Tracklist

CD 1
# Title Artist Rating Length
1 Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan": I. Allegro maestoso Wolfgang Amadeus Mozart 14:34
2 Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan": II. Andante Wolfgang Amadeus Mozart 3 5:36
3 Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai Wolfgang Amadeus Mozart 7:07
4 Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro Ludwig van Beethoven 21:11
5 Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso Ludwig van Beethoven 9:28
6 Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro Ludwig van Beethoven 10:53
7 Bagatelle in A minor, WoO 59 "Für Elise" Ludwig van Beethoven 2:49
CD 2
# Title Artist Rating Length
1 Piano Concerto No. 1 in D minor, Op. 15: I. Maestoso Johannes Brahms 23:04
2 Piano Concerto No. 1 in D minor, Op. 15: II. Adagio Johannes Brahms 13:17
3 Piano Concerto No. 1 in D minor, Op. 15: III. Rondo. Allegro non troppo Johannes Brahms 12:02
4 'Moonlight' Sonata, No. 14 in C-sharp minor, Op. 27/2: I. Adagio sostenuto Ludwig van Beethoven 6:03
5 'Moonlight' Sonata, No. 14 in C-sharp minor, Op. 27/2: II. Allegretto Ludwig van Beethoven 2:10
6 'Moonlight' Sonata, No. 14 in C-sharp minor, Op. 27/2: III. Presto agitato Ludwig van Beethoven 7:06
7 Scenes from Childhood, Op. 15: Dreaming Robert Schumann 2:43
8 Love Dreams No. 3 in A-Flat major Franz Liszt 4:25
CD 3
# Title Artist Rating Length
1 Piano Concerto No. 1 in B-flat minor, Op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito Пётр Ильич Чайковский 20:23
2 Piano Concerto No. 1 in B-flat minor, Op. 23: II. Andantino semplice – Prestissimo Пётр Ильич Чайковский 7:00
3 Piano Concerto No. 1 in B-flat minor, Op. 23: III. Allegro con fuoco Пётр Ильич Чайковский 7:30
4 Piano Concerto in A minor, Op. 16: I. Allegro moderato Edvard Grieg 13:36
5 Piano Concerto in A minor, Op. 16: II. Adagio Edvard Grieg 7:07
6 Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato Edvard Grieg 10:49
7 Waltz No. 1, Op. 18 Frédéric Chopin 5:48
CD 4
# Title Artist Rating Length
1 Piano Concerto No. 2 in C minor, Op. 18: I. Moderato Сергей Васильевич Рахманинов 10:01
2 Piano Concerto No. 2 in C minor, Op. 18: II. Adagio sostenuto Сергей Васильевич Рахманинов 10:58
3 Piano Concerto No. 2 in C minor, Op. 18: III. Allegro scherzando Сергей Васильевич Рахманинов 11:52
4 Rhapsody in Blue George Gershwin 16:34
5 Piano Concerto in G major: I. Allegramente Maurice Ravel 8:43
6 Piano Concerto in G major: II. Adagio assai Maurice Ravel 8:44
7 Piano Concerto in G major: III. Presto Maurice Ravel 4:03

Credits

CD 1

piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) (tracks 1–3)
Angela Giulini (pianist) (tracks 1, 3)
Leonard Hokanson (pianist) (tracks 1, 3)
Svetlana Stanceva (pianist, an Alfred Scholz pseudonym) (tracks 1–3)
István Székely (pianist) (tracks 1, 3)
Silvia Čápová (pianist) (tracks 1, 3–7)
composer:
Wolfgang Amadeus Mozart (classical composer) (1785 – 1785-03-09) (tracks 1–3)
Ludwig van Beethoven (1808 – 1810) (track 7)
Ludwig van Beethoven (1809) (tracks 4–6)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym) (tracks 1–3)
Alberto Lizzio (conductor, an Alfred Scholz pseudonym) (tracks 1–3)
Kurt Redel (flutist and conductor) (tracks 1, 3)
Alfred Scholz (tracks 1, 3)
orchestra:
Camerata Labacensis (tracks 1, 3)
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra) (tracks 1, 3)
London Festival Orchestra (Alfred Scholz pseudonym) (tracks 4–6)
Mozart Festival Orchestra (an Alfred Scholz pseudonym) (tracks 1–3)
Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym) (tracks 1–3)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 59) (track 7)
arrangements:
Concerto for Piano no. 21 in C major, K. 467: I. Allegro (for flute, violin, cello and piano, Cramer - Munich 1836) (track 1)
Concerto for Piano no. 21 in C major, K. 467: I. Allegro (for flute, violin, cello and piano, Cramer - London 1827) (track 1)
Concerto for Piano no. 21 in C major, K. 467: I. Allegro maestoso (for piano and string quintet, Lachner) (track 1)
Concerto for Piano no. 21 in C major, K. 467: II. Andante (for flute, violin, cello and piano, Cramer - Munich 1836) (track 2)
Concerto for Piano no. 21 in C major, K. 467: II. Andante (for flute, violin, cello and piano, Cramer - London 1827) (track 2)
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai (for flute, violin, cello and piano, Cramer - London 1827) (track 3)
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai (for piano and string quintet, Lachner) (track 3)
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai (for flute, violin, cello and piano, Cramer - Munich 1836) (track 3)
For Aleeza (Beethoven's "Für Elise" • an abridged arrangement) (track 7)
エリーゼのために (フォーバブルボウズ) (track 7)
is the basis for:
Passion Flower (track 7)
Sex’n fax (track 2)
イヴの誘惑 (track 7)
熱情的花朵 (track 7)
later versions:
給愛麗斯 (track 7)
part of:
recording of:
referred to in medleys:

CD 2

piano:
Dieter Goldmann (pianst) (track 7)
Marián Pivka (pianist) (track 7)
Dubravka Tomšič (pianist) (tracks 1–3)
Debra Ruth Zobel (track 4)
Silvia Čápová (pianist) (tracks 4, 7–8)
Dubravka Tomšič (pianist) (1986-04) (tracks 4–6)
arranger:
Franz Liszt (track 8)
composer:
Ludwig van Beethoven (1801) (tracks 4–6)
Robert Schumann (German classical composer) (1838) (track 7)
Franz Liszt (1850) (track 8)
Johannes Brahms (1854 – 1859) (tracks 1–3)
conductor:
Anton Nanut (conductor) (tracks 1–3)
orchestra:
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) (tracks 1–3)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version) (track 8)
arrangements:
Kinderszenen, op. 15: No. 7. Träumerei (for string quartet and piano, arr. Paul Cassidy) (track 7)
Kinderszenen, op. 15: Träumerei (catch-all for arrangements) (track 7)
Kinderszenen, op. 15: Träumerei (for violin and piano, arr. Catherine) (track 7)
Kinderszenen, op. 15: Träumerei (for cello and piano) (track 7)
Kinderszenen, op. 15: Träumerei (arr. Trinkaus for cello and piano) (track 7)
Kinderszenen, op. 15: Träumerei (for violin and piano, Hüllweck) (track 7)
Kinderszenen, op. 15: Träumerei (for organ, Lange) (track 7)
is the basis for:
Liebestraum (Spike Jones version) (track 8)
Liebesträume (german vocals) (track 8)
Mephistopheles (track 4)
Moonlight (The Piano Guys) (track 4)
Overture (track 4)
What Is Eternal (track 4)
月光 (Mondscheinsonate+drumloops) (track 4)
later versions:
orchestrations:
Kinderszenen, op. 15: Träumerei (orchestrated by R. Tilling) (track 7)
Kinderszenen, op. 15: Träumerei (orchestrated by Josef Strauss) (track 7)
Kinderszenen, op. 15: Träumerei (orchestrated by Herbeck) (track 7)
Moonlight Sonata (orch. Stokowski) (track 4)
part of:
recording of:
Kinderszenen, op. 15: Träumerei (for piano) (track 7)
referred to in medleys:
Hooked on Romance (track 4)

CD 3

piano:
Hans Lang (pianist) (tracks 1–3)
Björn Lundgren (tracks 4–6)
Dubravka Tomšič (pianist) (tracks 4–6)
composer:
Fryderyk Chopin (composer) (1833) (track 7)
Edvard Grieg (composer) (1868) (tracks 4–6)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1874-11 – 1875-02) (tracks 1–3)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym) (tracks 4–6)
Alberto Lizzio (conductor, an Alfred Scholz pseudonym) (tracks 4–6)
Anton Nanut (conductor) (tracks 4–6)
dedicated to:
Laura Harsford (track 7)
orchestra:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker) (tracks 1–3)
London Festival Orchestra (Alfred Scholz pseudonym) (tracks 4–6)
Philharmonia Slavonica (an Alfred Scholz pseudonym) (tracks 4–6)
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) (tracks 4–6)
part of:
Works of Fryderyk Chopin by opus number (number: op. 18) (track 7)
arrangements:
Piano Concerto in A minor, op. 16: I. Allegro molto moderato (catch-all for arrangements) (track 4)
Waltz no. 1 in E-flat major, op. 18 “Grande valse brillante” (catchall work for all unspecified transcriptions (usually orchestral). Please do not add an arranger AR to this work, create a new arrangement work instead) (track 7)
is the basis for:
AMERICA (STAGE 1) (City Connection) (track 1)
Concerto (track 1)
Tonight We Love (Freddy Martin 1941 hit) (track 1)
later versions:
orchestrations:
Grande Valse Brillante, op. 18 (orch. Igor Stravinsky) (track 7)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version) (tracks 1–3)
recording of:
referred to in medleys:

CD 4

premiered in:
Moskva, Russia (1900-12-15) (tracks 1–3)
piano:
Garrison Kent (tracks 1–3)
Marián Pivka (pianist) (tracks 4–7)
composer:
Сергей Васильевич Рахманинов (1900 – 1901-04) (tracks 1–3)
George Gershwin (composer) (1924) (track 4)
Maurice Ravel (classical composer) (1929 – 1931) (tracks 5–7)
orchestra:
London Symphony Orchestra (tracks 1–3)
Philharmonia Slavonica (an Alfred Scholz pseudonym) (tracks 4–7)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (1942) (track 4)
publisher:
Ferde Grofé Music Publishing (New York) (track 4)
Warner Bros. Music (publisher; do NOT use as release label) (track 4)
arrangements:
Adagio assai from Piano Concerto in G major (for voices and piano, Williams) (track 6)
Rhapsody in Blue (transcription for solo piano by Gershwin) (track 4)
Rhapsody in Blue (Glenn Miller arrangement) (track 4)
Rhapsody in Blue (arr. Dokshitser for trumpet and orchestra) (track 4)
Rhapsody in Blue (catch-all for arrangements) (track 4)
Rhapsody in Blue (arr. Carlos Barbosa-Lima) (track 4)
is the basis for:
All by Myself (track 2)
Blue (track 4)
Preghiera (track 2)
What Happened (Sublime) (track 4)
part of:
Piano Concerto in G major (movement) (tracks 5–7)
Piano Concerto no. 2 in C minor, op. 18 (movement) (tracks 1–3)
recording of:
Rhapsody in Blue (standard 1942 orchestration) (track 4)
referred to in medleys:
Comedy in Music, Part I (tracks 1–2)
Hooked on America (track 4)
revision of:
Rhapsody in Blue (original jazz band version, less often performed) (track 4)

Release

ASIN:US: B000003QWA [info]