After Ours

~ Release by Ann Hampton Callaway (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleRatingLength
1Time After Time
recording engineer and mixer:
Paul Wickliffe (in 1994-09)
producer:
Danny Weiss (producer)
editor:
Mark Epstein
brass:
Randy Brecker (in 1994-09)
double bass:
Jay Leonhart (in 1994-09)
percussion:
George Jinda (in 1994-09)
piano:
Kenny Barron (in 1994-09)
saxophone:
Bob Mintzer (in 1994-09)
vocals:
Ann Hampton Callaway (in 1994-09)
recorded at and mixed at:
Pilot Recording Studios in New York, New York, United States (in 1994-09)
edited at:
Norris Audio in New York, New York, United States
cover recording of:
Time After Time (in 1994-09)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd. and Sands Music Corp.
sub-publisher:
フジパシフィックミュージック
5:14
2Teach Me Tonight
recording engineer and mixer:
Paul Wickliffe (in 1994-09)
producer:
Danny Weiss (producer)
editor:
Mark Epstein
brass:
Randy Brecker (in 1994-09)
double bass:
Jay Leonhart (in 1994-09)
percussion:
George Jinda (in 1994-09)
piano:
Kenny Barron (in 1994-09)
saxophone:
Bob Mintzer (in 1994-09)
vocals:
Ann Hampton Callaway (in 1994-09)
recorded at and mixed at:
Pilot Recording Studios in New York, New York, United States (in 1994-09)
edited at:
Norris Audio in New York, New York, United States
cover recording of:
Teach Me Tonight (in 1994-09)
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Company, Hub Music Co Inc, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 and 日音 Synch事業部
3:25
3My Funny Valentine
recording engineer and mixer:
Paul Wickliffe (in 1994-09)
producer:
Danny Weiss (producer)
editor:
Mark Epstein
brass:
Randy Brecker (in 1994-09)
double bass:
Jay Leonhart (in 1994-09)
percussion:
George Jinda (in 1994-09)
piano:
Kenny Barron (in 1994-09)
saxophone:
Bob Mintzer (in 1994-09)
vocals:
Ann Hampton Callaway (in 1994-09)
recorded at and mixed at:
Pilot Recording Studios in New York, New York, United States (in 1994-09)
edited at:
Norris Audio in New York, New York, United States
cover recording of:
My Funny Valentine (from “Babes in Arms”) (in 1994-09)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
6:41
4Old Devil Moon
recording engineer and mixer:
Paul Wickliffe (in 1994-09)
producer:
Danny Weiss (producer)
editor:
Mark Epstein
brass:
Randy Brecker (in 1994-09)
double bass:
Jay Leonhart (in 1994-09)
percussion:
George Jinda (in 1994-09)
piano:
Kenny Barron (in 1994-09)
saxophone:
Bob Mintzer (in 1994-09)
vocals:
Ann Hampton Callaway (in 1994-09)
recorded at and mixed at:
Pilot Recording Studios in New York, New York, United States (in 1994-09)
edited at:
Norris Audio in New York, New York, United States
cover recording of:
Old Devil Moon (from “Finian’s Rainbow”) (in 1994-09)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
part of:
Finian’s Rainbow (1947 Broadway musical)
4:08
5The First Time Ever I Saw Your Face
recording engineer and mixer:
Paul Wickliffe (in 1994-09)
producer:
Danny Weiss (producer)
editor:
Mark Epstein
brass:
Randy Brecker (in 1994-09)
double bass:
Jay Leonhart (in 1994-09)
percussion:
George Jinda (in 1994-09)
piano:
Kenny Barron (in 1994-09)
saxophone:
Bob Mintzer (in 1994-09)
vocals:
Ann Hampton Callaway (in 1994-09)
recorded at and mixed at:
Pilot Recording Studios in New York, New York, United States (in 1994-09)
edited at:
Norris Audio in New York, New York, United States
cover recording of:
The First Time Ever I Saw Your Face (in 1994-09)
lyricist and composer:
Ewan MacColl
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex Music Publishing, Harmony Music Publishing (subsidiary of Viva Entertainment), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Stormking Music Inc. and Westbury Music Ltd.
4:46
6All Blues
recording engineer and mixer:
Paul Wickliffe (in 1994-09)
producer:
Danny Weiss (producer)
editor:
Mark Epstein
brass:
Randy Brecker (in 1994-09)
double bass:
Jay Leonhart (in 1994-09)
percussion:
George Jinda (in 1994-09)
piano:
Kenny Barron (in 1994-09)
saxophone:
Bob Mintzer (in 1994-09)
vocals:
Ann Hampton Callaway (in 1994-09)
recorded at and mixed at:
Pilot Recording Studios in New York, New York, United States (in 1994-09)
edited at:
Norris Audio in New York, New York, United States
cover recording of:
All Blues (in 1994-09)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation
4:58
7They Can't Take That Away From Me
recording engineer and mixer:
Paul Wickliffe (in 1994-09)
producer:
Danny Weiss (producer)
editor:
Mark Epstein
brass:
Randy Brecker (in 1994-09)
double bass:
Jay Leonhart (in 1994-09)
percussion:
George Jinda (in 1994-09)
piano:
Kenny Barron (in 1994-09)
saxophone:
Bob Mintzer (in 1994-09)
vocals:
Ann Hampton Callaway (in 1994-09)
recorded at and mixed at:
Pilot Recording Studios in New York, New York, United States (in 1994-09)
edited at:
Norris Audio in New York, New York, United States
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (in 1994-09)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
4:30
8The Music You Leave Inside My Mind
recording engineer and mixer:
Paul Wickliffe (in 1994-09)
producer:
Danny Weiss (producer)
editor:
Mark Epstein
brass:
Randy Brecker (in 1994-09)
double bass:
Jay Leonhart (in 1994-09)
percussion:
George Jinda (in 1994-09)
piano:
Kenny Barron (in 1994-09)
saxophone:
Bob Mintzer (in 1994-09)
vocals:
Ann Hampton Callaway (in 1994-09)
recorded at and mixed at:
Pilot Recording Studios in New York, New York, United States (in 1994-09)
edited at:
Norris Audio in New York, New York, United States
6:04
9You Are My Sunshine
recording engineer and mixer:
Paul Wickliffe (in 1994-09)
producer:
Danny Weiss (producer)
editor:
Mark Epstein
brass:
Randy Brecker (in 1994-09)
double bass:
Jay Leonhart (in 1994-09)
percussion:
George Jinda (in 1994-09)
piano:
Kenny Barron (in 1994-09)
saxophone:
Bob Mintzer (in 1994-09)
vocals:
Ann Hampton Callaway (in 1994-09)
recorded at and mixed at:
Pilot Recording Studios in New York, New York, United States (in 1994-09)
edited at:
Norris Audio in New York, New York, United States
cover recording of:
You Are My Sunshine (in 1994-09)
anthem of:
Louisiana, United States
writer:
Jimmie Davis (American politician, singer and songwriter) and Charles Mitchell (1940s songwriter)
publisher:
Peer International (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (on 1940-01-30)
4:53
10It Never Entered My Mind
recording engineer and mixer:
Paul Wickliffe (in 1994-09)
producer:
Danny Weiss (producer)
editor:
Mark Epstein
brass:
Randy Brecker (in 1994-09)
double bass:
Jay Leonhart (in 1994-09)
percussion:
George Jinda (in 1994-09)
piano:
Kenny Barron (in 1994-09)
saxophone:
Bob Mintzer (in 1994-09)
vocals:
Ann Hampton Callaway (in 1994-09)
recorded at and mixed at:
Pilot Recording Studios in New York, New York, United States (in 1994-09)
edited at:
Norris Audio in New York, New York, United States
cover recording of:
It Never Entered My Mind (in 1994-09)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
6:57
11Falling in Love Again
recording engineer and mixer:
Paul Wickliffe (in 1994-09)
producer:
Danny Weiss (producer)
editor:
Mark Epstein
brass:
Randy Brecker (in 1994-09)
double bass:
Jay Leonhart (in 1994-09)
percussion:
George Jinda (in 1994-09)
piano:
Kenny Barron (in 1994-09)
saxophone:
Bob Mintzer (in 1994-09)
vocals:
Ann Hampton Callaway (in 1994-09)
recorded at and mixed at:
Pilot Recording Studios in New York, New York, United States (in 1994-09)
edited at:
Norris Audio in New York, New York, United States
cover recording of:
Falling in Love Again (Can’t Help It) (in 1994-09)
lyricist and composer:
Friedrich Hollaender
translator:
Reginald Connelly and Sammy Lerner
publisher:
Campbell Connelly, BMG Songs, Inc. (in 1930) and Samuel M. Lerner Publications (in 1930)
translated version of:
Ich bin von Kopf bis Fuß auf Liebe eingestellt
3:43
12Bonus: Improvised
recording engineer and mixer:
Paul Wickliffe (in 1994-09)
producer:
Danny Weiss (producer)
editor:
Mark Epstein
brass:
Randy Brecker (in 1994-09)
double bass:
Jay Leonhart (in 1994-09)
percussion:
George Jinda (in 1994-09)
piano:
Kenny Barron (in 1994-09)
saxophone:
Bob Mintzer (in 1994-09)
vocals:
Ann Hampton Callaway (in 1994-09)
recorded at and mixed at:
Pilot Recording Studios in New York, New York, United States (in 1994-09)
edited at:
Norris Audio in New York, New York, United States
4:22

Credits

Release

art direction:Joanne Slattery
photography:Stephanie Foxx
mastering:Paul Reid III
mastered at:Denon Digital Industries in Madison, Georgia, United States