Back to Mono (1958–1969)

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

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▼ 12" Vinyl 1
#TitleArtistRatingLength
A1To Know Him Is to Love Him
engineer:
Stan Ross (recording engineer, mixer & producer)
producer:
Phil Spector
instruments:
Phil Spector (in 1958-07)
membranophone:
Sandy Nelson (in 1958-07)
arranger:
Phil Spector
engineered at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1958-07)
recording of:
To Know Him Is to Love Him (in 1958-07)
lyricist and composer:
Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Bourne Music Ltd., Mother Bertha Music Inc. and Vogue Music
The Teddy Bears?:??
A2Corrine, Corrina
producer:
Phil Spector
arranger:
Robert Mersey
recorded at:
Bell Sound Studios in New York, New York, United States (from 1960-09 until 1960-10)
cover recording of:
Corrine, Corrina (from 1960-09 until 1960-10)
miscellaneous support:
Merle Haggard (US country singer, guitarist, fiddler & songwriter) (in 1971)
lyricist:
[traditional] (special purpose artist), Armetia Chatman (blues musician, aka Bo Chatmon) (in 1929), J. Mayo ‘Ink’ Williams (in 1929) and Mitchell Parish (in 1932)
composer:
[traditional] (special purpose artist)
publisher:
Belwin-Mills Publishing Corp., EMI Music Publishing France and Gotham Music Service, Inc. (on 1932-03-18)
Ray Peterson?:??
A3Spanish Harlem
engineer:
Phil Ramone
producer:
Jerry Leiber and Mike Stoller
arranger:
Stan Applebaum (US composer, arranger and conductor)
recorded at:
Bell Sound Studios in New York, New York, United States (from 1960-10 until 1960-11)
recording of:
Spanish Harlem (from 1960-10 until 1960-11)
lyricist:
Jerry Leiber
composer:
Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. and Unichappell Music
Ben E. King?:??
A4Pretty Little Angel Eyes
engineer:
Bill McGuire
producer:
Phil Spector
arranger:
Phil Spector
recorded at:
Mirasound Studios in New York, New York, United States (from 1961-05 until 1961-06)
recording of:
Pretty Little Angel Eyes (from 1961-05 until 1961-06)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Curtis Lee (US rock & roll singer, had single "Pretty Little Angel Eyes")
Curtis Lee5?:??
A5Every Breath I Take
producer:
Phil Spector
arranger:
Alan Lauber
recorded at:
Bell Sound Studios in New York, New York, United States (from 1961-06 until 1961-07)
recording of:
Every Breath I Take (from 1961-06 until 1961-07)
writer:
Gerry Goffin and Carole King
Gene Pitney?:??
A6I Love How You Love Me
engineer:
Stan Ross (recording engineer, mixer & producer)
producer:
Phil Spector
background vocals:
Albeth Paris, Sherrell Paris and Phil Spector
lead vocals [singing voice on 1st lead]:
Priscilla Paris
spoken vocals [spoken voice on 2nd lead over the instrumental break]:
Albeth Paris
arranger:
Hank Levine and Phil Spector
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1961-07 until 1961-08)
cover recording of:
I Love How You Love Me (from 1961-07 until 1961-08)
writer:
Larry Kolber and Barry Mann
publisher:
Robert Mellin Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Paris Sisters4?:??
A7Under the Moon of Love
engineer:
William McMeekin
producer:
Phil Spector
arranger:
Arnold Goland and Phil Spector
recorded at:
Mirasound Studios in New York, New York, United States (from 1961-08 until 1961-09)
recording of:
Under the Moon of Love (from 1961-08 until 1961-09)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Curtis Lee (US rock & roll singer, had single "Pretty Little Angel Eyes")
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it)
Curtis Lee3?:??
A8There’s No Other Like My Baby
engineer:
William McMeekin
producer:
Phil Spector
lead vocals:
Barbara Alston (from 1961-09 until 1961-10)
arranger:
Arnold Goland and Phil Spector
recorded at:
Mirasound Studios in New York, New York, United States (from 1961-09 until 1961-10)
recording of:
There’s No Other (Like My Baby) (from 1961-09 until 1961-10)
composer:
Lee Bates and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Mother Bertha Music Inc.
The Crystals?:??
B1Uptown
engineer:
William McMeekin
producer:
Phil Spector
guitar:
Phil Spector (in 1962-02)
lead vocals:
Barbara Alston (in 1962-02)
arranger:
Hank Levine and Phil Spector
recorded at:
Mirasound Studios in New York, New York, United States (in 1962-02)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 23)
recording of:
Uptown (in 1962-02)
writer:
Barry Mann and Cynthia Weil
publisher:
Dyad Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Crystals5?:??
B2He Hit Me (It Felt Like a Kiss)
engineer:
William McMeekin
producer:
Phil Spector
lead vocals:
Barbara Alston (in 1962-06)
arranger:
Arnold Goland and Phil Spector
recorded at:
Mirasound Studios in New York, New York, United States (in 1962-06)
recording of:
He Hit Me (It Felt Like a Kiss) (in 1962-06)
lyricist:
Gerry Goffin
composer:
Carole King
The Crystals?:??
B3He’s a Rebel
engineer:
Larry Levine
producer:
Phil Spector
background vocals:
Fanita James (in 1962-07) and Jean King (in 1962-07)
lead vocals:
Darlene Love (in 1962-07)
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1962-07)
recording of:
He’s a Rebel (in 1962-07)
lyricist and composer:
Gene Pitney
publisher:
January Music Corp.
The Crystals5?:??
B4Zip‐A‐Dee‐Doo‐Dah
engineer:
Larry Levine
producer:
Phil Spector
vocals:
Fanita James (in 1962-08), Darlene Love (in 1962-08) and Bobby Sheen (in 1962-08)
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1962-08)
recording of:
Zip‐a‐Dee‐Doo‐Dah (Song of the South) (in 1962-08)
lyricist:
Ray Gilbert
composer:
Allie Wrubel
publisher:
Joy Music Inc. and Walt Disney Music Company (music publisher, do not use as release label) (in 1945)
part of:
The 20th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 20)
part of:
Song of the South (1946 live action/animated film)
Bob B. Soxx and the Blue Jeans?:??
B5Puddin’ n’ Tain
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1962-11)
recording of:
Puddin' n' Tain (in 1962-11)
writer:
Brice Coefield, Gary Pipkin and Alonzo Willis
The Alley Cats?:??
B6He’s Sure the Boy I Love
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1962-11)
recording of:
He’s Sure the Boy I Love (in 1962-11)
writer:
Barry Mann and Cynthia Weil
publisher:
Aldon Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Crystals?:??
B7Why Do Lovers Break Each Others Hearts
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1962-11)
recording of:
Why Do Lovers Break Each Others Hearts (in 1962-11)
writer:
Ellie Greenwich, Tony Powers and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc. and Unichappell Music, Inc.
Bob B. Soxx and the Blue Jeans?:??
B8(Today I Met) The Boy I’m Gonna Marry
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-03)
recording of:
(Today I Met) The Boy I’m Gonna Marry (in 1963-03)
writer:
Ellie Greenwich, Tony Powers and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc. and Unichappell Music, Inc.
Darlene Love?:??
▼ 12" Vinyl 2
#TitleArtistRatingLength
C1Da Doo Ron Ron
engineer:
Larry Levine
producer:
Phil Spector
lead vocals:
LaLa Brooks (in 1963-03)
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-03)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 114) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 366)
recording of:
Da Doo Ron Ron (in 1963-03)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) (ended), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Intersong (publisher), Mother Bertha Music Inc., Trio Music Co., Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント, 日本アブコ音楽出版, フジパシフィック音楽出版 (until 2014-12-31), イーエムアイ音楽出版 C・F事業部 (until 2021-06-30), フジパシフィックミュージック (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
The Crystals5?:??
C2Heartbreaker
engineer:
Larry Levine
producer:
Phil Spector
lead vocals:
LaLa Brooks (in 1963-03)
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-03)
recording of:
Heartbreaker (in 1963-03)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
The Crystals?:??
C3Why Don’t They Let Us Fall in Love
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-03)
recording of:
Why Don't They Let Us Fall in Love? (in 1963-03)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
Veronica?:??
C4Chapel of Love
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-04)
cover recording of:
Chapel of Love (in 1963-04)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント, フジパシフィックミュージック BMG事業部, ユニバーサル・ミュージック・パブリッシング Synch事業部, 日本アブコ音楽出版, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Darlene Love?:??
C5Not Too Young to Get Married
engineer:
Larry Levine
producer:
Phil Spector
lead vocals:
Darlene Love (in 1963-04)
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-04)
recording of:
Not Too Young to Get Married (in 1963-04)
lyricist and composer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
Bob B. Soxx and the Blue Jeans?:??
C6Wait Til My Bobby Gets Home
engineer:
Larry Levine (in 1963-05)
producer:
Phil Spector
lead vocals:
Darlene Love (in 1963-05) and Edna Wright (in 1963-05)
arranger:
Jack Nitzsche (American musician and score composer) (in 1963-05)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-05)
recording of:
Wait Til My Bobby Gets Home (in 1963-05)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
Darlene Love?:??
C7All Grown Up
engineer:
Larry Levine
producer:
Phil Spector
lead vocals:
LaLa Brooks (in 1963-06)
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-06)
recording of:
All Grown Up (in 1963-06)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
The Crystals?:??
C8Be My Baby
engineer:
Larry Levine
producer:
Phil Spector
vocals:
Ronnie Spector (in 1963-07)
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Phil Spector Records (in 1963)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-07)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 22) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 22)
recording of:
Be My Baby (in 1963-07)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Trio Music Co., Inc. and Universal–Songs of PolyGram International, Inc.
sub-publisher:
ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Fujipacific Music inc. (until 2014-12-31), EMI Music Publishing Japan C.F. division (until 2021-06-30), Fujipacific Music, Inc. (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
The Ronettes4?:??
D1Then He Kissed Me
engineer:
Larry Levine (in 1963-07)
producer:
Phil Spector
lead vocals:
LaLa Brooks (in 1963-07)
arranger:
Jack Nitzsche (American musician and score composer) (in 1963-07)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-07)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 11) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 493)
recording of:
Then He Kissed Me (in 1963-07)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Malt Shoppe Music, Mother Bertha Music Inc., Steeplechase Music, Trio Music Co., Inc. and Universal–Songs of PolyGram International, Inc.
The Crystals5?:??
D2A Fine, Fine Boy
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-09)
recording of:
A Fine Fine Boy (in 1963-09)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
Darlene Love?:??
D3Baby, I Love You
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-11)
recording of:
Baby, I Love You (in 1963-11)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
The Ronettes4?:??
D4I Wonder
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-11)
recording of:
I Wonder (in 1963-11)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
The Ronettes3?:??
D5Girls Can Tell
engineer:
Larry Levine
producer:
Phil Spector
lead vocals:
LaLa Brooks (in 1963-11)
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-11)
recording of:
Girls Can Tell (in 1963-11)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
The Crystals?:??
D6Little Boy
engineer:
Larry Levine
producer:
Phil Spector
lead vocals:
LaLa Brooks (in 1963-11)
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-11)
recording of:
Little Boy (in 1963-11)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
The Crystals?:??
D7Hold Me Tight
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1964-02)
cover recording of:
Hold Me Tight (The Beatles song) (in 1964-02)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC
The Treasures?:??
D8(The Best Part of) Breakin’ Up
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1964-02)
recording of:
(The Best Part of) Breakin’ Up (in 1964-02)
writer:
Peter Andreoli (US songwriter/producer vocalist), Vini Poncia and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc. and Unichappell Music, Inc.
The Ronettes3?:??
▼ 12" Vinyl 3
#TitleArtistRatingLength
E1Soldier Baby of Mine
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1964-02)
recording of:
Soldier Baby (Of Mine) (in 1964-02)
writer:
Peter Andreoli (US songwriter/producer vocalist), Vini Poncia and Phil Spector
The Ronettes?:??
E2Strange Love
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1964-02)
recording of:
Strange Love (in 1964-02)
writer:
Peter Andreoli (US songwriter/producer vocalist), Vini Poncia and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc. and Unichappell Music, Inc.
Darlene Love?:??
E3Stumble and Fall
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1964-02)
recording of:
Stumble and Fall (in 1964-02)
writer:
Peter Andreoli (US songwriter/producer vocalist), Vini Poncia and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc. and Unichappell Music, Inc.
Darlene Love?:??
E4When I Saw You
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1964-03)
recording of:
When I Saw You (in 1964-03)
lyricist and composer:
Phil Spector
publisher:
Mother Bertha Music Inc.
The Ronettes4?:??
E5So Young
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1964-03)
cover recording of:
I’m So Young (in 1964-03)
lyricist and composer:
William Tyrus Jr.
Veronica?:??
E6Do I Love You?
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1964-05)
recording of:
Do I Love You (in 1964-05)
composer:
Peter Andreoli (US songwriter/producer vocalist), Vini Poncia and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc. and Unichappell Music, Inc.
The Ronettes4?:??
E7Keep On Dancing
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1964-05)
recording of:
Keep on Dancing (in 1964-05)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
The Ronettes?:??
E8You, Baby
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Phil Spector
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1964-08)
recording of:
You Baby (in 1964-08)
writer:
Barry Mann, Phil Spector and Cynthia Weil
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Ronettes3?:??
F1Woman in Love (With You)
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1964-09)
recording of:
Woman in Love (With You) (in 1964-09)
writer:
Barry Mann, Phil Spector and Cynthia Weil
publisher:
Mother Bertha Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Ronettes?:??
F2Walking in the Rain
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1964-09)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 266)
recording of:
Walking in the Rain (in 1964-09)
writer:
Barry Mann, Phil Spector and Cynthia Weil
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Ronettes4.5?:??
F3You’ve Lost That Lovin’ Feelin’
engineer:
Larry Levine
producer:
Jerry Bruckheimer, Don Simpson (American film producer, screenwriter, and actor) and Phil Spector
vocals:
Bobby Hatfield and Bill Medley
arranger:
Jack Nitzsche (American musician and score composer) and Gene Page
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1964-08 until 1964-11)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 34)
recording of:
You’ve Lost That Lovin’ Feelin’ (from 1964-08 until 1964-11)
writer:
Barry Mann, Phil Spector and Cynthia Weil
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Righteous Brothers3?:??
F4Born to Be Together
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1964-12)
recording of:
Born to Be Together (in 1964-12)
writer:
Barry Mann, Phil Spector and Cynthia Weil
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Ronettes3?:??
F5Just Once in My Life
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1965-01)
recording of:
Just Once in My Life (in 1965-01)
lyricist:
Gerry Goffin
composer:
Carole King and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Screen Gems–Columbia Music and Screen Gems–Columbia Music, Inc.
The Righteous Brothers?:??
F6Unchained Melody
engineer:
Larry Levine
producer:
Phil Spector
vocals:
Bobby Hatfield and Bill Medley
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers3?:??
▼ 12" Vinyl 4
#TitleArtistRatingLength
G1Is This What I Get for Loving You?
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1965-03)
recording of:
Is This What I Get for Loving You? (in 1965-03)
writer:
Gerry Goffin, Carole King and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Ronettes3?:??
G2Long Way to Be Happy
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1965-06)
recording of:
Long Way to Be Happy (in 1965-06)
writer:
Gerry Goffin and Carole King
Darlene Love?:??
G3(I Love You) For Sentimental Reasons
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1965-09)
cover recording of:
(I Love You) for Sentimental Reasons (in 1965-09)
lyricist:
Ivory “Deek” Watson
composer:
William “Pat” Best
publisher:
MCA Duchess Music Corporation and Peter Maurice Music Co. Ltd.
The Righteous Brothers?:??
G4Ebb Tide
engineer:
Larry Levine
producer:
Phil Spector
vocals:
Bobby Hatfield and Bill Medley
arranger:
Perry Botkin Jr.
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1965-09)
cover recording of:
Ebb Tide (in 1965-09)
lyricist:
Carl Sigman
composer:
Robert Maxwell (American harpist, songwriter, and teacher)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., France Mélodie, Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp., SBK Robbins Catalog, Inc., フジパシフィックミュージック SBK事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
arrangement of:
Ebb Tide (original instrumental version)
The Righteous Brothers?:??
G5This Could Be the Night
engineer:
Larry Levine
producer:
Phil Spector
lead vocals:
Henry Diltz (in 1965-10)
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1965-10)
recording of:
This Could Be the Night (in 1965-10)
writer:
Harry Nilsson (US singer-songwriter) and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Glenwood Music Corp. and Mother Bertha Music Inc.
The Modern Folk Quartet?:??
G6Paradise
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1965-10)
recording of:
Paradise (in 1965-10)
writer:
Perry Botkin Jr., Gil Garfield, Harry Nilsson (US singer-songwriter) and Phil Spector
The Ronettes3?:??
G7River Deep, Mountain High
engineer:
Larry Levine
producer:
Phil Spector and Ike Turner
lead vocals:
Tina Turner
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1966-03)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 33) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 221)
recording of:
River Deep – Mountain High (in 1966-03)
writer:
Jeff Barry (in 1966), Ellie Greenwich (in 1966) and Phil Spector (in 1966)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Leiber Stoller Songs Ltd., Mecolico Music, Mother Bertha Music Inc., Trio Music (publisher), Trio Music Company, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント, ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works), フジパシフィックミュージック BMG事業部, ユニバーサル・ミュージック・パブリッシング Synch事業部 and 日本アブコ音楽出版
Ike & Tina Turner3.2?:??
H1I’ll Never Need More Than This
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1966-03)
recording of:
I’ll Never Need More Than This (in 1966-03)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
EMI Unart Catalog Inc., Mother Bertha Music Inc. and Steeplechase Music
Ike & Tina Turner?:??
H2A Love Like Yours (Don’t Come Knockin’ Everyday)
engineer:
Dayton “Bones” Howe and Larry Levine
producer:
Phil Spector
arranger:
Perry Botkin Jr.
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1966-04)
cover recording of:
A Love Like Yours (Don’t Come Knocking Everyday) (in 1966-04)
writer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
publisher:
Stone Agate Music Division
Ike & Tina Turner?:??
H3Save the Last Dance for Me
engineer:
Dayton “Bones” Howe and Larry Levine
producer:
Phil Spector
arranger:
Perry Botkin Jr.
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1966-04)
cover recording of:
Save the Last Dance for Me (in 1966-04)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Songs, Inc., Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., Trio Music Co., Inc., Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, Hill & Range (publisher) (in 1974) and Trio Music (publisher) (in 1974)
Ike & Tina Turner?:??
H4I Wish I Never Saw the Sunshine
engineer:
Dayton “Bones” Howe and Larry Levine
producer:
Phil Spector
arranger:
Perry Botkin Jr.
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1966-04)
recording of:
I Wish I Never Saw the Sunshine (in 1966-04)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
The Ronettes3?:??
H5You Came, You Saw, You Conquered
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Perry Botkin Jr.
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1969-02)
recording of:
You Came, You Saw, You Conquered (in 1969-02)
writer:
Irwin Levine, Phil Spector and Toni Wine
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Sosaha Music, Inc., Irving Music (BMI), Mother Bertha Music Inc., R2M Music (BMI) and Songs of Lastrada (BMI-affiliated)
The Ronettes3?:??
H6Black Pearl
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Perry Botkin Jr.
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1969-02)
recording of:
Black Pearl (in 1969-02)
composer:
Irwin Levine, Phil Spector and Toni Wine
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Sosaha Music, Inc., Irving Music (BMI), Mother Bertha Music Inc., R2M Music (BMI) and Songs of Lastrada (BMI-affiliated)
Sonny Charles & The Checkmates, Ltd.?:??
H7Love Is All I Have to Give
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Perry Botkin Jr.
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1969-02)
recording of:
Love Is All I Have to Give (in 1969-02)
composer:
Phil Spector and Bobby Stevens
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Irving Music (BMI) and Mother Bertha Music Inc.
The Checkmates, Ltd.?:??
▼ 12" Vinyl 5: A Christmas Gift for You
#TitleArtistRatingLength
I1White Christmas
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack “Specs” Nitzsche (American musician and score composer)
recorded at:
Gold Star Recording Studio in Hollywood, Los Angeles, California, United States (from 1963-09 until 1963-10)
cover recording of:
White Christmas (from 1963-09 until 1963-10)
lyricist and composer:
Irving Berlin (from 1938 until 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Berlin Music Corp., Williamson Music Company and Irving Berlin Music Company (from 1940 to present)
sub-publisher:
Irving Berlin Music Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 15th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 15)
Darlene Love?:??
I2Frosty the Snowman
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack “Specs” Nitzsche (American musician and score composer)
recorded at:
Gold Star Recording Studio in Hollywood, Los Angeles, California, United States (from 1963-09 until 1963-10)
cover recording of:
Frosty the Snow Man (from 1963-09 until 1963-10)
writer:
Steve Nelson (US songwriter who co-wrote “Frosty the Snowman”) and Walter E. Rollins
publisher:
Carlin Music Corporation, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Chappell & Co. (in 1950) and Hill and Range Songs, Inc. (on 1950-06-02)
The Ronettes?:??
I3The Bells of St. Mary
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack “Specs” Nitzsche (American musician and score composer)
recorded at:
Gold Star Recording Studio in Hollywood, Los Angeles, California, United States (from 1963-09 until 1963-10)
cover recording of:
The Bells of St. Mary’s (from 1963-09 until 1963-10)
lyricist:
Douglas Furber (in 1917)
composer:
A. Emmett Adams (in 1917)
Bob B. Soxx and the Blue Jeans?:??
I4Santa Claus Is Coming to Town
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack “Specs” Nitzsche (American musician and score composer)
recorded at:
Gold Star Recording Studio in Hollywood, Los Angeles, California, United States (from 1963-09 until 1963-10)
cover recording of:
Santa Claus Is Coming to Town (from 1963-09 until 1963-10)
lyricist:
Haven Gillespie (in 1932)
composer:
J. Fred Coots (in 1932)
publisher:
EMI Feist Catalog Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Francis, Day & Hunter Ltd., Haven Gillespie Music Publishing, Jobete Music Co., Inc., Leo Feist Ltd, Leo Feist, Inc., SBK United Partnership and The Songwriters Guild
The Crystals?:??
I5Sleigh Ride
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack “Specs” Nitzsche (American musician and score composer)
recorded at:
Gold Star Recording Studio in Hollywood, Los Angeles, California, United States (from 1963-09 until 1963-10)
cover recording of:
Sleigh Ride (from 1963-09 until 1963-10)
lyricist:
Mitchell Parish (in 1950)
composer:
Leroy Anderson (until 1948-02-10)
publisher:
EMI Harmonies Limited, EMI Mills Music Inc. (ASCAP-affiliated) and Woodbury Music (aka Woodbury Music Company)
version of:
Sleigh Ride (original instrumental version)
The Ronettes?:??
I6Marshmallow World
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack “Specs” Nitzsche (American musician and score composer)
recorded at:
Gold Star Recording Studio in Hollywood, Los Angeles, California, United States (from 1963-09 until 1963-10)
cover recording of:
A Marshmallow World (from 1963-09 until 1963-10)
lyricist:
Carl Sigman (in 1949)
composer:
Peter de Rose (in 1949)
publisher:
Shapiro Bernstein & Co. Ltd.
Darlene Love?:??
J1I Saw Mommy Kissing Santa Claus
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack “Specs” Nitzsche (American musician and score composer)
recorded at:
Gold Star Recording Studio in Hollywood, Los Angeles, California, United States (from 1963-09 until 1963-10)
cover recording of:
I Saw Mommy Kissing Santa Claus (from 1963-09 until 1963-10)
lyricist and composer:
Tommie Connor (English songwriter)
publisher:
Blue Ribbon Music Ltd., Herman Music, Inc., Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label) and Regent Music (BMI)
The Ronettes3.5?:??
J2Rudolph the Red‐Nosed Reindeer
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack “Specs” Nitzsche (American musician and score composer)
recorded at:
Gold Star Recording Studio in Hollywood, Los Angeles, California, United States (from 1963-09 until 1963-10)
cover recording of:
Rudolph, the Red‐Nosed Reindeer (from 1963-09 until 1963-10)
lyricist and composer:
Johnny Marks (American songwriter)
publisher:
Chappell & Co Ltd., Chappell Music Ltd., St. Nicholas Music Publishing Co. (on 1949-05-09) and St. Nicholas Music Inc. (from 1950 to present)
The Crystals?:??
J3Winter Wonderland
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack “Specs” Nitzsche (American musician and score composer)
recorded at:
Gold Star Recording Studio in Hollywood, Los Angeles, California, United States (from 1963-09 until 1963-10)
cover recording of:
Winter Wonderland (from 1963-09 until 1963-10)
lyricist:
Richard B. Smith (wrote lyrics to “Winter Wonderland”)
composer:
Felix Bernard
publisher:
Bregman, Vocco & Conn, Inc., EMI Music (do not use as release label! this is a music publisher), Francis, Day & Hunter, Redwood Music Ltd. (Carlin), Warner Chappell Music Inc., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Darlene Love?:??
J4Parade of the Wooden Soldiers
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack “Specs” Nitzsche (American musician and score composer)
recorded at:
Gold Star Recording Studio in Hollywood, Los Angeles, California, United States (from 1963-09 until 1963-10)
cover recording of:
The Parade of the Wooden Soldiers (ballad) (from 1963-09 until 1963-10)
lyricist:
Ballard MacDonald (in 1922)
composer:
Léon Jessel (in 1897)
version of:
Die Parade der Zinnsoldaten, op. 123
The Crystals?:??
J5Christmas (Baby Please Come Home)
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack “Specs” Nitzsche (American musician and score composer)
recorded at:
Gold Star Recording Studio in Hollywood, Los Angeles, California, United States (from 1963-09 until 1963-10)
recording of:
Christmas (Baby Please Come Home) (from 1963-09 until 1963-10)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Malt Shoppe Music, Mother Bertha Music Inc., Steeplechase Music, Trio Music Co., Inc. and Universal–Songs of PolyGram International, Inc.
Darlene Love?:??
J6Here Comes Santa Claus
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack “Specs” Nitzsche (American musician and score composer)
recorded at:
Gold Star Recording Studio in Hollywood, Los Angeles, California, United States (from 1963-09 until 1963-10)
cover recording of:
Here Comes Santa Claus (Right Down Santa Claus Lane) (from 1963-09 until 1963-10)
lyricist and composer:
Gene Autry (“The Singing Cowboy”), Oakley Haldeman and Harriett Melka
publisher:
Campbell Connelly & Co., Remick Music Corp., Warner Bros. Music Corp. and Gene Autry Music Publishing, Inc. (on 1947-11-20)
Bob B. Soxx and the Blue Jeans?:??
J7Silent Night
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack “Specs” Nitzsche (American musician and score composer)
recorded at:
Gold Star Recording Studio in Hollywood, Los Angeles, California, United States (from 1963-09 until 1963-10)
cover recording of:
Silent Night (Christmas carol, English translation) (from 1963-09 until 1963-10)
lyricist:
Josef Mohr (in 1816)
composer:
Franz Xaver Gruber (in 1818)
translator:
John Freeman Young (in 1859)
part of:
Roud Folk Song Index (number: 27088)
translated version of:
Stille Nacht, heilige Nacht
Phil Spector and Artists?:??