12" Vinyl 1
# Title Rating Length
A1 Cannonball
A2 Willows
A3 Everglade
A4 Cynthia’s in Love
A5 The Song Is You
B1 Hurricane Connie
B2 Purple Shades
B3 Rose Room
B4 Fallen Feathers
B5 You’d Be So Nice to Come Home To


12" Vinyl 1

recorded in:
New York, New York, United States (1955-07-21) (tracks A4–B2)
New York, New York, United States (1955-07-29) (tracks A1, A3, B5)
New York, New York, United States (1955-08-05) (tracks A2, B3–B4)
drums (drum set):
Kenny Clarke (1955-07-21) (tracks A4–B2)
Kenny Clarke (1955-07-29) (tracks A1, A3, B5)
Max Roach (20th century US jazz drummer & composer) (1955-08-05) (tracks A2, B3–B4)
Nat Adderley (1955-07-21) (tracks A4–B2)
Nat Adderley (1955-07-29) (tracks A1, A3, B5)
Nat Adderley (1955-08-05) (tracks A2, B3–B4)
Jerome Richardson (1955-07-21) (track A5)
flute and tenor saxophone:
Jerome Richardson (1955-07-21) (tracks A4, B1–B2)
Jerome Richardson (1955-07-29) (tracks A1, A3, B5)
Jerome Richardson (1955-08-05) (tracks A2, B3–B4)
double bass:
Paul Chambers (US jazz bassist) (1955-07-21) (tracks A4–B2)
Paul Chambers (US jazz bassist) (1955-07-29) (tracks A1, A3, B5)
Paul Chambers (US jazz bassist) (1955-08-05) (tracks A2, B3–B4)
alto saxophone:
Julian “Cannonball” Adderley (1955-07-21) (tracks A4–B2)
Julian “Cannonball” Adderley (1955-07-29) (tracks A1, A3, B5)
Julian “Cannonball” Adderley (1955-08-05) (tracks A2, B3–B4)
John Williams (American jazz pianist) (1955-07-21) (tracks A4–B2)
John Williams (American jazz pianist) (1955-07-29) (tracks A1, A3, B5)
John Williams (American jazz pianist) (1955-08-05) (tracks A2, B3–B4)
baritone saxophone:
Cecil Payne (1955-07-21) (tracks A4–B2)
Cecil Payne (1955-07-29) (tracks A1, A3, B5)
Cecil Payne (1955-08-05) (tracks A2, B3–B4)
tenor saxophone:
Jerome Richardson (1955-07-21) (track A5)
James Cleveland (1955-07-21) (tracks A4–B2)
J. Johnson (Jazz/bop trombonist/session leader) (1955-07-29) (tracks A1, A3, B5)
J. Johnson (Jazz/bop trombonist/session leader) (1955-08-05) (tracks A2, B3–B4)
Quincy Jones (tracks A1–B5)
Jerome Kern (track A5)
Quincy Jones (tracks A2–A3, B1, B4)
Art Hickman (1917) (track B3)
Cole Porter (composer) (1943) (track B5)
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (1917) (track B3)
Cole Porter (composer) (1943) (track B5)
Phil Dooley (track B2)
Lew Douglas (track B2)
Billy Gish (track A4)
Frank LaVere (track B2)
Jack Owens (singer/songwriter "The Cruising Crooner") (track A4)
Earl White (track A4)
phonographic copyright by:
UMG Recordings, Inc. (Universal Music Group's legal name in the US) (1955) (tracks A1–B5)
Verve Music Group (now known as Verve Label Group; not for release label use!) (2001) (tracks B1, B4)
HHO Licensing (2005) (track B3)
HHO Licensing (2008) (track B3)
Xelon Productions (2010) (track B3)
Chappell & Co. (track B5)
EMI Music Publishing (do not use as a release label!) (track B3)
Warner Chappell Music Ltd. (no slash; used 1988–1996) (track B5)
Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) (track B5)
cover recording of:
Cynthia’s in Love (1955-07-21) (track A4)
instrumental cover recording of:
The Song Is You (1955) (track A5)
You’d Be So Nice to Come Home To (1955-07-29) (track B5)
Rose Room (1955-08-05) (track B3)
later translated versions:
Lui, toi et moi (track A5)
recording of:
Hurricane Connie (1955-07-21) (track B1)
Purple Shades (1955-07-21) (track B2)
Cannonball (1955-07-29) (track A1)
Everglade (1955-07-29) (track A3)
Fallen Feathers (1955-08-05) (track B4)
Willows (1955-08-05) (track A2)