Mass in B minor, BWV 232 / Cantata 'Ich will den Kreuzstab gerne tragen', BWV 56

~ Release by Bach; John Shirley‐Quirk, Margaret Marshall, Dame Janet Baker, Robert Tear, Samuel Ramey, St. Anthony Singers, Academy of St Martin in the Fields, Academy of St. Martin in the Fields Chorus, Sir Neville Marriner (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Cantata 'Ich will den Kreuzstab gerne tragen': Aria: Ich will den Kreuzstab gerne tragen
engineer:
Allen Stagg
producer:
James Burnett (producer)
solo baritone vocals:
John Shirley‐Quirk (operatic bass / baritone)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach8:21
2Cantata 'Ich will den Kreuzstab gerne tragen': Recitative: Mein Wandel auf der Welt
engineer:
Allen Stagg
producer:
James Burnett (producer)
solo baritone vocals:
John Shirley‐Quirk (operatic bass / baritone)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach2:16
3Cantata 'Ich will den Kreuzstab gerne tragen': Aria: Endlich, endlich wird mein Joch
engineer:
Allen Stagg
producer:
James Burnett (producer)
solo baritone vocals:
John Shirley‐Quirk (operatic bass / baritone)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach7:42
4Cantata 'Ich will den Kreuzstab gerne tragen': Recitative: Ich stehe fertig und bereit
engineer:
Allen Stagg
producer:
James Burnett (producer)
solo baritone vocals:
John Shirley‐Quirk (operatic bass / baritone)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:49
5Cantata 'Ich will den Kreuzstab gerne tragen': Chorus: Komm, o Tod, du Schlafes Bruder
engineer:
Allen Stagg
producer:
James Burnett (producer)
choir vocals:
St. Anthony Singers
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
John Franck (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 72)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:38
6Mass in B minor, BWV 232: Part I: Missa, Kyrie: I. Coro (a5): Kyrie eleison
engineer and producer:
Vittorio Negri (conductor)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach10:21
7Mass in B minor, BWV 232: Part I: Missa, Kyrie: II. Duetto (Soprano I, II): Christe eleison
engineer and producer:
Vittorio Negri (conductor)
mezzo-soprano vocals:
Dame Janet Baker (mezzo-soprano and alto) (in 1977-11)
solo alto vocals:
Dame Janet Baker (mezzo-soprano and alto)
solo soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century) (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:18
8Mass in B minor, BWV 232: Part I: Missa, Kyrie: III. Coro (a4): Kyrie eleison
engineer and producer:
Vittorio Negri (conductor)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:05
9Mass in B minor, BWV 232: Part I: Missa, Gloria: IV. Coro (a5): Gloria in excelsis Deo
engineer and producer:
Vittorio Negri (conductor)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:52
10Mass in B minor, BWV 232: Part I: Missa, Gloria: V. Coro (a5): Et in terra pax
engineer and producer:
Vittorio Negri (conductor)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:42
11Mass in B minor, BWV 232: Part I: Missa, Gloria: VI. Aria (Soprano II): Laudamus te
engineer and producer:
Vittorio Negri (conductor)
mezzo-soprano vocals:
Dame Janet Baker (mezzo-soprano and alto) (in 1977-11)
solo alto vocals:
Dame Janet Baker (mezzo-soprano and alto)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:59
12Mass in B minor, BWV 232: Part I: Missa, Gloria: VII. Coro (a4): Gratias agimus
engineer and producer:
Vittorio Negri (conductor)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:48
13Mass in B minor, BWV 232: Part I: Missa, Gloria: VIII. Duetto (Soprano I, Tenor): Domine Deus
engineer and producer:
Vittorio Negri (conductor)
solo soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century)
solo tenor vocals:
Robert Tear (tenor)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century) (in 1977-11)
tenor vocals:
Robert Tear (tenor) (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:44
14Mass in B minor, BWV 232: Part I: Missa, Gloria: IX. Coro (a4): Qui tollis peccata mundi
engineer and producer:
Vittorio Negri (conductor)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:26
15Mass in B minor, BWV 232: Part I: Missa, Gloria: X. Aria (Alto): Qui sedes
engineer and producer:
Vittorio Negri (conductor)
mezzo-soprano vocals:
Dame Janet Baker (mezzo-soprano and alto) (in 1977-11)
solo alto vocals:
Dame Janet Baker (mezzo-soprano and alto)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:07
16Mass in B minor, BWV 232: Part I: Missa, Gloria: XI. Aria (Bass): Quoniam tu solus sanctus
engineer and producer:
Vittorio Negri (conductor)
solo bass vocals:
Samuel Ramey (bass-baritone)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:47
17Mass in B minor, BWV 232: Part I: Missa, Gloria: XII. Coro (a5): Cum sancto spiritu
engineer and producer:
Vittorio Negri (conductor)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:57
▼ CD 2
#TitleArtistRatingLength
1Mass in B minor, BWV 232: Part II: Symbolum Nicenum, Credo: XIII. Coro (a5): Credo in unum Deum
engineer and producer:
Vittorio Negri (conductor)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:02
2Mass in B minor, BWV 232: Part II: Symbolum Nicenum, Credo: XIV. Coro (a4): Patrem omnipotentem
engineer and producer:
Vittorio Negri (conductor)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:52
3Mass in B minor, BWV 232: Part II: Symbolum Nicenum, Credo: XV. Duetto (Soprano I, Alto): Et in unum Dominum
engineer and producer:
Vittorio Negri (conductor)
mezzo-soprano vocals:
Dame Janet Baker (mezzo-soprano and alto) (in 1977-11)
solo alto vocals:
Dame Janet Baker (mezzo-soprano and alto)
solo soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century) (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:08
4Mass in B minor, BWV 232: Part II: Symbolum Nicenum, Credo: XVI. Coro (a5): Et incarnatus est
engineer and producer:
Vittorio Negri (conductor)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:47
5Mass in B minor, BWV 232: Part II: Symbolum Nicenum, Credo: XVII. Coro (a4): Crucifixus
engineer and producer:
Vittorio Negri (conductor)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:43
6Mass in B minor, BWV 232: Part II: Symbolum Nicenum, Credo: XVIII. Coro (a5): Et resurrexit
engineer and producer:
Vittorio Negri (conductor)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:09
7Mass in B minor, BWV 232: Part II: Symbolum Nicenum, Credo: XIX. Aria (Bass): Et in Spiritum Sanctum
engineer and producer:
Vittorio Negri (conductor)
bass vocals:
Samuel Ramey (bass-baritone) (in 1977-11)
solo bass vocals:
Samuel Ramey (bass-baritone)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:47
8Mass in B minor, BWV 232: Part II: Symbolum Nicenum, Credo: XX. Coro (a5): Confiteor
engineer and producer:
Vittorio Negri (conductor)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:05
9Mass in B minor, BWV 232: Part II: Symbolum Nicenum, Credo: XXI. Coro (a5): Et expecto resurrectionem
engineer and producer:
Vittorio Negri (conductor)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:12
10Mass in B minor, BWV 232: Part III: Sanctus: XXII. Coro (a6): Sanctus
engineer and producer:
Vittorio Negri (conductor)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:00
11Mass in B minor, BWV 232: Part IV: Agnus Dei: XXIII. Coro (a8): Osanna in excelsis
engineer and producer:
Vittorio Negri (conductor)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:44
12Mass in B minor, BWV 232: Part IV: Agnus Dei: XXIV. Aria (Tenor): Benedictus
engineer and producer:
Vittorio Negri (conductor)
solo tenor vocals:
Robert Tear (tenor)
tenor vocals:
Robert Tear (tenor) (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:12
13Mass in B minor, BWV 232: Part IV: Agnus Dei: XXV. Coro (a8): Osanna in excelsis (da capo)
engineer and producer:
Vittorio Negri (conductor)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:44
14Mass in B minor, BWV 232: Part IV: Agnus Dei: XXVI. Aria (Alto): Agnus Dei
engineer and producer:
Vittorio Negri (conductor)
mezzo-soprano vocals:
Dame Janet Baker (mezzo-soprano and alto) (in 1977-11)
solo alto vocals:
Dame Janet Baker (mezzo-soprano and alto)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:32
15Mass in B minor, BWV 232: Part IV: Agnus Dei: XXVII. Coro (a4): Dona nobis pacem
engineer and producer:
Vittorio Negri (conductor)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (in 1977-11)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:08

Credits

Release

part of:Australian Eloquence (Deutsche Grammophon/Decca/Philips/ABC Classics) (order: 83)
ASIN:US: B004OYCUYW [info]
purchase for mail-order:http://www.arkivmusic.com/classical/album.jsp?album_id=568531 [info]
discography entry:https://eloquenceclassics.com/releases/bach-mass-in-b-minor-cantata-bwv-56/ [info]