Tracklist

12" Vinyl 1
# Title Rating Length
A1 Cannonball
?:??
A2 Willows
?:??
A3 Everglade
?:??
A4 Cynthia’s in Love
?:??
A5 The Song Is You
?:??
B1 Hurricane Connie
?:??
B2 Purple Shades
?:??
B3 Rose Room
?:??
B4 Fallen Feathers
?:??
B5 You’d Be So Nice to Come Home To
?:??

Credits

12" Vinyl 1

recorded in:
New York, New York, United States (1955-07-21) (tracks A4–B2)
New York, New York, United States (1955-07-29) (tracks A1, A3, B5)
New York, New York, United States (1955-08-05) (tracks A2, B3–B4)
drums (drum set):
Kenny Clarke (1955-07-21) (tracks A4–B2)
Kenny Clarke (1955-07-29) (tracks A1, A3, B5)
Max Roach (20th century US jazz drummer & composer) (1955-08-05) (tracks A2, B3–B4)
cornet:
Nat Adderley (1955-07-21) (tracks A4–B2)
Nat Adderley (1955-07-29) (tracks A1, A3, B5)
Nat Adderley (1955-08-05) (tracks A2, B3–B4)
flute:
Jerome Richardson (1955-07-21) (track A5)
flute and tenor saxophone:
Jerome Richardson (1955-07-21) (tracks A4, B1–B2)
Jerome Richardson (1955-07-29) (tracks A1, A3, B5)
Jerome Richardson (1955-08-05) (tracks A2, B3–B4)
double bass:
Paul Chambers (US jazz bassist) (1955-07-21) (tracks A4–B2)
Paul Chambers (US jazz bassist) (1955-07-29) (tracks A1, A3, B5)
Paul Chambers (US jazz bassist) (1955-08-05) (tracks A2, B3–B4)
alto saxophone:
Julian “Cannonball” Adderley (1955-07-21) (tracks A4–B2)
Julian “Cannonball” Adderley (1955-07-29) (tracks A1, A3, B5)
Julian “Cannonball” Adderley (1955-08-05) (tracks A2, B3–B4)
piano:
John Williams (American jazz pianist) (1955-07-21) (tracks A4–B2)
John Williams (American jazz pianist) (1955-07-29) (tracks A1, A3, B5)
John Williams (American jazz pianist) (1955-08-05) (tracks A2, B3–B4)
baritone saxophone:
Cecil Payne (1955-07-21) (tracks A4–B2)
Cecil Payne (1955-07-29) (tracks A1, A3, B5)
Cecil Payne (1955-08-05) (tracks A2, B3–B4)
tenor saxophone:
Jerome Richardson (1955-07-21) (track A5)
trombone:
James Cleveland (1955-07-21) (tracks A4–B2)
J. Johnson (Jazz/bop trombonist/session leader) (1955-07-29) (tracks A1, A3, B5)
J. Johnson (Jazz/bop trombonist/session leader) (1955-08-05) (tracks A2, B3–B4)
arranger:
Quincy Jones (tracks A1–B5)
composer:
Jerome Kern (track A5)
Quincy Jones (tracks A2–A3, B1, B4)
Art Hickman (1917) (track B3)
Cole Porter (composer) (1943) (track B5)
lyricist:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (1917) (track B3)
Cole Porter (composer) (1943) (track B5)
writer:
Phil Dooley (track B2)
Lew Douglas (track B2)
Billy Gish (track A4)
Frank LaVere (track B2)
Jack Owens (singer/songwriter "The Cruising Crooner") (track A4)
Earl White (track A4)
phonographic copyright by:
UMG Recordings, Inc. (Universal Music Group's legal name in the US) (1955) (tracks A1–B5)
Verve Music Group (now known as Verve Label Group; not for release label use!) (2001) (tracks B1, B4)
HHO Licensing (2005) (track B3)
HHO Licensing (2008) (track B3)
Xelon Productions (2010) (track B3)
publisher:
Chappell & Co. (track B5)
EMI Music Publishing (do not use as a release label!) (track B3)
Warner Chappell Music Ltd. (no slash; used 1988–1996) (track B5)
Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) (track B5)
cover recording of:
Cynthia’s in Love (1955-07-21) (track A4)
instrumental cover recording of:
The Song Is You (1955) (track A5)
You’d Be So Nice to Come Home To (1955-07-29) (track B5)
Rose Room (1955-08-05) (track B3)
later translated versions:
Lui, toi et moi (track A5)
recording of:
Hurricane Connie (1955-07-21) (track B1)
Purple Shades (1955-07-21) (track B2)
Cannonball (1955-07-29) (track A1)
Everglade (1955-07-29) (track A3)
Fallen Feathers (1955-08-05) (track B4)
Willows (1955-08-05) (track A2)