5 Original Albums

~ Release by Thelonious Monk (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Plays Duke Ellington (1955)
#TitleRatingLength
1It Don’t Mean a Thing If It Ain’t Got That Swing
double bass:
Oscar Pettiford (from 1955-07-21 until 1955-07-27)
drums (drum set):
Kenny Clarke (from 1955-07-21 until 1955-07-27)
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (from 1955-07-21 until 1955-07-27)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
2Sophisticated Lady
double bass:
Oscar Pettiford (from 1955-07-21 until 1955-07-27)
drums (drum set):
Kenny Clarke (from 1955-07-21 until 1955-07-27)
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
Sophisticated Lady (from 1955-07-21 until 1955-07-27)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
3I Got It Bad and That Ain’t Good
double bass:
Oscar Pettiford (from 1955-07-21 until 1955-07-27)
drums (drum set):
Kenny Clarke (from 1955-07-21 until 1955-07-27)
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
I Got It Bad (and That Ain’t Good) (from 1955-07-21 until 1955-07-27)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
4Black and Tan Fantasy
double bass:
Oscar Pettiford (from 1955-07-21 until 1955-07-27)
drums (drum set):
Kenny Clarke (from 1955-07-21 until 1955-07-27)
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
Black and Tan Fantasy (from 1955-07-21 until 1955-07-27)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Bubber Miley
recording of:
Black and Tan Fantasy
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Bubber Miley
?:??
5Mood Indigo
double bass:
Oscar Pettiford (from 1955-07-21 until 1955-07-27)
drums (drum set):
Kenny Clarke (from 1955-07-21 until 1955-07-27)
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
Mood Indigo (1930 jazz composition and song) (from 1955-07-21 until 1955-07-27)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
6I Let a Song Go Out of My Heart
double bass:
Oscar Pettiford (from 1955-07-21 until 1955-07-27)
drums (drum set):
Kenny Clarke (from 1955-07-21 until 1955-07-27)
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
I Let a Song Go Out of My Heart (from 1955-07-21 until 1955-07-27)
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (House vocalist) (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
7Solitude
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
(In My) Solitude (from 1955-07-21 until 1955-07-27)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
recording of:
(In My) Solitude
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
?:??
8Caravan
double bass:
Oscar Pettiford (from 1955-07-21 until 1955-07-27)
drums (drum set):
Kenny Clarke (from 1955-07-21 until 1955-07-27)
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
Caravan (from 1955-07-21 until 1955-07-27)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937) and Juan Tizol (in 1937)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
?:??
▼ CD 2: The Unique (1956)
#TitleRatingLength
1Liza
producer:
Orrin Keepnews
double bass:
Oscar Pettiford (on 1956-03-17)
drums (drum set):
Art Blakey (on 1956-03-17)
piano:
Thelonious Monk (on 1956-03-17)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-03-17)
instrumental recording of:
Liza (All the Clouds’ll Roll Away) (on 1956-03-17)
lyricist:
Ira Gershwin and Gus Khan
composer:
George Gershwin (composer)
publisher:
New World Music Corp. (in 1929)
part of:
An American in Paris (2015 Broadway musical)
?:??
2Memories of You
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1956-03-17)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-03-17)
instrumental recording of:
Memories of You (on 1956-03-17)
lyricist:
Andy Razaf (in 1930)
composer:
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
?:??
3Honeysuckle Rose
recorded in:
New York, New York, United States (on 1956-04-03)
producer:
Orrin Keepnews
double bass:
Oscar Pettiford (on 1956-04-03)
drums (drum set):
Art Blakey (on 1956-04-03)
piano:
Thelonious Monk (on 1956-04-03)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-04-03)
instrumental cover recording of:
Honeysuckle Rose (on 1956-04-03)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
?:??
4Darn That Dream
producer:
Orrin Keepnews
double bass:
Oscar Pettiford (on 1956-04-03)
drums (drum set):
Art Blakey (on 1956-04-03)
piano:
Thelonious Monk (on 1956-04-03)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-04-03)
instrumental recording of:
Darn That Dream (on 1956-04-03)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
?:??
5Tea for Two
producer:
Orrin Keepnews
double bass:
Oscar Pettiford (on 1956-04-03)
drums (drum set):
Art Blakey (on 1956-04-03)
piano:
Thelonious Monk (on 1956-04-03)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-04-03)
instrumental recording of:
Tea for Two (No, No, Nanette) (on 1956-04-03)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
?:??
6You Are Too Beautiful
producer:
Orrin Keepnews
double bass:
Oscar Pettiford (on 1956-03-17)
drums (drum set):
Art Blakey (on 1956-03-17)
piano:
Thelonious Monk (on 1956-03-17)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-03-17)
instrumental recording of:
You Are Too Beautiful (on 1956-03-17)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
?:??
7Just You, Just Me
producer:
Orrin Keepnews
double bass:
Oscar Pettiford (on 1956-03-17)
drums (drum set):
Art Blakey (on 1956-03-17)
piano:
Thelonious Monk (on 1956-03-17)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-03-17)
instrumental recording of:
Just You, Just Me (on 1956-03-17)
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (soundtrack of the 1977 film)
?:??
▼ CD 3: Brilliant Corners (1957)
#TitleRatingLength
1Brilliant Corners
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Ernie Henry (on 1956-10-15)
double bass:
Oscar Pettiford (on 1956-10-15)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-10-15)
piano:
Thelonious Monk (on 1956-10-15)
tenor saxophone:
Sonny Rollins (on 1956-10-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-10-15)
recording of:
Brilliant Corners (on 1956-10-15)
composer:
Thelonious Monk
?:??
2Ba-lue Bolivar Ba-lues-are
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Ernie Henry (on 1956-10-09)
double bass:
Oscar Pettiford (on 1956-10-09)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-10-09)
piano:
Thelonious Monk (on 1956-10-09)
tenor saxophone:
Sonny Rollins (on 1956-10-09)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-10-09)
edit of:
Ba-lue Bolivar Ba-lues-are (studio, 1956-10-09; quintet version for Riverside, with piano intro) by Thelonious Monk
recording of:
Ba‐lue Bolivar Ba‐lues‐are (on 1956-10-09)
composer:
Thelonious Monk
?:??
3Pannonica
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Ernie Henry (on 1956-10-09)
celesta and piano:
Thelonious Monk (on 1956-10-09)
double bass:
Oscar Pettiford (on 1956-10-09)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-10-09)
tenor saxophone:
Sonny Rollins (on 1956-10-09)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-10-09)
recording of:
Pannonica (on 1956-10-09)
composer:
Thelonious Monk
?:??
4I Surrender, Dear
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1956-12-07)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-12-07)
instrumental recording of:
I Surrender Dear (on 1956-12-07)
lyricist:
Gordon Clifford (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
?:??
5Bemsha Swing
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1956-12-07)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-12-07)
piano:
Thelonious Monk (on 1956-12-07)
tenor saxophone:
Sonny Rollins (on 1956-12-07)
trumpet:
Clark Terry (American swing trumpeter) (on 1956-12-07)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-12-07)
recording of:
Bemsha Swing (instrumental) (on 1956-12-07)
composer:
Denzil Best and Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd. and Thelonious Music
?:??
▼ CD 4: At the Blackhawk (1960)
#TitleRatingLength
1Let’s Call This
double bass [bass]:
John Ore (on 1960-04-29)
drums (drum set) [drums]:
Billy Higgins (US jazz drummer) (on 1960-04-29)
piano:
Thelonious Monk (on 1960-04-29)
tenor saxophone:
Harold Land (on 1960-04-29) and Charlie Rouse (on 1960-04-29)
trumpet:
Joe Gordon (jazz trumpeter) (on 1960-04-29)
recorded at:
The Blackhawk in San Francisco, California, United States (on 1960-04-29)
live recording of:
Let’s Call This (on 1960-04-29)
composer:
Thelonious Monk
8:34
2Four in One
double bass [bass]:
John Ore (on 1960-04-29)
drums (drum set) [drums]:
Billy Higgins (US jazz drummer) (on 1960-04-29)
piano:
Thelonious Monk (on 1960-04-29)
tenor saxophone:
Harold Land (on 1960-04-29) and Charlie Rouse (on 1960-04-29)
trumpet:
Joe Gordon (jazz trumpeter) (on 1960-04-29)
recorded at:
The Blackhawk in San Francisco, California, United States (on 1960-04-29)
live recording of:
Four in One (on 1960-04-29)
composer:
Thelonious Monk
8:42
3I’m Getting Sentimental Over You
double bass [bass]:
John Ore (on 1960-04-29)
drums (drum set) [drums]:
Billy Higgins (US jazz drummer) (on 1960-04-29)
piano:
Thelonious Monk (on 1960-04-29)
tenor saxophone:
Harold Land (on 1960-04-29) and Charlie Rouse (on 1960-04-29)
trumpet:
Joe Gordon (jazz trumpeter) (on 1960-04-29)
recorded at:
The Blackhawk in San Francisco, California, United States (on 1960-04-29)
live instrumental recording of:
I’m Getting Sentimental Over You (on 1960-04-29)
lyricist:
Ned Washington
composer:
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated), Mills Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
instrumental recording of:
I’m Getting Sentimental Over You
lyricist:
Ned Washington
composer:
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated), Mills Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
6:14
4Worry Later
double bass [bass]:
John Ore (on 1960-04-29)
drums (drum set) [drums]:
Billy Higgins (US jazz drummer) (on 1960-04-29)
piano:
Thelonious Monk (on 1960-04-29)
tenor saxophone:
Harold Land (on 1960-04-29) and Charlie Rouse (on 1960-04-29)
trumpet:
Joe Gordon (jazz trumpeter) (on 1960-04-29)
recorded at:
The Blackhawk in San Francisco, California, United States (on 1960-04-29)
live recording of:
San Francisco Holiday (on 1960-04-29)
composer:
Thelonious Monk
publisher:
Thelonious Music
9:10
5’round Midnight
double bass [bass]:
John Ore (on 1960-04-29)
drums (drum set) [drums]:
Billy Higgins (US jazz drummer) (on 1960-04-29)
piano:
Thelonious Monk (on 1960-04-29)
tenor saxophone:
Harold Land (on 1960-04-29) and Charlie Rouse (on 1960-04-29)
trumpet:
Joe Gordon (jazz trumpeter) (on 1960-04-29)
recorded at:
The Blackhawk in San Francisco, California, United States (on 1960-04-29)
live recording of:
’Round Midnight (on 1960-04-29)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
12:08
6Epistrophy (Closing Theme)
double bass [bass]:
John Ore (on 1960-04-29)
drums (drum set) [drums]:
Billy Higgins (US jazz drummer) (on 1960-04-29)
piano:
Thelonious Monk (on 1960-04-29)
tenor saxophone:
Harold Land (on 1960-04-29) and Charlie Rouse (on 1960-04-29)
trumpet:
Joe Gordon (jazz trumpeter) (on 1960-04-29)
recorded at:
The Blackhawk in San Francisco, California, United States (on 1960-04-29)
live partial recording of:
Epistrophy (on 1960-04-29)
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
1:00
▼ CD 5: In Italy (1963)
#TitleRatingLength
1Jackie-ing
double bass:
John Ore (on 1961-04-21)
drums (drum set):
Frankie Dunlop (on 1961-04-21)
piano:
Thelonious Monk (on 1961-04-21)
tenor saxophone:
Charlie Rouse (on 1961-04-21)
recorded at:
Teatro Lirico in Milano, Milano, Lombardia, Italy (on 1961-04-21)
live recording of:
Jackie-ing (on 1961-04-21)
composer:
Thelonious Monk
publisher:
Thelonious Music
?:??
2Epistrophy
double bass:
John Ore (on 1961-04-21)
drums (drum set):
Frankie Dunlop (on 1961-04-21)
piano:
Thelonious Monk (on 1961-04-21)
tenor saxophone:
Charlie Rouse (on 1961-04-21)
recorded at:
Teatro Lirico in Milano, Milano, Lombardia, Italy (on 1961-04-21)
live recording of:
Epistrophy (on 1961-04-21)
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
?:??
3Body and Soul
piano:
Thelonious Monk (on 1961-04-21)
recorded at:
Teatro Lirico in Milano, Milano, Lombardia, Italy (on 1961-04-21)
live instrumental recording of:
Body and Soul (on 1961-04-21)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
?:??
4Straight, No Chaser
double bass:
John Ore (on 1961-04-21)
drums (drum set):
Frankie Dunlop (on 1961-04-21)
piano:
Thelonious Monk (on 1961-04-21)
tenor saxophone:
Charlie Rouse (on 1961-04-21)
recorded at:
Teatro Lirico in Milano, Milano, Lombardia, Italy (on 1961-04-21)
live recording of:
Straight, No Chaser (on 1961-04-21)
composer:
Thelonious Monk
publisher:
Thelonious Music
?:??
5Bemsha Swing
double bass:
John Ore (on 1961-04-21)
drums (drum set):
Frankie Dunlop (on 1961-04-21)
piano:
Thelonious Monk (on 1961-04-21)
tenor saxophone:
Charlie Rouse (on 1961-04-21)
recorded at:
Teatro Lirico in Milano, Milano, Lombardia, Italy (on 1961-04-21)
live recording of:
Bemsha Swing (instrumental) (on 1961-04-21)
composer:
Denzil Best and Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd. and Thelonious Music
?:??
6San Francisco Holiday
double bass:
John Ore (on 1961-04-21)
drums (drum set):
Frankie Dunlop (on 1961-04-21)
piano:
Thelonious Monk (on 1961-04-21)
tenor saxophone:
Charlie Rouse (on 1961-04-21)
recorded at:
Teatro Lirico in Milano, Milano, Lombardia, Italy (on 1961-04-21)
live recording of:
San Francisco Holiday (on 1961-04-21)
composer:
Thelonious Monk
publisher:
Thelonious Music
?:??
7Crepuscule With Nellie
double bass:
John Ore (on 1961-04-21)
drums (drum set):
Frankie Dunlop (on 1961-04-21)
piano:
Thelonious Monk (on 1961-04-21)
tenor saxophone:
Charlie Rouse (on 1961-04-21)
recorded at:
Teatro Lirico in Milano, Milano, Lombardia, Italy (on 1961-04-21)
live recording of:
Crepuscule With Nellie (on 1961-04-21)
composer:
Thelonious Monk
publisher:
Thelonious Music
?:??
8Rhythm-a-ning
double bass:
John Ore (on 1961-04-21)
drums (drum set):
Frankie Dunlop (on 1961-04-21)
piano:
Thelonious Monk (on 1961-04-21)
tenor saxophone:
Charlie Rouse (on 1961-04-21)
recorded at:
Teatro Lirico in Milano, Milano, Lombardia, Italy (on 1961-04-21)
live recording of:
Rhythm-a-ning (on 1961-04-21)
composer:
Thelonious Monk
publisher:
Thelonious Music and Thelonious Music Corporation (Publisher, affiliated to BMI.)
?:??