The Chronological Classics: Louis Armstrong and His Orchestra 1931-1932

~ Release by Louis Armstrong and His Orchestra (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Lazy River
recorded in:
Chicago, Illinois, United States (on 1931-11-03)
alto saxophone and clarinet:
Lester Boone (on 1931-11-03) and George James (US jazz saxophonist) (on 1931-11-03)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1931-11-03)
drums (drum set):
Tubby Hall (on 1931-11-03)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-11-03)
piano:
Charlie Alexander (US jazz pianist) (on 1931-11-03)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-11-03)
trombone:
Preston Jackson (jazz trombonist) (on 1931-11-03)
trumpet:
Louis Armstrong (on 1931-11-03) and Zilner Randolph (on 1931-11-03)
lead vocals:
Louis Armstrong (on 1931-11-03)
vocals:
Louis Armstrong (on 1931-11-03)
orchestra:
Louis Armstrong & His Orchestra (on 1931-11-03)
arranger:
Zilner Randolph
recording of:
Lazy River (on 1931-11-03)
lyricist:
Hoagy Carmichael
composer:
Sidney Arodin and Hoagy Carmichael
3:08
2Chinatown, My Chinatown
recorded in:
Chicago, Illinois, United States (on 1931-11-03)
alto saxophone:
Lester Boone (on 1931-11-03) and George James (US jazz saxophonist) (on 1931-11-03)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1931-11-03)
drums (drum set):
Tubby Hall (on 1931-11-03)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-11-03)
piano:
Charlie Alexander (US jazz pianist) (on 1931-11-03)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-11-03)
trombone:
Preston Jackson (jazz trombonist) (on 1931-11-03)
trumpet:
Louis Armstrong (on 1931-11-03) and Zilner Randolph (on 1931-11-03)
vocals:
Louis Armstrong (on 1931-11-03)
recording of:
Chinatown, My Chinatown (on 1931-11-03)
lyricist:
William Jerome (in 1910)
composer:
Jean Schwartz (in 1910)
publisher:
Beuscher and Sim (Related to Éditions Sim)
3:21
3Wrap Your Troubles in Dreams
recorded in:
Chicago, Illinois, United States (on 1931-11-04)
alto saxophone:
Lester Boone (on 1931-11-04)
clarinet:
George James (US jazz saxophonist) (on 1931-11-04)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1931-11-04)
drums (drum set):
Tubby Hall (on 1931-11-04)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-11-04)
piano:
Charlie Alexander (US jazz pianist) (on 1931-11-04)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-11-04)
trombone:
Preston Jackson (jazz trombonist) (on 1931-11-04)
trumpet:
Louis Armstrong (on 1931-11-04) and Zilner Randolph (on 1931-11-04)
vocals:
Louis Armstrong (on 1931-11-04)
recording of:
Wrap Your Troubles in Dreams (on 1931-11-04)
lyricist:
Ted Koehler (in 1931) and Billy Moll (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Campbell Connelly & Co. Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Ted Koehler Music Co.
43:44
4Star Dust
recorded in:
Chicago, Illinois, United States (on 1931-11-04)
alto saxophone:
Lester Boone (on 1931-11-04) and George James (US jazz saxophonist) (on 1931-11-04)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1931-11-04)
drums (drum set):
Tubby Hall (on 1931-11-04)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-11-04)
piano:
Charlie Alexander (US jazz pianist) (on 1931-11-04)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-11-04)
trombone:
Preston Jackson (jazz trombonist) (on 1931-11-04)
trumpet:
Louis Armstrong (on 1931-11-04) and Zilner Randolph (on 1931-11-04)
vocals:
Louis Armstrong (on 1931-11-04)
recording of:
Stardust (the jazz standard) (on 1931-11-04)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
3:35
5You Can Depend on Me
recorded in:
Chicago, Illinois, United States (on 1931-11-05)
alto saxophone:
Lester Boone (on 1931-11-05) and George James (US jazz saxophonist) (on 1931-11-05)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1931-11-05)
drums (drum set):
Tubby Hall (on 1931-11-05)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-11-05)
piano:
Charlie Alexander (US jazz pianist) (on 1931-11-05)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-11-05)
trombone:
Preston Jackson (jazz trombonist) (on 1931-11-05)
trumpet:
Louis Armstrong (on 1931-11-05) and Zilner Randolph (on 1931-11-05)
vocals:
Louis Armstrong (on 1931-11-05)
recording of:
You Can Depend on Me (on 1931-11-05)
composer:
Charles Carpenter, Louis Dunlap and Earl Hines (jazz pianist and bandleader)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
3:25
6Georgia on My Mind
recorded in:
Chicago, Illinois, United States (on 1931-11-05)
alto saxophone:
Lester Boone (on 1931-11-05) and George James (US jazz saxophonist) (on 1931-11-05)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1931-11-05)
drums (drum set):
Tubby Hall (on 1931-11-05)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-11-05)
piano:
Charlie Alexander (US jazz pianist) (on 1931-11-05)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-11-05)
trombone:
Preston Jackson (jazz trombonist) (on 1931-11-05)
trumpet:
Louis Armstrong (on 1931-11-05) and Zilner Randolph (on 1931-11-05)
baritone vocals:
Louis Armstrong
vocals:
Louis Armstrong (on 1931-11-05)
orchestra:
Louis Armstrong and His Orchestra (in 1931)
recording of:
Georgia on My Mind (on 1931-11-05)
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
3:26
7The Lonesome Road
recorded in:
Chicago, Illinois, United States (on 1931-11-06)
alto saxophone:
Lester Boone (on 1931-11-06) and George James (US jazz saxophonist) (on 1931-11-06)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1931-11-06)
drums (drum set):
Tubby Hall (on 1931-11-06)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-11-06)
piano:
Charlie Alexander (US jazz pianist) (on 1931-11-06)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-11-06)
trombone:
Preston Jackson (jazz trombonist) (on 1931-11-06)
trumpet:
Louis Armstrong (on 1931-11-06) and Zilner Randolph (on 1931-11-06)
wood block:
Joe Lindsay (US early jazz drummer) (on 1931-11-06)
spoken vocals:
Joe Lindsay (US early jazz drummer) (on 1931-11-06), Mike McKendrick (Jazz banjo and guitar) (on 1931-11-06) and Zilner Randolph (on 1931-11-06)
vocals:
Louis Armstrong (on 1931-11-06)
recording of:
Lonesome Road (on 1931-11-06)
lyricist:
Gene Austin
composer:
Nathaniel Shilkret
publisher:
Campbell Connelly & Co. Ltd., Nathaniel Shilkret Music Corp. and Paramount Music Corporation
3:39
8I Got Rhythm
recorded in:
Chicago, Illinois, United States (on 1931-11-06)
alto saxophone:
Lester Boone (on 1931-11-06)
clarinet and soprano saxophone:
George James (US jazz saxophonist) (on 1931-11-06)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1931-11-06)
drums (drum set):
Tubby Hall (on 1931-11-06)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-11-06)
piano:
Charlie Alexander (US jazz pianist) (on 1931-11-06)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-11-06)
trombone:
Preston Jackson (jazz trombonist) (on 1931-11-06)
trumpet:
Louis Armstrong (on 1931-11-06) and Zilner Randolph (on 1931-11-06)
vocals:
Louis Armstrong (on 1931-11-06)
recording of:
I Got Rhythm (on 1931-11-06)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:11
9Between the Devil and the Deep Blue Sea
recorded in:
Chicago, Illinois, United States (on 1932-01-25)
alto saxophone:
Lester Boone (on 1932-01-25) and George James (US jazz saxophonist) (on 1932-01-25)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1932-01-25)
drums (drum set):
Tubby Hall (on 1932-01-25)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1932-01-25)
piano:
Charlie Alexander (US jazz pianist) (on 1932-01-25)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1932-01-25)
trombone:
Preston Jackson (jazz trombonist) (on 1932-01-25)
trumpet:
Louis Armstrong (on 1932-01-25) and Zilner Randolph (on 1932-01-25)
vocals:
Louis Armstrong (on 1932-01-25)
recording of:
Between the Devil and the Deep Blue Sea (on 1932-01-25)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
3:07
10Kickin' the Gong Around
recorded in:
Chicago, Illinois, United States (on 1932-01-25)
alto saxophone:
Lester Boone (on 1932-01-25) and George James (US jazz saxophonist) (on 1932-01-25)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1932-01-25)
drums (drum set):
Tubby Hall (on 1932-01-25)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1932-01-25)
piano:
Charlie Alexander (US jazz pianist) (on 1932-01-25)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1932-01-25)
trombone:
Preston Jackson (jazz trombonist) (on 1932-01-25)
trumpet:
Louis Armstrong (on 1932-01-25) and Zilner Randolph (on 1932-01-25)
vocals:
Louis Armstrong (on 1932-01-25)
recording of:
Kickin’ the Gong Around (on 1932-01-25)
lyricist:
Ted Koehler
composer:
Harold Arlen
3:18
11Home
recorded in:
Chicago, Illinois, United States (on 1932-01-27)
alto saxophone:
Lester Boone (on 1932-01-27) and George James (US jazz saxophonist) (on 1932-01-27)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1932-01-27)
drums (drum set):
Tubby Hall (on 1932-01-27)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1932-01-27)
piano:
Charlie Alexander (US jazz pianist) (on 1932-01-27)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1932-01-27)
trombone:
Preston Jackson (jazz trombonist) (on 1932-01-27)
trumpet:
Louis Armstrong (on 1932-01-27) and Zilner Randolph (on 1932-01-27)
vocals:
Louis Armstrong (on 1932-01-27)
recording of:
Home (When Shadows Fall) (on 1932-01-27)
writer:
Geoffrey Clarkson and Harry Clarkson
3:12
12All of Me
recorded in:
Chicago, Illinois, United States (on 1932-01-27)
alto saxophone:
Lester Boone (on 1932-01-27) and George James (US jazz saxophonist) (on 1932-01-27)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1932-01-27)
drums (drum set):
Tubby Hall (on 1932-01-27)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1932-01-27)
piano:
Charlie Alexander (US jazz pianist) (on 1932-01-27)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1932-01-27)
trombone:
Preston Jackson (jazz trombonist) (on 1932-01-27)
trumpet:
Louis Armstrong (on 1932-01-27) and Zilner Randolph (on 1932-01-27)
vocals:
Louis Armstrong (on 1932-01-27)
recording of:
All of Me (on 1932-01-27)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC
sub-publisher:
Peermusic and 日音 Synch事業部
3:04
13Love, You Funny Thing
recorded in:
Chicago, Illinois, United States (on 1932-03-02)
alto saxophone:
Lester Boone (on 1932-03-02) and George James (US jazz saxophonist) (on 1932-03-02)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1932-03-02)
drums (drum set):
Tubby Hall (on 1932-03-02)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1932-03-02)
piano:
Charlie Alexander (US jazz pianist) (on 1932-03-02)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1932-03-02)
trombone:
Preston Jackson (jazz trombonist) (on 1932-03-02)
trumpet:
Louis Armstrong (on 1932-03-02) and Zilner Randolph (on 1932-03-02)
vocals:
Louis Armstrong (on 1932-03-02)
recording of:
Love, You Funny Thing (on 1932-03-02)
writer:
Fred Ahlert and Roy Turk
3:47
14The New Tiger Rag
recorded in:
Chicago, Illinois, United States (on 1932-03-11)
alto saxophone:
Lester Boone (on 1932-03-11)
clarinet:
George James (US jazz saxophonist) (on 1932-03-11)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1932-03-11)
drums (drum set):
Tubby Hall (on 1932-03-11)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1932-03-11)
piano:
Charlie Alexander (US jazz pianist) (on 1932-03-11)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1932-03-11)
trombone:
Preston Jackson (jazz trombonist) (on 1932-03-11)
trumpet:
Louis Armstrong (on 1932-03-11) and Zilner Randolph (on 1932-03-11)
vocals:
Louis Armstrong (on 1932-03-11)
recording of:
Tiger Rag (original 1917 instrumental version) (on 1932-03-11)
composer:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
3:30
15Keepin' Out of Mischief Now
recorded in:
Chicago, Illinois, United States (on 1932-03-11)
alto saxophone:
Lester Boone (on 1932-03-11) and George James (US jazz saxophonist) (on 1932-03-11)
double bass [bass]:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1932-03-11)
drums (drum set):
Tubby Hall (on 1932-03-11)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1932-03-11)
piano:
Charlie Alexander (US jazz pianist) (on 1932-03-11)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1932-03-11)
trombone:
Preston Jackson (jazz trombonist) (on 1932-03-11)
trumpet:
Louis Armstrong (on 1932-03-11) and Zilner Randolph (on 1932-03-11)
vocals:
Louis Armstrong (on 1932-03-11)
cover recording of:
Keepin’ Out of Mischief Now (on 1932-03-11)
lyricist:
Andy Razaf
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Razaf Music
3:38
16Lawd, You Made the Night Too Long
recorded in:
Chicago, Illinois, United States (on 1932-03-11)
alto saxophone:
Lester Boone and George James (US jazz saxophonist)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton)
drums (drum set):
Tubby Hall
guitar:
Mike McKendrick (Jazz banjo and guitar)
piano:
Charlie Alexander (US jazz pianist)
tenor saxophone:
Albert Washington (jazz tenor sax)
trombone:
Preston Jackson (jazz trombonist)
trumpet:
Louis Armstrong and Zilner Randolph
vocals:
Louis Armstrong
recording of:
Lord, You Made the Night Too Long (on 1932-03-11)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1932)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
3:31
17That's My Home
recorded in:
Camden, New Jersey, United States (on 1932-12-08, on 1932-12-28)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08) and Edgar Sampson (on 1932-12-08)
clarinet:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08)
double bass [bass] and tuba:
Elmer James (on 1932-12-08)
drums (drum set):
Chick Webb (on 1932-12-08)
guitar:
John Trueheart (on 1932-12-08)
piano:
Don Kirkpatrick (jazz pianist) (on 1932-12-08)
tenor saxophone:
Elmer Williams (on 1932-12-08)
trombone:
Charlie Green (Trombonist) (on 1932-12-08)
trumpet:
Louis Armstrong (on 1932-12-08, on 1932-12-28), Louis Bacon (on 1932-12-08), Billy Hicks (US jazz trumpeter) (on 1932-12-08) and Louis Hunt (on 1932-12-08)
violin:
Edgar Sampson (on 1932-12-08)
vocals:
Louis Armstrong (on 1932-12-08, on 1932-12-28)
orchestra:
Louis Armstrong and His Orchestra (on 1932-12-28)
recording of:
That’s My Home (on 1932-12-08)
composer:
Ben Ellison, Leon René and Otis René
43:11
18Hobo, You Can't Ride This Train
recorded in:
Camden, New Jersey, United States (on 1932-12-08)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08) and Edgar Sampson (on 1932-12-08)
alto saxophone and clarinet and clarinet:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08)
banjo and piano and guitar:
John Trueheart (on 1932-12-08)
bell:
Mezz Mezzrow (on 1932-12-08)
double bass [bass], double bass and tuba and tuba:
Elmer James (on 1932-12-08)
drums (drum set):
Chick Webb (on 1932-12-08)
piano:
Don Kirkpatrick (jazz pianist) (on 1932-12-08)
tenor saxophone:
Elmer Williams (on 1932-12-08)
trombone:
Charlie Green (Trombonist) (on 1932-12-08)
trumpet:
Louis Armstrong (on 1932-12-08), Louis Bacon (on 1932-12-08), Bill Hicks (US jazz trumpeter) (on 1932-12-08) and Louis Hunt (on 1932-12-08)
violin:
Edgar Sampson (on 1932-12-08)
vocals:
Louis Armstrong (on 1932-12-08)
recording of:
Hobo, You Can’t Ride This Train (on 1932-12-08)
writer:
Louis Armstrong
3:02
19I Hate to Leave You Now
recorded in:
Camden, New Jersey, United States (on 1932-12-08)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08) and Edgar Sampson (on 1932-12-08)
clarinet:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08)
double bass [bass] and tuba:
Elmer James (on 1932-12-08)
drums (drum set):
Chick Webb (on 1932-12-08)
guitar:
John Trueheart (on 1932-12-08)
piano:
Don Kirkpatrick (jazz pianist) (on 1932-12-08)
tenor saxophone:
Elmer Williams (on 1932-12-08)
trombone:
Charlie Green (Trombonist) (on 1932-12-08)
trumpet:
Louis Armstrong (on 1932-12-08), Louis Bacon (on 1932-12-08), Billy Hicks (US jazz trumpeter) (on 1932-12-08) and Louis Hunt (on 1932-12-08)
violin:
Edgar Sampson (on 1932-12-08)
vocals:
Louis Armstrong (on 1932-12-08)
3:11
20You'll Wish You'd Never Been Born
recorded in:
Camden, New Jersey, United States (on 1932-12-08)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08) and Edgar Sampson (on 1932-12-08)
clarinet:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08)
double bass [bass] and tuba:
Elmer James (on 1932-12-08)
drums (drum set):
Chick Webb (on 1932-12-08)
guitar:
John Trueheart (on 1932-12-08)
piano:
Don Kirkpatrick (jazz pianist) (on 1932-12-08)
tenor saxophone:
Elmer Williams (on 1932-12-08)
trombone:
Charlie Green (Trombonist) (on 1932-12-08)
trumpet:
Louis Armstrong (on 1932-12-08), Louis Bacon (on 1932-12-08), Billy Hicks (US jazz trumpeter) (on 1932-12-08) and Louis Hunt (on 1932-12-08)
violin:
Edgar Sampson (on 1932-12-08)
vocals:
Louis Armstrong (on 1932-12-08)
recording of:
You’ll Wish You’d Never Been Born (on 1932-12-08)
composer:
Louis Armstrong
3:17
21Medley of Armstrong Hits, Part 2: When You're Smiling / Saint James Infirmary / Dinah
recorded in:
Camden, New Jersey, United States (on 1932-12-21)
alto saxophone:
Arthur Davey (US jazz saxophonist) (on 1932-12-21) and Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1932-12-21)
banjo, guitar and trombone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1932-12-21)
drums (drum set):
Benny Hill (US jazz drummer, active 1930s) (on 1932-12-21)
piano:
Wesley Robinson (US jazz pianist) (on 1932-12-21)
tenor saxophone:
Ellsworth Blake (US jazz saxophonist) (on 1932-12-21)
trumpet:
Louis Armstrong (on 1932-12-21) and Charlie Gaines (US jazz trumpeter) (on 1932-12-21)
tuba [brass bass]:
Ed Hayes (US jazz bassist/tuba player) (on 1932-12-21)
vocals:
Louis Armstrong (on 1932-12-21)
medley including a recording of:
Dinah (on 1932-12-21)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) and Morley Music Corp.
part of:
The Girl’s Suite
medley including a recording of:
St. James Infirmary (Joe Primrose’s arrangement) (on 1932-12-21)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
arrangement of:
St. James Infirmary
version of:
The Unfortunate Lass (Bad Girl's Lament)
medley including a recording of:
When You’re Smiling (The Whole World Smiles With You) (on 1932-12-21)
lyricist:
Mark Fisher (early 20th century songwriter) and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
4:32

Credits

Release group

part of:The Chronological Classics (number: 536) (order: 45)
Allmusic:https://www.allmusic.com/album/mw0000049663 [info]
Wikidata:Q56322324 [info]