The Greatest Classical Stars on Earth (disc 2)

~ Release by Various Artists (see all versions of this release, 5 available)

Tracklist

▼ CD 2
#TitleArtistRatingLength
1O Fortuna (Carmina Burana)
choir vocals:
Radio-Symphonie-Berlin Chor and Rundfunkchor Berlin
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Riccardo Chailly (conductor)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:36
2Jazz Suite no. 2 (Waltz 2)
engineer:
John Dunkerley (engineer) (from 1992-04-26 until 1992-05-03)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Royal Concertgebouw Orchestra (from 1992-04-26 until 1992-05-03)
conductor:
Riccardo Chailly (conductor) (from 1992-04-26 until 1992-05-03)
phonographic copyright (℗) by:
Decca Music Group Ltd. (not for release label use, for ℗ & © rights holder use only) (in 1992)
recorded at:
Grotezaal, Concertgebouw in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1992-04-26 until 1992-05-03)
recording of:
Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite) (from 1992-04-26 until 1992-05-03)
composer:
Дмитрий Дмитриевич Шостакович (composer)
part of:
Suite for Variety Orchestra
Дмитрий Дмитриевич Шостакович3:42
3Adagio for Strings
engineer:
Simon Eadon (classical music engineer)
producer:
Chris Hazell
orchestra:
Baltimore Symphony Orchestra (from 1991-09-30 until 1991-10-01)
conductor:
David Zinman (conductor) (from 1991-09-30 until 1991-10-01)
balance engineer:
Simon Eadon (classical music engineer) (from 1991-09-30 until 1991-10-01)
recorded at:
Joseph Meyerhoff Symphony Hall in Baltimore, Maryland, United States (from 1991-09-30 until 1991-10-01)
recording of:
Adagio for Strings (from 1991-09-30 until 1991-10-01)
orchestrator:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1938)
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber8:40
4Fantasia on Greensleeves
producer:
Michael Bremner (producer/engineer)
flute:
William Bennett (flautist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Neville Marriner (conductor) (in 1971-05)
balance engineer:
Stanley Goodall (engineer) (in 1971-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Fantasia on “Greensleeves” (in 1971-05)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:17
5Spring: I. Allegro (Four Seasons)
recording engineer:
Stanley Goodall (engineer) (in 1969-09)
producer:
Michael Bremner (producer/engineer)
harpsichord and organ:
Simon Preston (organist, conductor, composer) (from 1969-09-08 until 1969-09-10)
violin:
Alan Loveday (violinist) (from 1969-09-08 until 1969-09-10)
orchestra:
Academy of St Martin in the Fields (from 1969-09-08 until 1969-09-10)
conductor:
Sir Neville Marriner (conductor) (from 1969-09-08 until 1969-09-10)
balance engineer:
Tryggve Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Stanley Goodall (engineer) (from 1969-09-08 until 1969-09-10)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1969-09-08 until 1969-09-10)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 1969-09-08 until 1969-09-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
Antonio Vivaldi43:12
6Trumpet Voluntary
brass:
Philip Jones Brass Ensemble (in 1982-03)
trumpet:
Philip Jones (trumpeter) (in 1982-03)
conductor:
Elgar Howarth (English conductor, composer and trumpeter) (in 1982-03)
arranger:
John Iveson (trombonist and arranger)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-03)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary” - catch-all for arrangements) (in 1982-03)
composer:
Jeremiah Clarke (English baroque composer and organist)
arrangement of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
Jeremiah Clarke2:47
7Kanon
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
organ:
Martin Haselböck (organist, conductor and composer) (in 1982-02)
orchestra:
Stuttgarter Chamber Orchestra (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
arranger:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Canon and Gigue in D major, T. 377: I. Canon (catch-all for arrangements) (in 1984-02)
composer:
Johann Pachelbel (composer)
arrangement of:
Canon and Gigue in D major, T. 377: I. Canon
recording of:
Canon and Gigue in D major, T. 377: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, T. 377
Johann Pachelbel4:31
8Nuns' Chorus (Casanova)
producer:
Paul Myers (classical record producer)
choir vocals:
The Mormon Tabernacle Choir (fka Mormon Tabernacle Choir) (from 1989-02-24 until 1989-02-25)
soprano vocals:
Kiri Te Kanawa (soprano) (from 1989-02-24 until 1989-02-25)
orchestra:
Utah Symphony Orchestra (from 1989-02-24 until 1989-02-25)
conductor:
Julius Rudel (conductor) (from 1989-02-24 until 1989-02-25)
chorus master:
Jerold Ottley (conductor) (from 1989-02-24 until 1989-02-25)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1989)
recorded at:
Salt Lake Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, United States (from 1989-02-24 until 1989-02-25)
live recording of:
Casanova: Nuns’ Chorus & Laura’s Song (from 1989-02-24 until 1989-02-25)
additional composer:
Ralph Benatzky
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
librettist:
Rudolf Schanzer (Austrian librettist) and Ernst Welisch
part of:
Casanova
Johann Strauss II3:35
9Piano Sonata no. 14, op. 27 no. 2 "Moonlight"
grand piano and piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1989-06)
recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 1989-06)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven5:28
10Romeo and Juliet: Love Theme
producer:
John Culshaw (in 1960-06) and Erik Smith (British producer, pianist and harpsichordist) (in 1960-06)
orchestra:
Vienna Philharmonic Orchestra (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1960-06)
partial recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed) (in 1960-06)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Пётр Ильич Чайковский33:15
11Pavane
orchestra:
Orchestre symphonique de Montréal
conductor:
Charles Dutoit (conductor)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:40
12'New World' Symphony: II. Largo (excerpt)
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“
Antonín Dvořák5:37
13Dance of the Sugar Plum Fairy (Nutcracker)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (from 1961-09-05 until 1961-09-22)
conductor:
Herbert von Karajan (conductor) (from 1961-09-05 until 1961-09-22)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1961-09-05 until 1961-09-22) and Gordon Parry (engineer) (from 1961-09-05 until 1961-09-22)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1961-09-05 until 1961-09-22)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo (from 1961-09-05 until 1961-09-22)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Пётр Ильич Чайковский1:38
14Concierto de Aranjuez: II. Adagio (excerpt)
guitar:
Carlos Bonell (classical guitarist)
orchestra:
Orchestre symphonique de Montréal
conductor:
Charles Dutoit (conductor)
partial recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo5:31
15Arrival of the Queen of Sheba (Solomon)
producer:
Michael Bremner (producer/engineer) (in 1965-04)
orchestra:
Academy of St Martin in the Fields (in 1965-04)
conductor:
Sir Neville Marriner (conductor) (in 1965-04)
balance engineer:
Kenneth Wilkinson (engineer) (in 1965-04)
recorded at:
Decca Studios in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1965-04)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (in 1965-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft
part of:
Solomon, HWV 67: Act III
Georg Friedrich Händel3:10
16Hungarian Dance no.5
orchestra:
Royal Philharmonic Orchestra
conductor:
Walter Weller (violinist and conductor)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 5 in G minor (Allegro) (catch-all for unknown and one-off orchestrations)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, No. 5 in G minor: Allegro - Vivace (orch. Schmeling)
orchestrator:
Martin Schmeling
composer:
Johannes Brahms (German composer)
publisher:
Breitkopf & Härtel
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
Hungarian Dances for orchestra (Schmeling orchestration)
Johannes Brahms2:11
17Meditation (Thais)
producer:
James Mallinson (producer)
violin:
Nigel Kennedy (violinist) (in 1983-12)
orchestra:
The National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1983-12)
conductor:
Richard Bonynge (conductor and pianist) (in 1983-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1984) and The Decca Record Company Ltd. (for copyrights use only!) (in 1992)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-12)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (in 1983-12)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Thaïs: Acte II
Jules Massenet5:41
18Nessun Dorma (Turandot)
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO) (from 1972-08-10 until 1972-08-25, on 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III
Giacomo Puccini52:59