me Tender
accordion:
Carl Fortina (from 1956-08-24 until 1956-09-04) and Dominic Frontiere (from 1956-08-24 until 1956-09-04)
banjo:
Luther "Red" Roundtree (from 1956-08-24 until 1956-09-04)
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (from 1956-08-24 until 1956-09-04)
drums (drum set):
Richard Cornell (Percussion) (from 1956-08-24 until 1956-09-04)
guitar:
Vito Mumolo (Session Musician (Guitar)) (from 1956-08-24 until 1956-09-04)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01)
vocals:
Elvis Presley (“The King of Rock and Roll”), Jon Dodson (from 1956-08-24 until 1956-09-04, on 1956-09-01), Charles Prescott (from 1956-08-24 until 1956-09-04, on 1956-09-01) and Rad Robinson (from 1956-08-24 until 1956-09-04, on 1956-09-01)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
20th Century Fox Music Stage 1 in Los Angeles, California, United States (on 1956-08-24, on 1956-09-04)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 437)
recording of:
Love Me Tender (from 1956-08-24 until 1956-09-04)
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (“The King of Rock and Roll”) (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック and 日音 Synch事業部
is based on:
Aura Lea
42:46
12Treat Me Nice
recording of:
Treat Me Nice
writer:
Jerry Leiber and Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
2:14
13Anyway You Want Me (That’s How I Will Be)
recording of:
Any Way You Want Me
writer:
Cliff Owens and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Rachel’s Own Music and Ross Jungnickel, Inc.
2:15
14I Want You, I Need You, I Love You
engineer:
Bob Ferris (engineer)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-04-14)
drums (drum set):
D.J. Fontana (on 1956-04-14)
guitar:
Chet Atkins (on 1956-04-14) and Scotty Moore (American guitarist and recording engineer) (on 1956-04-14)
piano:
Marvin Hughes (on 1956-04-14)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-04-14)
vocals:
Brock Speer (on 1956-04-14), Ben Speer (on 1956-04-14), Lena Brock "Mom" Speer (on 1956-04-14) and Gordon Stoker (on 1956-04-14)
phonographic copyright (℗) by:
BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
RCA Studios (Nashville) in Nashville, Tennessee, United States (on 1956-04-14)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 25)
recording of:
I Want You, I Need You, I Love You (on 1956-04-14)
writer:
Ira Kosloff and Maurice Mysels
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music and Williamson Music Company
52:39
▼ CD 6: King Creole
#TitleRatingLength
1King Creole
engineer:
Thorne Nogar (from 1958-01 until 1958-02) and Phil Wisdom (from 1958-01 until 1958-02)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1958-01-15 until 1958-01-23), Neal Matthews (from 1958-01-15 until 1958-01-23) and Ray Siegel (from 1958-01-15 until 1958-01-23)
bongos:
Gordon Stoker (from 1958-01-15 until 1958-01-23)
clarinet:
Mahlon Clark (from 1958-01-15 until 1958-01-23)
cymbal:
Hoyt Hawkins (from 1958-01-15 until 1958-01-23)
drums (drum set):
D.J. Fontana (from 1958-01-15 until 1958-01-23) and Bernie Mattinson (from 1958-01-15 until 1958-01-23)
guitar:
Neal Matthews (from 1958-01-15 until 1958-01-23), Scotty Moore (American guitarist and recording engineer) (from 1958-01-15 until 1958-01-23) and Elvis Presley (“The King of Rock and Roll”) (from 1958-01-15 until 1958-01-23)
piano:
Dudley Brooks (from 1958-01-15 until 1958-01-23)
saxophone:
Justin Gordon (from 1958-01-15 until 1958-01-23)
trombone:
Elmer Schneider (from 1958-01-15 until 1958-01-23) and Warren Smith (jazz trombonist) (from 1958-01-15 until 1958-01-23)
trumpet:
John Ed Buckner (from 1958-01-15 until 1958-01-23)
tuba:
Ray Siegel (from 1958-01-15 until 1958-01-23)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1958-01-23)
vocals:
The Jordanaires (from 1958-01-15 until 1958-01-23)
additional performer:
The Jordanaires (on 1958-01-23)
phonographic copyright (℗) by:
BMG Entertainment (in 1958), BMG Music (in 1958) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-16, on 1958-01-23)
cover recording of:
King Creole (from 1958-01-15 until 1958-01-23)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Cherry Lane Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC and Sony/ATV Tunes LLC
3.752:06
2As Long as I Have You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1958-01-15 until 1958-01-23), Neal Matthews (from 1958-01-15 until 1958-01-23) and Ray Siegel (from 1958-01-15 until 1958-01-23)
bongos:
Gordon Stoker (from 1958-01-15 until 1958-01-23)
clarinet:
Mahlon Clark (from 1958-01-15 until 1958-01-23)
cymbal:
Hoyt Hawkins (from 1958-01-15 until 1958-01-23)
drums (drum set):
D.J. Fontana (from 1958-01-15 until 1958-01-23) and Bernie Mattinson (from 1958-01-15 until 1958-01-23)
guitar:
Neal Matthews (from 1958-01-15 until 1958-01-23), Scotty Moore (American guitarist and recording engineer) (from 1958-01-15 until 1958-01-23) and Elvis Presley (“The King of Rock and Roll”) (from 1958-01-15 until 1958-01-23)
piano:
Dudley Brooks (from 1958-01-15 until 1958-01-23)
saxophone:
Justin Gordon (from 1958-01-15 until 1958-01-23)
trombone:
Elmer Schneider (from 1958-01-15 until 1958-01-23) and Warren Smith (jazz trombonist) (from 1958-01-15 until 1958-01-23)
trumpet:
John Ed Buckner (from 1958-01-15 until 1958-01-23)
tuba:
Ray Siegel (from 1958-01-15 until 1958-01-23)
vocals:
The Jordanaires (from 1958-01-15 until 1958-01-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-16, on 1958-01-23)
cover recording of:
As Long as I Have You (from 1958-01-15 until 1958-01-23)
writer:
Ben Weisman and Fred Wise
publisher:
Chappell & Co., Erika Publishing and Gladys Music Inc.
3.41:49
3Hard Headed Woman
engineer:
Thorne Nogar (from 1958-01 until 1958-02) and Phil Wisdom (from 1958-01 until 1958-02)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1958-01-15 until 1958-01-23), Neal Matthews (from 1958-01-15 until 1958-01-23) and Ray Siegel (from 1958-01-15 until 1958-01-23)
bongos:
Gordon Stoker (from 1958-01-15 until 1958-01-23)
clarinet:
Mahlon Clark (from 1958-01-15 until 1958-01-23)
cymbal:
Hoyt Hawkins (from 1958-01-15 until 1958-01-23)
drums (drum set):
D.J. Fontana (from 1958-01-15 until 1958-01-23) and Bernie Mattinson (from 1958-01-15 until 1958-01-23)
guitar:
Neal Matthews (from 1958-01-15 until 1958-01-23), Scotty Moore (American guitarist and recording engineer) (from 1958-01-15 until 1958-01-23) and Elvis Presley (“The King of Rock and Roll”) (from 1958-01-15 until 1958-01-23)
piano:
Dudley Brooks (from 1958-01-15 until 1958-01-23)
saxophone:
Justin Gordon (from 1958-01-15 until 1958-01-23)
trombone:
Elmer Schneider (from 1958-01-15 until 1958-01-23) and Warren Smith (jazz trombonist) (from 1958-01-15 until 1958-01-23)
trumpet:
John Ed Buckner (from 1958-01-15 until 1958-01-23)
tuba:
Ray Siegel (from 1958-01-15 until 1958-01-23)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (from 1958-01-15 until 1958-01-23)
additional performer:
The Jordanaires
phonographic copyright (℗) by:
BMG Entertainment (in 1958), BMG Music (in 1958) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-16, on 1958-01-23)
cover recording of:
Hard Headed Woman (on 1958-01-15)
lyricist and composer:
Claude Demetrius
publisher:
Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated) and Williamson Music Company
3.651:53
4Trouble
recording of:
Trouble (Elvis Presley)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Jerome Leiber Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Purple Starfish Music, Sony Songs and Sony/ATV Songs LLC
2:16
5Dixieland Rock
cover recording of:
Dixieland Rock
writer:
Rachel Frank and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Rachel’s Own Music and Williamson Music Company
1:47
6Don’t Ask Me Why
cover recording of:
Don’t Ask Me Why
writer:
Ben Weisman and Fred Wise
publisher:
Chappell & Co. and Erika Publishing
2:05
7Lover Doll
recording of:
Lover Doll
writer:
Abner Silver and Sid Wayne
2:10
8Crawfish
cover recording of:
Crawfish
lyricist:
Fred Wise
composer:
Ben Weisman
publisher:
Chappell & Co. and Erika Publishing
1:48
9Young Dreams
cover recording of:
Young Dreams
writer:
Martin Kalmanoff (ASCAP songwriter) and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Dandy Dittys and Rachel’s Own Music
2:21
10Steadfast, Loyal and True
recording of:
Steadfast, Loyal and True
writer:
Jerry Leiber and Mike Stoller
publisher:
Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP) and Silver Seahorse Music LLC
1:16
11New Orleans
cover recording of:
New Orleans
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Gladys Music Elvis Presley Enterprises LLC and Williamson Music Company
2:00
▼ CD 7: For LP Fans Only
#TitleRatingLength
1That’s All Right
cover recording of:
That’s All Right
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc., Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music and Unichappell Music, Inc.
1:54
2Lawdy Miss Clawdy
cover recording of:
Lawdy Miss Clawdy
lyricist and composer:
Lloyd Price (in 1952-03)
publisher:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC and Venice Music
2:07
3Mystery Train
cover recording of:
Mystery Train
writer:
Junior Parker and Sam Phillips (founder of Sun Records)
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Hilo Music Inc. (in 1953)
2:27
4Playing for Keeps
cover recording of:
Playing for Keeps
lyricist and composer:
Stan Kesler
2:52
5Poor Boy
recording of:
Poor Boy (for copyright reasons, originally credited to Vera Matson and Elvis Presley)
lyricist and composer:
Ken Darby
publisher:
Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
2:12
6Money Honey
cover recording of:
Money Honey
lyricist and composer:
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) and ZFC Music
2:32
7I’m Counting on You
recording of:
I’m Counting on You
lyricist and composer:
Don Robertson (“Happy Whistler” songwriter)
publisher:
Carlin Music Corporation, Don Robertson Music Corp. and Ross Jungnickel, Inc.
2:22
8My Baby Left Me
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
drums (drum set):
D.J. Fontana (on 1956-01-30, from 1956-01-30 until 1956-02-03)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10, from 1956-01-30 until 1956-02-03) and Scotty Moore (American guitarist and recording engineer) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1956) and BMG Music (in 1956)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-30, from 1956-01-30 until 1956-01-31, on 1956-02-03)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 29)
cover recording of:
My Baby Left Me (from 1956-01-30 until 1956-02-03)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. and Williamson Music Company
42:08
9I Was the One
recording of:
I Was the One
writer:
Hal Blair, Claude Demetrius, Bill Peppers and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Anne-Rachel Music, Carlin Music Corporation, Chappell & Co., Inc. (USA), MCA Music Ltd. and Rachel’s Own Music
2:28
10Shake Rattle & Roll
cover recording of:
Shake, Rattle and Roll
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
2:27
11I’m Left, You’re Right, She’s Gone
cover recording of:
I’m Left, You’re Right, She’s Gone
writer:
Stan Kesler and Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
2:35
12You’re a Heartbreaker
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1954-11 until 1954-12)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (from 1954-11 until 1954-12)
guitar:
Elvis Presley (“The King of Rock and Roll”) (from 1954-11 until 1954-12)
vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1954-11 until 1954-12)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1954-11 until 1954-12)
recording of:
You’re a Heartbreaker (from 1954-11 until 1954-12)
writer:
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
42:10
13Tryin’ to Get to You
cover recording of:
Trying to Get to You
writer:
Rose Marie McCoy and Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific and You Look Good Music Publishing
3.752:31
14Blue Suede Shoes
cover recording of:
Blue Suede Shoes
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (Publisher), Carl Perkins Music Inc., Carlin Music Corp., Hi Lo Music, Hill and Range Songs, Inc., Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
1:57
▶ CD 8: A Date With Elvis
▶ CD 9: Elvis’ Gold Records II
▶ CD 10: Elvis Is Back!
▶ CD 11: Flaming Star, Wild in the Country, Follow That Dream
▶ CD 12: G.I. Blues
▶ CD 13: His Hand in Mine
▶ CD 14: Something for Everybody
▶ CD 15: Blue Hawaii
▶ CD 16: Pot Luck
▶ CD 17: Kid Galahad / Girls! Girls! Girls!
▶ CD 18: It Happened at the World’s Fair / Fun in Acapulco
▶ CD 19: Elvis’ Golden Records III
▶ CD 20: Kissin’ Cousins / Clambake / Stay Away, Joe
▶ CD 21: Love in Las Vegas / Roustabout
▶ CD 22: Harem Holiday / Girl Happy
▶ CD 23: Elvis for Everyone!
▶ CD 24: Frankie and Johnny / Paradise, Hawaiian Style
▶ CD 25: Spinout / Double Trouble
▶ CD 26: Easy Come, Easy Go / Speedway
▶ CD 27: How Great Thou Art
▶ CD 28: Elvis’ Gold Records IV
▶ CD 29: Live a Little, Love a Little / Charro! / The Trouble With Girls / Change of Habit
▶ CD 30: NBC‐TV Special ’68 Comeback
▶ CD 31: From Elvis in Memphis
▶ CD 32: In Person
▶ CD 33: Back in Memphis
▶ CD 34: On Stage
▶ CD 35: That’s the Way It Is
▶ CD 36: Elvis Country
▶ CD 37: Love Letters From Elvis
▶ CD 38: The Wonderful World of Christmas
▶ CD 39: Elvis Now
▶ CD 40: He Touched Me
▶ CD 41: Elvis as Recorded at Madison Square Garden
▶ CD 42: Aloha From Hawaii Via Satellite
▶ CD 43: Elvis (The Fool album)
▶ CD 44: Raised on Rock
▶ CD 45: Good Times
▶ CD 46: Recorded Live on Stage in Memphis
▶ CD 47: Promised Land
▶ CD 48: Elvis Today
▶ CD 49: From Elvis Presley Boulevard, Memphis, Tennessee
▶ CD 50: Moody Blue

Credits

Release

manufactured in:Europe
engineer:Dick Baxter (Mastering engineer at BMG / RCA Studios, New York)
Dennis Ferrante
producer:Ernst Mikael Jorgensen
Roger Semon
piano:Dudley Brooks
background vocals:The Jordanaires
distributed by:BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation)
copyrighted (©) by:BMG Nederland B.V. (in 1996)
phonographic copyright (℗) by:BMG Music (from 1956 until 1958, from 1960 until 1961, in 1984, in 1995)
Discogs:https://www.discogs.com/release/1471083 [info]
ASIN:UK: B001DPB33O [info]