Boulez: Le marteau sans Maître / Sonatine / Messiaen: 7 Haïkaï

~ Release by Pierre Boulez, Olivier Messiaen; Pierre Boulez (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Le Marteau sans maître: I. Avant "l'artisanat furieux"
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (Belgian mezzo-soprano) (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: I. Avant l'Artisanat furieux. Rapide (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez1:29
2Le Marteau sans maître: II. Commentaire I de "bourreaux de solitude"
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (Belgian mezzo-soprano) (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: II. Commentaire I de Bourreaux de solitude. Lent (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez3:41
3Le Marteau sans maître: III. "l'artisanat furieux"
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (Belgian mezzo-soprano) (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: III. L'Artisanat furieux. Modéré sans riguer (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez2:08
4Le Marteau sans maître: IV. Commentaire II de "bourreaux de solitude"
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (Belgian mezzo-soprano) (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: IV. Commentaire II de Bourreaux de solitude. Rapide (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez4:15
5Le Marteau sans maître: V. "Bel édifice et les pressentiments", version première
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (Belgian mezzo-soprano) (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: V. Bel édifice et les pressentiments - version première. Assez vif (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez3:24
6Le Marteau sans maître: VI. "Bourreaux de solitude"
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (Belgian mezzo-soprano) (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: VI. Bourreaux de solitude. Assez lent (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez3:19
7Le Marteau sans maître: VII. Après "l'artisanat furieux"
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (Belgian mezzo-soprano) (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: VII. Après l'Artisanat furieux. Rapide (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez1:05
8Le Marteau sans maître: VIII. Commentaire III de "bourreaux de solitude"
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (Belgian mezzo-soprano) (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: VIII. Commentaire III de Bourreaux de solitude. Assez lent (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez5:43
9Le Marteau sans maître: IX. "Bel édifice et les pressentiments", double
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (Belgian mezzo-soprano) (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: IX. Bel édifice et les pressentiments - double. Tempo libre de rècit (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez7:28
10Sonatine
flute:
Jacques Castagner (French flautist) (in 1971)
piano:
Jacqueline Méfano (French pianist) (in 1971)
recording of:
Sonatine (in 1971)
premiered in:
Brussels, Belgium (in 1947)
composer:
Pierre Boulez (composer and conductor) (in 1946)
Pierre Boulez13:30
117 Haïkaï: I. Introduction
percussion:
Les Percussions de Strasbourg (in 1964)
piano:
Yvonne Loriod (pianist) (in 1964)
orchestra:
Domaine musical (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Sept haïkaï: I. Introduction (in 1964)
composer:
Olivier Messiaen (composer and organist) (in 1962)
part of:
Sept haïkaï
Olivier Messiaen1:56
127 Haïkaï: II. Le parc de Nara et les lanternes de pierre
percussion:
Les Percussions de Strasbourg (in 1964)
piano:
Yvonne Loriod (pianist) (in 1964)
orchestra:
Domaine musical (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Sept haïkaï: II. Le Parc de Nara et les lanternes de pierre (in 1964)
composer:
Olivier Messiaen (composer and organist) (in 1962)
part of:
Sept haïkaï
Olivier Messiaen1:35
137 Haïkaï: III. Yamanaka-Cadenza
percussion:
Les Percussions de Strasbourg (in 1964)
piano:
Yvonne Loriod (pianist) (in 1964)
orchestra:
Domaine musical (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Sept haïkaï: III. Yamanaka - Cadenza (in 1964)
composer:
Olivier Messiaen (composer and organist) (in 1962)
part of:
Sept haïkaï
Olivier Messiaen3:47
147 Haïkaï: IV. Gagaku
percussion:
Les Percussions de Strasbourg (in 1964)
piano:
Yvonne Loriod (pianist) (in 1964)
orchestra:
Domaine musical (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Sept haïkaï: IV. Gagaku (in 1964)
composer:
Olivier Messiaen (composer and organist) (in 1962)
part of:
Sept haïkaï
Olivier Messiaen3:06
157 Haïkaï: V. Miyajima et le Torii dans la mer
percussion:
Les Percussions de Strasbourg (in 1964)
piano:
Yvonne Loriod (pianist) (in 1964)
orchestra:
Domaine musical (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Sept haïkaï: V. Miyajima et le torii dans la mer (in 1964)
composer:
Olivier Messiaen (composer and organist) (in 1962)
part of:
Sept haïkaï
Olivier Messiaen1:30
167 Haïkaï: VI. Les oiseaux de Karuizawa
percussion:
Les Percussions de Strasbourg (in 1964)
piano:
Yvonne Loriod (pianist) (in 1964)
orchestra:
Domaine musical (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Sept haïkaï: VI. Les Oiseaux de Karuizawa (in 1964)
composer:
Olivier Messiaen (composer and organist) (in 1962)
part of:
Sept haïkaï
Olivier Messiaen5:45
177 Haïkaï: VII. Coda
percussion:
Les Percussions de Strasbourg (in 1964)
piano:
Yvonne Loriod (pianist) (in 1964)
orchestra:
Domaine musical (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Sept haïkaï: VII. Coda (in 1964)
composer:
Olivier Messiaen (composer and organist) (in 1962)
part of:
Sept haïkaï
Olivier Messiaen1:50