Duets and Duets II (limited edition)

~ Release by Frank Sinatra (see all versions of this release, 7 available)

Tracklist

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▼ CD 1: Duets
#TitleArtistRatingLength
1The Lady Is a Tramp
recording engineer and mixer:
Al Schmitt
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums) (in 1993)
guitar:
Ron Anthony (in 1993)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-01) and Luther Vandross (on 1993-08-10)
arranger:
Billy Byers
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (in 1993)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Frank Sinatra with Luther Vandross43:24
2What Now, My Love?
recording engineer and mixer:
Al Schmitt
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums) (in 1993)
guitar:
Ron Anthony (in 1993)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-06) and Aretha Franklin (on 1993-07-30)
performer:
Aretha Franklin
arranger:
Don Costa (US pop music arranger & producer) and Patrick Williams (composer, arranger)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
What Now My Love (in 1993)
lyricist:
Pierre Delanoë
composer:
Gilbert Bécaud
translator:
Carl Sigman
publisher:
BMG Songs, Inc., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music Corp. and Warner Chappell Music, Inc.
translated version of:
Et maintenant
Frank Sinatra with Aretha Franklin33:15
3I’ve Got a Crush on You
recording engineer and mixer:
Al Schmitt
executive producer:
Jay Landers (Executive producer, A&R, producer, songwriter and music publisher)
producer:
David Foster (Canadian music producer, arranger and composer) and Phil Ramone
assistant mixer:
Carl Glanville
additional keyboard:
Mike Melvoin
double bass [bass]:
Dave Stone (bassist) (in 1993)
drums (drum set):
Jeff Hamilton (jazz drummer) (in 1993)
guitar:
Paul Viapiano (in 1993)
piano:
Mike Melvoin (in 1993)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-06) and Barbra Streisand (on 1993-08-17)
arranger:
Patrick Williams (composer, arranger)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
I’ve Got a Crush on You (in 1993)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Treasure Girl (1928 musical)
Frank Sinatra with Barbra Streisand33:23
4Summer Wind
recording engineer and mixer:
Al Schmitt
producer:
Albert Hammond and Phil Ramone
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums) (in 1993)
guitar:
Ron Anthony (in 1993)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-06) and Julio Iglesias (on 1993-07-19)
arranger:
Nelson Riddle
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
Summer Wind (in 1993)
lyricist:
Johnny Mercer
composer:
Henry Mayer
publisher:
Edition Primus Rolf Budde KG, M. Witmark & Sons, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and フジパシフィックミュージック
translated version of:
Sommerwind
Frank Sinatra with Julio Iglesias42:32
5Come Rain or Come Shine
recording engineer and mixer:
Al Schmitt
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums) (in 1993)
guitar:
Ron Anthony (in 1993)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-01) and Gloria Estefan (on 1993-08-11)
arranger:
Don Costa (US pop music arranger & producer)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
Come Rain or Come Shine (in 1993)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
Frank Sinatra with Gloria Estefan44:04
6New York, New York
recording engineer and mixer:
Al Schmitt
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums) (in 1993)
guitar:
Ron Anthony (in 1993)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-06) and Tony Bennett (US jazz/standards vocalist) (on 1993-08-11)
arranger:
Don Costa (US pop music arranger & producer)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
Theme From “New York, New York” (in 1993)
dedicated to:
New York, New York, United States
lyricist:
Fred Ebb
composer:
John Kander
publisher:
シンコーミュージック・パブリッシャーズ (ended), EMI Music Publishing (S.E. Asia) Ltd., Taiwan, EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
New York, New York (soundtrack of the 1977 film)
Frank Sinatra with Tony Bennett43:30
7They Can’t Take That Away From Me
recording engineer and mixer:
Al Schmitt
producer:
Andre Fischer (US drummer and funk/soul/pop producer) and Phil Ramone
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums) (in 1993)
guitar:
Ron Anthony (in 1993)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-01) and Natalie Cole (on 1993-07-26)
arranger:
Patrick Williams (composer, arranger)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (in 1993)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Frank Sinatra with Natalie Cole43:11
8You Make Me Feel So Young
recording engineer and mixer:
Al Schmitt
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums) (in 1993)
guitar:
Ron Anthony (in 1993)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-06) and Charles Aznavour (on 1993-08-21)
arranger:
Quincy Jones
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
You Make Me Feel So Young (in 1993)
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Frank Sinatra with Charles Aznavour43:05
9Guess I’ll Hang My Tears Out to Dry / In the Wee Small Hours of the Morning
recording engineer and mixer:
Al Schmitt
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums) (in 1993)
guitar:
Ron Anthony (in 1993)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-09) and Carly Simon (on 1993-08-10)
arranger:
Nelson Riddle
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
medley including a recording of:
Guess I’ll Hang My Tears Out to Dry (in 1993)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell & Co., Inc. (USA) and Chappell Music (UK)
medley including a recording of:
In the Wee Small Hours of the Morning (in 1993)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
Frank Sinatra with Carly Simon43:57
10I’ve Got the World on a String
recording engineer and mixer:
Al Schmitt
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums) (in 1993)
guitar:
Ron Anthony (in 1993)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-01) and Liza Minnelli (on 1993-08-29)
arranger:
Nelson Riddle
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
I’ve Got the World on a String (in 1993)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Frank Sinatra with Liza Minnelli32:18
11Witchcraft
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums) (in 1993)
guitar:
Ron Anthony (in 1993)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-09) and Anita Baker (on 1993-08-24)
arranger:
Nelson Riddle and Patrick Williams (composer, arranger)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
Witchcraft (in 1993)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
Frank Sinatra with Anita Baker33:22
12I’ve Got You Under My Skin
recording engineer and mixer:
Al Schmitt
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums) (in 1993)
guitar:
Ron Anthony (in 1993)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-01) and Bono (singer of U2) (on 1993-08-26)
arranger:
Nelson Riddle
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
I’ve Got You Under My Skin (in 1993)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Frank Sinatra with Bono33:32
13All the Way / One for My Baby (And One More for the Road)
recording engineer and mixer:
Al Schmitt
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums) (in 1993)
guitar:
Ron Anthony (in 1993)
saxophone:
Kenny G (saxophonist) (from 1993-07-27 until 1993-08-24)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-01)
arranger:
Nelson Riddle and Patrick Williams (composer, arranger)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
medley including a recording of:
All the Way (from “The Joker Is Wild”) (in 1993)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Maraville Music Corp. and The International Music Network
sub-publisher:
フジパシフィックミュージック
part of:
The 30th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 30)
medley including a recording of:
One for My Baby (and One More for the Road) (in 1993)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
Frank Sinatra with Kenny G46:03
▼ CD 2: Duets Ii
#TitleArtistRatingLength
1For Once in My Life
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
harmonica and piano:
Stevie Wonder (on 1994-10-04)
other vocals [introductory vocal]:
Stevie Wonder
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-06) and Gladys Knight (on 1994-05-24)
arranger:
Don Costa (US pop music arranger & producer)
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
For Once in My Life
lyricist:
Ron Miller (Motown songwriter Ronald Norman Miller)
composer:
Orlando Murden
publisher:
Jobete Music, Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation and ソニー・ミュージックパブリッシング フジパシフィック事業部
Frank Sinatra with Gladys Knight and Stevie Wonder3:18
2Come Fly With Me
co-producer:
Hank Cattaneo
producer:
Kiko Cibrián, Jose Quintana and Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-01) and Luis Miguel (on 1994-08-10)
arranger:
Billy May
mixed at:
Crescent Moon Studios in Miami, Florida, United States
recording of:
Come Fly With Me
lyricist:
Sammy Cahn (in 1957)
composer:
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) and フジパシフィックミュージック
Frank Sinatra with Luis Miguel3:08
3Bewitched
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1994) and Patti LaBelle (on 1994-08-26)
arranger:
Patrick Williams (composer, arranger)
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
Frank Sinatra with Patti LaBelle3:31
4The Best Is Yet to Come
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-10-12) and Jon Secada (on 1993-12-01)
arranger:
Quincy Jones
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
The Best Is Yet to Come
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Company, Inc. and WB Music Corp. (1929–2019)
Frank Sinatra with Jon Secada3:13
5Moonlight in Vermont
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1994) and Linda Ronstadt (from 1994-05-09 until 1994-05-10)
arranger:
Patrick Williams (composer, arranger)
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
Moonlight in Vermont
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Frank Sinatra with Linda Ronstadt4:07
6Fly Me to the Moon
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
background vocals:
George Noriega (American songwriter and record producer) and Rita Quintero
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-10-12) and Antônio Carlos Jobim (from 1994-08-12 until 1994-09-20)
performer:
Edwin Bonilla, Ed Calle, Jorge Casas, Paulo Jobim and Juanito Márquez
arranger:
Quincy Jones and Patrick Williams (composer, arranger)
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
Frank Sinatra with Antonio Carlos Jobim3:06
7Luck Be a Lady
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
solo trumpet:
Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-09) and Chrissie Hynde (rock singer-songwriter and founder of Pretenders) (from 1994-09-09 until 1994-09-22)
arranger:
Billy May
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
Luck Be a Lady (from “Guys and Dolls”)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp. and MPL UK Publishing
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
part of:
Guys and Dolls (full musical)
Frank Sinatra with Chrissie Hynde5:17
8A Foggy Day
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-10-12) and Willie Nelson (on 1994-09-29)
arranger:
Johnny Mandel (American composer and arranger)
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
A Foggy Day (in London Town)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
part of:
A Damsel in Distress (1937 film score)
Frank Sinatra with Willie Nelson2:24
9Where or When
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
additional keyboard:
Clay Ostwald
piano:
Terry Trotter
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-10-14), Eydie Gormé (on 1994-08-19) and Steve Lawrence (American singer and actor) (on 1994-08-19)
arranger:
Billy Byers
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
Where or When (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell, Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
Frank Sinatra with Steve Lawrence and Eydie Gorme3:53
10Embraceable You
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (from 1993-12 until 1994) and Lena Horne (on 1994-08-25)
arranger:
Nelson Riddle
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
Embraceable You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Frank Sinatra with Lena Horne3:45
11Mack the Knife
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
vocals:
Jimmy Buffett (from 1993 until 1994) and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (from 1993 until 1994)
arranger:
Frank Foster (saxophonist) and Patrick Williams (composer, arranger)
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Frank Sinatra with Jimmy Buffett4:26
12How Do You Keep the Music Playing? / My Funny Valentine
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-10-14) and Lorrie Morgan (on 1994-05-12)
performer:
Lorrie Morgan
arranger:
Patrick Williams (composer, arranger)
mixed at:
Crescent Moon Studios in Miami, Florida, United States
recording of:
How Do You Keep the Music Playing?
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
Warner Olive Music LLC and WB Music Corp. (1929–2019) (in 1982)
part of:
The 55th Academy Award for Best Original Song (number: 2)
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Frank Sinatra with Lorrie Morgan3:58
13My Kind of Town
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-09) and Frank Sinatra, Jr. (on 1993-07-27)
arranger:
Nelson Riddle
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
My Kind of Town
dedicated to:
Chicago, Illinois, United States
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), The Songwriters Guild, Universal Music Corp. (USA, affiliated with ASCAP), WB Music Corp. (1929–2019), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部, Glorste, Inc. (in 1964), Sergeant Music Co. (in 1964) and Van Heusen Music Corp. (in 1964)
part of:
The 37th Academy Award for Best Original Song (number: 2)
Frank Sinatra with Frank Sinatra Jr.2:36
14The House I Live In (That’s America to Me)
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
vocals:
Neil Diamond (from 1993 until 1994) and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (from 1993 until 1994)
arranger:
Don Costa (US pop music arranger & producer)
vocals arranger:
Tom Hensley and Alan Lindgren
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
The House I Live In
lyricist:
Lewis Allan
composer:
Earl Robinson (40s US folk artist)
publisher:
Chappell & Co., Inc. (USA) and Music Sales Corporation (American copyright holder in both popular and classical music)
Frank Sinatra with Neil Diamond4:15
▼ CD 3: Frank Sinatra Duets and Duets Ii – Radio Special
#TitleArtistRatingLength
1Introduction
Frank Sinatra, Barbara Sinatra, Sid Mark & Tony Renaud6:33
2Come Rain or Come Shine (with commentary)
cover recording of:
Come Rain or Come Shine
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
Frank Sinatra with Gloria Estefan5:52
3New York, New York (with Commentary)
cover recording of:
Theme From “New York, New York”
dedicated to:
New York, New York, United States
lyricist:
Fred Ebb
composer:
John Kander
publisher:
シンコーミュージック・パブリッシャーズ (ended), EMI Music Publishing (S.E. Asia) Ltd., Taiwan, EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
New York, New York (soundtrack of the 1977 film)
Frank Sinatra with Tony Bennett7:25
4I’ve Got You Under My Skin (with commentary)
cover recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Frank Sinatra with Bono9:41
5What Now, My Love? (with Commentary)
cover recording of:
What Now My Love (in 1993)
lyricist:
Pierre Delanoë
composer:
Gilbert Bécaud
translator:
Carl Sigman
publisher:
BMG Songs, Inc., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music Corp. and Warner Chappell Music, Inc.
translated version of:
Et maintenant
Frank Sinatra with Aretha Franklin6:28
6Guess I’ll Hang My Tears Out to Dry / In the Wee Small Hours of the Morning (with commentary)
medley including a cover recording of:
Guess I’ll Hang My Tears Out to Dry
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell & Co., Inc. (USA) and Chappell Music (UK)
medley including a recording of:
In the Wee Small Hours of the Morning
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
Frank Sinatra with Carly Simon4:51
7They Can’t Take That Away From Me (with commentary)
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Frank Sinatra with Natalie Cole3:15
8The Best Is Yet to Come (with commentary)
cover recording of:
The Best Is Yet to Come
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Company, Inc. and WB Music Corp. (1929–2019)
Frank Sinatra with Jon Secada3:17
9A Foggy Day (with commentary)
cover recording of:
A Foggy Day (in London Town)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
part of:
A Damsel in Distress (1937 film score)
Frank Sinatra with Willie Nelson2:51
10Where or When (with commentary)
cover recording of:
Where or When (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell, Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
Frank Sinatra with Steve Lawrence and Eydie Gorme7:02
11Embraceable You (with commentary)
cover recording of:
Embraceable You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Frank Sinatra with Lena Horne4:01
12My Kind of Town (with commentary)
recording of:
My Kind of Town
dedicated to:
Chicago, Illinois, United States
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), The Songwriters Guild, Universal Music Corp. (USA, affiliated with ASCAP), WB Music Corp. (1929–2019), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部, Glorste, Inc. (in 1964), Sergeant Music Co. (in 1964) and Van Heusen Music Corp. (in 1964)
part of:
The 37th Academy Award for Best Original Song (number: 2)
Frank Sinatra with Frank Sinatra, Jr.5:14