Best Of 3CD

~ Release by Chet Baker (see all versions of this release, 1 available)

Annotation

Digipak

Track 1-11 is not stated correct; There Will Never Be Another. (It should be:
There Will Never Be Another YOU)

Label Code: LC 0542
Cat # - CD 1: 509999053072 2
Cat # - CD 2: 509999053082 1
Cat # - CD 3: 509999053092 0

Annotation last modified on 2014-02-27 15:39 UTC.

Tracklist

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▼ CD 1
#TitleRatingLength
1My Funny Valentine
producer:
Richard Bock (record producer)
bass:
Carson Smith
drums (drum set):
Bob Neel
piano:
Russ Freeman (pianist)
vocals:
Chet Baker (American jazz trumpeter and vocalist)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1954 to present, from 2004 to present)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1954-02-15)
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
2:21
2I Can't Get Started
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1956 to present, from 2004 to present)
live recording of:
I Can’t Get Started (in 1956-07)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:08
3Sweet Lorraine
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1956 to present, from 2004 to present)
recording of:
Sweet Lorraine
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
3:12
4Time After Time
producer:
Richard Bock (record producer)
bass:
Carson Smith
drums (drum set):
Bob Neel
piano:
Russ Freeman (pianist)
tenor saxophone:
Bill Perkins (jazz saxophonist)
trumpet:
Chet Baker (American jazz trumpeter and vocalist)
vocals:
Chet Baker (American jazz trumpeter and vocalist)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 2004 to present)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1954-02-15)
recording of:
Time After Time
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd. and Sands Music Corp.
sub-publisher:
フジパシフィックミュージック
2:48
5I Get Along Without You Very Well
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1954 to present, from 2004 to present)
recording of:
I Get Along Without You Very Well
lyricist:
Jane Brown Thompson
composer:
Hoagy Carmichael (in 1939)
publisher:
Songs of Peer, Ltd. (ASCAP) and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部
3:02
6Pro Defunctus
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1954 to present, from 2004 to present)
recording of:
Pro Defunctus
lyricist and composer:
Jack Montrose
3:29
7The Route
performer:
Art Pepper Sextet
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1956 to present, from 2004 to present)
recording of:
The Route
composer:
Chet Baker (American jazz trumpeter and vocalist)
5:06
8My Ideal
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1956 to present, from 2004 to present)
recording of:
My Ideal (from “Playboy of Paris”)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Newell Chase and Richard A. Whiting
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
4:25
9The Half Dozens
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1955 to present, from 2004 to present)
recording of:
The Half Dozens
composer:
Chet Baker (American jazz trumpeter and vocalist)
2:20
10Love Me or Leave Me
performer:
Gerry Mulligan
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1953 to present, from 2004 to present)
recording of:
Love Me or Leave Me
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
2:42
11There Will Never Be Another
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1954 to present, from 2004 to present)
recording of:
There Will Never Be Another You
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:02
12Lush Life
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1956 to present, from 2004 to present)
recording of:
Lush Life
lyricist:
Billy Strayhorn (from 1933 until 1938)
composer:
Gary Fuhrmann and Billy Strayhorn (from 1933 until 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Reservoir Media Music, ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment) and Tempo Music Inc (from 1949 to present)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:56
13Embraceable You
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1957 to present, from 2004 to present)
recording of:
Embraceable You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
2:10
14What's New (live)
performer:
Stan Getz
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1953 to present, from 1997 to present)
live recording of:
What’s New?
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Bob Haggart
publisher:
Warner Bros., Inc. (not for release label use!)
3:44
15Aren't You Glad You're You
performer:
Gerry Mulligan
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1952 to present, from 2004 to present)
recording of:
Aren’t You Glad You’re You?
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1945)
composer:
Jimmy Van Heusen (in 1945)
part of:
The 18th Academy Award for Best Original Song (number: 2)
2:53
16Five Brothers (live)
performer:
Gerry Mulligan
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1953 to present, from 2004 to present)
live recording of:
Five Brothers
composer:
Gerry Mulligan
3:01
17Bea's Flat
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1954 to present, from 2004 to present)
recording of:
Bea’s Flat
composer:
Russ Freeman (pianist)
3:00
▼ CD 2
#TitleRatingLength
1Like Someone in Love
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1956 to present, from 2004 to present)
cover recording of:
Like Someone in Love
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
2:27
2Moonlight Becomes You
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1953 to present, from 2004 to present)
recording of:
Moonlight Becomes You
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1942)
composer:
Jimmy Van Heusen (in 1942)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony and ソニー・ミュージックパブリッシング A事業部
3:27
3It's Always You
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1956 to present, from 2004 to present)
recording of:
It’s Always You
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:37
4Lullaby of the Leaves (live)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1954 to present, from 2004 to present)
live recording of:
Lullaby of the Leaves
lyricist:
Joe Young (US lyricist)
composer:
Bernice Petkere
4:33
5On Green Dolphin Street
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1957 to present, from 2004 to present)
recording of:
On Green Dolphin Street
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist, Inc. and Patti Washington Music
3:11
6I Fall in Love Too Easily
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1954 to present, from 2004 to present)
recording of:
I Fall in Love Too Easily
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. and Leo Feist, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 2)
3:21
7Stalla by Starlight
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1954 to present, from 2004 to present)
recording of:
Stella by Starlight
lyricist:
Ned Washington (in 1946)
writer:
Ned Washington and Victor Young (American composer, arranger, violinist & conductor)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:56
8Happy Little Sunbeam
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1953 to present, from 2004 to present)
recording of:
Happy Little Sunbeam
composer:
Russ Freeman (pianist)
2:44
9The Thrill Is Gone
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1953 to present, from 2004 to present)
recording of:
The Thrill Is Gone (Henderson/Brown song, first performed in 1931)
lyricist:
Lew Brown
composer:
Ray Henderson
publisher:
DeSylva, Brown and Henderson, Inc. and Redwood Music Ltd. (Carlin)
2:53
10My Old Flame
performer:
Gerry Mulligan
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1953 to present, from 2004 to present)
recording of:
My Old Flame
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:15
11There's a Lull in My Life
recorded in:
New York, New York, United States (on 1957-12-09)
engineer:
Malcolm Addey
producer:
Richard Bock (record producer) and Michael Cuscuna
bass:
Russ Savakus (on 1957-12-09)
guitar:
David Wheat (on 1957-12-09)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (on 1957-12-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1957 to present, from 2004 to present)
cover recording of:
There’s a Lull in My Life (on 1957-12-09)
lyricist:
Mack Gordon
composer:
Harry Revel (British-born American composer)
publisher:
Robbins Music Corp.
2:56
12Love Nest
recorded in:
Los Angeles, California, United States (on 1956-11-06)
producer:
Richard Bock (record producer)
bass:
Leroy Vinnegar
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
trumpet:
Chet Baker (American jazz trumpeter and vocalist)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1956 to present, from 2004 to present)
recording of:
The Love Nest
lyricist:
Otto Harbach
composer:
Louis A. Hirsch (composer, co-founder of ASCAP)
publisher:
Victoria Publishing Corp (on 1920-04-12)
4:20
13I've Never Been in Love Before
bass:
Jimmy Bond
drums (drum set):
Peter Littman
piano:
Russ Freeman (pianist)
trumpet:
Chet Baker (American jazz trumpeter and vocalist)
vocals:
Chet Baker (American jazz trumpeter and vocalist)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 2004 to present)
recording of:
I’ve Never Been in Love Before
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
part of:
Guys and Dolls (full musical)
4:31
14Minor Yours
performer:
Art Pepper Sextet
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1956 to present, from 2004 to present)
recording of:
Minor Yours
composer:
Art Pepper
7:15
15Lucius Lu
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1956 to present, from 2004 to present)
recording of:
Lucius Lu
composer:
Phil Urso
5:37
16Grey December
recorded in:
Los Angeles, California, United States (on 1955-02-28)
producer:
Richard Bock (record producer)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Bob Neel
flute:
Bud Shank
harp:
Corky Hale
piano:
Russ Freeman (pianist)
trumpet:
Chet Baker (American jazz trumpeter and vocalist)
vocals:
Chet Baker (American jazz trumpeter and vocalist)
arranger:
Frank Campo, Johnny Mandel (American composer and arranger) and Marty Paich
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1955 to present, from 2004 to present)
recording of:
Grey December
composer:
Frank Campo
3:42
17How Long Has This Been Going On
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1957 to present, from 2004 to present)
recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
2:48
▼ CD 3
#TitleRatingLength
1Let's Get Lost
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1955 to present, from 2004 to present)
recording of:
Let’s Get Lost (on 1955-03-07)
writer:
Frank Loesser and Jimmy McHugh (songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony (ASCAP)
3:45
2Yesterdays (live)
performer:
Stan Getz
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1953 to present, from 2004 to present)
live recording of:
Yesterdays
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
4:25
3Look for the Silver Lining
producer:
Richard Bock (record producer)
bass:
Carson Smith
drums (drum set):
Bob Neel
piano:
Russ Freeman (pianist)
trumpet:
Chet Baker (American jazz trumpeter and vocalist)
vocals:
Chet Baker (American jazz trumpeter and vocalist)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1954 to present)
recording of:
Look for the Silver Lining
lyricist:
Buddy DeSylva
composer:
Jerome Kern
publisher:
Chappell & Co. and T.B. Harms Co.
part of:
Sally (1920 musical)
2:39
4A Dandy Line
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (from 1953 to present, from 2004 to present)
recording of:
A Dandy Line
composer:
Jack Montrose
2:52
5That Old Feeling
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1956 to present, from 2004 to present)
recording of:
That Old Feeling
lyricist:
Lew Brown
composer:
Sammy Fain
publisher:
Leo Feist, Inc. and Warner Bros. Music Corp.
part of:
The 10th Academy Award for Best Original Song (number: 2)
3:06
6Come Rain or Come Shine
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1957 to present, from 2004 to present)
recording of:
Come Rain or Come Shine
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
2:10
7But Not for Me
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1954 to present, from 2004 to present)
recording of:
But Not for Me
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:07
8Picture of Heath
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1957 to present, from 2004 to present)
recording of:
Picture of Heath
composer:
Jimmy Heath
6:46
9Goodbye
engineer:
Allan Emig (on 1953-12-22)
producer:
Richard Bock (record producer) and Michael Cuscuna
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1953-12-22)
double bass [bass]:
Joe Mondragon (on 1953-12-22)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1953-12-22)
piano:
Russ Freeman (pianist) (on 1953-12-22)
saxophone:
Herb Geller (on 1953-12-22)
tenor saxophone:
Jack Montrose (on 1953-12-22)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-12-22)
arranger:
Jack Montrose
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (from 1953 to present, from 2004 to present)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1953-12-22)
instrumental recording of:
Goodbye (on 1953-12-22)
lyricist and composer:
Gordon Jenkins
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
3:51
10Cta
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1957 to present, from 2004 to present)
recording of:
C.T.A.
composer:
Jimmy Heath
5:12
11My Buddy
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1956 to present, from 2004 to present)
recording of:
My Buddy
lyricist:
Gus Kahn (in 1922)
composer:
Walter Donaldson (in 1922)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3:21
12The Night We Called It a Day
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1957 to present, from 2004 to present)
recording of:
The Night We Called It a Day
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
BMI/Embassy Music Corp. and Dorsey Brothers Music
2:22
13You Don't Know What Love Is
producer:
Richard Bock (record producer)
bass:
Carson Smith
drums (drum set):
Bob Neel
piano:
Russ Freeman (pianist)
trumpet:
Chet Baker (American jazz trumpeter and vocalist)
vocals:
Chet Baker (American jazz trumpeter and vocalist)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1955 to present, from 2004 to present)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1955-03-07)
recording of:
You Don’t Know What Love Is
lyricist and composer:
Gene de Paul and Don Raye
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
4:51
14The Way You Look Tonight (live)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1953 to present, from 2004 to present)
live recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
6:22
15Darn That Dream
performer:
Gerry Mulligan
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1953 to present, from 2004 to present)
recording of:
Darn That Dream
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
3:52
16Someone to Watch Over Me
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1955 to present, from 2004 to present) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (from 1955 to present, from 2004 to present)
recording of:
Someone to Watch Over Me (Oh, Kay!)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
3:03

Credits

Release

rights society:SACEM (Société des auteurs, compositeurs et éditeurs de musique, French rights society representing original songwriters, composers, and music publishers)
manufactured by:www.takt.eu (Polish manufacturer)
copyrighted (©) by and phonographic copyright (℗) by:EMI Music France (1994–2013) (from 2010 to present)