Messe in h-Moll

~ Release by Johann Sebastian Bach; Janowitz, Ludwig, Schreier, Kerns, Ridderbusch, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan (see all versions of this release, 3 available)

Annotation

Box with booklet included.

Annotation last modified on 2018-09-10 09:51 UTC.

Tracklist

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▼ 12" Vinyl 1
#TitleArtistRatingLength
A1Mass in B minor: Kyrie: I. Chorus: Kyrie eleison
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach11:46
A2Mass in B minor: Kyrie: II. Duet (soprano, contralto): Christe eleison
producer:
Hans Weber (producer/engineer)
soprano vocals [Soprano 2]:
Christa Ludwig (mezzo-soprano) (from 1973-09-23 until 1974-01-05)
soprano vocals [Soprano I]:
Gundula Janowitz (soprano) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:15
A3Mass in B minor: Kyrie: III. Chorus: Kyrie eleison
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:20
B1Mass in B minor: Gloria: IV. Chorus: Gloria in excelsis / V. Chorus: Et in terra pax
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
compilation of:
Mass in B minor: Gloria: IV. Chorus: Gloria in excelsis by Berliner Philharmoniker, Herbert von Karajan (conductor) and Mass in B minor: Gloria: V. Chorus: Et in terra pax by Berliner Philharmoniker, Herbert von Karajan (conductor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:57
B2Mass in B minor: Gloria: VI. Aria (contralto): Laudamus te
producer:
Hans Weber (producer/engineer)
soprano vocals [Soprano 2]:
Christa Ludwig (mezzo-soprano) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:25
B3Mass in B minor: Gloria: VII. Chorus: Gratias agimus tibi
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:46
▼ 12" Vinyl 2
#TitleArtistRatingLength
C1Mass in B minor: Gloria: VIII. Duet (soprano, tenor): Domine Deus
producer:
Hans Weber (producer/engineer)
soprano vocals [Soprano I]:
Gundula Janowitz (soprano) (from 1973-09-23 until 1974-01-05)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:09
C2Mass in B minor: Gloria: IX. Chorus: Qui tollis peccata mundi
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:49
C3Mass in B minor: Gloria: X. Aria (contralto): Qui sedes ad dexteram Patris
producer:
Hans Weber (producer/engineer)
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:47
C4Mass in B minor: Gloria: XI. Aria (bass): Quoniam tu solus Sanctus
producer:
Hans Weber (producer/engineer)
bass vocals:
Karl Ridderbusch (operatic bass) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:55
C5Mass in B minor: Gloria: XII. Chorus: Cum Sancto Spiritu
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:11
D1Mass in B minor: Credo: XIII. Chorus: Credo in unum Deum
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:48
D2Mass in B minor: Credo: XIV. Chorus: Credo in unum Deum, Patrem omnipotentem
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:15
D3Mass in B minor: Credo: XV. Duet (soprano, contralto): Et in unum Dominum
producer:
Hans Weber (producer/engineer)
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-09-23 until 1974-01-05)
soprano vocals [Soprano I]:
Gundula Janowitz (soprano) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:36
D4Mass in B minor: Credo: XVI. Chorus: Et incarnatus est
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:02
D5Mass in B minor: Credo: XVII. Chorus: Crucifixus
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:41
D6Mass in B minor: Credo: XVIII. Et resurrexit
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:17
▼ 12" Vinyl 3
#TitleArtistRatingLength
E1Mass in B minor: Credo: XIX. Aria (bass): Et in Spiritum Sanctum
producer:
Hans Weber (producer/engineer)
bass vocals:
Robert Kerns (baritone) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:30
E2Mass in B minor: Credo: XX. Chorus: Confiteor unum baptisma / XXI. Chorus: Et expecto resurrectionem
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
compilation of:
Mass in B minor: Credo: XX. Chorus: Confiteor unum baptisma by Berliner Philharmoniker, Herbert von Karajan (conductor) and Mass in B minor: Credo: XXI. Chorus: Et expecto resurrectionem by Berliner Philharmoniker, Herbert von Karajan (conductor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach7:51
E3Mass in B minor: Sanctus: XXII. Chorus: Sanctus
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:14
E4Mass in B minor: Sanctus: XXIII. Chorus: Osanna in excelsis
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:43
F1Mass in B minor: Sanctus: XXIV. Aria (tenor): Benedictus, qui venit
producer:
Hans Weber (producer/engineer)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:30
F2Mass in B minor: Sanctus: XXV. Chorus: Osanna in excelsis (da capo)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:46
F3Mass in B minor: Agnus Dei: XXVI. Aria (contralto): Agnus Dei
producer:
Hans Weber (producer/engineer)
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach7:33
F4Mass in B minor: Agnus Dei: XXVII. Chorus: Dona nobis pacem
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (conductor) (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:02