EGB: Las tardes de discoteca: Sueltas y agarradas

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

Digital Media 1
#TitleArtistRatingLength
1Believe
producer:
Brian Rawling and Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
mixer:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) and Rive Droite Music Productions
recorded at and mixed at:
Dreamhouse Studios in London (Greater London), England, United Kingdom
part of:
Grammy Award: Best Dance/Electronic Recording nominees (number: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (number: 9) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 337)
recording of:
Believe
lyricist:
Brian Higgins (British producer and song writer) and Matt Gray (UK techno DJ/producer, former video game composer)
composer:
Brian Higgins (British producer and song writer) (in 1998), Matt Gray (UK techno DJ/producer, former video game composer) (in 1998), Stuart McLennan (in 1998), Paul Michael Barry (songwriter/musician) (in 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (in 1998) and Steve Torch (in 1998)
publisher:
Rive Droite Music and Warner Chappell
Cher3.73:59
2Rivers of Babylon (2000 remastered version)Boney M.3:30
3Good Times
bass:
Bernard Edwards (in 1979)
electric piano:
Raymond Jones (in 1979)
guitar:
Nile Rodgers (in 1979)
membranophone:
Tony Thompson (drummer, best known for his work in CHIC) (in 1979)
piano:
Rob Sabino (in 1979)
lead vocals:
Alfa Anderson (in 1979) and Luci Martin (in 1979)
performer:
Chic (US disco group) (in 1979)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 68) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 224)
recording of:
Good Times (in 1979)
writer:
Bernard Edwards and Nile Rodgers
Chic53:44
4September
Earth, Wind & Fire3:13
5Fly Robin Fly
recording of:
Fly, Robin, Fly
writer:
Michael Kunze (producer and songwriter), Sylvester Levay and Stephan Prager (songwriter, aka Michael Kunze)
publisher:
Sounds of Jupiter Music, Inc.
Silver Convention5:21
6Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10) and Pitchfork: The Story of Goth in 33 Songs
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:37
7Love Is in the Air
recording of:
Love Is in the Air
writer:
Harry Vanda and George Young (Australian musician and producer)
publisher:
J. Albert & Son Pty. Ltd.
John Paul Young3:22
8Love in the First Degree
vocals:
Bananarama
phonographic copyright (℗) by:
London Records 90 Ltd. (renamed on 26th Aug 2011 as Warner Records 90 Ltd.) (in 1987)
recording of:
Love in the First Degree
writer:
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman and Keren Woodward
publisher:
All Boys Music Ltd., Mike Stock Publishing Limited, Reverb Music Ltd. (Siobhan Fahey), Sid’s Songs Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner/Chappell Music Ltd. (1996–2019)
Bananarama2.53:31
9Funkytown
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980)
edit of:
Funkytown by Lipps, Inc.
recording of:
Funkytown
lyricist and composer:
Steven Greenberg
publisher:
Red Sea Songs, Rick S. Music (publishing company associated with Casablanca) and Steven Greenberg Music
Lipps, Inc.4.153:55
10Gonna Get Along Without You Now
recording of:
Gonna Get Along (Without Ya Now)
lyricist and composer:
Milton Kellem
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Viola Wills5:00
11TSOP (The Sound of Philadelphia)
recording of:
TSOP (The Sound of Philadelphia)
writer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mighty Three Music, Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
MFSB & The Three Degrees3:30
12Groove Is in the Heart
additional engineer:
Bob Power
assistant engineer:
Derek Lategan and Eddie Sancho
engineer:
Mike Rogers (US producer/engineer, aka Tweekin')
additional producer and additional mixer:
Mike Rogers (US producer/engineer, aka Tweekin')
producer:
Deee‐Lite
saxophone:
Maceo Parker (US funk/jazz saxophonist)
trombone:
Fred Wesley
background vocals:
Bootsy Collins (US funk musician & songwriter)
vocals:
Q‐Tip (American rapper)
additional arranger:
Mike Rogers (US producer/engineer, aka Tweekin')
arranger:
Deee‐Lite
samples:
Bring Down the Birds by Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Get Up by Vernon Burch
part of:
TV Cream: Real 100 Best Singles Ever (number: 83) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 233)
recording of:
Groove Is in the Heart
writer:
Dmitry Brill, 鄭東和, Kamaal Ibn John Fareed (American rapper) and Kier Kirby
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Deee‐Lite4.33:52
13Rock the Boat
recording of:
Rock the Boat
lyricist and composer:
Wally Holmes (songwriter)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation53:08
14Born to Be Alive
recording of:
Born to Be Alive
lyricist and composer:
Patrick Hernandez
Patrick Hernandez6:20
15Blue Monday ’88
producer:
Quincy Jones and New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
recording of:
Blue Monday
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher) and Zomba Music Publishing Ltd.
New Order44:05
16A View to a Kill
engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Duran Duran (English rock band) and Bernard Edwards
sampler:
Jonathan Elias
vocals:
Duran Duran (English rock band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1998)
recording of:
A View to a Kill
orchestrator:
John Barry (English score composer)
writer:
John Barry (English score composer), Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
composer:
John Barry (English score composer) and Duran Duran (English rock band)
publisher:
EMI Songs and Gloucester Place Music Ltd.
part of:
A View to a Kill (from the James Bond film)
Duran Duran3.553:34
17Ain’t Nobody
additional synthesizer:
James Newton Howard (American score composer)
alto saxophone:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
bass:
Bobby Watson (bassist)
drums (drum set):
John “JR” Robinson (session drummer)
flute:
Gary Herbig, Ernie Watts (jazz and blues saxophonist) and Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
guitar:
Tony Maiden
keyboard:
Kevin Murphy (American keyboardist, Rufus & The American Breed) and David “Hawk” Wolinski
percussion:
Paulinho da Costa (Brazilian percussionist)
tenor saxophone:
Gary Herbig and Ernie Watts (jazz and blues saxophonist)
trumpet:
Jerry Hey
vocals:
Chaka Khan and Tony Maiden
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 403)
recording of:
Ain’t Nobody
lyricist and composer:
David Wolinski
publisher:
Overdue Music
Rufus & Chaka Khan4.14:42
18I’m Gonna Be (500 Miles)
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
acoustic guitar:
Jerry Donahue and Charlie Reid
bass guitar:
Phil Cranham
drums (drum set):
Paul Robinson (UK drummer, also Turning Point member)
electric guitar:
Jerry Donahue
fiddle:
Steve Shaw (Steve Brennan)
keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
mandolin and tin whistle:
Stuart Nisbet
steel guitar:
Gerry Hogan
vocals:
Charlie Reid and Craig Reid
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) and Chrysalis Records, Inc. (not for release label use!) (in 1988)
recorded at and mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 21)
recording of:
I’m Gonna Be (500 Miles)
writer:
Charlie Reid and Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Proclaimers43:39
19Lady Marmalade
cover recording of:
Lady Marmalade
writer:
Bob Crewe and Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, since 1972), EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Kenny Nolan Publishing and Pathe Publications (Far East) Limited
All Saints4:01
20Owner of a Lonely Heart
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Chris Squire (Yes bassist) (in 1983)
drums (drum set):
Alan White (Yes drummer) (in 1983)
guitar:
Trevor Rabin (South African musician and score composer) (in 1983)
keyboard:
Tony Kaye (in 1983)
lead vocals:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
recorded at:
SARM Studios in London (Greater London), England, United Kingdom (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
writer:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) and Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Rights Management (UK) Ltd. (not for release label use!), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部, ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
Yes44:27
21Private Dancer (single edit)
producer:
Carter
solo guitar:
Jeff Beck (English rock guitarist)
lead vocals:
Tina Turner
remixer:
Humberto Gatica
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recording of:
Private Dancer
lyricist and composer:
Mark Knopfler
publisher:
Rondor Music (London) Ltd., Shinko Music Entertainment Co., Ltd., Straitjacket Songs Ltd., Universal Music Publishing France (not for release label use!) and Universal Music Publishing, Synch Division
Tina Turner3.54:00
22You Are So Beautiful
producer:
Don Was
acoustic guitar:
Dean Parks (American session guitarist)
bass:
Hutch Hutchinson (American bassist)
cello:
Suzie Katayama and Rudy Stein
drums (drum set) and percussion:
Kenny Aronoff and Jim Keltner
Hammond organ [Hammond B3 organ]:
Billy Preston
piano:
Chris Stainton
resonator guitar [dobro]:
Greg Leisz
synthesizer:
Jamie Muhoberac
viola:
Denyse Buffum and Evan Wilson (viola player)
violin:
Peter Kent (violinist) and Sid Page
background vocals:
Merry Clayton, Portia Griffin, Maxine Sharp and Myrna Smith
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
cover recording of:
You Are So Beautiful
writer:
Bruce Fisher and Billy Preston
publisher:
Almo Music Corporation (USA, affiliated with ASCAP) and Preston Songs (ASCAP)
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
Joe Cocker3.352:44
23Forever Young
additional recording engineer:
Uli Rudolf
recording engineer and mixer:
Wolfgang Loos (from 1984-07 until 1984-08)
assistant programming:
Boris Balin and Thomas Beck (technical assistant, likely German)
programming:
Wolfgang Loos
producer:
Wolfgang Loos and Colin Pearson (producer and violinist)
additional keyboard:
Wolfgang Loos (from 1984-07 until 1984-08)
bass:
Ken Taylor (from 1984-07 until 1984-08)
drum machine:
Bernhard Lloyd (from 1984-07 until 1984-08)
drums (drum set):
Curt Cress (from 1984-07 until 1984-08)
keyboard:
Bernhard Lloyd (from 1984-07 until 1984-08) and Frank Mertens (German synthpop keyboardist Frank Sorgatz) (from 1984-07 until 1984-08)
background vocals:
Gulfstream (from 1984-07 until 1984-08) and The Rosie Singers (from 1984-07 until 1984-08)
lead vocals:
Marian Gold (from 1984-07 until 1984-08)
arranger:
Alphaville (German synth pop band) and Wolfgang Loos
phonographic copyright (℗) by:
WEA MUSIK GMBH (company, not a label) (from 1984 to present)
recorded at and mixed at:
Studio 54 (Berlin recording studio) in Germany (from 1984-07 until 1984-08)
recording of:
Forever Young (Alphaville song, “I want to be forever young”) (from 1984-07 until 1984-08)
orchestrator:
Wil Malone
lyricist:
Marian Gold
composer:
Frank Mertens (German synthpop keyboardist Frank Sorgatz), Marian Gold and Bernhard Lloyd
publisher:
Downtown DMP Songs and Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.553:47
24Listen to Your Heart
engineer:
Alar Suurna
producer:
Clarence Öfwerman
mixer:
Marie Fredriksson, Per Gessle (Swedish singer and guitarist), Clarence Öfwerman and Alar Suurna
bass guitar:
Anders Herrlin
classical guitar:
Erik Borelius
drums (drum set):
Pelle Alsing
guitar:
Jonas Isacsson
keyboard:
Clarence Öfwerman
saxophone:
Erik Häusler
slide guitar:
Janne Oldaeus
background vocals:
Marie Fredriksson, Per Gessle (Swedish singer and guitarist) and Clarence Öfwerman
lead vocals:
Marie Fredriksson and Per Gessle (Swedish singer and guitarist)
phonographic copyright (℗) by:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) and EMI Svenska AB (not for release label use!)
recorded at and mixed at:
EMI Studios (Stockholm) in Stockholm, Stockholms län, Sweden
recording of:
Listen to Your Heart (Roxette song)
lyricist:
Per Gessle (Swedish singer and guitarist)
composer:
Per Gessle (Swedish singer and guitarist) and Mats Arne Persson (“M.P.”)
publisher:
Jimmy Fun Music
Roxette3.65:28
25True (single edit)
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
performer:
Spandau Ballet
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
music videos:
True by Spandau Ballet
recording of:
True
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd. and Reformation Publishing Inc.
Spandau Ballet3.655:28
26Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek (in 1983)
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp. and Lido Music, Inc.
The Cars43:54
27Take My Breath Away
engineer:
Dave Concors, Michael Rosen (US metal producer/engineer) and Tom Whitlock
producer:
Jerry Bruckheimer, Giorgio Moroder and Don Simpson (American film producer, screenwriter, and actor)
mixer:
Giorgio Moroder and Brian Reeves
drums (drum set):
Rob Brill
electric guitar:
Ric Olsen
synthesizer:
Arthur Barrow and John Crawford (Berlin bassist)
lead vocals:
Terri Nunn (Berlin singer)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986)
recorded at:
Oasis Recording Studios in North Hollywood, Los Angeles, California, United States
music videos:
Take My Breath Away by Berlin (US new wave/synthpop)
part of:
TV Cream: Real 100 Best Singles Ever (number: 28)
recording of:
Take My Breath Away (song from the 1986 film Top Gun)
lyricist:
Tom Whitlock
composer:
Giorgio Moroder
publisher:
Famous Music Publishing Germany GmbH & Co. KG (ended), Jastian Music Inc. (ended), ワーナー・チャペル音楽出版 Synch事業部 (ended), BMG Ariola Belgium, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Harmony, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019), ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1986) and GMPC (in 1986)
part of:
The 59th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 59)
Berlin3.854:09
28No puedo evitar (Pensar en ti)Duncan Dhu3:24
29I’ve Been Loving You Too Long
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 25)
recording of:
I’ve Been Loving You Too Long
writer:
Jerry Butler (soul singer) (in 1965) and Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) and Wildwood Music Ltd.
Otis Redding32:57
30Is This Love (radio edit)
producer:
Keith Olsen (US producer and engineer) and Mike Stone (producer, enginner, UK, 60’s–80’s)
mixer:
Keith Olsen (US producer and engineer)
bass guitar:
Neil Murray (British bass guitar player)
drums (drum set) and percussion:
Aynsley Dunbar
guest keyboard:
Don Airey and Bill Cuomo
guitar and background vocals:
John Sykes
keyboard:
Don Airey
lead vocals:
David Coverdale
phonographic copyright (℗) by:
Whitesnake Productions (Overseas) Ltd. (in 1987)
mixed at:
Goodnight LA Studios in Van Nuys, California, United States
recording of:
Is This Love (Whitesnake song)
writer:
David Coverdale and John Sykes
publisher:
WB Music Corp. (1929–2019), Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Whitesnake4.154:43
31Waiting for a Girl Like You
recording of:
Waiting for a Girl Like You
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
フジパシフィック音楽出版 (until 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (from 2015-01-01 to present)
Foreigner4:50
32Te quiero
recording of:
Te quiero
writer:
David Summers
Hombres G3:46
33Please Don’t GoKC & the Sunshine Band43:50
34Amiga míaAlejandro Sanz4:51
35Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 131)
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt GmbH & Co. KG, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher) and Unichappell Music
Ben E. King4.62:57
36Pero a tu lado
Los Secretos3:15
37When a Man Loves a Woman
recorded in:
Muscle Shoals, Alabama, United States (on 1966-02-17)
producer:
Marlin Greene ('60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene ('60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54)
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Pronto Music, Inc. (publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:50
38Yolanda
Danza Invisible4:13
39Arponera (original)Esclarecidos2:55
40Soul Food to Go (Sina)
recording engineer:
Ed Thacker
synthesizer programming:
Jeff Lorber
producer:
Tim Hauser
mixer:
Brian Malouf
drums (drum set):
Buddy Williams (drummer)
guitar:
Wayne Johnson (jazz and acoustic guitarist)
percussion:
Djalma Corrêa
guest vocals:
Djavan
vocals:
Cheryl Bentyne, Tim Hauser, Alan Paul (Member of Manhattan Transfer) and Janis Siegel
instruments arranger:
Jeff Lorber
vocals arranger:
Janis Siegel
recording of:
Soul Food to Go (Sina)
lyricist:
Doug Fieger
composer:
Djavan
version of:
Sina
The Manhattan Transfer5:10

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Warner Music Spain S.L. (in 2016)
stream for free:https://open.spotify.com/album/76qmxRgNu1mRYFe1COYdkD [info]