Der Dresdner Freischütz für das "Weber-Jahr 1951"

~ Release by Carl Maria von Weber; Karl Paul, Werner Faulhaber, Elfride Trötschel, Irma Beilke, Kurt Böhme, Bernd Aldenhoff, Hannes Haegele, Karl-Heinz Thomann, Chor der Staatsoper Dresden, Staatskapelle Dresden, Rudolf Kempe (see all versions of this release, 1 available)

Tracklist

| |
▼ CD 1
#TitleArtistRatingLength
1Der Freischütz: Overtüre
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
recording of:
Der Freischütz: Ouvertüre (from 1951-05-20 until 1951-05-22)
composer:
Carl Maria von Weber (composer)
part of:
Der Freischütz
Carl Maria von Weber10:54
2Der Freischütz: Erster Akt, Nr. 1. Bauernmarsch "Victoria! Victoria! Der Meister soll leben!" (Chor)
vocals:
Chor der Staatsoper Dresden (from 1951-05-20 until 1951-05-22)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
partial recording of:
Der Freischütz: Akt I. Nr. 1. Introduktion „Viktoria, der Meister soll leben!“ (Kilian) (from 1951-05-20 until 1951-05-22)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber1:19
3Der Freischütz: Erster Akt. Zwischenspiel
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
partial recording of:
Der Freischütz: Akt I. Nr. 1. Introduktion „Viktoria, der Meister soll leben!“ (Kilian) (from 1951-05-20 until 1951-05-22)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber1:14
4Der Freischütz: Erster Akt, Nr. 1. "Schau der Herr mich an" (Max, Kilian, Chor)
vocals:
Chor der Staatsoper Dresden (from 1951-05-20 until 1951-05-22)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
partial recording of:
Der Freischütz: Akt I. Nr. 1. Introduktion „Viktoria, der Meister soll leben!“ (Kilian) (from 1951-05-20 until 1951-05-22)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber2:19
5Der Freischütz: Erster Akt, Dialog "Was gibt's hier?" (Kuno, Kilian, Max, Kaspar, Bauern, Schankmädchen)
vocals:
Chor der Staatsoper Dresden (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
Carl Maria von Weber3:16
6Der Freischütz: Erster Akt, Nr. 2. Terzett mit Chor "Oh, diese Sonne, furchtbar steigt sie mir empor!" (Max, Kuno, Kaspar, Chor)
vocals:
Chor der Staatsoper Dresden (from 1951-05-20 until 1951-05-22)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
recording of:
Der Freischütz: Akt I. Nr. 2. Terzett mit Chor „Oh, diese Sonne“ (Max, Kuno, Kaspar, Chor) (from 1951-05-20 until 1951-05-22)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber6:34
7Der Freischütz: Erster Akt. Dialog "Ein recht braver Mann, der Herr Förster!" (Kilian, Max, Bauern, Bäuerinnen)
vocals:
Chor der Staatsoper Dresden (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
Carl Maria von Weber0:13
8Der Freischütz: Erster Akt. Bauerntanz. Walzer
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
partial recording of:
Der Freischütz: Akt I. Nr. 3. Walzer und Arie „Nein, länger trag' ich nicht die Qualen“, „Durch die Wälder, durch die Auen“ (Max) (from 1951-05-20 until 1951-05-22)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber1:29
9Der Freischütz: Erster Akt, Nr. 3. Rezitativ und Arie "Nein länger trag ich nicht die Qualen" - "Durch die Wälder, durch die Auen" (Max)
vocals:
Bernd Aldenhoff (tenor) (from 1951-05-20 until 1951-05-22)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
partial recording of:
Der Freischütz: Akt I. Nr. 3. Walzer und Arie „Nein, länger trag' ich nicht die Qualen“, „Durch die Wälder, durch die Auen“ (Max) (from 1951-05-20 until 1951-05-22)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber6:53
10Der Freischütz: Erster Akt. Dialog "Gut, dass ich dich hier finde" (Kaspar, Max, Schankmädchen)
vocals:
Chor der Staatsoper Dresden (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
Carl Maria von Weber0:47
11Der Freischütz: Erster Akt, Nr. 4. Lied "Hier im ird'schen Jammertal" (Kaspar, Max)
vocals:
Bernd Aldenhoff (tenor) (from 1951-05-20 until 1951-05-22) and Kurt Böhme (operatic bass) (from 1951-05-20 until 1951-05-22)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
recording of:
Der Freischütz: Akt I. Nr. 4. Lied „Hier im ird'schen Jammertal“ (Kaspar) (Caspar's drinking song) (from 1951-05-20 until 1951-05-22)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber2:09
12Der Freischütz: Erster Akt. Dialog "Du musst doch mitsingen!" (Kaspar, Max)
vocals:
Bernd Aldenhoff (tenor) (from 1951-05-20 until 1951-05-22) and Kurt Böhme (operatic bass) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
Carl Maria von Weber3:04
13Der Freischütz: Erster Akt. Finale "Schweig! Schweig, damit dich niemand warnt!" (Kaspar)
vocals:
Kurt Böhme (operatic bass) (from 1951-05-20 until 1951-05-22)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
recording of:
Der Freischütz: Akt I. Nr. 5. Arie „Schweig, schweig - damit dich niemand warnt!“ (Kaspar) (from 1951-05-20 until 1951-05-22)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber3:22
▼ CD 2
#TitleArtistRatingLength
1Der Freischütz: Zweiter Akt, Nr. 6. Duett "Schelm! Halt fest" "Ich will dich's lehren" (Ännchen, Agathe)
vocals:
Irma Beilke (German opera singer and teacher) (from 1951-05-20 until 1951-05-22), Chor der Staatsoper Dresden (from 1951-05-20 until 1951-05-22) and Elfride Trötschel (soprano) (from 1951-05-20 until 1951-05-22)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
recording of:
Der Freischütz: Akt II. Nr. 6. Duett „Schelm, halt fest!“ (Agathe, Ännchen) (from 1951-05-20 until 1951-05-22)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber4:29
2Der Freischütz: Zweiter Akt. Dialog "So, nun wird der Altvater" (Ännchen, Agathe)
vocals:
Irma Beilke (German opera singer and teacher) (from 1951-05-20 until 1951-05-22) and Elfride Trötschel (soprano) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
Carl Maria von Weber0:30
3Der Freischütz: Zweiter Akt, Nr. 7. Ariette "Kommt ein schlanker Bursch gegangen" (Ännchen)
vocals:
Irma Beilke (German opera singer and teacher) (from 1951-05-20 until 1951-05-22)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
recording of:
Der Freischütz: Akt II. Nr. 7. Ariette „Kommt ein schlanker Bursch gegangen“ (Ännchen) (from 1951-05-20 until 1951-05-22)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber3:31
4Der Freischütz: Zweiter Akt, Dialog "Und der Bursch nicht minder schön!" (Agathe, Ännchen)
vocals:
Irma Beilke (German opera singer and teacher) (from 1951-05-20 until 1951-05-22) and Elfride Trötschel (soprano) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
Carl Maria von Weber1:07
5Der Freischütz: Zweiter Akt, Nr. 8. Szene und Arie "Wie nahet mir der Schlummer" "Leise, leise, fromme Weise" (Agathe)
vocals:
Elfride Trötschel (soprano) (from 1951-05-20 until 1951-05-22)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
recording of:
Der Freischütz: Akt II. Nr. 8. Szene und Arie „Wie nahte mir der Schlummer“ … „Leise, leise …” (Agathe) (Agathes Gebet) (from 1951-05-20 until 1951-05-22)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber9:39
6Der Freischütz: Zweiter Akt. Dialog "Bist du endlich da, lieber Max!" (Agathe, Max, Ännchen)
vocals:
Bernd Aldenhoff (tenor) (from 1951-05-20 until 1951-05-22), Irma Beilke (German opera singer and teacher) (from 1951-05-20 until 1951-05-22) and Elfride Trötschel (soprano) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
Carl Maria von Weber1:43
7Der Freischütz: Zweiter Akt, Nr. 9. Terzett "Wie? Was? Entsetzen! Dort in der Schreckensschlucht?" (Agathe, Ännchen, Max)
vocals:
Bernd Aldenhoff (tenor) (from 1951-05-20 until 1951-05-22), Irma Beilke (German opera singer and teacher) (from 1951-05-20 until 1951-05-22) and Elfride Trötschel (soprano) (from 1951-05-20 until 1951-05-22)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
recording of:
Der Freischütz: Akt II. Nr. 9. Terzett „Wie? Was? Entsetzen!“ (Agathe, Ännchen, Max) (from 1951-05-20 until 1951-05-22)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber6:48
8Der Freischütz: Zweiter Akt, Nr. 10. Szene in der Wolfsschlucht "Milch des Mondes fiel auf's Kraut" (Chor) - "Samiel! Samiel! Erschein" (Kaspar, Samiel) - "Trefflich bedient! Hier erst das Blei" (Kaspar, Max, Samiel, Chor)
vocals:
Bernd Aldenhoff (tenor) (from 1951-05-20 until 1951-05-22), Kurt Böhme (operatic bass) (from 1951-05-20 until 1951-05-22), Chor der Staatsoper Dresden (from 1951-05-20 until 1951-05-22) and Hannes Haegele (from 1951-05-20 until 1951-05-22)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
recording of:
Der Freischütz: Akt II. Nr. 10. Finale „Milch des Mondes fiel aufs Kraut!“ (Kaspar, Max, Samiel, Chor) (Szene in der Wolfsschlucht / The Wolfs Glen) (from 1951-05-20 until 1951-05-22)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber17:20
▼ CD 3
#TitleArtistRatingLength
1Der Freischütz: Dritter Akt, Nr. 11. Entreakt
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
recording of:
Der Freischütz: Akt II. Nr. 11. Entre-Akt (from 1951-05-20 until 1951-05-22)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber1:46
2Der Freischütz: Dritter Akt. Kavatine "Und ob die Wolke sich verhülle" (Agathe)
solo cello:
Fritz Sommer (Cellist) (from 1951-05-20 until 1951-05-22)
vocals:
Elfride Trötschel (soprano) (from 1951-05-20 until 1951-05-22)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
recording of:
Der Freischütz: Akt III. Nr. 12. Kavatine „Und ob die Wolke sie verhülle“ (Agathe) (from 1951-05-20 until 1951-05-22)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber5:56
3Der Freischütz: Dritter Akt. Dialog "Ei, du hast dich dazugehalten" (Ännchen, Agathe)
vocals:
Irma Beilke (German opera singer and teacher) (from 1951-05-20 until 1951-05-22) and Elfride Trötschel (soprano) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
Carl Maria von Weber1:28
4Der Freischütz: Dritter Akt. Arie "Einst träumte meiner sel'gen Base" (Ännchen)
solo viola:
Georg Seifert (from 1951-05-20 until 1951-05-22)
vocals:
Irma Beilke (German opera singer and teacher) (from 1951-05-20 until 1951-05-22)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
recording of:
Der Freischütz: Akt III. Nr. 13. Romanze, Rezitativ und Arie „Einst träumte meiner sel'gen Base“ (Ännchen) (from 1951-05-20 until 1951-05-22)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber6:13
5Der Freischütz: Dritter Akt, Nr. 14. Chor der Brautjungfern "Wir winden dir den Jungfernkranz"
vocals:
Helga Brose (from 1951-05-20 until 1951-05-22), Chor der Staatsoper Dresden (from 1951-05-20 until 1951-05-22), Edith Hellriegel (singer (soprano)) (from 1951-05-20 until 1951-05-22) and Ursula Richter (soprano) (from 1951-05-20 until 1951-05-22)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
recording of:
Der Freischütz: Akt III. Nr. 14. Volkslied, Soli und Chor der Brautjungfern „Wir winden dir den Jungfernkranz“ (Chor) (from 1951-05-20 until 1951-05-22)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber3:49
6Der Freischütz: Dritter Akt, Nr. 15. Jägerchor "Was gleicht wohl auf Erden"
vocals:
Chor der Staatsoper Dresden (from 1951-05-20 until 1951-05-22)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
recording of:
Der Freischütz: Akt III. Nr. 15. Jägerchor „Was gleicht wohl auf Erden dem Jägervergnügen?“ (Chor) (from 1951-05-20 until 1951-05-22)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber2:36
7Der Freischütz: Dritter Akt. Dialog "Genug der Freuden des Mahls, werte Freunde und Jagdgenossen"
vocals:
Chor der Staatsoper Dresden (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
Carl Maria von Weber0:34
8Der Freischütz: Dritter Akt, Nr. 16. Finalle III "Schaut, o schaut! Er traf die eig'ne Braut" (Agathe, Ännchen, Max, Kuno, Kaspar, Ottokar, Chor)
vocals:
Bernd Aldenhoff (tenor) (from 1951-05-20 until 1951-05-22), Irma Beilke (German opera singer and teacher) (from 1951-05-20 until 1951-05-22), Kurt Böhme (operatic bass) (from 1951-05-20 until 1951-05-22), Chor der Staatsoper Dresden (from 1951-05-20 until 1951-05-22), Werner Faulhaber (baritone) (from 1951-05-20 until 1951-05-22), Karl Paul (from 1951-05-20 until 1951-05-22) and Elfride Trötschel (soprano) (from 1951-05-20 until 1951-05-22)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
partial recording of:
Der Freischütz: Akt III. Nr. 16. Finale „Schaut, o schaut! Er traf die eigne Braut!“ (Ottokar, Kuno, Max, Kaspar, Agathe, Ännchen, Eremit, Chor) (from 1951-05-20 until 1951-05-22)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber10:08
9Der Freischütz: Dritter Akt. Rezitativ und Arie "Wer legt auf ihn so strengen Bann?" (zur Szene dazu: Eremit)
vocals:
Bernd Aldenhoff (tenor) (from 1951-05-20 until 1951-05-22), Irma Beilke (German opera singer and teacher) (from 1951-05-20 until 1951-05-22), Kurt Böhme (operatic bass) (from 1951-05-20 until 1951-05-22), Chor der Staatsoper Dresden (from 1951-05-20 until 1951-05-22), Werner Faulhaber (baritone) (from 1951-05-20 until 1951-05-22), Hans Krämer (Operatic bass) (from 1951-05-20 until 1951-05-22), Karl Paul (from 1951-05-20 until 1951-05-22) and Elfride Trötschel (soprano) (from 1951-05-20 until 1951-05-22)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1951-05-20 until 1951-05-22)
conductor:
Rudolf Kempe (conductor) (from 1951-05-20 until 1951-05-22)
recorded at:
Steinsaal des Hygienmuseums Dresden in Dresden, Sachsen, Germany (from 1951-05-20 until 1951-05-22)
partial recording of:
Der Freischütz: Akt III. Nr. 16. Finale „Schaut, o schaut! Er traf die eigne Braut!“ (Ottokar, Kuno, Max, Kaspar, Agathe, Ännchen, Eremit, Chor) (from 1951-05-20 until 1951-05-22)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber8:38
10Rundfunkgespräch mit dem Bühnenbildner der Sächsischen Staatsoper Dresden, Karl von Appen (Ausschnitt aus einer Sendung des Rundfunks der DDR von 1965)
recorded in:
East Germany (historical, 1949-1990) (in 1965)
Karl von Appen2:54
11Der Freischütz: Zweiter Akt, Nr. 6. Duett Ännchen - Agathe "Schelm! Halt fest"
vocals:
Margarete Teschemacher (on 1944-06-01) and Elfride Trötschel (soprano) (on 1944-06-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (on 1944-06-01)
conductor:
Karl Elmendorff (on 1944-06-01)
recorded at:
Semperoper in Dresden, Sachsen, Germany (on 1944-06-01)
recording of:
Der Freischütz: Akt II. Nr. 6. Duett „Schelm, halt fest!“ (Agathe, Ännchen) (on 1944-06-01)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber4:39
12Der Freischütz: Zweiter Akt, Nr. 7. Ariette des Ännchen "Kommt ein schlanker Bursch gegangen"
vocals:
Elfride Trötschel (soprano) (on 1944-06-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (on 1944-06-01)
conductor:
Karl Elmendorff (on 1944-06-01)
recorded at:
Semperoper in Dresden, Sachsen, Germany (on 1944-06-01)
recording of:
Der Freischütz: Akt II. Nr. 7. Ariette „Kommt ein schlanker Bursch gegangen“ (Ännchen) (on 1944-06-01)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber3:48
13Der Freischütz: Zweiter Akt, Nr. 8. Szene und Arie der Agathe "Wie nahte mir der Schlummer"
vocals:
Margarete Teschemacher (on 1944-06-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (on 1944-06-01)
conductor:
Karl Elmendorff (on 1944-06-01)
recorded at:
Semperoper in Dresden, Sachsen, Germany (on 1944-06-01)
recording of:
Der Freischütz: Akt II. Nr. 8. Szene und Arie „Wie nahte mir der Schlummer“ … „Leise, leise …” (Agathe) (Agathes Gebet) (on 1944-06-01)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber8:58
14Der Freischütz: Dritter Akt. Arie des Ännchen "Einst träumte meiner sel'gen Base"
vocals:
Elfride Trötschel (soprano) (on 1944-06-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (on 1944-06-01)
conductor:
Karl Elmendorff (on 1944-06-01)
recorded at:
Semperoper in Dresden, Sachsen, Germany (on 1944-06-01)
recording of:
Der Freischütz: Akt III. Nr. 13. Romanze, Rezitativ und Arie „Einst träumte meiner sel'gen Base“ (Ännchen) (on 1944-06-01)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber6:16

Credits

Release group

part of:Semperoper Edition (number: Vol. 5) (order: 1)