The Verve Story: 1944-1994

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Packaging: 4 jewel boxes in a cardboard box.

Annotation last modified on 2014-08-01 13:00 UTC.

Tracklist

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CD 1: 1944-1953
#TitleArtistRatingLength
1Blues
Jazz at the Philharmonic All-Stars10:24
2Oh, Lady Be Good
Jazz at the Philharmonic All-Stars11:08
3I’ve Found a New Baby
Lester Young4:05
4Trav’lin’ Light
recording of:
Trav’lin’ Light
lyricist:
Johnny Mercer (in 1942)
composer:
Jimmy Mundy (in 1942) and Trummy Young (in 1942)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publishing, Music Sales Corporation (American copyright holder in both popular and classical music), Rytvoc, Inc. (ASCAP) and WB Music Corp. (1929–2019)
Billie Holiday3:25
5Repetition
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (in 1947-12), Sonny Salad (in 1947-12) and Murray Williams (in 1947-12)
baritone saxophone:
Manny Albam (in 1947-12)
bongos and congas:
Diego Iborra (jazz percussionist)
cello:
Joe Benaventi (in 1947-12)
clarinet:
John LaPorta (in 1947-12)
double bass:
Curley Russell (in 1947-12)
drums (drum set):
Shelly Manne (US jazz drummer) (, in 1947-12)
French horn:
Vincent Jacobs (Musician - French Horn Player) and Vinnie Jacobs (in 1947-12)
percussion:
Diego Iborra (jazz percussionist) (in 1947-12)
piano:
Tony Aless (in 1947-12)
tenor saxophone:
Pete Mondello (in 1947-12) and Flip Phillips (in 1947-12)
trombone:
Bill Harris (Jazz trombonist) (in 1947-12) and Bart Varsalona (in 1947-12)
trumpet:
Doug Mettome (in 1947-12), Al Porcino (in 1947-12) and Ray Wetzel (in 1947-12)
viola:
Nat Nathanson (in 1947-12) and Fred Ruzilla (in 1947-12)
violin:
Sam Kaplan (violinist), Harry Katzman, Sammy Caplan (in 1947-12), Manny Fidler (in 1947-12), Sid Harris (in 1947-12), Harry Kaltzman (in 1947-12), Gene Orloff (in 1947-12) and Zelly Smirnoff (violinist) (in 1947-12)
orchestra:
Neal Hefti Orchestra
conductor:
Neal Hefti
arranger:
Neal Hefti
recording of:
Repetition (in 1947-12)
composer:
Neal Hefti
Charlie Parker3:00
6PicassoColeman Hawkins3:17
7Tanga
performer:
Machito and His Orchestra
recording of:
Tanga
lyricist and composer:
Mario Bauzá
Machito y Su Orquesta5:10
8Celia
recorded in:
New York, New York, United States (in 1949-01)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (in 1949-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1949-01)
piano:
Bud Powell (in 1949-01)
recording of:
Celia (in 1949-01)
composer:
Bud Powell
Bud Powell3:01
9Just Friends
recorded in:
New York, New York, United States (on 1949-11-30)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1949-11-30)
cello:
Frank Miller (US cellist) (on 1949-11-30)
cor anglais and oboe:
Mitch Miller (on 1949-11-30)
double bass:
Ray Brown (jazz bassist) (on 1949-11-30)
drums (drum set):
Buddy Rich (on 1949-11-30)
harp:
Meyer Rosen (Musician - Harp Player) (on 1949-11-30) and Myor Rosen (on 1949-11-30)
piano:
Stan Freeman (on 1949-11-30)
viola:
Frank Brieff (on 1949-11-30)
violin:
Bronislaw Gimpel (violinist) (on 1949-11-30), Max Hollander (on 1949-11-30) and Milton Lomask (on 1949-11-30)
orchestra:
Jimmy Carroll & His Orchestra (on 1949-11-30) and Charlie Parker Quartet (on 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
instrumental recording of:
Just Friends (on 1949-11-30)
lyricist:
Sam M. Lewis (1930s lyricist)
composer:
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
Charlie Parker3:33
10Bloomdido
recording of:
Bloomdido
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Charlie Parker & Dizzy Gillespie3:27
11Jeep’s Blues
Johnny Hodges2:59
12Drum Boogie
Gene Krupa3:07
13Port of Rico
recording of:
Port of Rico
composer:
Illinois Jacquet
Illinois Jacquet2:44
14Tenderly
recording of:
Tenderly
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
Oscar Peterson5:47
15It Don’t Mean a Thing (If It Ain’t Got That Swing)
performer:
Dizzy Gillespie
Stan Getz feat. Dizzy Gillespie6:40
16Echoes of Harlem
Roy Eldridge4:01
CD 2: 1953-1957
#TitleArtistRatingLength
1Tea for Two
Art Tatum3:33
2Manteca (Theme)
recording of:
Manteca
composer:
Walter “Gil” Fuller (jazz composer & arranger), Dizzy Gillespie and Chano Pozo
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Twenty-Eighth Street Music
Dizzy Gillespie4:16
3My One and Only Love
Benny Carter3:55
4Flying Home
recording of:
Flying Home (sung/scat version, eg. by Ella Fitzgerald)
lyricist:
Sid Robin (US lyricist & composer)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Boosey & Hawkes Music Publishers, Ltd and Regent Music (BMI)
version of:
Flying Home (instrumental version)
Lionel Hampton3:17
5Lemonaid 21
Flip Phillips6:34
6Every Day I Have the BluesCount Basie & Joe Williams5:29
7April in Paris
producer:
Norman Granz
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1955-07-26) and Marshall Royal (on 1955-07-26)
alto saxophone, clarinet, flute and tenor saxophone:
Frank Wess (on 1955-07-26)
baritone saxophone and bass clarinet:
Charlie Fowlkes (on 1955-07-26)
clarinet and tenor saxophone:
Frank Foster (saxophonist) (on 1955-07-26)
double bass:
Eddie Jones (US jazz double bassist) (on 1955-07-26)
drums (drum set):
Sonny Payne (on 1955-07-26)
guitar:
Freddie Green (on 1955-07-26)
piano:
Count Basie (pianist) (on 1955-07-26)
trombone:
Henry Coker (on 1955-07-26), Bill Hughes (trombone) (on 1955-07-26) and Benny Powell (on 1955-07-26)
trumpet:
Wendell Culley (on 1955-07-26), Reunald Jones (on 1955-07-26), Thad Jones (on 1955-07-26) and Joe Newman (US jazz trumpeter) (on 1955-07-26)
arranger:
Wild Bill Davis
instrumental recording of:
April in Paris (on 1955-07-26)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Count Basie3:49
8Honeysuckle Rose
recording of:
Honeysuckle Rose
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
Anita O’Day3:16
9All of Me
cover recording of:
All of Me (on 1956-01-13)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC
sub-publisher:
Peermusic and 日音 Synch事業部
The Lester Young — Teddy Wilson Quartet5:10
10Just One of Those Things
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-07) and Bud Shank (on 1956-02-07)
baritone saxophone:
Chuck Gentry (on 1956-02-07)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-07) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
trombone:
Milt Bernhart (on 1956-02-07), Joe Howard (american trombone player) (on 1956-02-07) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-07)
trumpet:
Pete Candoli (on 1956-02-07), Harry “Sweets” Edison (on 1956-02-07), Maynard Ferguson (on 1956-02-07) and Conrad Gozzo (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
conductor:
Buddy Bregman (on 1956-02-07)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Just One of Those Things (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Ella Fitzgerald23:33
11Lady Sings the Blues
recorded in:
New York, New York, United States (on 1956-06-06)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-06-06)
double bass:
Aaron Bell (jazz double bassist) (on 1956-06-06)
drums (drum set):
Lenny McBrowne (US jazz drummer) (on 1956-06-06)
guitar:
Kenny Burrell (on 1956-06-06)
piano:
Wynton Kelly (on 1956-06-06)
tenor saxophone:
Paul Quinichette (on 1956-06-06)
trumpet:
Charlie Shavers (on 1956-06-06)
vocals:
Billie Holiday (on 1954-06-06)
recording of:
Lady Sings the Blues (on 1956-06-06)
lyricist:
Billie Holiday
composer:
Herbie Nichols (jazz pianist and composer)
publisher:
Northern Music Company
Billie Holiday43:47
12Swinging on a Star
recording of:
Swinging on a Star
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Inc. and Music Sales Corporation (American copyright holder in both popular and classical music)
part of:
The 17th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 17)
Oscar Peterson4:59
13Cooking the Blues
Buddy DeFranco7:00
14They Can’t Take That Away From Me
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1956-08-16)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald & Louis Armstrong4.54:41
15La Rosita
Ben Webster & Coleman Hawkins5:05
16I Know That You Know
instrumental recording of:
I Know That You Know (Caldwell & Youmans) (on 1957-12-19)
lyricist:
Anne Caldwell
composer:
Vincent Youmans
part of:
Hit the Deck (1955 movie)
Dizzy Gillespie with Sonny Rollins and Sonny Stitt5:28
CD 3: 1957-1962
#TitleArtistRatingLength
1Crazy Rhythm
Stan Getz & J.J. Johnson7:45
2Surrey With the Fringe on Top
recorded in:
New York, New York, United States (from 1958-09-12 until 1958-09-13)
engineer:
Tommy Nola
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1958-09-12 until 1958-09-13)
drums (drum set):
Ed Thigpen (from 1958-09-12 until 1958-09-13)
guitar:
Mundell Lowe (from 1958-09-12 until 1958-09-13)
piano:
Blossom Dearie (from 1958-09-12 until 1958-09-13)
vocals:
Blossom Dearie (from 1958-09-12 until 1958-09-13)
Blossom Dearie4:19
3Stompy Jones
recording of:
Stompy Jones
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington & Johnny Hodges6:42
4I Can’t Give You Anything but Love
producer:
Norman Granz
alto saxophone:
Sonny Stitt (on 1959-05-18)
double bass:
Ray Brown (jazz bassist) (on 1959-05-18)
drums (drum set):
Ed Thigpen (on 1959-05-18)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-05-18)
Sonny Stitt4:04
5Chelsea Bridge
engineer:
Phil Schaap (Grammy-winning jazz archivist and producer)
producer:
Norman Granz
baritone saxophone:
Gerry Mulligan (from 1959-11-03 until 1959-12-02)
double bass:
Leroy Vinnegar (from 1959-11-03 until 1959-12-02)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1959-11-03 until 1959-12-02)
piano:
Jimmy Rowles (from 1959-11-03 until 1959-12-02)
tenor saxophone:
Ben Webster (from 1959-11-03 until 1959-12-02)
cover recording of:
Chelsea Bridge (from 1959-11-03 until 1959-12-02)
composer:
Billy Strayhorn (in 1941)
arranger:
Joe Henderson (US jazz tenor saxophonist)
Gerry Mulligan & Ben Webster7:22
6Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Ella Fitzgerald4:44
7Too Close for Comfort
Mel Tormé4:05
8In the Mornings Out There
Jimmy Giuffre6:51
9I’m Gonna Go Fishin’
Gerry Mulligan5:51
10Night Rider
Stan Getz4:00
11I Remember You
Lee Konitz4:30
12Something’s Coming
Oscar Peterson3:54
13Desafinado
recording engineer:
Edward Green (engineer) (on 1962-02-13)
producer:
Norman Granz and Creed Taylor
bass and guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
bass guitar:
Gene “Joe” Byrd (jazz lyrical bassist)
double bass:
Keter Betts (on 1962-02-13)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13)
percussion:
Bill Reichenbach (jazz drummer) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
instrumental cover recording of:
Desafinado (on 1962-02-13)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部
Stan Getz & Charlie Byrd45:53
14Walk on the Wild Side
Jimmy Smith5:53
CD 4: 1962-1994
#TitleArtistRatingLength
1’Round Midnight
recording engineer:
Ray Hall (engineer) (on 1963-02-09)
engineer:
Val Valentin
producer:
Creed Taylor
piano:
Bill Evans (pianist) (on 1963-02-09)
recorded at:
Webster Hall in New York, New York, United States (on 1963-02-09)
recording of:
’Round Midnight (on 1963-02-09)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Bill Evans6:32
2The Girl From Ipanema
recording engineer:
Phil Ramone
producer:
Creed Taylor
bass guitar:
Tommy Williams (jazz bassist) (from 1963-03-18 until 1963-03-19)
drums (drum set):
Milton Banana (from 1963-03-18 until 1963-03-19)
guest piano and piano:
Antônio Carlos Jobim (from 1963-03-18 until 1963-03-19)
guitar:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
tenor saxophone:
Stan Getz (from 1963-03-18 until 1963-03-19)
vocals:
Astrud Gilberto (from 1963-03-18 until 1963-03-19) and João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1963-03-18 until 1963-03-19)
recording of:
The Girl From Ipanema (from 1963-03-18 until 1963-03-19)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc., Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Windswept Music (London) Ltd.
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
Stan Getz & João Gilberto feat. Antonio Carlos Jobim3.55:24
3Soul Sauce (Guachi Guaro)
engineer:
Phil Ramone (on 1964-11-20)
producer:
Creed Taylor
bass:
John Hilliard (jazz bassist) (on 1964-11-20)
drums (drum set):
John Rae (US jazz drummer/vibraphonist) (on 1964-11-20)
percussion:
Willie Bobo (on 1964-11-20), Armando Peraza (on 1964-11-20) and Alberto "Virgilio" Valdés (on 1964-11-20)
piano:
Lonnie Hewitt (on 1964-11-20)
vibraphone:
Cal Tjader (on 1964-11-20)
vocals:
Willie Bobo (on 1964-11-20)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1964-11-20)
recording of:
Soul Sauce (on 1964-11-20)
writer:
Milton DeLugg, Chano Pozo and Bob Thiele (producer & songwriter)
version of:
Guarachi Guaro
Cal Tjader2:29
4Last Night When We Were Young
Kenny Burrell4:39
5If You Could See Me Now
Wynton Kelly Trio & Wes Montgomery8:24
6Night Train
performer:
Wes Montgomery
Jimmy Smith and Wes Montgomery6:48
7Every Night
Joe Williams5:20
8The Good Life
Betty Carter7:01
9You Won’t Forget MeShirley Horn7:12
10Bird Alone
assistant engineer:
Jay Newland
producer:
Jean-Philippe Allard
recorded at:
BMG Studios in Theater District, New York, New York, United States (from 1991-02-25 until 1991-02-26)
mixed at:
BMG Studios in Theater District, New York, New York, United States (from 1991-02-27 until 1991-02-28)
recording of:
Bird Alone
lyricist and composer:
Abbey Lincoln
Abbey Lincoln8:35
11Johnny Come Lately
recording engineer:
Rudy van Gelder (from 1991-09-03 until 1991-09-08)
assistant engineer:
Maureen Sickler
assistant producer:
Camille Tominaro
producer:
Richard Seidel and Don Sickler
mixer:
Rudy van Gelder
bass:
Christian McBride (American jazz bassist) (from 1991-09-03 until 1991-09-08)
drums (drum set):
Gregory Hutchinson (from 1991-09-03 until 1991-09-08)
piano:
Stephen Scott (jazz pianist) (from 1991-09-03 until 1991-09-08)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1991-09-03 until 1991-09-08)
trumpet:
Wynton Marsalis (from 1991-09-03 until 1991-09-08)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (from 1991-09-03 until 1991-09-08)
cover recording of:
Stomp (Johnny Come Lately) (from 1991-09-03 until 1991-09-08)
composer:
Billy Strayhorn
Joe Henderson6:32
12Hello My Lovely
assistant engineer:
Philippe Bruguière (engineer)
engineer:
Alain Cluzeau
producer:
Charlie Haden (American jazz bassist) and Hans Wendl
assistant mixer:
Mark Slagle (in 1991-12)
mixer:
Cookie Marenco (in 1991-12)
double bass:
Charlie Haden (American jazz bassist) (from 1991-10-27 until 1991-10-28)
drums (drum set):
Lawrence Marable (from 1991-10-27 until 1991-10-28)
piano:
Alan Broadbent (from 1991-10-27 until 1991-10-28)
tenor saxophone:
Ernie Watts (jazz and blues saxophonist) (from 1991-10-27 until 1991-10-28)
phonographic copyright (℗) by:
Polydor/PolyGram S.A. France (use for copyright only) (in 1992)
recorded at:
Studio Plateforme in Sète, Hérault, Occitanie, France (from 1991-10-27 until 1991-10-28)
mixed at:
Different Fur Studios in San Francisco, California, United States (in 1991-12)
recording of:
Hello My Lovely
composer:
Charlie Haden (American jazz bassist)
Charlie Haden6:48