Bach: Kantate "Ich habe genug", BWV 82 / Brahms: Vier ernste Gesänge & 10 Lieder

~ Release by Johann Sebastian Bach, Johannes Brahms; Hans Hotter (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Kantate "Ich habe genug", BWV 82: 1. Aria: "Ich habe genug"
sound engineer:
Arthur Clarke (engineer) (from 1950-03-22 until 1950-03-24)
producer:
Walter Legge (British classical record producer, 1906-1979)
oboe:
Sidney Sutcliffe (oboist) (from 1950-03-22 until 1950-03-24)
organ:
Geraint Jones (conductor, organist / harpsichordist) (from 1950-03-22 until 1950-03-24)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1950-03-22 until 1950-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1950-03-22 until 1950-03-24)
conductor:
Anthony Bernard (from 1950-03-22 until 1950-03-24)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1950-03-22 until 1950-03-24)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (from 1950-03-22 until 1950-03-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach8:08
2Kantate "Ich habe genug", BWV 82: 2. Rezitativ: "Ich habe genug"
sound engineer:
Arthur Clarke (engineer) (from 1950-03-22 until 1950-03-24)
producer:
Walter Legge (British classical record producer, 1906-1979)
oboe:
Sidney Sutcliffe (oboist) (from 1950-03-22 until 1950-03-24)
organ:
Geraint Jones (conductor, organist / harpsichordist) (from 1950-03-22 until 1950-03-24)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1950-03-22 until 1950-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1950-03-22 until 1950-03-24)
conductor:
Anthony Bernard (from 1950-03-22 until 1950-03-24)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1950-03-22 until 1950-03-24)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (from 1950-03-22 until 1950-03-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach1:30
3Kantate "Ich habe genug", BWV 82: 3. Aria: "Schlummert ein, ihr matten Augen"
sound engineer:
Arthur Clarke (engineer) (from 1950-03-22 until 1950-03-24)
producer:
Walter Legge (British classical record producer, 1906-1979)
oboe:
Sidney Sutcliffe (oboist) (from 1950-03-22 until 1950-03-24)
organ:
Geraint Jones (conductor, organist / harpsichordist) (from 1950-03-22 until 1950-03-24)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1950-03-22 until 1950-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1950-03-22 until 1950-03-24)
conductor:
Anthony Bernard (from 1950-03-22 until 1950-03-24)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1950-03-22 until 1950-03-24)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (from 1950-03-22 until 1950-03-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach10:42
4Kantate "Ich habe genug", BWV 82: 4. Rezitativ: "Mein Gott! wann kommt das schoene Nun!"
sound engineer:
Arthur Clarke (engineer) (from 1950-03-22 until 1950-03-24)
producer:
Walter Legge (British classical record producer, 1906-1979)
oboe:
Sidney Sutcliffe (oboist) (from 1950-03-22 until 1950-03-24)
organ:
Geraint Jones (conductor, organist / harpsichordist) (from 1950-03-22 until 1950-03-24)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1950-03-22 until 1950-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1950-03-22 until 1950-03-24)
conductor:
Anthony Bernard (from 1950-03-22 until 1950-03-24)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1950-03-22 until 1950-03-24)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (from 1950-03-22 until 1950-03-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach1:17
5Kantate "Ich habe genug", BWV 82: 5. Aria: "Ich freue mich auf meinen Tod"
sound engineer:
Arthur Clarke (engineer) (from 1950-03-22 until 1950-03-24)
producer:
Walter Legge (British classical record producer, 1906-1979)
oboe:
Sidney Sutcliffe (oboist) (from 1950-03-22 until 1950-03-24)
organ:
Geraint Jones (conductor, organist / harpsichordist) (from 1950-03-22 until 1950-03-24)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1950-03-22 until 1950-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1950-03-22 until 1950-03-24)
conductor:
Anthony Bernard (from 1950-03-22 until 1950-03-24)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1950-03-22 until 1950-03-24)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (from 1950-03-22 until 1950-03-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach4:04
6Vier ernste Gesänge, op. 121: I. Denn es gehet dem Menschen
sound engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1951-11-11 until 1951-11-12)
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Gerald Moore (pianist) (on 1951-11-12)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (on 1951-11-12)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1951-11-11 until 1951-11-12)
recording of:
4 ernste Gesänge, op. 121: Nr. 1. Denn es gehet dem Menschen wie dem Vieh (on 1951-11-12)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
translator:
Martin Luther (German theologian of the Reformation)
part of:
4 ernste Gesänge, op. 121
Johannes Brahms4:33
7Vier ernste Gesänge, op. 121: II. Ich wandte mich und sahe an alle
sound engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1951-11-11 until 1951-11-12)
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Gerald Moore (pianist) (on 1951-11-12)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (on 1951-11-12)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1951-11-11 until 1951-11-12)
recording of:
4 ernste Gesänge, op. 121: Nr. 2. Ich wandte mich und sahe an alle (on 1951-11-12)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
translator:
Martin Luther (German theologian of the Reformation)
part of:
4 ernste Gesänge, op. 121
Johannes Brahms4:03
8Vier ernste Gesänge, op. 121: III. O Tod, wie bitter bist du
sound engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1951-11-11 until 1951-11-12)
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Gerald Moore (pianist) (on 1951-11-12)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (on 1951-11-12)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1951-11-11 until 1951-11-12)
recording of:
4 ernste Gesänge, op. 121: Nr. 3. O Tod, wie bitter bist du (on 1951-11-12)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
translator:
Martin Luther (German theologian of the Reformation)
part of:
4 ernste Gesänge, op. 121
Johannes Brahms4:02
9Vier ernste Gesänge, op. 121: IV. Wenn ich mit Menschen
sound engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1951-11-11 until 1951-11-12)
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Gerald Moore (pianist) (on 1951-11-12)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (on 1951-11-12)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1951-11-11 until 1951-11-12)
recording of:
4 ernste Gesänge, op. 121: Nr. 4. Wenn ich mit Menschen- und mit Engelszungen redete (on 1951-11-12)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
translator:
Martin Luther (German theologian of the Reformation)
part of:
4 ernste Gesänge, op. 121
Johannes Brahms4:51
10Feldeinsamkeit, op. 86 no. 2
sound engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1951-05-21 until 1951-05-22)
producer:
Walter Legge (British classical record producer, 1906-1979)
piano:
Gerald Moore (pianist) (on 1951-05-22)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (on 1951-05-22)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1951-05-21 until 1951-05-22)
recording of:
6 Lieder, op. 86: Nr. 2. Feldeinsamkeit (on 1951-05-22)
lyricist:
Hermann Allmers
composer:
Johannes Brahms (German composer)
part of:
6 Lieder, op. 86
Johannes Brahms4:05
11Minnelied III, op. 71 no. 5
piano:
Gerald Moore (pianist) (from 1956-05-19 until 1956-05-20)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1956-05-19 until 1956-05-20)
recording of:
5 Lieder, op. 71: Nr. 5. Minnelied (from 1956-05-19 until 1956-05-20)
lyricist:
Ludwig Heinrich Christoph Hölty
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 71
Johannes Brahms2:05
12Sapphische Ode, op. 94 no. 4
piano:
Gerald Moore (pianist) (from 1956-05-19 until 1956-05-20)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1956-05-19 until 1956-05-20)
recording of:
5 Lieder, op. 94: Nr. 4. Sapphische Ode (from 1956-05-19 until 1956-05-20)
lyricist:
Hans Schmidt (Baltic-German composer and poet)
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 94
Johannes Brahms2:48
13Botschaft, op. 47 no. 1
piano:
Gerald Moore (pianist) (from 1956-05-19 until 1956-05-20)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1956-05-19 until 1956-05-20)
recording of:
5 Lieder, op. 47: Nr. 1. Botschaft (from 1956-05-19 until 1956-05-20)
lyricist:
Georg Friedrich Daumer
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 47
Johannes Brahms2:09
14Sommerabend, op. 85 no. 1
piano:
Gerald Moore (pianist) (from 1956-05-19 until 1956-05-20)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1956-05-19 until 1956-05-20)
recording of:
6 Lieder, op. 85: Nr. 1. Sommerabend (from 1956-05-19 until 1956-05-20)
lyricist:
Heinrich Heine (German poet)
composer:
Johannes Brahms (German composer)
part of:
6 Lieder, op. 85
Johannes Brahms2:35
15Mondenschein, op. 85 no. 2
piano:
Gerald Moore (pianist) (from 1956-05-19 until 1956-05-20)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1956-05-19 until 1956-05-20)
recording of:
6 Lieder, op. 85: Nr. 2. Mondenschein (from 1956-05-19 until 1956-05-20)
lyricist:
Heinrich Heine (German poet)
composer:
Johannes Brahms (German composer)
part of:
6 Lieder, op. 85
Johannes Brahms2:18
16Ständchen, op. 106 no. 1
piano:
Gerald Moore (pianist) (from 1956-05-19 until 1956-05-20)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1956-05-19 until 1956-05-20)
recording of:
5 Lieder, op. 106: Nr. 1. Ständchen (from 1956-05-19 until 1956-05-20)
lyricist:
Franz Theodor Kugler
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 106
Johannes Brahms1:37
17O wüsst' ich doch den Weg zurück, op. 63 no. 8
piano:
Gerald Moore (pianist) (from 1956-05-19 until 1956-05-20)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1956-05-19 until 1956-05-20)
recording of:
9 Lieder und Gesänge, op. 63: Nr. 8. Heimweh II (from 1956-05-19 until 1956-05-20)
lyricist:
Klaus Groth
composer:
Johannes Brahms (German composer)
part of:
9 Lieder und Gesänge, op. 63
Johannes Brahms3:28
18Auf dem Kirchhofe, op. 105 no. 4
piano:
Gerald Moore (pianist) (from 1956-05-19 until 1956-05-20)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1956-05-19 until 1956-05-20)
recording of:
5 Lieder, op. 105: Nr. 4. Auf dem Kirchhofe (from 1956-05-19 until 1956-05-20)
lyricist:
Detlev von Liliencron
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 105
Johannes Brahms2:45
19In Waldeseinsamkeit, op. 85 no. 6
piano:
Gerald Moore (pianist) (from 1956-05-19 until 1956-05-20)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1956-05-19 until 1956-05-20)
recording of:
6 Lieder, op. 85: Nr. 6. In Waldeinsamkeit (from 1956-05-19 until 1956-05-20)
lyricist:
Carl von Lemcke
composer:
Johannes Brahms (German composer) (in 1878-05)
part of:
6 Lieder, op. 85
Johannes Brahms2:30

Credits

Release

ASIN:FR: B00000DO3U [info]